All the Poems
Page 4
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And yet he never has abandoned hope.
Heber
I love little Heber
His coat is so warm
And if I don’t speak to him
He’ll do me no harm
But sit by my window
And stare in the street
And pull up a hassock for the comfort of his feet.
I love little Heber
His eyes are so wide
And if I don’t speak to him
He’ll stay by my side.
But oh in this silence
I find but suspense:
I must speak have spoken have driven him hence.
Mrs Simpkins
Mrs Simpkins never had very much to do
So it occurred to her one day that the Trinity wasn’t true
Or at least but a garbled version of the truth
And that things had moved very far since the days of her youth.
So she became a spiritualist and at her very first party
Just to give her a feeling of confidence the spirit spoke up hearty:
‘Since I crossed over dear friends’ it said ‘I’m no different to what I was before
Death’s not a separation or alternation or parting it’s just a one-handled door
We spirits can come back to you if your seance is orthodox
But you can’t come over to us till your body’s shut in a box
And this is the great thought I want to leave with you today
You’ve heard it before but in case you forgot death isn’t a passing away
It’s just a carrying on with friends relations and brightness
Only you don’t have to bother with sickness and there’s no financial tightness.’
Mrs Simpkins went home and told her husband he was a weak pated fellow
And when he heard the news he turned a daffodil shade of yellow
‘What do you mean, Maria?’ he cried, ‘it can’t be true there’s no rest
From one’s uncles and brothers and sisters nor even the wife of one’s breast?’
‘It’s the truth,’ Mrs Simpkins affirmed, ‘there is no separation
There’s a great reunion coming for which this life’s but a preparation.’
This worked him to such a pitch that he shot himself through the head
And now she has to polish the floors of Westminster County Hall for her daily bread.
How far can you Press a Poet?
How far can you press a poet?
To the last limit and he’ll not show it
And one step further and he’s dead
And his death is upon your head.
Forgive me, forgive me
Forgive me forgive me my heart is my own
And not to be given for any man’s frown
Yet would I not keep it for ever alone.
Forgive me forgive me I thought that I loved
My fancy betrayed me my heart was unmoved
My fancy too often has carelessly roved.
Forgive me forgive me for here where I stand
There is no friend beside me no lover at hand
No footstep but mine in my desert of sand.
Progression
I fell in love with Major Spruce
And never gave a sign
The sweetest major in the force
And only 39.
It is Major Spruce
And he’s grown such a bore, such a bore,
I used to think I was in love with him
Well, I don’t think so any more.
It was the Major Spruce.
He died. Didn’t I tell you?
He was the last of the Spruces,
And about time too.
To the Tune of the Coventry Carol
The nearly right
And yet not quite
In love is wholly evil
And every heart
That loves in part
Is mortgaged to the devil.
I loved or thought
I loved in sort
Was this to love akin
To take the best
And leave the rest
And let the devil in?
O lovers true
And others too
Whose best is only better
Take my advice
Shun compromise
Forget him and forget her.
The Suburban Classes
There is far too much of the suburban classes
Spiritually not geographically speaking. They’re asses.
Menacing the greatness of our beloved England, they lie
Propagating their kind in an eightroomed stye.
Now I have a plan which I will enfold
(There’s this to be said for them, they do as they’re told)
Then tell them their country’s in mortal peril
They believed it before and again will not cavil
Put it in caption form firm and slick
If they see it in print it is bound to stick:
‘Your King and your Country need you Dead’
You see the idea? Well, let it spread.
Have a suitable drug under string and label
Free for every Registered Reader’s table.
For the rest of the gang who are not patriotic
I’ve another appeal they’ll discover hypnotic:
Tell them it’s smart to be dead and won’t hurt
And they’ll gobble up drug as they gobble up dirt.
Spanish School
The painters of Spain
Dipped their brushes in pain
By grief on a gallipot
Was Spanish tint begot.
Just see how Theotocopoulos
Throws on his canvas
Colours of hell
Christ lifts his head to cry
Once more I bleed and die
Mary emaciated cries:
Are men not satiated?
Must the blood of my son
For ever run?
The sky turns to burning oil
Blood red and yellow boil
Down from on high
Will no hills fall on us
To hide that sky?
