The Complete Works of Henry James

by Henry James

  “I think I can tell YOU,” I returned. “What in the world but Mrs. Meldrum?”

  At the end of an hour Flora had not come in, and I was obliged to announce that I should have but time to reach the station, where I was to find my luggage in charge of my mother’s servant. Mrs. Meldrum put before me the question of waiting till a later train, so as not to lose our young lady, but I confess I gave this alternative a consideration less acute than I pretended. Somehow I didn’t care if I did lose our young lady. Now that I knew the worst that had befallen her it struck me still less as possible to meet her on the ground of condolence; and with the sad appearance she wore to me what other ground was left? I lost her, but I caught my train. In truth she was so changed that one hated to see it; and now that she was in charitable hands one didn’t feel compelled to make great efforts. I had studied her face for a particular beauty; I had lived with that beauty and reproduced it; but I knew what belonged to my trade well enough to be sure it was gone for ever.

  CHAPTER XII

  I was soon called back to Folkestone; but Mrs. Meldrum and her young friend had already left England, finding to that end every convenience on the spot and not having had to come up to town. My thoughts however were so painfully engaged there that I should in any case have had little attention for them: the event occurred that was to bring my series of visits to a close. When this high tide had ebbed I returned to America and to my interrupted work, which had opened out on such a scale that, with a deep plunge into a great chance, I was three good years in rising again to the surface. There are nymphs and naiads moreover in the American depths: they may have had something to do with the duration of my dive. I mention them to account for a grave misdemeanor—the fact that after the first year I rudely neglected Mrs. Meldrum. She had written to me from Florence after my mother’s death and had mentioned in a postscript that in our young lady’s calculations the lowest figures were now Italian counts. This was a good omen, and if in subsequent letters there was no news of a sequel I was content to accept small things and to believe that grave tidings, should there be any, would come to me in due course. The gravity of what might happen to a featherweight became indeed with time and distance less appreciable, and I was not without an impression that Mrs. Meldrum, whose sense of proportion was not the least of her merits, had no idea of boring the world with the ups and downs of her pensioner. The poor girl grew dusky and dim, a small fitful memory, a regret tempered by the comfortable consciousness of how kind Mrs. Meldrum would always be to her. I was professionally more preoccupied than I had ever been, and I had swarms of pretty faces in my eyes and a chorus of loud tones in my ears. Geoffrey Dawling had on his return to England written me two or three letters: his last information had been that he was going into the figures of rural illiteracy. I was delighted to receive it and had no doubt that if he should go into figures they would, as they are said to be able to prove anything, prove at least that my advice was sound and that he had wasted time enough. This quickened on my part another hope, a hope suggested by some roundabout rumour—I forget how it reached me—that he was engaged to a girl down in Hampshire. He turned out not to be, but I felt sure that if only he went into figures deep enough he would become, among the girls down in Hampshire or elsewhere, one of those numerous prizes of battle whose defences are practically not on the scale of their provocations. I nursed in short the thought that it was probably open to him to develop as one of the types about whom, as the years go on, superficial critics wonder without relief how they ever succeeded in dragging a bride to the altar. He never alluded to Flora Saunt; and there was in his silence about her, quite as in Mrs. Meldrum’s, an element of instinctive tact, a brief implication that if you didn’t happen to have been in love with her there was nothing to be said.

  Within a week after my return to London I went to the opera, of which I had always been much of a devotee. I arrived too late for the first act of “Lohengrin,” but the second was just beginning, and I gave myself up to it with no more than a glance at the house. When it was over I treated myself, with my glass, from my place in the stalls, to a general survey of the boxes, making doubtless on their contents the reflections, pointed by comparison, that are most familiar to the wanderer restored to London. There was the common sprinkling of pretty women, but I suddenly noted that one of these was far prettier than the others. This lady, alone in one of the smaller receptacles of the grand tier and already the aim of fifty tentative glasses, which she sustained with admirable serenity, this single exquisite figure, placed in the quarter furthest removed from my stall, was a person, I immediately felt, to cause one’s curiosity to linger. Dressed in white, with diamonds in her hair and pearls on her neck, she had a pale radiance of beauty which even at that distance made her a distinguished presence and, with the air that easily attaches to lonely loveliness in public places, an agreeable mystery. A mystery however she remained to me only for a minute after I had levelled my glass at her: I feel to this moment the startled thrill, the shock almost of joy, with which I translated her vague brightness into a resurrection of Flora. I say a resurrection, because, to put it crudely, I had on that last occasion left our young woman for dead. At present perfectly alive again, she was altered only, as it were, by this fact of life. A little older, a little quieter, a little finer and a good deal fairer, she was simply transfigured by having recovered. Sustained by the reflection that even her recovery wouldn’t enable her to distinguish me in the crowd, I was free to look at her well. Then it was it came home to me that my vision of her in her great goggles had been cruelly final. As her beauty was all there was of her, that machinery had extinguished her, and so far as I had thought of her in the interval I had thought of her as buried in the tomb her stern specialist had built. With the sense that she had escaped from it came a lively wish to return to her; and if I didn’t straightway leave my place and rush round the theatre and up to her box it was because I was fixed to the spot some moments longer by the simple inability to cease looking at her.

