The Visionary

by Ursula K. Le Guin

  The Visionary

  Ursula K. Le Guin

  Ursula K. Le Guin The Visionary

  My mother and aunt said that when I was learning to talk, I talked to people they could not see or hear, sometimes speaking in our language and sometimes saying words or names they did not know. I can't remember doing that, but I remember that I could not understand why people said that a room was empty or that there was nobody in the gardens, because there were always people of different kinds, everywhere. Mosty they stayed quietly or were going about their doings, or passing through. I had already learned that nobody talked to them and that they did not often pay heed or answer when I tried to talk to them, but it had not occurred to me that other people did not see them.

  I had a big argument with my cousin once when she said there was nobody in the wash house, and I had seen a whole group of people there, passing things from hand to hand and laughing silently, as if they were playing some gambling game. My cousin, who was older than I, said I was lying, and I began to scream and tried to knock her down. I can feel that same anger now. I was telling what I had seen and could not believe she had not seen the people in the wash house; I thought she was lying in order to call me a liar. That anger and shame stayed a long time and made me unwilling to look at the people that other people didn't see or wouldn't talk about. When I saw them, I looked away until they were gone. I had thought they were all my kinfolk, people of my household, and seeing them had been companionship and pleasure to me; but now I felt I could not trust them, since they had got me into trouble. Of course I had it all backward, but there was nobody to help me get it straight. My family was not much given to thinking about things, and except for going to school, I went to our heyimas only in the Summer before the games.

  When I turned away from all those people that I had used to see, they went on and did not come back.

  Only a few were left, and I was lonely.

  I liked to be with my father, Olive of the Yellow Adobe, a man who talked little and was cautious and gentle in mind and hand. He repaired and reinstalled solar panels and collectors and batteries and lines and fixtures in houses and outbuildings; all his work was with the Miller's Art. He did not mind if I eame along if I was quiet, and so I went with him to be away from our noisy, busy household. When he saw that I liked his art, he began to teach it to me. My mothers were not enthusiastic about that. My Serpentine grandmother did not like having a Miller for son-in-law, and my mother wanted me to learn medicine. "If she has the third eye, she ought to put it to good use," they said, and they sent me to the Doctors Lodge on White Sulfur Creek to learn. Although I learned a good deal there and liked the teachers, I did not like the work and was impatient with the illnesses and accidents of mortality, preferring the dangerous, dancing energies my father worked with. I could often see the electrical current, and there were excitements of feeling, tones of a kind of sweet music barely to be heard, and tones also of voices speaking and singing, distant and hard to understand, that came when I worked with the batteries and wires. I did not speak of this to my father. If he felt and heard any of these things, he preferred to leave them unspoken, outside the house of words.

  My childhood was like everybody's, except that with going to the Doctors Lodge and working with my father and liking to be alone, perhaps I played less with other children than many children do, after I was seven or eight years old. Also, though I went all over Telina with my father and knew all the ways and houses, we never went out of town. My family had no summer house and never even visited the hills.

  "Why leave Telina?" my grandmother would say. "Everything is here!" And in summer the town was pleasant, even when it was hot; so many people were away that there was never a crowd at the wash house, and houses standing empty were entirely different from houses full of people, and the ways and gardens and common places were lonesome and lazy and quiet. It was always in summer, often in the great heat of the afternoon, that I would see the people passing through Telina-na, coming upriver. They are hard to describe, and I have no idea who they were. They were rather short and walked quietly, alone, or three or four - one after the other; their limbs were smooth and their faces round, often with some lines or marks drawn on the lips or chin; their eyes were narrow, and sometimes looked swollen and sore as if from smoke or weeping. They would go quietly through the town, not looking at it and never speaking, going upriver. When I saw them I would always say the four heyas. The way they went, silently, gripped at my heart. They were far from me, walking in sorrow.

  When I was nearly twelve years old, my cousin came of age, and the family gave a very big passage party far her, giving away all kinds of things I didn't even know we had. The following year I came of age, and we had another big party, though without such lavishness, as we didn't have so much left to give. I had entered the Blood Lodge just before the Moon, and the party for me was during the Summer Dance. At the end of the party, there were horse games and races, for the Summer people had come down from Chukulmas.

  I had never been on horseback. The boys and girls who rode in the games and races for Telina brought a steady mare for me to ride and boosted me up to her back and put the rein in my hand, and off we went.

  I felt like the wild swan. That was pure joy. And I could share it with the other young people; we were all joined by the good feeling of the party and the excitement of the games and races and the beauty and passion of the horses, who thought it was all their festival. The mare taught me how to ride that day, and I was on horseback all night dreaming, and the next day, rode again; and on the third day I rode in a race, on a roan colt from a household in Chukulmas. The colt ran second in the big race when I rode him and ran first in the match race when the boy who had raised him rode him. In all that glory of festival and riding and racing and friendship, I left my childhood most joyously, but also I went out of my House, and got lost from too much being given me at once. I gave my heart to the red colt I rode and to the boy who rode him, a brother of the Serpentine of Chukulmas.