Y Luciente’s pen
Traces the life of men
Christs crucified upon a slope
They have no hope
Like Calderon who wrote in grief and scorn:
The greatest crime of man’s to have been born.
Dr Péral
In a coat of gray
Has a way
With his mouth which seems to say
A lot
But nothing very good to hear
And as for Doña Ysabel Corbos de Porcel
Well
What a bitch
This seems to me a portrait which
Might have been left unhung
Or at anyrate slung
A little higher up.
But never mind there’s always Ribera
With his little lamb
(Number two-four-four)
To give a more
Genial atmosphere
And a little jam
For the pill –
But still.
Night-Time in the Cemetery
The funeral paths are hung with snow,
About the graves the mourners go
To think of those who lie below.
The churchyard pales are black against the night
And snow hung here seems doubly white.
I have a horror of this place,
A horror of each moonlit mourner’s face,
These people are not familiar
But strange and stranger than strange, peculiar,
They have that look of a cheese, do you know, sour-sweet,
You can smell their feet.
Yet must I tread
About my dead,
And guess the form within the grave,
And hear the clank of jowl on jowl
Where
low lies kin no love could save;
Yet stand I by my grave as they by theirs. Oh bitter Death.
That brought their love and mine unto a coffin’s breadth.
The Songster
Miss Pauncefort sang at the top of her voice
(Sing tirry-lirry-lirry down the lane)
And nobody knew what she sang about
(Sing tirry-lirry-lirry all the same).
Up and Down
Up and down the streets they go
Tapping tapping to and fro
What they see I do not know
Up and down the streets they hurry
Push and rush and jerk and worry
Full of ineffectual flurry
Up and down the streets they run
From morning to the set of sun
I shall be glad when they have done
I shall be glad when there’s an end
Of all the noise that doth offend
My soul. Night, don cloak, descend.
From the Greek
To many men strange fates are given
Beyond remission or recall
But the worst fate of all (tra la)
’s to have no fate at all (tra la).
Alone in the Woods
Alone in the woods I felt
The bitter hostility of the sky and the trees
Nature has taught her creatures to hate
Man that fusses and fumes
Unquiet man
As the sap rises in the trees
As the sap paints the trees a violent green
So rises the wrath of Nature’s creatures
At man
So paints the face of Nature a violent green.
Nature is sick at man
Sick at his fuss and fume
Sick at his agonies
Sick at his gaudy mind
That drives his body
Ever more quickly
More and more
In the wrong direction.
Intimation of Immortality
Never for ever, for ever never, oh
Say not aeonial I must for ever go
Sib to eternity, to confraternity
Of Time’s commensurate multiples a foe.
Infant
It was a cynical babe
Lay in its mother’s arms
Born two months too soon
After many alarms
Why is its mother sad
Weeping without a friend
Where is its father – say?
He tarries in Ostend.
It was a cynical babe. Reader before you condemn, pause,
It was a cynical babe. Not without cause.
God and the Devil
God and the Devil
Were talking one day
Ages and ages of years ago.
God said: Suppose
Things were fashioned in this way.
Well then, so and so.
The Devil said: No,
Prove it if you can.
So God created Man
And that is how it all began.
It has continued now for many a year
And sometimes it seems more than we can bear
But why should bowels yearn and cheeks grow pale?
We’re here to point a moral and adorn a tale.
Es war einmal
I raised my gun
I took the sight
Against the sun
I shot a kite.
I raised my gun
I took the sight
A second one
I shot in flight.
I raised my gun
I shot a plover
I loaded up
And shot another.
Now round about me
Lay the dead
One more, one more,
Then home to bed.
Pray Heaven, said I
Send the best
That ever took
Lead to its breast.
Upon the word
Upon the right
Rose up a phoenix
Beaming bright.
I raised my gun
I took the sight
My lead unbarred
That breast of white.
Alas for awful
Magic art
The bullet bounced
Into my heart.
The phoenix bled
My heart can not
But heavy sits
Neath leaden shot.
Leave shooting, friend,
Or if you must
Shoot only what
Is mortal dust.
Pray not to Heaven
He stock your bag
Or you may feel
Your vitals sag.
Pray not to Heaven
For heavenly bird
Or Heaven may take you
At your word.
Dream
I came upon it in a dream
It was a sad and mournful scene
A mournfuller could not have been.
