Archaon: Lord of Chaos
Page 41
Sheathing his sword, Archaon sat in the saddle, his dread plate a hell-forged glory. Dorghar, Steed of the Apocalypse, kicked at the stone floor of the pass, eager to lead on. The Slayer of Kings burned furiously in its scabbard. The warlord waited. He soaked in the world as it was in that moment, while the Eye of Sheerian and his monstrous crown showed him the world as he was to make it. Instead of forests, fields, towns, villages, principalities and bloated cities there would be black deserts of ash. Mountainous pyres of bodies burning, scorching the thunder-filled skies. A god-empty darkness in which even those monstrosities that had heralded the apocalypse had fallen to the blade. Monstrosities like Archaon, Everchosen of Chaos and Lord of the End Times.
‘This world and all those beyond it will end,’ he called through the valleys and vaulting mountains. Archaon dug his armoured heels into the sides of the daemon steed, prompting Dorghar on into the Empire, the Ruinous hordes of darkness at the Everchosen’s back. ‘That end begins… now.’
‘Mortals are free to do as they will. The gods give them no choice.’
– Imperial proverb
About the Author
Rob Sanders is the author of ‘The Serpent Beneath’, a novella that appeared in the New York Times bestselling Horus Heresy anthology The Primarchs. His other Black Library credits include the Warhammer novels Archaon: Everchosen and Archaon: Lord of Chaos, the Warhammer 40,000 books Redemption Corps, Atlas Infernal, Legion of the Damned and various shorter tales for the Horus Heresy. He lives in the small city of Lincoln, UK.
An extract from Sigvald.
Far in the distance, beneath the grumbling black belly of the sky, a triangular star had appeared. It had not been visible from the other side of the valley, but now it was unmistakeable: a glittering bauble, hung low over cruel, magisterial peaks. The baron massaged his sunken cheeks and leant forward in his saddle, peering out across a vast, frozen lake; hypnotised by the flickering light. For nearly three months he had led his men north; into regions of madness and endless night, and all the time, his determination had been ebbing away – leeched out of him by the appalling visions he had endured. Now, with less than six hundred men left and his body ruined by starvation and cold, he wondered if his mind had finally gone. There were no stars in the Shadowlands, only eternal darkness. Yet, when he rubbed his eyes and looked again, the light was still there, taunting him.
He looked down at his wasted, frozen limbs and wondered if, even now, he might find what he came for. ‘Could this be hope?’ he whispered.
He pointed the light out to his men and they nodded weakly in reply, steering their dying horses after him as he clattered across the ice.
The soldiers climbed the other side of the valley and after a while they realised it was not a star at all. They shook their heads in wonder as they saw that the light was a beautiful castle, hanging impossibly in the sky. The building flashed and glittered in the moonlight as immense banks of snow spiralled around it. It was made entirely of gold.
The baron urged his horse to pick up its pace, but then, with the building just half a mile away, he hesitated. He saw it quite clearly now: a vast, domed palace, drifting on the icy breeze and defying all laws of logic. He shook his head, still doubting his eyes. Even on the ground it would have seemed a miracle: a bewildering forest of turrets and towers, peopled with armies of leering grotesques. The scale of the construction was unbelievable. Every soaring pinnacle was succeeded by an even taller spire, until the eye grew utterly bewildered and returned, exhausted, to the huge front gates. A broad stair swept down from the palace in great serpentine curves, resting on the snow like the stem of a colossal gold flower.
