The Fourth Ghost Story MEGAPACK: 25 Classic Haunts!

by Wildside Press

  I did not try to press her further, for I hoped that the next day, when Anthony’s story would be less vivid to us all, I could prevail on the desperation of her attitude. I did insist, however, that she should not spend the night alone, and she consented, after a little, that I should sleep with her. Or so, at least, we termed it. But my patient vigil told me plainly enough that poor Beatrice slept no more than I. It is true that I assumed—though how could I be sure?—that I had dispelled her disturbing phantasms. I did not, though I lay there expectant at her side, feel the clutch at my own heart of Brian Calvert’s strangely inextinguishable love; and though in the first few pale moments of dawn I saw Beatrice’s strained eyes bent steadily on Anne Burleigh’s garlanded mirror, to me its unrevealing surface presented merely a reticent blur.

  It did not surprise me when, an hour later, Beatrice told me that she must leave Burleigh House that morning. And indeed it seemed that to let her go—out of the reach of the ghostliness that had so preyed upon her sensitive spirit—was, at that critical moment, the best that I could do for her. Yet, strangely, even after all that she had told me, I did not guess into what utter darkness she was going. Immune as I then believed myself to spectral invasions of my own serenity, I did not know at that time, nor until long after, how the reverberations of spent lives may sometimes sound so loud as to muffle the merely human cry. All that Beatrice Vesper saw and felt as she sat in the Long Chamber and battled ineffectually with the insistent presence, or presences, that may have abided within the distances of the dim, garlanded mirror, is still, I know, beyond my vain conjecture. And there are certain bare and almost intolerable facts that seem indeed to close the door on such imaginings.… For Edward Vesper never saw his wife again, and a month after Beatrice’s going word came to me that she was dead. We have closed the Long Chamber for all time.

  THE PAST, by Ellen Glasgow

  I had no sooner entered the house than I knew something was wrong. Though I had never been in so splendid a place before—it was one of those big houses just off Fifth Avenue—I had a suspicion from the first that the magnificence covered a secret disturbance. I was always quick to receive impressions, and when the black iron doors swung together behind me, I felt as if I were shut inside a prison.

  When I gave my name and explained that I was the new secretary, I was delivered into the charge of an elderly lady’s-maid, who looked as if she had been crying. Without speaking a word, though she nodded kindly enough, she led me down the hall, and then up a flight of stairs at the back of the house to a pleasant bedroom in the third storey. There was a great deal of sunshine, and the walls, which were painted a soft yellow, made the room very cheerful. It would be a comfortable place to sit in when I was not working, I thought, while the sad-faced maid stood watching me remove my wraps and hat.

  “If you are not tired, Mrs. Vanderbridge would like to dictate a few letters,” she said presently, and they were the first words she had spoken.

  “I am not a bit tired. Will you take me to her?” One of the reasons, I knew, which had decided Mrs. Vanderbridge to engage me was the remarkable similarity of our handwriting. We were both Southerners, and though she was now famous on two continents for her beauty, I couldn’t forget that she had got her early education at the little academy for young ladies in Fredericksburg. This was a bond of sympathy in my thoughts at least, and, heaven knows, I needed to remember it while I followed the maid down the narrow stairs and along the wide hall to the front of the house.

  In looking back after a year, I can recall every detail of that first meeting. Though it was barely four o’clock, the electric lamps were turned on in the hall, and I can still see the mellow light that shone over the staircase and lay in pools on the old pink rugs, which were so soft and fine that I felt as if I were walking on flowers. I remember the sound of music from a room somewhere on the first floor, and the scent of lilies and hyacinths that drifted from the conservatory. I remember it all, every note of music, every whiff of fragrance; but most vividly I remember Mrs. Vanderbridge as she looked round, when the door opened, from the wood fire into which she had been gazing. Her eyes caught me first. They were so wonderful that for a moment I couldn’t see anything else; then I took in slowly the dark red of her hair, the clear pallor of her skin, and the long, flowing lines of her figure in a tea-gown of blue silk. There was a white bearskin rug under her feet, and while she stood there before the wood fire, she looked as if she had absorbed the beauty and colour of the house as a crystal vase absorbs the light. Only when she spoke to me, and I went nearer, did I detect the heaviness beneath her eyes and the nervous quiver of her mouth, which drooped a little at the corners. Tired and worn as she was, I never saw her afterwards—not even when she was dressed for the opera—look quite so lovely, so much like an exquisite flower, as she did on that first afternoon. When I knew her better, I discovered that she was a changeable beauty; there were days when all the colour seemed to go out of her, and she looked dull and haggard; but at her best no one I’ve ever seen could compare with her.