  It was a long time ago and not his fault or doing; he did not know it. The word I write is my word; to myself let it be brought back.

  So the Summer games were over in our town and the horse riders went off downriver to Madidinou and Ounmalin; and there I was, a thirteen-year-old woman and afoot.

  I wore the undyed clothing I had been making all the year before, and I went often to the Blood Lodge, learning the songs and mysteries. Young people who had been friendly to me at the games remained friends, and when they found I longed to ride, they shared the horses of their households with me. I learned to play vetulou and helped with caring for the horses, who were stabled and pastured then northwest of Moon Creek in Halfhoof Pasture and on Butt Hill. I said at the Doctors Lodge that I wanted to learn horse doctoring, and so they sent me to learn that art by working with an old man, Striffen, who was a great doctor of horses and cattle, I would listen to him. He used different kinds of noises, words like the matrix words of songs, and different kinds of silences and breathing; and so did the animals. But I never could understand what they were saying.

  Once when I came to the Obsidian heyimas for a Blood Lodge singing, a woman, I thought her old then, named Milk, met me in the passage. She looked at me with eyes as sharp and blind as a snake's eyes and said, "What are you here for?"

  I answered her, "For the singing," and hurried by, but I knew that was not what she had asked.

  In the summer I went with the dancers and riders of Telina to Chukulmas. There I met that boy, that young man. We talked about the roan horse and about the little moonhorse I was riding in the vetulou games. When he stroked the roan horse's flank, I did so too, and the side of my hand touched the side of his hand once.

  Then there was ano
ther year until the Summer games returned. That was how it was to me: There was nothing I cared for or was mindful of but the Summer and the games.

  The old horse doctor died on the first night of the Grass. I had gone to the Lodge Rejoining and learned the songs; I sang them for him. After he was burned I gave up learning his art. I could not talk with the animals or with any other people. I saw nothing clearly and listened to no one, I went back to working with my father, and I rode in the games in Summer. My cousin had a group of friends, girls who talked and played soulbone and dice, gambling for candy and almonds, sometimes for rings and earrings, and I hung around with them every evening, There were no real people in the world I saw at that time.

  All rooms were empty. Nobody was in the common places and gardens of Telina. Nobody walked upriver grieving.

  When the sun turned south, the dancers and riders came again from Chukulmas to Telina, and I rode in the games and races, spending all day and night at the fields. People said, "That girl is in love with the roan stallion from Chukulmas," and teased me about it but not shamefully; everybody knows how adolescents fall in love with horses, and songs have been made about that love. But the horse knew what was wrong: He would no longer let me handle him.

  In a few days the riders went on to Madidinou, and I stayed behind.

  Things are very obstinate and stubborn, but also there is a sweet willingness in them: They offer what they meet, Electricity is like horses: crazy and willful and also willing and reliable. If you are careless and running counter, a horse or a live wire is a contrary and perilous thing. I burnt and shocked myself several times that year, and once I started a fire in the walls of a house by making a bad connection and not grounding the wires. They smelled the smoke and put out the fire before it did much harm, but my father, who had brought me into his Art as a novice, was so alarmed and angry that he forbade me to work with him until the next rainy season.

  At the Wine that year I was fifteen years old. I got drunk for the first time. I went around town shouting and talking to people nobody else saw. So I was told next day, but I could not remember anything of it. I thought if I got drunk again, but a little less drunk, I might see the kind of people I used to see, when the ways were full of them and they kept my soul company. So I stole wine from our house neighbors, who had most of a barrel left in bottle after the dance, and I went down alone by the Na in the willow flats to drink it.

  I drank the first bottle and made some songs, then I spilled most of the second bottle and went home and felt sick for a couple of days. I stole wine again, and this time I drank two bottles quickly. I made no songs. I felt dizzy and sick and fell asleep. Next morning I woke up there in the willow flats on the cold stones by the river, very weak and cold. My family was worried about me after that. It had been a hot night; so I could say I had stayed out for the cool and had fallen asleep, but my mother knew I was lying about something. She thought it must be that I had come inland with some boy but for some reason would not admit it. It shamed and worried her to think that I was wearing undyed clothing when I should no longer do so. It enraged me that she should so distrust me; yet I would say nothing to her in denial or explanation. My father knew that I was sick at heart, but it was soon after that that I set the fire, and his worry turned to anger. As for my cousin, she was in love with a Blue Clay boy and interested in nothing else; the girls with whom I gambled had taken to smoking a lot of hemp, which I never liked; and though the friends with whom I rode and looked after the horses were still kind, I did not want to be with humans much or even with horses. I did not want the world to be as it was. I had begun making up the world.