The baron dragged his gaze from the fantastic building as one of the other riders called out to him. The snowdrifts nearby had gathered into jagged shapes, like sheets draped over a corpse. He signalled for his men to investigate and, despite their obvious fear, they dropped from their horses and struggled awkwardly through the snow. Upon reaching the mounds they began to dig, using swords drawn from within their oiled cloaks. The men gasped as they revealed a block of dented gold. Avarice gave them strength and within minutes they had uncovered a toppled statue. Like the palace hanging over them, it was cast entirely in gold, but it was not the lustre of the metal that took their breath away, it was the artist’s subject. The statue portrayed a young man, a noble, clad in plate armour and roaring with laughter as he pointed up towards the palace. The face was so handsome and full of joy that the men lowered their swords and backed away in awe. Dents and scratches covered the metal, but the statue’s eyes shone with vitality and humour. A lusty energy poured out of it. The men had never seen such a blissful, beautiful image of fulfilment. As they studied the lines of the face they found themselves grinning idiotically.
For a few moments the baron was silent, staring at the statue with the same inane expression as the others. Then he shook his head, closed his mouth and waved at the other shapes. His men rushed to obey and soon uncovered dozens of identical statues, all laughing and pointing towards the palace. They had all been toppled, like the first, and some had clearly been attacked – limbs and even heads were missing in some cases – but all of them were utterly beautiful. Faced with these smiling, divine figures, the baron overcame his doubt and dismounted, marching through the snow towards the floating palace.
The other soldiers followed suit: tethering their horses to the foot of the stair and climbing after the baron with dazed, gleeful expressions on their faces.
As his boots clanged up the gold stairs, the baron’s emaciated body regained a little of its former strength and dignity. He dusted the ice from his beard and turned up the ends of his wide moustache. All trace of exhaustion dropped away from him as he followed the wide curves of the stairway. He did not seem to notice that the steps were as dented as the statues; or that many of them were slumped and buckled, without any sign of repair.
There was a screech of grinding metal. The baron looked up to see a door opening beneath a grand, latticed portico. At first it seemed like the door had opened by its own volition, but as he and the other soldiers reached the top steps, they saw a group of figures marching out to greet them. The baron’s eyes glittered with excitement as twelve gleaming knights clattered out. They wore sculpted purple armour and each of them carried a sword and a circular, mirrored shield. They were almost as dazzling as the statues: tall, fair and perfectly poised as they formed a phalanx in front of the door.
Then the baron’s smile faltered. He dropped a hand to his longsword as a robed figure stooped beneath the doorframe and lurched out into the moonlight. The knights were all over six feet, but the hooded figure that followed them was half as tall again. Even its great height did not seem to tell the whole story: its dirty, sackcloth robes were stretched over long, knotted muscles and a humped, ridged back. It was obvious that if it could have stood erect, the giant would have been even taller. It resembled a sack, filled with long sticks and animated by an invisible puppeteer, who steered it clumsily towards the riders, keeping its head down and its face hidden in shadow.
The baron dismounted and stood proudly to attention, signalling for his men to do the same.
The giant lumbered towards them and came to a halt a few feet away. As it loomed over him, the baron noticed dozens of tiny shapes, scurrying beneath its robes. The sound of laboured breathing came from within the folds of its hood, followed by a low growling noise. It seemed as though the thing were trying to speak.
‘I’m Gustav Schüler,’ said the baron, thrusting out his stiff beard and pulling back his shoulders. He looked like a reanimated corpse. His blistered skin was stretched horribly over his protruding cheekbones and his lips were cracked and blue, but the baron carried his breeding like a badge of honour. He strode through the snowstorm, determined to appear undaunted. ‘I demand entry.’
Another stream of rasping vowels emerged from within the hood.
The baron shook his head impatiently. ‘I can’t understand.’ He turned to the stony-faced knights. ‘I can’t understand him. Is he a daemon? Are you all daemons?’
The knights gave no response. In fact, they did not even seem to see the baron, so he turned once more to the hooded giant, raising his voice even louder in an attempt to be heard over the wind. ‘Can you understand me?’ His voice was edged with fury as he stepped closer. ‘We’re dying. We have nowhere else to go.’
The hooded giant looked down at him in silence for a few seconds, swaying slightly, as though struggling to balance on its long, crooked legs. Then it spoke again. The words were still little more than a guttural snarl, but they were now in a language the baron could understand. ‘Then you have my pity,’ it said, slumping to one side and waving the baron towards the open door.
