The Complete Works of Henry James

by Henry James

  IV

  On a strip of sand between the sea and the jungle in one quarter, between the sea and the Lake in another, the clustered hotels, the superior Pair in especial, stand and exhale their genius. One of them, the larger, the more portentously brave, of the Pair, is a marvel indeed, proclaiming itself of course, with all the eloquence of an interminable towered and pinnacled and gabled and bannered sky-line, the biggest thing of its sort in the world. Such is the responsive geniality begotten by its apparently perfect adequacy to this pretension, or to any other it might care to put forth, that one took it easily as leaving far behind mere figures of speech and forms of advertisement; to stand off and see it rear its incoherent crest above its gardens was to remember—and quite with relief—nothing but the processional outline of Windsor Castle that could appear to march with it. I say with relief because the value of the whole affirmation, which was but the scale otherwise expressed, seemed thereby assured: no world but an hotel-world could flourish in such a shadow. Every step, for a mile or two round, conduced but to show how it did flourish; every aspect of everything for which our reclaimed patch, our liberal square between sea and jungle, yielded space, was a demonstration of that. The gardens and groves, the vistas and avenues between the alignments of palms, the fostered insolence of flame-coloured flower and golden fruit, were perhaps the rarest attestation of all; so recent a conquest did this seem to me of ground formerly abandoned, in the States, to the general indifference. There came back to me from other years a vision of the rude and sordid margins, the untended approaches surrounding, at “resorts,” the crowded caravansery of the earlier time—and marking even now, I inferred, those of the type that still survive; and I caught verily at play that best virtue of the potent presence. The hotel was leading again, not following—imposing the standard, not submitting to it; teaching the affluent class how to “garden,” how, in fact, to tidy up its “yard”—since affluence alone was supposable there; not receiving at other hands the lesson. It was doing more than this—discriminating in favour of the beautiful, and above all in favour of the “refined,” with an energy that again, in the most interesting way, seemed to cause the general question of the future of beauty in America to heave in its unrest.

  Fifty times, already, I had felt myself catching this vibration, received some vivid impression of the growing quantity of force available for that conquest—of all the latent powers of freedom of space, of wealth, of faith and knowledge and curiosity, verily perhaps even of sustained passion, potentially at its service. These possibilities glimmer before one at times, in presence of some artistic effect expensively yet intelligently, yet even charmingly produced, with the result of your earnestly saying: “Why not more and more then, why not an immense exploration, an immense exhibition, of such possibilities? What is wanting for it, after all, in the way of—?” Just there it is indeed that you pull yourself up—ah, in the way of what? You are conscious that what you recognize in especial is not so much the positive as the negative strength of the case. What you see is the space and the freedom—which at every turn, in America, make one yearn to take other things for granted. The ground is so clear of preoccupation, the air so clear of prejudgment and doubt, that you wonder why the chance shouldn’t be as great for the aesthetic revel as for the political and economic, why some great undaunted adventure of the arts, meeting in its path none of the aged lions of prescription, of proscription, of merely jealous tradition, should not take place in conditions unexampled. From the moment it is but a question of some one’s, of every one’s caring, where was the conceivable quantity of care, where were the means and chances of application, ever so great? And the precedent, the analogy, of the universal organizing passion, the native aptitude for putting affairs “through,” indubitably haunts you: you are so aware of the acuteness and the courage that you fall but a little short of figuring them as aesthetically contributive. But you do fall short; you remember in time that great creations of taste and faith never express themselves primarily in terms of mere convenience and zeal, and that all the waiting money and all the general fury have, at the most, the sole value of being destined to be good for beauty when it shall appear. They have it in them so little, by themselves, to make it appear, that your unfinished question arrives easily enough, in that light, at its end.

