Alice Munro's Best

by Alice Munro

  Gladys said to me, “I can’t stand that kind of thing. I can’t stand people mentioning that kind of thing and that kind of – gestures. It makes me sick to my stomach.”

  I believed her. She was terribly white. But why, in that case, did she not complain to Morgan? Perhaps relations between them were too uneasy, perhaps she could not bring herself to repeat or describe such things. Why did none of us complain – if not to Morgan, at least to Herb? I never thought of it. Brian seemed just something to put up with, like the freezing cold in the gutting shed and the smell of blood and waste. When Marjorie and Lily did threaten to complain, it was about Brian’s laziness.

  He was not a good gutter. He said his hands were too big. So Herb took him off gutting, told him he was to sweep and clean up, make packages of giblets, and help load the truck. This meant that he did not have to be in any one place or doing any one job at a given time, so much of the time he did nothing. He would start sweeping up, leave that and mop the tables, leave that and have a cigarette, lounge against the table bothering us until Herb called him to help load. Herb was very busy now and spent a lot of time making deliveries, so it was possible he did not know the extent of Brian’s idleness.

  “I don’t know why Herb don’t fire you,” Marjorie said. “I guess the answer is he don’t want you hanging around sponging on him, with no place to go.”

  “I know where to go,” said Brian.

  “Keep your sloppy mouth shut,” said Marjorie. “I pity Herb. Getting saddled.”

  ON THE LAST school day before Christmas we got out early in the afternoon. I went home and changed my clothes and came in to work at about three o’clock. Nobody was working. Everybody was in the gutting shed, where Morgan Elliott was swinging a cleaver over the gutting table and yelling. I couldn’t make out what the yelling was about, and thought someone must have made a terrible mistake in his work; perhaps it had been me. Then I saw Brian on the other side of the table, looking very sulky and mean, and standing well back. The sexual leer was not altogether gone from his face, but it was flattened out and mixed with a look of impotent bad temper and some fear. That’s it, I thought, Brian is getting fired for being so sloppy and lazy. Even when I made out Morgan saying “pervert” and “filthy” and “maniac,” I still thought that was what was happening. Marjorie and Lily, and even brassy Irene, were standing around with downcast, rather pious looks, such as children get when somebody is suffering a terrible bawling out at school. Only old Henry seemed able to keep a cautious grin on his face. Gladys was not to be seen. Herb was standing closer to Morgan than anybody else. He was not interfering but was keeping an eye on the cleaver. Morgy was blubbering, though he didn’t seem to be in any immediate danger.

  Morgan was yelling at Brian to get out. “And out of this town – I mean it – and don’t you wait till tomorrow if you still want your arse in one piece! Out!” he shouted, and the cleaver swung dramatically towards the door. Brian started in that direction but, whether he meant to or not, he made a swaggering, taunting motion of the buttocks. This made Morgan break into a roar and run after him, swinging the cleaver in a stagy way. Brian ran, and Morgan ran after him, and Irene screamed and grabbed her stomach. Morgan was too heavy to run any distance and probably could not have thrown the cleaver very far, either. Herb watched from the door way. Soon Morgan came back and flung the cleaver down on the table.

  “All back to work! No more gawking around here! You don’t get paid for gawking! What are you getting under way at?” he said, with a hard look at Irene.

  “Nothing,” Irene said meekly.

  “If you’re getting under way get out of here.”

  “I’m not.”

  “All right, then!”

  We got to work. Herb took off his blood-smeared smock and put on his jacket and went off, probably to see that Brian got ready to go on the suppertime bus. He did not say a word. Morgan and his son went out to the yard, and Irene and Henry went back to the adjoining shed, where they did the plucking, working knee-deep in the feathers Brian was supposed to keep swept up.

  “Where’s Gladys?” I said softly.

  “Recuperating,” said Marjorie. She too spoke in a quieter voice than usual, and recuperating was not the sort of word she and Lily normally used. It was a word to be used about Gladys, with a mocking intent.