‘I’ve never seen anything like it,’ said the baron as he limped down a vast hallway. The long journey north had replaced several of his toes with blackened stumps, and every step sent needles of pain into his feet, but the grandeur of the architecture drew him on. The vaulted ceilings were so high that he could barely make them out in the torchlight. If it wasn’t for the distant glitter of ribbed gold, he might have been walking through the night sky. The giant gave no reply as it led the baron onwards. This was the fourth long hallway they had passed down, and it had maintained a stony silence every step of the way. They were utterly alone and the baron burned with questions.
‘What about my men?’ he asked. The baron had allowed the knights to lead his exhausted soldiers away without a word of protest; it had seemed quite natural to entrust his men to such noble guardians, but now, as his thoughts began to clear a little, he felt a terrible rush of guilt. What had he been thinking? He looked anxiously over his shoulder but could see no sign of the entrance.
The giant still gave no reply and the baron shook his head, ashamed at how easily he had been distracted. ‘What could I have done?’ he muttered, tugging anxiously at his beard and stumbling to a halt. ‘There’s no fight left in any of them. They’re at death’s door.’ As he looked up at the faded grandeur of the palace, he realised that whatever happened now, all of their fates were in the hands of its master. He must be either saviour or executioner, for all of them.
The baron hurried on, shaking his head in disbelief as he left the first building and approached another. Rather than being just one palace, as it appeared outside, he now saw that this was a collection of palaces, each larger and grander than the one before. The further he went though, the harder it was to ignore the decay; the buildings seemed abandoned. This far in there was no trace of a breeze and a thick layer of dust had settled over the gold, painting everything a maudlin grey. Mirrors as tall as trees lined the walls, but many of the gilt frames were broken and great cracks had spread across the glass. Alongside the mirrors were huge portraits of the grinning figure whose statue the baron had seen outside. Each vast image portrayed the young noble as he overcame a series of monstrous foes, and each one was painted in most incredible, vivid colours. Decades of dust had settled over them, however, and the noble’s face looked out from behind a curtain of cobwebs.
After an hour of marching in silence, the baron began to hear sounds. As he stumbled down another endless corridor he realised it was music. He tilted his head to one side and strained to hear more clearly. There were voices too, dozens of them, echoing around the soaring arches and columns. The hooded figure led him into another passageway. This one was markedly different: it was much smaller for a start – only wide enough to accommodate four of five men side by side – and it had clearly seen recent life. The mirrors that lined the walls were still clouded with ancient dust, but the carpet was indented with footprints. The heady scent of lilies filled the air and the baron sighed with pleasure as warmth began to seep through his furs. The music was now unmistakable and he paused to enjoy the sound of harps playing a sinuous, elusive melody. The voices were clearer too. The baron could not place the language, but the snatches of polite laughter brought a faint smile to his lips.
His hooded guide paused as it reached a final set of doors. It was obvious from the volume of the music that they had reached their destination. The giant placed a long, bandaged hand on one of the door handles and then hesitated, turning back to Schüler. After a few seconds of gasping and spluttering it spoke. ‘You may still leave,’ it growled, straining to wrap its thick accent around the words.
The baron scowled at the delay and gestured to the door.
For a long time, the figure studied the baron from within the deep folds of its hood, then, finally, it nodded and shoved the door open.
The baron stepped back with a gasp. The room beyond was a kaleidoscope of light and movement. Crowds of dancing figures were spinning back and forth through banks of scented smoke. He shook his head in astonishment. The dancers were dressed in iridescent silks and sparkling brocades and they moved with such grace, that they seemed little more than smoke themselves. ‘So beautiful,’ he muttered, but he could not fully hide the tremor of fear in his voice. ‘What are they? Gods?’
The hooded figure shook its head. As it ushered him into the room there was a note of amusement in its voice. ‘No.’
