The Complete Works of Henry James

by Henry James

  Newman was fond, under all circumstances, of the society of women, and now that he was out of his native element and deprived of his habitual interests, he turned to it for compensation. He took a great fancy to Mrs. Tristram; she frankly repaid it, and after their first meeting he passed a great many hours in her drawing-room. After two or three talks they were fast friends. Newman’s manner with women was peculiar, and it required some ingenuity on a lady’s part to discover that he admired her. He had no gallantry, in the usual sense of the term; no compliments, no graces, no speeches. Very fond of what is called chaffing, in his dealings with men, he never found himself on a sofa beside a member of the softer sex without feeling extremely serious. He was not shy, and so far as awkwardness proceeds from a struggle with shyness, he was not awkward; grave, attentive, submissive, often silent, he was simply swimming in a sort of rapture of respect. This emotion was not at all theoretic, it was not even in a high degree sentimental; he had thought very little about the “position” of women, and he was not familiar either sympathetically or otherwise, with the image of a President in petticoats. His attitude was simply the flower of his general good-nature, and a part of his instinctive and genuinely democratic assumption of every one’s right to lead an easy life. If a shaggy pauper had a right to bed and board and wages and a vote, women, of course, who were weaker than paupers, and whose physical tissue was in itself an appeal, should be maintained, sentimentally, at the public expense. Newman was willing to be taxed for this purpose, largely, in proportion to his means. Moreover, many of the common traditions with regard to women were with him fresh personal impressions; he had never read a novel! He had been struck with their acuteness, their subtlety, their tact, their felicity of judgment. They seemed to him exquisitely organized. If it is true that one must always have in one’s work here below a religion, or at least an ideal, of some sort, Newman found his metaphysical inspiration in a vague acceptance of final responsibility to some illumined feminine brow.

  He spent a great deal of time in listening to advice from Mrs. Tristram; advice, it must be added, for which he had never asked. He would have been incapable of asking for it, for he had no perception of difficulties, and consequently no curiosity about remedies. The complex Parisian world about him seemed a very simple affair; it was an immense, amazing spectacle, but it neither inflamed his imagination nor irritated his curiosity. He kept his hands in his pockets, looked on good-humoredly, desired to miss nothing important, observed a great many things narrowly, and never reverted to himself. Mrs. Tristram’s “advice” was a part of the show, and a more entertaining element, in her abundant gossip, than the others. He enjoyed her talking about himself; it seemed a part of her beautiful ingenuity; but he never made an application of anything she said, or remembered it when he was away from her. For herself, she appropriated him; he was the most interesting thing she had had to think about in many a month. She wished to do something with him—she hardly knew what. There was so much of him; he was so rich and robust, so easy, friendly, well-disposed, that he kept her fancy constantly on the alert. For the present, the only thing she could do was to like him. She told him that he was “horribly Western,” but in this compliment the adverb was tinged with insincerity. She led him about with her, introduced him to fifty people, and took extreme satisfaction in her conquest. Newman accepted every proposal, shook hands universally and promiscuously, and seemed equally unfamiliar with trepidation or with elation. Tom Tristram complained of his wife’s avidity, and declared that he could never have a clear five minutes with his friend. If he had known how things were going to turn out, he never would have brought him to the Avenue d’Iena. The two men, formerly, had not been intimate, but Newman remembered his earlier impression of his host, and did Mrs. Tristram, who had by no means taken him into her confidence, but whose secret he presently discovered, the justice to admit that her husband was a rather degenerate mortal. At twenty-five he had been a good fellow, and in this respect he was unchanged; but of a man of his age one expected something more. People said he was sociable, but this was as much a matter of course as for a dipped sponge to expand; and it was not a high order of sociability. He was a great gossip and tattler, and to produce a laugh would hardly have spared the reputation of his aged mother. Newman had a kindness for old memories, but he found it impossible not to perceive that Tristram was nowadays a very light weight. His only aspirations were to hold out at poker, at his club, to know the names of all the cocottes, to shake hands all round, to ply his rosy gullet with truffles and champagne, and to create uncomfortable eddies and obstructions among the constituent atoms of the American colony. He was shamefully idle, spiritless, sensual, snobbish. He irritated our friend by the tone of his allusions to their native country, and Newman was at a loss to understand why the United States were not good enough for Mr. Tristram. He had never been a very conscious patriot, but it vexed him to see them treated as little better than a vulgar smell in his friend’s nostrils, and he finally broke out and swore that they were the greatest country in the world, that they could put all Europe into their breeches’ pockets, and that an American who spoke ill of them ought to be carried home in irons and compelled to live in Boston. (This, for Newman was putting it very vindictively.) Tristram was a comfortable man to snub, he bore no malice, and he continued to insist on Newman’s finishing his evening at the Occidental Club.