  She had been from the first of my seeing her practically motionless, leaning back in her chair with a kind of thoughtful grace and with her eyes vaguely directed, as it seemed on me, to one of the boxes on my side of the house and consequently over my head and out of my sight. The only movement she made for some time was to finger with an ungloved hand and as if with the habit of fondness the row of pearls on her neck, which my glass showed me to be large and splendid. Her diamonds and pearls, in her solitude, mystified me, making me, as she had had no such brave jewels in the days of the Hammond Synges, wonder what undreamt-of improvement had taken place in her fortunes. The ghost of a question hovered there a moment: could anything so prodigious have happened as that on her tested and proved amendment Lord Iffield had taken her back? This could scarce have without my hearing of it; and moreover if she had become a person of such fashion where was the little court one would naturally see at her elbow? Her isolation was puzzling, though it could easily suggest that she was but momentarily alone. If she had come with Mrs. Meldrum that lady would have taken advantage of the interval to pay a visit to some other box— doubtless the box at which Flora had just been looking. Mrs. Meldrum didn’t account for the jewels, but the revival of Flora’s beauty accounted for anything. She presently moved her eyes over the house, and I felt them brush me again like the wings of a dove. I don’t know what quick pleasure flickered into the hope that she would at last see me. She did see me: she suddenly bent forward to take up the little double-barrelled ivory glass that rested on the edge of the box and to all appearance fix me with it. I smiled from my place straight up at the searching lenses, and after an instant she dropped them and smiled as straight back at me. Oh her smile—it was her old smile, her young smile, her very own smile made perfect! I instantly left my stall and hurried off for a nearer view of it; quite flushed, I remember, as I went with the annoyance of having happened to think of the idiotic way I had tried to paint her. Poor Iffield with his sample of that error,
and still poorer Dawling in particular with HIS! I hadn’t touched her, I was professionally humiliated, and as the attendant in the lobby opened her box for me I felt that the very first thing I should have to say to her would be that she must absolutely sit to me again.

  CHAPTER XIII

  She gave me the smile once more as over her shoulder, from her chair, she turned her face to me. “Here you are again!” she exclaimed with her disgloved hand put up a little backward for me to take. I dropped into a chair just behind her and, having taken it and noted that one of the curtains of the box would make the demonstration sufficiently private, bent my lips over it and impressed them on its finger-tips. It was given me however, to my astonishment, to feel next that all the privacy in the world couldn’t have sufficed to mitigate the start with which she greeted this free application of my moustache: the blood had jumped to her face, she quickly recovered her hand and jerked at me, twisting herself round, a vacant challenging stare. During the next few instants several extraordinary things happened, the first of which was that now I was close to them the eyes of loveliness I had come up to look into didn’t show at all the conscious light I had just been pleased to see them flash across the house: they showed on the contrary, to my confusion, a strange sweet blankness, an expression I failed to give a meaning to until, without delay, I felt on my arm, directed to it as if instantly to efface the effect of her start, the grasp of the hand she had impulsively snatched from me. It was the irrepressible question in this grasp that stopped on my lips all sound of salutation. She had mistaken my entrance for that of another person, a pair of lips without a moustache. She was feeling me to see who I was! With the perception of this and of her not seeing me I sat gaping at her and at the wild word that didn’t come, the right word to express or to disguise my dismay. What was the right word to commemorate one’s sudden discovery, at the very moment too at which one had been most encouraged to count on better things, that one’s dear old friend had gone blind? Before the answer to this question dropped upon me—and the moving moments, though few, seemed many—I heard, with the sound of voices, the click of the attendant’s key on the other side of the door. Poor Flora heard also and on hearing, still with her hand on my arm, brightened again as I had a minute since seen her brighten across the house: she had the sense of the return of the person she had taken me for—the person with the right pair of lips, as to whom I was for that matter much more in the dark than she. I gasped, but my word had come: if she had lost her sight it was in this very loss that she had found again her beauty. I managed to speak while we were still alone, before her companion had appeared. “You’re lovelier at this day than you have ever been in your life!” At the sound of my voice and that of the opening of the door her impatience broke into audible joy. She sprang up, recognising me, always holding me, and gleefully cried to a gentleman who was arrested in the doorway by the sight of me: “He has come back, he has come back, and you should have heard what he says of me!” The gentleman was Geoffrey Dawling, and I thought it best to let him hear on the spot. “How beautiful she is, my dear man—but how extraordinarily beautiful! More beautiful at this hour than ever, ever before!”

