The Map of True Places

by Brunonia Barry

  A ship’s reckoning is that account, by which it can be known at any time where the ship is, and on what course or courses she must steer to gain her port.

  NATHANIEL BOWDITCH: The American Practical Navigator

  1

  LILLY BRAEDON WAS LATE.

  Mattei poked her head through Zee’s door. “It’s so damned hot out there,” she said. “Oh, God, you’re not in session, are you?”

  “I’m supposed to be,” Zee said, looking at the clock. It was three-fifteen.

  Mattei was re-dressing as she spoke, kicking off running shoes and pulling on her suit jacket. She walked five miles along the Charles River every afternoon, weather notwithstanding. When she was overbooked, which was a good deal of the time, she had been known to conduct her sessions while strolling along the river, calling it a walking meditation, telling patients it would be easier to open up if they didn’t feel her prying eyes on them. A week after she started conducting sessions that way, every shrink in Boston was out walking with patients.

  “God, not that agoraphobic again.” It was another of Mattei’s jokes. Fifty percent of their patients had some degree of agoraphobia, a phenomenon that made attendance poor at best and had lately prompted Mattei to start charging time and a half for missed appointments, though Zee seldom required her patients to comply with this new rule.

  Mattei was trying harder than usual to make her laugh today, meaning that Zee must be frowning again. Zee’s natural expression seemed to be the type of frown that inspired joke telling, often from total strangers, who always felt compelled to make her feel better somehow. Just this morning an older gentleman who had neglected to pick up his dog’s poop in Louisburg Square had walked over to her and ordered her to smile.

  She stared at him.

  “Things can’t be all that bad,” he said.

  If he hadn’t been older than her father, Zee would have told him to get lost, that this was her natural expression, and that a man who didn’t pick up his dog’s excrement shouldn’t be allowed to roam free. But instead she managed a vague smirk.

  “So seriously, which patient?” Mattei was waiting for an answer.

  “Lilly Braedon.”

  “Mrs. Perfect,” she said. “Oh, no, I forgot, that’s you.”

  “Not yet,” Zee said a little too quickly.

  “Aha!” Mattei said. “Simple, simple. Case closed. That will be three hundred and fifty dollars.”

  “Funny,” Zee said as Mattei gathered up her running shoes and left the room.

  IT WAS LILLY BRAEDON’S HUSBAND who had originally sought help at Dr. Mattei’s clinic. People came from all over the world to be treated by her. Harvard trained, with a stint at Johns Hopkins, Mattei was a psychiatrist who had great credentials. She’d written the definitive article on bipolar disorder with panic for the American Journal of Psychiatry. She had also worked closely with a team of genetic researchers who had uncovered a correlation between the disease and the eighteenth chromosome, a substantial and groundbreaking discovery.

  But then Mattei’s career took a turn. She became fascinated by a more popular approach to psychiatry. The book she wrote during her tenth year in practice, a folksy self-help book entitled Safe at Home, lifted her to celebrity status. The book was inspired by a Red Sox second-stringer she had successfully treated for panic. Her practical solutions to his terror were based on biofeedback, desensitization, and sense memory.

  “The world is a terrifying place,” Mattei explained first to a local newscaster and later to Oprah. “And here is what you can do to stop being afraid.” The book was filled with sensory tricks, tips almost too simple to inspire much credibility: carry a worry stone, smell lavender, breathe deeply. The companion CD featured guided meditations, some with music, some including nature sounds or poetry. It even quoted the old Irish prayer (the one that basically tells you not to worry about a damned thing because the worst thing that can happen is that you’ll go to hell, but that’s where all your friends will be anyway, so it’s pointless to fret). Though Mattei herself was a loose fusion of French, Italian, and Japanese ancestry, with not a bit of Irish blood, for some reason she loved everything about the Irish. It might have been a Boston thing. She loved James Joyce and even swore she had read and understood Finnegans Wake, which Zee seriously doubted. That Mattei loved Guinness and U2, Zee did not doubt. Zee and her fiancé, Michael, had spent last St. Paddy’s Day at a bar in Southie with Mattei and her partner, Rhonda, and Mattei had held her own, drinking with the best of Boston’s Irish. And just a month ago, Mattei had come back from one of her therapy walks sporting a pair of pink Armani sunglasses that looked very similar to a pair Zee had once seen Bono wear.