  They didn’t want to talk about what had happened, because they were afraid Morgan might come in and catch them at it and fire them. Good workers as they were, they were afraid of that. Besides, they hadn’t seen anything. They must have been annoyed that they hadn’t. All I ever found out was that Brian had either done something or shown something to Gladys as she came out of the washroom and she had started screaming and having hysterics.

  Now she’ll likely be laid up with another nervous breakdown, they said. And he’ll be on his way out of town. And good riddance, they said, to both of them.

  I HAVE A PICTURE of the Turkey Barn crew taken on Christmas Eve. It was taken with a flash camera that was someone’s Christmas extravagance. I think it was Irene’s. But Herb Abbott must have been the one who took the picture. He was the one who could be trusted to know or to learn immediately how to manage anything new, and flash cameras were fairly new at the time. The picture was taken about ten o’clock on Christmas Eve, after Herb and Morgy had come back from making the last delivery and we had washed off the gutting table and swept and mopped the cement floor. We had taken off our bloody smocks and heavy sweaters and gone into the little room called the lunchroom, where there was a table and a heater. We still wore our working clothes: overalls and shirts. The men wore caps and the women kerchiefs, tied in the wartime style. I am stout and cheerful and comradely in the picture, transformed into someone I don’t ever remember being or pretending to be. I look years older than fourteen. Irene is the only one who has taken off her kerchief, freeing her long red hair. She peers out from it with a meek, sluttish, inviting look, which would match her reputation but is not like any look of hers I remember. Yes, it must have been her camera; she is posing for it, with that look, more deliberately than anyone else is. Marjorie and Lily are smiling, true to form, but their smiles are sour and reckless. With their hair hidden, and such figures as they have bundled up, they look like a couple of tough and jovial but testy workmen. Their kerchiefs look misplaced; caps would be better. Henry is in high spirits, glad to be part of the work force, grinning and looking twenty years younger than his age. Then Morgy, with his hangdog look, not trusting the occasion’s bounty, and Morgan very flushed and bosslike and satisfied. He has just given each of us our bonus turkey. Each of these turkeys has a leg or a wing missing, or a malformation of some kind, so none of them are salable at the full price. But Morgan has been at pains to tell us that you often get the best meat off the gimpy ones, and he has shown us that he’s taking one home himself.

  We are all holding mugs or large, thick china cups, which contain not the usual tea but rye whisky. Morgan and Henry have been drinking since suppertime. Marjorie and Lily say they only want a little, and only take it at all because it’s Christmas Eve and they are dead on their feet. Irene says she’s dead on her feet as well but that doesn’t mean she only wants a little. Herb has poured quite generously not just for her but for Lily and Marjorie too, and they do not object. He has measured mine and Morgy’s out at the same time, very stingily, and poured in Coca-Cola. This is the first drink I have ever had, and as a result I will believe for years that rye-and-Coca-Cola is a standard sort of drink and will always ask for it, until I notice that few other people drink it and that it makes me sick. I didn’t get sick that Christmas Eve, though; Herb had not given me enough. Except for an odd taste, and my own feeling of consequence, it was like drinking Coca-Cola.

  I don’t need Herb in the picture to remember what he looked like. That is, if he looked like himself, as he did all the time at the Turkey Barn and the few times I saw him on the street – as he did all the times in my life when I saw him except one.

&n
bsp; The time he looked somewhat unlike himself was when Morgan was cursing out Brian and, later, when Brian had run off down the road. What was this different look? I’ve tried to remember, because I studied it hard at the time. It wasn’t much different. His face looked softer and heavier then, and if you had to describe the expression on it you would have to say it was an expression of shame. But what would he be ashamed of? Ashamed of Brian, for the way he had behaved? Surely that would be late in the day; when had Brian ever behaved otherwise? Ashamed of Morgan, for carrying on so ferociously and theatrically? Or of himself, because he was famous for nipping fights and displays of this sort in the bud and hadn’t been able to do it here? Would he be ashamed that he hadn’t stood up for Brian? Would he have expected himself to do that, to stand up for Brian?