  It gave them almost equal pleasure and made Dawling blush to his eyes; while this in turn produced, in spite of deepened astonishment, a blest snap of the strain I had been struggling with. I wanted to embrace them both, and while the opening bars of another scene rose from the orchestra I almost did embrace Dawling, whose first emotion on beholding me had visibly and ever so oddly been a consciousness of guilt. I had caught him somehow in the act, though that was as yet all I knew; but by the time we sank noiselessly into our chairs again—for the music was supreme, Wagner passed first—my demonstration ought pretty well to have given him the limit of the criticism he had to fear. I myself indeed, while the opera blazed, was only too afraid he might divine in our silent closeness the very moral of my optimism, which was simply the comfort I had gathered from seeing that if our companion’s beauty lived again her vanity partook of its life. I had hit on the right note—that was what eased me off: it drew all pain for the next half-hour from the sense of the deep darkness in which the stricken woman sat. If the music, in that darkness, happily soared and swelled for her, it beat its wings in unison with those of a gratified passion. A great deal came and went between us without profaning the occasion, so that I could feel at the end of twenty minutes as if I knew almost everything he might in kindness have to tell me; knew even why Flora, while I stared at her from the stalls, had misled me by the use of ivory and crystal and by appearing to recognise me and smile. She leaned back in her chair in luxurious ease: I had from the first become aware that the way she fingered her pearls was a sharp image of the wedded state. Nothing of old had seemed wanting to her assurance, but I hadn’t then dreamed of the art with which she would wear that assurance as a married woman. She had taken him when everything had failed; he had taken her when she herself had done so. His embarrassed eyes confessed it all, confessed the deep peace he found in it. They only didn’t tell me why he had not written to me, nor clear up as yet a minor obscurity. Flora after a while again lifted the glass from the ledge of the box and elegantly swept the house with it. Then, by the mere instinct of her grace, a motion but half conscious, she inclined her head into the void with the sketch of a salute, producing, I could see, a perfect imitation of response to some homage. Dawling and I looked at each other again; the tears came into his eyes. She was playing at perfection still, and her misfortune only simplified the process.

  I recognised that this was as near as I should ever come, certainly as I should come that night, to pressing on her misfortune. Neither of us would name it more than we were doing then, and Flora would never name it at all. Little by little I saw that what had occurred was, strange as it might appear, the best thing for her happiness. The question was now only of her beauty and her being seen and marvelled at; with Dawling to do for her everything in life her activity was limited to that. Such an activity was all within her scope; it asked nothing of her that she couldn’t splendidly give. As from time to time in our delicate communion she turned her face to me with the parody of a look I lost none of the signs of its strange new glory. The expression of the eyes was a rub of pastel from a master’s thumb; the whole head, stamped with a sort of showy suffering, had gained a fineness from what she had passed through. Yes, Flora was settled for life—nothing could hurt her further. I foresaw the particular praise she would mostly incur—she would be invariably “interesting.” She would charm with her pathos more even than she had charmed with her pleasure. For herself above all she was fixed for ever, rescued from all change and ransomed from all doubt. Her old certainties, her old vanities were justified and sanctified, and in the darkness that had closed upon her one object remained clear. That object, as unfading as a mosaic mask, was fortunately the loveliest she could possibly look upon. The greatest blessing of all was of course that Dawling thought so. Her future was ruled with the straightest line, and so for that matter was his. There were two facts to which before I left my friends I gave time to sink into my spirit. One was that he had changed by some process as effective as Flora’s change, had been simplified somehow into service as she had been simplified into success. He was such a picture of inspired intervention as I had never yet conceived: he would exist henceforth for the sole purpose of rendering unnecessary, or rather impossible, any reference even on her own part to his wife’s infirmity. Oh yes, how little desire he would ever give ME to refer to it! He principally after a while made me feel—and this was my second lesson—that, good-natured as he was, my being there to see it all oppressed him; so that by the time the act ended I recognised that I too had filled out my hour. Dawling remembered things; I think he caught in my very face the irony of old judgments: they made him thresh about in his chair. I said to Flora as I took leave of her that I would come to see her, but I may mention that I never went. I’d go to-morrow if I hear she wants me; but what in the worl
d can she ever want? As I quitted them I laid my hand on Dawling’s arm, and drew him for a moment into the lobby.