  She asked me a few questions, and though she was pleasant and kind, I knew that she scarcely listened to my responses. While I sat down at the desk and dipped my pen into the ink, she flung herself on the couch before the fire with a movement which struck me as hopeless. I saw her feet tap the white fur rug, while she plucked nervously at the lace on the end of one of the gold-coloured sofa pillows. For an instant the thought flashed through my mind that she had been taking something—drug of some sort—and that she was suffering now from the effects of it. Then she looked at me steadily, almost as if she were reading my thoughts, and I knew that I was wrong. Her large radiant eyes were as innocent as a child’s.

  She dictated a few notes—all declining invitations—and then, while I still waited pen in hand, she sat up on the couch with one of her quick movements, and said in a low voice, “I am not dining out tonight, Miss Wrenn. I am not well enough.”

  “I am sorry for that.” It was all I could think of to say, for I did not understand why she should have told me.

  “If you don’t mind, I should like you to come down to dinner. There will be only Mr. Vanderbridge and myself.”

  “Of course I will come if you wish it.” I couldn’t very well refuse to do what she asked me, yet I told myself, while I answered, that if I had known she expected me to make one of the family, I should never, not even at twice the salary, have taken the place. It didn’t take me a minute to go over my slender wardrobe in my mind and realize that I had nothing to wear that would look well enough.

  “I can see you don’t like it,” she added after a moment, almost wistfully, “but it won’t be often. It is only when we are dining alone.”

  This, I thought, was even queerer than the request—or command—for I knew from her tone, just as plainly as if she had told me in words, that she did not wish to dine alone with her husband.

  “I am ready to help you in any way—in any way that I can,” I replied, and I was so deeply moved by her appeal that my voice broke in spite of my effort to control it. After my lonely life I dare say I should have loved any one who really needed me, and from the first moment that I read the appeal in Mrs. Vanderbridge’s face I felt that I was willing to work my fingers to the bone for her. Nothing that she asked of me was too much when she asked it in that voice, with that look.

  “I am glad you are nice,” she said, and for the first time she smiled—a charming, girlish smile with a hint of archness. “We shall get on beautifully, I know, because I can talk to you. My last secretary was English, and I frightened her almost to death whenever I tried to talk to her.” Then her tone grew serious. “You won’t mind dining with us. Roger—Mr. Vanderbridge—is the most charming man in the world.”

  “Is that his picture?”

  “Yes, the one in the Florentine frame. The other is my brother. Do you think we are alike?”

 
“Since you’ve told me, I notice a likeness.” Already I had picked up the Florentine frame from the desk, and was eagerly searching the features of Mr. Vanderbridge. It was an arresting face, dark, thoughtful, strangely appealing, and picturesque—though this may have been due, of course, to the photographer. The more I looked at it, the more there grew upon me an uncanny feeling of familiarity; but not until the next day, while I was still trying to account for the impression that I had seen the picture before, did there flash into my mind the memory of an old portrait of a Florentine nobleman in a loan collection last winter. I can’t remember the name of the painter—I am not sure that it was known—but this photograph might have been taken from the painting. There was the same imaginative sadness in both faces, the same haunting beauty of feature, and one surmised that there must be the same rich darkness of colouring. The only striking difference was that the man in the photograph looked much older than the original of the portrait, and I remembered that the lady who had engaged me was the second wife of Mr. Vanderbridge and some ten or fifteen years younger, I had heard, than her husband.

  “Have you ever seen a more wonderful face?” asked Mrs. Vanderbridge. “Doesn’t he look as if he might have been painted by Titian?”

  “Is he really so handsome as that?”