I rode my steed upon a plain
Against a bitter driving rain
So may I never ride again.
No man was there I rode alone
The icy wind cut to the bone
I came upon a funeral stone.
Deep in a yew tree grove it stood
And on its side were marks of blood
And at its foot the yellow mud.
I left the saddle, left my steed,
I went down on my hands to read
The tombstone’s closely written screed, –
But oh from left and oh from right
Rang out a voice of ghostly might:
‘Leave, lady, leave thy Leda light!’
The rain fell down with a heavy stroke,
I mounted up, my heart was broke.
I turned about and I awoke.
Numbers
A thousand and fifty-one waves
Two hundred and thirty-one seagulls
A cliff of four hundred feet
Three miles of ploughed fields
One house
Four windows look on the waves
Four windows look on the ploughed fields
One skylight looks on the sky
In that skylight’s sky is one seagull.
From the County Lunatic Asylum
The people say that spiritism is a joke and a swizz,
The Church that it is dangerous – not half it is.
Barlow
I’m growing much fonder of Barlow
And I think of him a lot
And something I think I’m in love with him
And wish I was not.
For Barlow’s my sister’s fancy
The son of the Bishop of Bye
And if he should plump for the younger
That’s me, the elder would die.
Oh I see by each curve and each wrinkle
Of each delicate lid of each eye
If Barlow should plump for the younger
The elder would certainly die.
Lament of a Slug-a-bed’s Wife
Get up thou lazy lump thou log get up
For it is very nearly time to sup
And did the Saviour die that thou should’st be
In bed for breakfast, dinner lunch and tea?
The Bereaved Swan
Wan
Swan
On the lake
Like a cake
Of soap
Why is the swan
Wan
On the lake?
He has abandoned hope.
Wan
Swan
On the lake afloat
Bows his head:
O would that I were dead
For her sake that lies
Wrapped from my eyes
In a mantle of death,
The swan saith.
Correspondence between Mr Harrison in Newcastle and Mr Sholto Peach Harrison in Hull
Sholto Peach Harrison you are no son of mine
And do you think I bred you up to cross the River Tyne
And do you think I bred you up (and mother says the same)
And do you think I bred you up to live a life of shame
To live a life of shame my boy as you are thinking to
Down south in Kingston-upon-Hull a traveller in glue?
Come back my bonny boy nor break your father’s heart
Come back and marry Lady Susan Smart
She has a mint in Anglo-Persian oil
And Sholto never more need think of toil.
You are an old and evil man my father
I tell you frankly Sholto had much rather
Travel in glue unrecompensed unwed
Than go to church with oily Sue and afterwards to bed.
Nature and Free Animals
I will forgive you everything.
But what you have done to my Dogs
I will not forgive.
You have taught them the sicknesses of your mind
And the sicknesses of your body
You have taught them to be servile
To hang servilely upon your countenance
To be dependent touching and entertaining
To have rights to be wronged
And wrongs to be righted.
You have taught them to be protected by a Society.
This I will not forgive,
Saith the Lord.
Well, God, it’s all very well to talk like this
And I dare say it’s all very fine
And Nature and Free Animals
Are all very fine,
Well all I can say is
If you wanted it like that
You shouldn’t have created me
Not that I like it very much
And now that I’m on the subject I’ll say,
What with Nature and Free Animals on the one side,
And you on the other,
I hardly know I’m alive.
The Parklands
Through the Parklands, through the Parklands
Of the wild and misty north,
Walked a babe of seven summers
In a maze of infant wrath.
And I wondered and I murmured
And I stayed his restless pace
With a courteous eye I held him
In that unfrequented place.
Questioning I drew him to me
Touched him not but with an eye
Full of awful adult power
Challenged every infant sigh.
‘Of what race and of what lineage,’
Questioning I held him there,
‘Art thou, boy?’ He answered nothing
Only stood in icy stare.
Blue his eyes, his hair a flaxen
White fell gently on the breeze,
White his hair as straw and blue
His eyes as distant summer seas.
Steadfastly I gazed upon him
Gazed upon that infant face
Till the parted lips gave utterance
And he spake in measured pace:
‘All abandoned are my father’s
Parklands, and my mother’s room
Houses but the subtle spider
Busy at her spinning loom.
‘Dead my father, dead my mother,
Dead their son, their only child.’