  Mattei had done the usual book-tour circuit. But it was when she landed on Oprah that things went wild. There was a growing sense of panic in this country, Mattei explained to Oprah. It was everywhere. Since 9/11, certainly. And the economy? Terrifying. “Do you know the number one fear of women?” she had asked. “Becoming homeless,” she said. She went on to explain that the number one fear of the general population is public speaking. Many people say they’d rather die than get up in front of a group to give a presentation. After she reeled off such statistics, Mattei turned and spoke directly to the camera. “What are you really afraid of?” she asked America. It became a challenge that echoed through the popular culture. She closed the show with a paraphrased quote from Albert Einstein. The only real question you have to ask yourself is whether or not the universe is a friendly place, she explained, then went on to translate into terms anyone could understand. Once you’ve decided that, Mattei said, you can pretty much determine what your future will hold.

  Her book hit the top of the New York Times Best Seller list and stayed there for sixty-two weeks. As Mattei’s fame grew, her patient list expanded exponentially, and she brought in interns to mentor, though her real work was still with bipolars.

  “Did you know that eighty percent of poets are bipolar?” Mattei asked Zee one morning.

  “My mother wasn’t a poet. She wrote children’s books,” Zee said.

  “Nevertheless…” Mattei replied.

  “Nevertheless” was probably the best thing Zee had ever learned from Mattei. It was a word, certainly, but much more than a word, it was a concept. “Nevertheless” was what you said when you were not going to budge, whether expressing an opinion or an intention. It was a statement, not a question, and the only word in the English language to which it was pointless to respond. If you wanted to end a conversation or an argument, “nevertheless” was your word.

  Zee often thought that what had happened with her mother was another reason Mattei had hired her. Maureen’s case history might well be considered good material for a new book. But Mattei had never approached her about it. When Zee mentioned her theory one day, Mattei told her that she was mistaken, that she had actually hired Zee because of her red hair.

  Theory and research were still Mattei’s passion, and though she had a thriving practice, she also had that elusive second book to write and her new mother-daughter theory to document. So most of Zee’s patients were Mattei’s overflow. Her “sloppy seconds” is what Michael called them, though he was clearly unaware of the perverse meaning of his slang. He’d meant it to be amusing rather than pornographic. The truth was, anything Mattei did was okay with Michael. They had been friends since med school. When Mattei suggested that Michael meet Zee, telling him she thought she’d found the perfect girl for him, he was only too happy to oblige.

  Soon after that, Zee had found herself out on a blind date with Michael.

  Upon Mattei’s recommendation, he had taken her to Radius. He had ordered for both of them, some Kurobuta pork and a two-hundred-dollar Barolo. By the time they finished the bottle, Zee found herself saying yes to a weekend with him on the Vineyard. They had moved in together shortly afterward. Not unlike the job Mattei had given her, the relationship just sort of happened.

  What followed still seemed to Zee more
like posthypnotic suggestion than real life. Not only had Michael easily agreed that Zee was the perfect girl for him, he’d never even seemed to question it. And exactly one year after their first date, a period of time most probably deemed respectable by Mattei, Michael had proposed.

  Zee had been grateful when Mattei chose to hire her. She had just received her master’s and was working on her Ph.D. when Mattei invited her to join her practice, giving her some group sessions to moderate and mentoring her as she went. By the time she’d earned the title of doctor, Zee had ended up in a corner office with a view of the Charles and a patient list that would have taken her years to develop on her own.

  The phrase “case closed” was one of Mattei’s biggest jokes. Though patients almost always got better under her care, they were never cured. There was no such thing as case closed. Not in modern American society anyway, Mattei insisted. Not in a country that planted the most fertile ground for both mania and the resultant depressive episodes, the country that had invented the corporate marketing machine that left people never feeling good enough unless they were overextending their credit, buying that next big fix. Not that Mattei minded the corporate marketing machine. That machine had made her rich. But there was definitely no such thing as case closed. Case closed was decidedly un-American.