  “What is wanting in the way of taste?” is the right form of the inquiry—that small circumstance alone being positively contributive. The others, the boundless field, the endless gold, the habit of great enterprises, are, you feel, at most, simple negations of difficulty. They affect you none the less, however, as a rank of stalwart soldiers and servants who, as they stand at attention, plead from wistful eyes to be enrolled and used; so that before any embodied symptom of the precious principle they are there in the background of your thought. These lingering instants spent in the presence of such symptoms, these brief moments of aesthetic arrest—liable to occur in the most diverse connections—have an interest that quite picks them, I think, from the heap of one’s American hours. And the interest is always fine, throwing one back as, by a further turn, it usually does, on the question of the trick possibly played, for your appreciation, by mere negation of difficulty. To what extent may the absence of difficulty, to what extent may not facility of purchase and sweet simplicity of pride, surprise you into taking them momentarily for a demonstration of taste? You remain on your guard, very properly; but the interest, as I have called it, doesn’t flag, none the less, since there is one mistake into which you never need fall, and one charming, one touching appearance that you may take as representing, wherever you meet it, a reality. When once you have interpreted the admonitory sign I have just named as the inordinate desire for taste, a desire breaking into a greater number of quaint and candid forms, probably, than have ever been known upon earth, the air is in a manner clearer, and you know sufficiently where you are. Isn’t it cleared, moreover, beyond doubt, to the positive increase of the interest, and doesn’t the question then become, almost thrillingly, that of the degree to which this pathos of desire may be condemned to remain a mere heartbreak to the historic muse? Is that to be, possibly, the American future—so far as, over such a mystery of mysteries, glibness may be permitted? The fascination grows while you wonder—as, from the moment you have begun to go into the matter at all, wonder you certainly must. If with difficulties so conjured away by power, the clear vision, the creative freshness, the real thing in a word, shall have to continue to be represented, indefinitely, but by a gilded yearning, the inference is then irresistible that these blessings are indeed of their essence a sovereign rarity. If with so many of the conditions they yet hang back, on what particular occult furtherance must they not incorruptibly depend? What are the other elements that make for them, and in what manner and at what points does the wrong combination of such elements, on the American scene, work for frustration? Entrancing speculation!—which has brought me back by a long circuit to the shining marble villa on the edge of Lake Worth.

  I was about to allude to this wondrous creation as the supreme instance of missionary effort on the part of the hotel-spirit—by which I mean of the effort to illustrate and embody a group of its ideals, to give a splendid concrete example of its ability to flower, at will, into concentration, into conspicuous privacy, into a care for all the refinements. The palace rears itself, behind its own high gates and gilded, transparent barriers, at a few minutes’ walk from the great caravanseries; it sits there, in its admirable garden, amid its statues and fountains, the hugeness of its more or less antique vases and sarcophagi—costliest reproductions all—as if to put to shame those remembered villas of the Lake of Como, of the Borromean Islands, the type, the climate, the horticultural elegance, the contained curiosities, luxuries, treasures, of which it invokes only to surpass them at every point. New with that consistency of newness which one sees only in the States, it seems to say, somehow, that to some such heaven, some such public exaltation of the Blest, those who have conforme
d with due earnestness to the hotel-spirit, and for a sufficiently long probation, may hope eventually to penetrate or perhaps actually retire.

  It has sprung from the genius of the divine Pair, the Dioscuri themselves—as Castor and Pollux were the sons of Zeus; and has this, above all, of exemplary, that whereas one had in other climes and countries often seen the proprietor of estates construct an hotel, or hotels, on a piece of his property, and even, when rigid need was, in proximity to his “home,” one had not elsewhere seen the home adjoined to the hotel, and placed, with such magnificence, under its protection and, as one might say, its star. In the former case—it was easy to reflect—there had been ever, at best, an effect of incoherence; while the beauty of logic, of the strictly consequent, was all on the side of the latter. So much as that one may say; but I should find it hard to express without some air of extravagance my sense of the beauty of the lesson read to the general Palm Beach consciousness from behind the gilded gates and between the large interstices of the enclosure. It had the immense merit that it was suited, admirably, to the “boarders”; it preached them the gospel of civilization all in their own terms and without the waste of an accent; it was in short the apotheosis, the ideal form of the final home that may pretend to crown a career of sufficiently expensive boarding. Anything less gorgeous wouldn’t have been proportioned to so much expense, nor anything more sequestered in the key of such a mode of life. But I detach myself, with reluctance, from the view of this interesting creation—interesting in its sense of bathing the whole question of manners in a light. Anything that does that is a boon to the restless analyst; and I remember rejoicing that he should have been introduced promptly to the marble palace, which struck him as rewarding attention the more attention was privileged and the further it might penetrate. Such an experience was, all properly, preliminary to a view of the rest of the scene; since otherwise, frankly, in relation to what at all represented ideal were the boarders, in their vast multitude, to be viewed?