  I made the world this way: That young man of my House in Chukulmas felt as I felt; and I would go to Chukulmas after the Grass this year. He and I would go up into the hills together and become forestliving people. We would take the roan stallion and go to Looks Up Valley, or farther; we would go to the grass dune country west of the Long Sound, where, he had once told me, the herds of wild horses run. He said that people went from Chukulmas sometimes to catch a wild horse there, but it was country where no human people lived. We would live there together alone, taming and riding the wild horses. Telling myself this world, in the daytime I made us live as brother and sister, but in the nights, lying alone, I made us make love together. The Grass came and passed; I put off going to Chukulmas, telling myself that it would be better to go after the Sun was danced. I had never danced the Sun as an adult, and I wanted to do that; after that, I told myself, I would go to Chukulmas. All along I knew that if I went or if I did not go it did not matter, and all I wanted to do was to die.

  It is hard to say to yourself that what you want to do is die. You keep hiding it behind other things, which you pretend to want. I was impatient for the Twenty-One Days to begin, as if my life would start over with them. On the eve of the first day, I went to live at the heyimas.

  As soon as I set foot on the ladder, my heart went cold and tight. There was a long-singing that night.

  My lips got numb, and my voice would not come out of my throat. I wanted to get out and run away, all night, but I did not know where to go.

  Next morning three groups formed: One would go over the northwest range into wild country in silence; one would use hemp and mushrooms for trance; and one would drum and long-sing.

  I could not choose which group to join, and this distressed me beyond anything. I began shaking, and went to the ladder but could not lift my foot to climb it.

  The old doctor named Gall, who had taught me sometimes at the Doctors Lodge, came down the ladder. She was coming to sing, but the habit of her art distracted her, and she observed me. She turned back and said, "Are you not well?"

  "I think I am ill."

  "Why is that?"

  "I want to dance and can't choose the dancing."

  "The long-singing?"

  "My voice is gone."

  "The trances?"

  "I'm afraid of them,"

  "The journey?"

  "I can't leave this house!" I said loudly and began to shake again.

  Gall put her head back with her chin sunk in her neck and looked at me from the tops of her eyes. She was a short, dark, wrinkled woman. She said, "You're already stretched. Do you want to break?"

  "Maybe it would be better."

  "Maybe it would be better to relax?"

  "No it would be worse."

  "There's a choice made. Come now."

  Gall took my hand and brought me to the doorway of the inmost room of the heyimas, where the people of the Inner Sun were.

  I said, "I can't go in there. I'm not old enough to begin the learning."

  Gall said, "Your soul is old." She said the same to Black Oak, who came from the gyre to the doorway: "This is an old soul and a young one, stretching each other too hard."

  Black Oak, who was then Speaker of the Serpentine, spoke with Gall, but I was not able to listen to what they said. As soon as we had come into the doorway of the inner room, my hair lifted up on my head, and my ears sang. I saw round, bright lights caming and going inside the room, where there was no light but the dim shaft from the topmost skylight. The light began to gyre. Black Oak turned to me and spoke, but at that time, as he spoke, the vision began.

  I did not see the man Black Oak, but the Serpentine. It was a rock person, not man nor woman, not human, but in shape like a heavy human being, with the blue, blue-green, and black colors and the surfaces of serpentine rock in its skin. It had no hair, and its eyes were lidless and without transparency, seeing very slowly. Serpentine looked at me very slowly with those rock eyes.

  I crouched down in terror. I could not weep or speak or stand or move. I was like a bag full of fear.

  All I could do was crouch there. I could not breathe at all until a stone, maybe Serpentine's hand, struck my head a hard blow on the right side, above the ear. It knocked me off balance and hurt very much, so that I whimpered and sobbed with the pain, and after that I could breathe again. My head d
id not bleed where it had been struck but began swelling up there.

  I crouched, recovering from the blow and the dizziness, and after a long while looked up again.

  Serpentine was standing there. It stood there. After a while I saw the hands moving slowly. They moved up slowly and came together at the navel, at the middle of the stone. There they pulled back and apart.

  They pulled open a long, wide rent, or opening in the stone, like the doorway of a room into which I knew I was to enter. I got up crouching and shaking and took a step forward into the stone.

  It was not like a room. It was stone, and I was in it. There was no light or breath or room. I think the rest of the vision all took place in the stone; that is where it all happened and was; but because of the human way human people have to see things, it seemed to change and to be other places, things, and beings.

  As if the serpentine rock had crumbled and decayed into the red earth, after a while I was in the earth, part of the dirt. I could feel how the dirt felt. Presently I could feel rain coming into the dirt, coming down. I could feel it in a way that was like seeing, falling down on and into me, out of a sky that was all rain.

  I would go to sleep and then be partly awake again, perceiving. I began feeling stones and roots, and along my left side I began to feel and hear cold water running, a creek in the rainy season. Veins of water underground went down and around through me to that creek, seeping in the dark through the dirt and stones, Near the creek, I began to feel the big, deep roots of trees, and in the dirt everywhere, the fine, many roots of the grasses, the bulbs of brodiea and blue-eyed grass, the ground squirrel's heart beating, the mole asleep. I began to come up one of the great roots of a buckeye, up inside the trunk and out the leafless branches to the ends of the small outmost branches. From there I perceived the ladders of rain.

  These I climbed to the stairways of cloud. These I climbed to the paths of wind. There I stopped, for I was afraid to step out on the wind.