  WHEN LILLY BRAEDON CAME ALONG, Mattei quickly handed her off to Zee.

  In the past year, Lilly had developed the most crippling case of panic disorder. She’d been to local doctors, who had ruled out all probable physical explanations: thyroid, anemia, lupus, et cetera. Then, after watching an episode of The View, something he swore he’d never done before, her husband, who in his own words “loved Lilly more than life itself” (a quote that resonated on a very problematic level with both Zee and Mattei), went to the Spirit of ’76 Bookstore in Marblehead to purchase Mattei’s book, only to find that they were sold out. He immediately ordered two copies, one for himself and another for his ailing wife.

  But Lilly was too troubled to read. The only time she left the house in those days was in the late afternoon, when the shadows were longer and the bright summer light (another irrational fear) was dimmer. In the late afternoon, her husband said, Lilly often took long walks through the twisted streets of Marblehead and up through the graves of Old Burial Hill, to a precipice high above Marblehead Harbor, where she sometimes stayed until after sunset.

  “So technically she isn’t agoraphobic,” Mattei said to the husband when she finished her initial patient analysis of Lilly. “She does leave the house.”

  “Only for her walks,” her husband said. “She says she does it to calm herself down.”

  “Interesting,” Mattei said.

  But Zee could tell she didn’t mean it. The reason Zee was in attendance at Lilly’s session was that Mattei had already decided she was handing her off. Mattei wasn’t interested in Lilly Braedon.

  But Zee was very interested. From the first time she met her new patient, Zee suspected that there was much more to the story than Lilly was telling.

  Every Tuesday, Zee had her own therapy session with Mattei. Mostly they talked about her patients, or at least the ones who required meds, which was most of them. If patients with panic attacks weren’t on meds these days, you could be pretty sure there was a reason. Perhaps they were in some kind of twelve-step program, usually for alcohol or drugs, or else they had the kind of paranoia that kept them from taking any medication at all.

  This morning Zee had gone through “the usual suspects,” as Mattei called her list of patients. This one had improved, that one was self-medicating with bourbon and sleeping pills. Another one had taken herself off all meds and was beginning to show signs of a manic episode. When they got to Lilly, Zee told Mattei she had nothing to report.

  “Unsatisfactory,” Mattei said. Normally Mattei didn’t seem to care one bit about Lilly Braedon. But something Zee had said at their last meeting had piqued her interest for a change and prompted a question. When Zee reported that nothing had changed, Mattei wasn’t having any of it.

  “Does that mean that Lilly is in a normal phase?” Mattei was referring to Lilly’s bipolar disorder, which had been their diagnosis. Bipolar disorder was something Zee understood only too well. It was what her mother had been diagnosed with years ago, except that in those days it had been called manic depression, which Zee had always thought a better description. In most cases the disorder was characterized by severe mood swings followed by periods of relative normalcy.

  “I wouldn’t say normal,” Zee said.

  “Any more trouble with the Marblehead police?”

  “Not lately,” Zee said.

  “Well, that’s something.”

  AT 3:35, LILLY STILL HADN’T arrived. Zee walked to the window. Across Storrow Drive a homeless woman sat on one of the benches, but there was no one walking along the Charles River. It was too hot and humid for movement of any kind. Traffic was snarled, the drivers honking and agitated, trying to get onto roads heading north. The “cardboard bridge,” as Zee called the Craigie, looked like a bad fourth-grade art project. Years of soot had collected in the wrong areas for shading, and today’s haze made it look even flatter and more one-dimensional and fake than it had ever looked before.

  AT 3:45, ZEE DIALED LILLY’S number. It was a 631 exchange, Marblehead. It used to be NE 1, Lilly had told her when she’d scribbled down her phone number for the records. “NE for Neptune—you know, Neptune, the Roman god of the sea?”