  For the boarders, verily, were the great indicated show, as I had gathered in advance, at Palm Beach; it had been promised one, on all sides, that there, as nowhere else, in America, one would find Vanity Fair in full blast—and Vanity Fair not scattered, not discriminated and parcelled out, as among the comparative privacies and ancientries of Newport, but compressed under one vast cover, enclosed in a single huge vitrine, which there would be nothing to prevent one’s flattening one’s nose against for days of delight. It was into Vanity Fair, accordingly, that one embraced every opportunity to press; it was the boarders, frankly, who engaged one’s attention in default of any great array of other elements. The other elements, it must be confessed, strike the visitor as few; he has soon come to the end of them, even though they consist of the greater part of the rest of the sense of Florida. And he seems to himself to pursue them, mainly, at the tail, and in the constant track of the boarders; these latter are so numerous, and the clearing in the jungle so comparatively minute, that there is scant occasion for the wandering apart which always forms, under the law of the herd, the intenser joy. The velvet air, the colour of the sea, the “royal” palms, clustered here and there, and, in their nobleness of beauty, their single sublime distinction, putting every other mark and sign to the blush, these are the principal figures of the sum—these, with the custom of the short dip into the jungle, at two or three points of which, approached by charming, winding wood-ways, the small but genial fruit-farm offers hospitality—offers it in all the succulence of the admirable pale-skinned orange and the huge sun-warmed grape-fruit, plucked from the low bough, where it fairly bumps your cheek for solicitation, and partaken of, on the spot, as the immortal ladies of Cranford partook of dessert—with a few steps aside, the back turned and a betrayed ingurgitation. It is by means of a light perambulator, of “adult size,” but constructed of wicker-work, and pendent from a bicycle propelled by a robust negro, that the jungle is thus visited; the bicycle follows the serpentine track, the secluded ranch is swiftly reached, the peaceful retirement of the cultivators multitudinously admired, the perambulator promptly re-entered, the darkey restored to the saddle and his charge again to the hotel.

  V

  It is all most agreeable and diverting, it is almost, the boarders apart, romantic; but it is soon over, and there is not much more of it. The uncanny conception, the rank eccentricity of a walk encounters neither favour nor facility—but on the subject of the inveteracy with which the conditions, over the land, conspire against that sweet subterfuge there would be more to say than I may here deal with. One of these gentle ranches was approached by water, as Palm Beach has a front on its vast, fresh lake as well as seaward; a steam-launch puts you down at the garden foot, and the place is less infested by the boarders, less confessedly undefended, less artlessly ignorant in fine (thanks perhaps to the mere interposing water) of any possible right to occultation; the general absence of conception of that right, nowhere asserted, nowhere embodied, everywhere in fact quite sacrificially abrogated, qualifying at last your very sense of the American character—qualifying it very much as a pervading unsaltedness qualifies the taste of a dinner. This brief excursion remains with me, at any rate, as a delicate and exquisite impression; the neck of land that stretched from the languid lake to the anxious sea, the approach to real detachment, the gracious Northern hostess, just veiled, for the right felicity, in a thin nostalgic sadness, the precious recall in particular of having succeeded in straying a little, through groves of the pensive palm, down to the sandy, the vaguely-troubled shore. There was a certain concentration in the hour, a certain intensity in the note, a certain intimacy in the whole communion; I found myself loving, quite fraternally, the palms, which had struck me at first, for all their human-headed gravity, as merely dry and taciturn, but which became finally as sympathetic as so many rows of puzzled philosophers, dishevelled, shock-pated, with the riddle of the universe. This scantness and sweetness and sadness, this strange peninsular spell, this, I said, was sub-tropical Florida—and doubtless as permitted a glimpse as I should ever have of any such effect. The softness was divine—like something mixed, in a huge silver crucible, as an elixir, and then liquidly scattered. But the refinement of the experience would be the summer noon or the summer night—it would be then the breast of Nature would open; save only that, so lost in it and with such lubrication of surrender, how should one ever come back?