  Christopher Newman dined several times in the Avenue d’Iena, and his host always proposed an early adjournment to this institution. Mrs. Tristram protested, and declared that her husband exhausted his ingenuity in trying to displease her.

  “Oh no, I never try, my love,” he answered. “I know you loathe me quite enough when I take my chance.”

  Newman hated to see a husband and wife on these terms, and he was sure one or other of them must be very unhappy. He knew it was not Tristram. Mrs. Tristram had a balcony before her windows, upon which, during the June evenings, she was fond of sitting, and Newman used frankly to say that he preferred the balcony to the club. It had a fringe of perfumed plants in tubs, and enabled you to look up the broad street and see the Arch of Triumph vaguely massing its heroic sculptures in the summer starlight. Sometimes Newman kept his promise of following Mr. Tristram, in half an hour, to the Occidental, and sometimes he forgot it. His hostess asked him a great many questions about himself, but on this subject he was an indifferent talker. He was not what is called subjective, though when he felt that her interest was sincere, he made an almost heroic attempt to be. He told her a great many things he had done, and regaled her with anecdotes of Western life; she was from Philadelphia, and with her eight years in Paris, talked of herself as a languid Oriental. But some other person was always the hero of the tale, by no means always to his advantage; and Newman’s own emotions were but scantily chronicled. She had an especial wish to know whether he had ever been in love—seriously, passionately—and, failing to gather any satisfaction from his allusions, she at last directly inquired. He hesitated a while, and at last he said, “No!” She declared that she was delighted to hear it, as it confirmed her private conviction that he was a man of no feeling.

  “Really?” he asked, very gravely. “Do you think so? How do you recognize a man of feeling?”

  “I can’t make out,” said Mrs. Tristram, “whether you are very simple or very deep.”

  “I’m very deep. That’s a fact.”

  “I believe that if I were to tell you with a certain air that you have no feeling, you would implicitly believe me.”

  “A certain air?” said Newman. “Try it and see.”

  “You would believe me, but you would not care,” said Mrs. Tristram.

  “You have got it all wrong. I should care immensely, but I shouldn’t believe you. The fact is I have never had time to feel things. I have had to DO them, to make myself felt.”

  “I can imagine that you may have done that tremendously, sometimes.”

  “Yes, there’s no mistake about that.”r />
  “When you are in a fury it can’t be pleasant.”

  “I am never in a fury.”

  “Angry, then, or displeased.”

  “I am never angry, and it is so long since I have been displeased that I have quite forgotten it.”

  “I don’t believe,” said Mrs. Tristram, “that you are never angry. A man ought to be angry sometimes, and you are neither good enough nor bad enough always to keep your temper.”

  “I lose it perhaps once in five years.”

  “The time is coming round, then,” said his hostess. “Before I have known you six months I shall see you in a fine fury.”

  “Do you mean to put me into one?”

  “I should not be sorry. You take things too coolly. It exasperates me. And then you are too happy. You have what must be the most agreeable thing in the world, the consciousness of having bought your pleasure beforehand and paid for it. You have not a day of reckoning staring you in the face. Your reckonings are over.”

  “Well, I suppose I am happy,” said Newman, meditatively.

  “You have been odiously successful.”

  “Successful in copper,” said Newman, “only so-so in railroads, and a hopeless fizzle in oil.”

  “It is very disagreeable to know how Americans have made their money. Now you have the world before you. You have only to enjoy.”

  “Oh, I suppose I am very well off,” said Newman. “Only I am tired of having it thrown up at me. Besides, there are several drawbacks. I am not intellectual.”

  “One doesn’t expect it of you,” Mrs. Tristram answered. Then in a moment, “Besides, you are!”

  “Well, I mean to have a good time, whether or no,” said Newman. “I am not cultivated, I am not even educated; I know nothing about history, or art, or foreign tongues, or any other learned matters. But I am not a fool, either, and I shall undertake to know something about Europe by the time I have done with it. I feel something under my ribs here,” he added in a moment, “that I can’t explain—a sort of a mighty hankering, a desire to stretch out and haul in.”

  “Bravo!” said Mrs. Tristram, “that is very fine. You are the great Western Barbarian, stepping forth in his innocence and might, gazing a while at this poor effete Old World and then swooping down on it.”

  “Oh, come,” said Newman. “I am not a barbarian, by a good deal. I am very much the reverse. I have seen barbarians; I know what they are.”

  “I don’t mean that you are a Comanche chief, or that you wear a blanket and feathers. There are different shades.”

  “I am a highly civilized man,” said Newman. “I stick to that. If you don’t believe it, I should like to prove it to you.”

  Mrs. Tristram was silent a while. “I should like to make you prove it,” she said, at last. “I should like to put you in a difficult place.”

  “Pray do,” said Newman.

  “That has a little conceited sound!” his companion rejoined.