  Zee thought back to her school days. Neptune—or Poseidon, his Greek equivalent, god of the sea and consort of Amphitrite, which had been Zee’s mother’s middle name. Though Maureen Doherty was a decidedly Irish name, Zee’s grandmother had given all three of her children the middle names of Greek gods and goddesses. Thus Zee’s mother was Maureen Amphitrite Doherty. Uncle Mickey’s middle name was Zeus, and Uncle Liam, who had died back in Ireland before Zee was born, was Antaeus, a clear foreshadowing of the mythmaking violence in his future. Zee remembered Maureen teasing Uncle Mickey about his middle name. “Well, what mother doesn’t think her son is a god?” Mickey had answered. Indeed, Zee thought.

  Zee willed herself back to the present. Lately her mind had been wandering. Not just with Lilly, but with all of her patients. They seemed to tell the same stories over and over until her job became more like detective work than therapy. The key wasn’t in the stories themselves, at least not the ones they told and retold. Rather it was in the variations of their stories, the small details that changed with each telling. Those details were often the keys to whatever deeper issues lay hidden beneath the surface. What wasn’t the patient telling the truth about?

  “Everybody lies,” was another of Mattei’s favorite expressions.

  And so as the weeks passed, Zee listened to Lilly, to the variations in the stories she told over and over. But on the day that Lilly had mentioned Neptune, the story she told was one that Zee had never before heard.

  “Back in the day,” Lilly was saying, “before the phones in Marblehead had dials, way back when the operators used to ask ‘Number, please’ in a nasal four syllables, you would have to say ‘Neptune 1’ for the Marblehead exchange.” Lilly was far too young ever to have remembered phones without dials and operators who connected you, but for some reason she seemed to find this bit of trivia very significant.

  “Does Neptune have a special meaning for you?” Zee asked.

  Lilly’s face contorted. “I’ve always been afraid of Neptune,” she said. “Neptune is a vengeful god.”

  AT 5:20, ZEE DIALED HER wedding planner. “I’m very sorry, but I’m going to have to cancel again, my five-o’clock is late,” she said, relieved that she’d gotten the machine instead of the person—who, she had to admit, scared the hell out of her.

  Zee felt a bit giddy, the way she’d felt as a kid when there was a snow day. Michael wouldn’t be home from Washington until the last shuttle. Having come up with the winter image, Zee decided to treat this unanticipated block
of freedom as a snow day. Never mind that it was ninety-six degrees outside. The evening stretched ahead of her. She could do anything she wanted with it. Zee couldn’t remember the last time she’d had an open evening. Between her work schedule and the wedding plans, there’d been little time for anything else lately. She hadn’t even seen her father in the last few months, and she felt guilty about it, though she knew he understood.

  The wedding date was not until the late fall, but it seemed as if there was at least one major wedding item a day on her to-do list. Zee hated the process. Tonight they were supposed to be sampling sushi at O Ya, and three kinds of sake. Not a bad evening, all things considered. But Michael wasn’t going to make it back in time, and she couldn’t deal with the wedding planner alone. The problem wasn’t the planner, who was arguably the best in Boston. The problem was that Zee couldn’t make a decision, couldn’t make herself choose anything from the myriad of options the wedding planner offered.

  Her excuse had been a lie—well, more of a twist, really. Lilly was her three-o’clock, not her five, and whether she showed up or not would make little difference to tonight’s plans.

  2

  THOUGH IT WAS AN easy walk to their house on Beacon Hill, Zee hailed a cab. She wasn’t Mattei. She didn’t like to sweat. Out on the streets, exhaust and steam merged, creating a heat mirage that made the buildings across the river look as if they were beginning to melt. Both inbound and outbound traffic were completely knotted. A truck that had found its way onto Storrow Drive had knocked down one of the overhead crosswalks, and now there was no movement in any direction. Zee directed the taxi driver away from the traffic and up the hill.

  It was chilly inside the cab. Mahler played on some weaker station, interrupted by intermittent static from the driver’s iPhone as it checked for e-mails. A king-size bottle of hand sanitizer had spilled onto the front seat and was spreading its alcohol scent, unnoticed by the driver. Zee’s mind moved to old spy movies, chloroform on a handkerchief, a hand over the mouth, and waking up in some dark place. She cracked the window and tried not to breathe, or anyway not to breathe too deeply.