  As it was, one came back soon enough, back to one’s proper business which appeared to be, urgently, strictly, severely, the pursuit of the boarders up and down the long corridors and round about the wide verandahs of their crowded career. I had been admirably provided for at the less egregious of the two hotels; which was vast and cool and fair, friendly, breezy, shiny, swabbed and burnished like a royal yacht, really immaculate and delightful; full of interesting lights and yet standing but on the edge of the whirlpool, the centre of which formed the heart of the adjacent colossus. One could plunge, by a short walk through a luxuriance of garden, into the deeper depths; one could lose one’s self, if so minded, in the labyrinth of the other show. There, if Vanity Fair was not encamped, it was not for want of booths; the long corridors were streets of shops, dealing, naturally, in commodities almost beyond price—not the cheap gimcracks of the usual watering-place barrack, but solid (when not elaborately ethereal), formidable, incalculable values, of which it was of an admonitory economic interest to observe the triumphant appeal. They hadn’t terrors, apparently, for the clustered boarders, these idols and monsters of the market—neither the wild fantastications of the milliner, the uncovered fires, disclosed secrets of the gem-merchant, the errant tapestries and bahuts of the antiquarian, nor, what I found most impressive and what has everywhere its picture-making force, those ordered dispositions and stretched lengths of old “point” in the midst of which a quiet lady in black, occupied with some small stitch of her own, is apt to raise at you, with expensive deliberation, a grave, white Flemish face. The interest of the general spectacle was supp
osed to be, I had gathered, that people from all parts of the country contributed to it; and the value of the testimony as to manners was that it brought to a focus so many elements of difference. The elements of difference, whatever they might latently have been, struck me as throughout forcibly simplified by the conditions of the place; this prompt reducibility of a thousand figures to a common denominator having been in fact, to my sense, the very moral of the picture. Individuality and variety is attributed to “types,” in America, on easy terms, and the reputation for it enjoyed on terms not more difficult; so that what I was most conscious of, from aspect to aspect, from group to group, from sex to sex, from one presented boarder to another, was the continuity of the fusion, the dimness of the distinctions.

  The distinction that was least absent, however, would have been, I judge, that of the comparative ability to spend and purchase; the ability to spend with freedom being, as one made out, a positive consistent with all sorts of negatives. That helped to make the whole thing documentary—that you had to be financially more or less at your ease to enjoy the privileges of the Royal Poinciana at all; enjoy them through their extended range of saloons and galleries, fields of high publicity all; pursue them from dining-halls to music-rooms, to ball-rooms, to card-rooms, to writing-rooms, to a succession of places of convenience and refreshment, not the least characteristic of which, no doubt, was the terrace appointed to mid-morning and mid-afternoon drinks—drinks, at the latter hour, that appeared, oddly, never to comprise tea, the only one appreciated in “Europe” at that time of day. (The quest of tea indeed, especially at the hour when it is most a blessing, struck me as attended, throughout the country, with difficulties, even with dangers; over ground where one’s steps are beset, everywhere, with an infinite number of strange, sweet iced liquidities—many of these, I hasten to add, charmingly congruous, in their non-alcoholic ingenuity, with the heats of summer: a circumstance that doesn’t prevent their flourishing equally in the rigour of cold.) The implication of “ease” was thus a light to assist inquiry; it is always a gained fact about people—as to “where” they are, if not as to who or what—that they are either in confirmed or in casual possession of money, and thereby, presumably, of all that money may, in this negotiable world, represent. Add to this that the company came, in its provided state, by common report, from “all over,” that it converged upon Palm Beach from every prosperous corner of the land, and the case was clear for a compendious view of American society in the largest sense of the term. “Society,” as we loosely use the word, is made up of the fortunate few, and, if that number be everywhere small at the best, it was yet the fortunate who, after their fashion, filled the frame. Every obligation lay upon me to “study” them as so gathered in, and I did my utmost, I remember, to render them that respect; yet when I now, after an interval, consult my notes, I find the page a blank, and when I knock at the door of memory I find it perversely closed. If it consents a little to open, rather, a countenance looks out—that of the inscrutable warden of the precinct—and seems to show me the ambiguous smile that accompanies on occasion the plea to be excused.