  All this was what I wondered at the time. Later, when I knew more, at least about sex, I decided that Brian was Herb’s lover, and that Gladys really was trying to get attention from Herb, and that that was why Brian had humiliated her – with or without Herb’s connivance and consent. Isn’t it true that people like Herb – dignified, secretive, honorable people – will often choose somebody like Brian, will waste their helpless love on some vicious, silly person who is not even evil, or a monster, but just some importunate nuisance? I decided that Herb, with all his gentleness and carefulness, was avenging himself on us all – not just on Gladys but on us all – with Brian, and that what he was feeling when I studied his face must have been a savage and gleeful scorn. But embarrassment as well – embarrassment for Brian and for himself and for Gladys, and to some degree for all of us. Shame for all of us – that is what I thought then.

  Later still, I backed off from this explanation. I got to a stage of backing off from the things I couldn’t really know. It’s enough for me now just to think of Herb’s face with that peculiar, stricken look; to think of Brian monkeying in the shade of Herb’s dignity; to think of my own mystified concentration on Herb, my need to catch him out, if I could ever get the chance, and then move in and stay close to him. How attractive, how delectable, the prospect of intimacy is, with the very person who will never grant it. I can still feel the pull of a man like that, of his promising and refusing. I would still like to know things. Never mind facts. Never mind theories, either.

  When I finished my drink I wanted to say something to Herb. I stood beside him and waited for a moment when he was not listening to or talking with anyone else and when the increasingly rowdy conversation of the others would cover what I had to say.

  “I’m sorry your friend had to go away.”

  “That’s all right.”

  Herb spoke kindly and with amusement, and so shut me off from any further right to look at or speak about his life. He knew what I was up to. He must have known it before, with lots of women. He knew how to deal with it.

  Lily had a little more whisky in her mug and told how she and her best girlfriend (dead now, of liver trouble) had dressed up as men one time and gone into the men’s side of the beer parlor, the side where it said MEN ONLY, because they wanted to see what it was like. They sat in a corner drinking beer and keeping their eyes and ears open, and nobody looked twice or thought a thing about them, but soon a problem arose.

  “Where were we going to go? If we went around to the other side and anybody seen us going into the ladies,’ they would scream bloody murder. And if we went into the men’s somebody’d be sure to notice we didn’t do it the right way. Meanwhile the beer was going through us like a bugger!”

  “What you don’t do when you’re young!” Marjorie said.

  Several people gave me and Morgy advice. They told us to enjoy ourselves while we could. They told us to stay out of trouble. They said they had all been young once. Herb said we were a good crew and had done a good job but he didn’t want to get in bad with any of the women’s husbands by keeping them there too late. Marjorie and Lily expressed indifference to their husbands, but Irene announced that she loved hers and that it was not true that he had been dragged back from Detroit to marry her, no matter what people said. Henry said it was a good life if you didn’t weaken. Morgan said he wished us all the most sincere Merry Christmas.

  When we came out of the Turkey Barn it was snowing. Lily said it was like a Christmas card, and so it was, with the snow whirling around the streetlights in town and around the colored lights people had put up outside their doorways. Morgan was giving Henry and Irene a ride home in the truck, acknowledging age and pregnancy and Christmas. Morgy took a shortcut through the field, and Herb walked off by himself, head down and hands in his pockets, rolling slightly, as if he were on the deck of a lake boat. Marjorie and Lily linked arms with me as if we were old comrades.

  “Let’s sing,” Lily said. “What’ll we sing?”

  “‘We Three Kings’?” said Marjorie. “‘We Three Turkey Gutters’?”

  “‘I’m Dreaming of a White Christmas.’”

  “Why dream? You got it!”

  So we sang.

  THE MOONS OF JUPITER

  I FOUND MY FATHER in the heart wing, on the eighth floor of Toronto General Hospital. He was in a semi-private room. The other bed was empty. He said that his hospital insurance covered only a bed in the ward, and he was worried that he might be charged extra.

  “I never asked for a semi-private,” he said.

  I said the wards were probably full.