  “He is a little older and sadder, that is all. When we were married it was exactly like him.” For an instant she hesitated and then broke out almost bitterly, “Isn’t that a face any woman might fall in love with, a face any woman—living or dead—would not be willing to give up?”

  Poor child, I could see that she was overwrought and needed someone to talk to, but it seemed queer to me that she should speak so frankly to a stranger. I wondered why any one so rich and so beautiful should ever be unhappy—for I had been schooled by poverty to believe that money is the first essential of happiness—and yet her unhappiness was as evident as her beauty, or the luxury that enveloped her. At that instant I felt that I hated Mr. Vanderbridge, for whatever the secret tragedy of their marriage might be, I instinctively knew that the fault was not on the side of the wife. She was as sweet and winning as if she were still the reigning beauty in the academy for young ladies. I knew with a knowledge deeper than any conviction that she was not to blame, and if she wasn’t to blame, then who under heaven could be at fault except her husband?

  In a few minutes a friend came in to tea, and I went upstairs to my room, and unpacked the blue taffeta dress I had bought for my sister’s wedding. I was still doubtfully regarding it when there was a knock at my door, and the maid with the sad face came in to bring me a pot of tea. After she had placed the tray on the table, she stood nervously twisting a napkin in her hands while she waited for me to leave my unpacking and sit down in the easy chair she had drawn up under the lamp.

  “How do you think Mrs. Vanderbridge is looking?” she asked abruptly in a voice that held a breathless note of suspense. Her nervousness and the queer look in her face made me stare at her sharply. This was a house, I was beginning to feel, where everybody, from the mistress down, wanted to question me. Even the silent maid had found voice for interrogation.

  “I think her the loveliest person I’ve ever seen,” I answered after a moment’s hesitation. There couldn’t be any harm in telling her how much I admired her mistress.

  “Yes, she is lovely—everyone thinks so—and her nature is as sweet as her face.” She was becoming loquacious. “I have never had a lady who was so sweet and kind. She hasn’t always been rich, and that may be the reason she never seems to grow hard and selfish, the reason she spends so much of her life thinking of other people. It’s been six years now, ever since her marriage, that I’ve lived with her, and in all that time I’ve never had a cross word from her.”

  “One can see that. With everything she has she ought to be as happy as the day is long.”

  “She ought to be.” Her voice dropped, and I saw her glance suspiciously at the door, which she had closed when she entered. “She ought to be, but she isn’t. I have never seen any one so unhappy as she has been of late—ever since last summer. I suppose I oughtn’t to talk about it, but I’ve kept it to myself so long that I feel as if it was killing me. If she was my own sister, I couldn’t be any fonder of her, and yet I have to see her suffer day after day, and not say a word—not even to her. She isn’t the sort of lady you could speak to about a thing like that.”

  She broke down, and dropping on the rug at my feet, hid her face in her hands. It was plain that she was suffering acutely, and while I patted her shoulder, I thought what a wonderful mistress Mrs. Vanderbridge must be to have attached a servant to her so strongly.

  “You must remember that I am a stranger in the house, that I scarcely know her, that I’ve never so much as laid eyes on her husband,” I said warningly, for I’ve always avoided, as far as possible, the confidences of servants.

  “But you look as if you could be trusted.” The maid’s nerves, as well as the mistress’s, were on edge, I could see. “And she needs somebody who can help her. She needs a real friend—somebody who will stand by her no matter what happens.” Again, as in the room downstairs, there flashed through my mind the suspicion that I had got into a place where people took drugs or drink—or were all out of their minds. I had heard of such houses.

  “How can I help her? She won’t confide in me, and even if she did, what could I do for her?”

  “You can stand by and watch. You can come between her and harm—if you see it.” She had risen from the floor and stood wiping her reddened eyes on the napkin. “I don’t know what it is, but I know it is there. I feel it even when I can’t see it.”

  Yes, they were all out of their minds; there couldn’t be any other explanation. The whole episode was incredible. It was the kind of thing, I kept telling myself, that did not happen. Even in a book nobody could believe it.

  “But her husband? He is the one who must protect her.”

  She gave me a blighting look. “He would if he could. He isn’t to blame—you mustn’t think that. He is one of the best men in the world, but he can’t help her. He can’t help her because he doesn’t know. He doesn’t see it.”