As the baron’s eyes adjusted to the flickering light, he saw the room a little more clearly. It was an absurdly grand throne room. Tiered, scalloped balconies lined its walls and ranks of fluted columns divided it into a series of arcades. The walls and ceilings were made of polished white marble, crowned with elaborate, golden cornices and between each of the columns hung crystal chandeliers; each the size of a stagecoach and shimmering with hundreds of candles. The flames pulsated with a multitude of different colours, washing over the ranks of spinning figures and revealing the strangeness of their costumes: towering masks of plumed feathers and wings of scarlet silk, all trailing through the smoke in perfect synchronicity. Above them, the balconies were filled with crowds of musicians, playing instruments of such strange design that they looked more like elongated limbs than pieces of brass or wood. As the baron stared at the incredible scene, he realised that not all of the lights were fixed in one place: dozens of birds were flitting around the room, swooping and diving in frenetic bursts, and trailing tiny lanterns from their tail feathers.
Beyond the dancers, there was a raised dais and a throne. The room was so long and the smoke so thick, that the baron struggled to make out the throne in any detail, but as the lights ebbed and throbbed, he saw that the chair cradled a slender figure, slumped idly in its deep cushions. He felt a thrill of excitement. This must be his host. Even with their faces hidden behind their masks, it was clear the dancers’ gaudy display was intended for the amusement of this one person.
‘Whose palace is…?’ began the baron, but as he looked back, he saw that the hooded figure had vanished. He scanned the crowds and saw its swaying shoulders a few yards away, stumbling in and out of the dancers. He moved to follow, but it vanished behind a wall of smoke and whirling silk. He shrugged and looked back at the distant throne. It was obvious whose palace this was. Drawing himself erect, he strode confidently down the central arcade. As soon as he neared the other guests though, he faltered. He felt as though he had entered a hall of mirrors. The figures’ costumes were even stranger when seen close up: bestial masks leered down at him and serpentine limbs sprouted from beneath bodices and cloaks. He began to doubt if all of the strange shapes were even costumes at all, they seemed so horribly animated. But it was the size of the figures that finally brought him to a confused halt. Some of the dancers towered over him, like willows, while others scampered beneath his legs. He clamped his eyes shut and pressed his hands over them, trying to block out the torrent of warped faces and impossible shapes. Awful realisation washed over him in a dizzy rush. ‘How can they exist?’ he groaned. As he stood there, trembling with delayed shock, the baron felt something shift, irrevocably, in his mind. He shook his head and hurried on,
trying to fix his eyes on the throne. As he rushed through the dance, delicate fingers brushed against his face and breathy, foreign voices whispered in his ears: urging him to join the writhing crush of bodies. An intoxicating mixture of terror and arousal gripped him and he broke into a sprint.
With a sigh of relief, he reached the broad dais and stepped away from the dancers. A cerise carpet led up to the tall, baroque throne and, at its feet, a group of lithe, semi-clad figures were slumped in languid adoration of their monarch. The light here was a little clearer but the baron frowned, doubting his eyes. The figures that turned towards him had eyes as black as coal and flesh the colour of virgin snow. Their beautiful, elfin faces were full of mischief as they rose to greet him, with forked tongues flickering from their pouting lips. To his shame, the baron found himself smiling coyly as they pressed around him. He could not even be sure if they were male or female, but as their long, elegant limbs entwined him, he felt a fierce rush of lust. Gentle fingers traced over his blistered skin and the baron closed his eyes with a moan of pleasure. After months of brutal war, his body yielded gratefully to their tender embrace. Soft, moist lips brushed against his ears and warm, voluptuous bodies pressed against his hands.
The baron was finally defeated.
His legs gave way and he collapsed gratefully into a forest of welcoming arms.
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A BLACK LIBRARY PUBLICATION
First published in Great Britain in 2015.
This eBook edition published in Great Britain in 2015 by Black Library, Games Workshop Ltd., Willow Road, Nottingham, NG7 2WS, UK.