  “Oh,” said Newman, “I have a very good opinion of myself.”

  “I wish I could put it to the test. Give me time and I will.” And Mrs. Tristram remained silent for some time afterwards, as if she was trying to keep her pledge. It did not appear that evening that she succeeded; but as he was rising to take his leave she passed suddenly, as she was very apt to do, from the tone of unsparing persiflage to that of almost tremulous sympathy. “Speaking seriously,” she said, “I believe in you, Mr. Newman. You flatter my patriotism.”

  “Your patriotism?” Christopher demanded.

  “Even so. It would take too long to explain, and you probably would not understand. Besides, you might take it—really, you might take it for a declaration. But it has nothing to do with you personally; it’s what you represent. Fortunately you don’t know all that, or your conceit would increase insufferably.”

  Newman stood staring and wondering what under the sun he “represented.”

  “Forgive all my meddlesome chatter and forget my advice. It is very silly in me to undertake to tell you what to do. When you are embarrassed, do as you think best, and you will do very well. When you are in a difficulty, judge for yourself.”

  “I shall remember everything you have told me,” said Newman. “There are so many forms and ceremonies over here—”

  “Forms and ceremonies are what I mean, of course.”

  “Ah, but I want to observe them,” said Newman. “Haven’t I as good a right as another? They don’t scare me, and you needn’t give me leave to violate them. I won’t take it.”

  “That is not what I mean. I mean, observe them in your own way. Settle nice questions for yourself. Cut the knot or untie it, as you choose.”

  “Oh, I am sure I shall never fumble over it!” said Newman.

  The next time that he dined in the Avenue d’Iena was a Sunday, a day on which Mr. Tristram left the cards unshuffled, so that there was a trio in the evening on the balcony. The talk was of many things, and at last Mrs. Tristram suddenly observed to Christopher Newman that it was high time he should take a wife.

  “Listen to her; she has the audacity!” said Tristram, who on Sunday evenings was always rather acrimonious.

  “I don’t suppose you have made up your mind not to marry?” Mrs. Tristram continued.

  “Heaven forbid!” cried Newman. “I am sternly resolved on it.”

  “It’s very easy,” said Tristram; “fatally easy!”

  “Well, then, I suppose you do not mean to wait till you are fifty.”

  “On the contrary, I am in a great hurry.”

  “One would never suppose it. Do you expect a lady to come and propose to you?”

  “No; I am willing to propose. I think a great deal about it.”

  “Tell me some of your thoughts.”

  “Well,” said Newman, slowly, “I want to marry very well.”

  “Marry a woman of sixty, then,” said Tristram.

  “‘Well’ in what sense?”

  “In every sense. I shall be hard to please.”

  “You must remember that, as the French proverb says, the most beautiful girl in the world can give but what she has.”

  “Since you ask me,” said Newman, “I will say frankly that I want extremely to marry. It is time, to begin with: before I know it I shall be forty. And then I’m lonely and helpless and dull. But if I marry now, so long as I didn’t do it in hot haste when I was twenty, I must do it with my eyes open. I want to do the thing in handsome style. I do not only want to make no mistakes, but I want to make a great hit. I want to take my pick. My wife must be a magnificent woman.”

  “Voila ce qui s’appelle parler!” cried Mrs. Tristram.

  “Oh, I have thought an immense deal about it.”

  “Perhaps you think too much. The best thing is simply to fall in love.”

  “When I find the woman who pleases me, I shall love her enough. My wife shall be very comfortable.”

  “You are superb! There’s a chance for the magnificent women.”

  “You are not fair.” Newman rejoined. “You draw a fellow out and put him off guard, and then you laugh at him.”

  “I assure you,” said Mrs. Tristram, “that I am very serious. To prove it, I will make you a proposal. Should you like me, as they say here, to marry you?”

  “To hunt up a wife for me?”

  “She is already found. I will bring you together.”

  “Oh, come,” said Tristram, “we don’t keep a matrimonial bureau. He will think you want your commission.”

  “Present me to a woman who comes up to my notions,” said Newman, “and I will marry her tomorrow.”

  “You have a strange tone about it, and I don’t quite understand you. I didn’t suppose you would be so coldblooded and calculating.”

  Newman was silent a while. “Well,” he said, at last, “I want a great woman. I stick to that. That’s one thing I CAN treat myself to, and if it is to be had I mean to have it. What else have I toiled and struggled for, all these years? I have succeeded, and
now what am I to do with my success? To make it perfect, as I see it, there must be a beautiful woman perched on the pile, like a statue on a monument. She must be as good as she is beautiful, and as clever as she is good. I can give my wife a good deal, so I am not afraid to ask a good deal myself. She shall have everything a woman can desire; I shall not even object to her being too good for me; she may be cleverer and wiser than I can understand, and I shall only be the better pleased. I want to possess, in a word, the best article in the market.”