  “No. I saw some empty beds when they were wheeling me by.”

  “Then it was because you had to be hooked up to that thing,” I said. “Don’t worry. If they’re going to charge you extra, they tell you about it.”

  “That’s likely it,” he said. “They wouldn’t want those doohickeys set up in the wards. I guess I’m covered for that kind of thing.”

  I said I was sure he was.

  He had wires taped to his chest. A small screen hung over his head. On the screen a bright jagged line was continually being written. The writing was accompanied by a nervous electronic beeping. The behavior of his heart was on display. I tried to ignore it. It seemed to me that paying such close attention – in fact, dramatizing what ought to be a most secret activity – was asking for trouble. Anything exposed that way was apt to flare up and go crazy.

  My father did not seem to mind. He said they had him on tranquillizers. You know, he said, the happy pills. He did seem calm and optimistic.

  It had been a different story the night before. When I brought him into the hospital, to the emergency room, he had been pale and close-mouthed. He had opened the car door and stood up and said quietly, “Maybe you better get me one of those wheelchairs.” He used the voice he always used in a crisis. Once, our chimney caught on fire; it was on a Sunday afternoon and I was in the dining room pinning together a dress I was making. He came in and said in that same matter-of-fact, warning voice, “Janet. Do you know where there’s some baking powder?” He wanted it to throw on the fire. Afterwards he said, “I guess it was your fault – sewing on Sunday.”

  I had to wait for over an hour in the emergency waiting room. They summoned a heart specialist who was in the hospital, a young man. He called me out into the hall and explained to me that one of the valves of my father’s heart had deteriorated so badly that there ought to be an immediate operation.

  I asked him what would happen otherwise.

  “He’d have to stay in bed,” the doctor said.

  “How long?”

  “Maybe three months.”

  “I meant, how long would he live?”

  “That’s what I meant too,” the doctor said.

  I went to see my father. He was sitting up in bed in a curtained-off corner. “It’s bad, isn’t it?” he said. “Did he tell you about the valve?”

  “It’s not as bad as it could be,” I said. Then I repeated, even exaggerated, anything hopeful the doctor had said. “You’re not in any immediate danger. Your physical condition is good, otherwise.”

  “Otherwise,” said my father gloomily.

 
I was tired from the drive – all the way up to Dalgleish, to get him, and back to Toronto since noon – and worried about getting the rented car back on time, and irritated by an article I had been reading in a magazine in the waiting room. It was about another writer, a woman younger, better-looking, probably more talented than I am. I had been in England for two months and so I had not seen this article before, but it crossed my mind while I was reading that my father would have. I could hear him saying, Well, I didn’t see anything about you in Maclean’s. And if he had read something about me he would say, Well, I didn’t think too much of that write-up. His tone would be humorous and indulgent but would produce in me a familiar dreariness of spirit. The message I got from him was simple: Fame must be striven for, then apologized for. Getting or not getting it, you will be to blame.

  I was not surprised by the doctor’s news. I was prepared to hear something of the sort and was pleased with myself for taking it calmly, just as I would be pleased with myself for dressing a wound or looking down from the frail balcony of a high building. I thought, Yes, it’s time; there has to be something, here it is. I did not feel any of the protest I would have felt twenty, even ten, years before. When I saw from my father’s face that he felt it – that refusal leapt up in him as readily as if he had been thirty or forty years younger – my heart hardened, and I spoke with a kind of badgering cheerfulness. “Otherwise is plenty,” I said.

  THE NEXT DAY he was himself again.

  That was how I would have put it. He said it appeared to him now that the young fellow, the doctor, might have been a bit too eager to operate. “A bit knife-happy,” he said. He was both mocking and showing off the hospital slang. He said that another doctor had examined him, an older man, and had given it as his opinion that rest and medication might do the trick.

  I didn’t ask what trick.

  “He says I’ve got a defective valve, all right. There’s certainly some damage. They wanted to know if I had rheumatic fever when I was a kid. I said I didn’t think so. But half the time then you weren’t diagnosed what you had. My father was not one for getting the doctor.”