  A bell rang somewhere, and catching up the tea-tray, she paused just long enough to throw me a pleading word, “Stand between her and harm, if you see it.”

  When she had gone I locked the door after her, and turned on all the lights in the room. Was there really a tragic mystery in the house, or were they all mad, as I had first imagined? The feeling of apprehension, of vague uneasiness, which had come to me when I entered the iron doors, swept over me in a wave while I sat there in the soft glow of the shaded electric light. Something was wrong. Somebody was making that lovely woman unhappy, and who, in the name of reason, could this somebody be except her husband? Yet the maid had spoken of him as “one of the best men in the world,” and it was impossible to doubt the tearful sincerity of her voice. Well, the riddle was too much for me. I gave it up at last with a sigh—dreading the hour that would call me downstairs to meet Mr. Vanderbridge. I felt in every nerve and fibre of my body that I should hate him the moment I looked at him.

  But at eight o’clock, when I went reluctantly downstairs, I had a surprise. Nothing could have been kinder than the way Mr. Vanderbridge greeted me, and I could tell as soon as I met his eyes that there wasn’t anything vicious or violent in his nature. He reminded me more than ever of the portrait in the loan collection, and though he was so much older than the Florentine nobleman, he had the same thoughtful look. Of course I am not an artist, but I have always tried, in my way, to be a reader of personality; and it didn’t take a particularly keen observer to discern the character and intellect in Mr. Vanderbridge’s face. Even now I remember it as the noblest face I have ever seen; and unless I had possessed at least a shade of penetration, I doubt if I should have detected the melancholy. For it was only when he was thinking deep
ly that this sadness seemed to spread like a veil over his features. At other times he was cheerful and even gay in his manner; and his rich dark eyes would light up now and then with irrepressible humour. From the way he looked at his wife I could tell that there was no lack of love or tenderness on his side any more than there was on hers. It was obvious that he was still as much in love with her as he had been before his marriage, and my immediate perception of this only deepened the mystery that enveloped them. If the fault wasn’t his and wasn’t hers, then who was responsible for the shadow that hung over the house?

  For the shadow was there. I could feel it, vague and dark, while we talked about the war and the remote possibilities of peace in the spring. Mrs. Vanderbridge looked young and lovely in her gown of white satin with pearls on her bosom, but her violet eyes were almost black in the candlelight, and I had a curious feeling that this blackness was the colour of thought. Something troubled her to despair, yet I was as positive as I could be of anything I had ever been told that she had breathed no word of this anxiety or distress to her husband. Devoted as they were, a nameless dread, fear, or apprehension divided them. It was the thing I had felt from the moment I entered the house; the thing I had heard in the tearful voice of the maid. One could scarcely call it horror, because it was too vague, too impalpable, for so vivid a name; yet, after all these quiet months, horror is the only word I can think of that in any way expresses the emotion which pervaded the house.

  I had never seen so beautiful a dinner table, and I was gazing with pleasure at the damask and glass and silver—there was a silver basket of chrysanthemums, I remember, in the centre of the table—when I noticed a nervous movement of Mrs. Vanderbridge’s head, and saw her glance hastily towards the door and the staircase beyond. We had been talking animatedly, and as Mrs. Vanderbridge turned away, I had just made a remark to her husband, who appeared to have fallen into a sudden fit of abstraction, and was gazing thoughtfully over his soup-plate at the white and yellow chrysanthemums. It occurred to me, while I watched him, that he was probably absorbed in some financial problem, and I regretted that I had been so careless as to speak to him. To my surprise, however, he replied immediately in a natural tone, and I saw, or imagined that I saw, Mrs. Vanderbridge throw me a glance of gratitude and relief. I can’t remember what we were talking about, but I recall perfectly that the conversation kept up pleasantly, without a break, until dinner was almost half over. The roast had been served, and I was in the act of helping myself to potatoes, when I became aware that Mr. Vanderbridge had again fallen into his reverie. This time he scarcely seemed to hear his wife’s voice when she spoke to him, and I watched the sadness cloud his face while he continued to stare straight ahead of him with a look that was almost yearning in its intensity.