The Complete Works of Henry James

by Henry James

  Mr. Flack was wonderful on all occasions in finding what he wanted— which, as we know, was what he believed the public wanted—and Delia was the only one of the party with whom he was sometimes a little sharp. He had embraced from the first the idea that she was his enemy, and he alluded to it with almost tiresome frequency, though always in a humorous fearless strain. Even more than by her fashion of hanging over the registers she provoked him by appearing to find their little party not sufficient to itself, by wishing, as he expressed it, to work in new stuff. He might have been easy, however, for he had sufficient chance to observe how it was always the fate of the Dossons to miss their friends. They were continually looking out for reunions and combinations that never came off, hearing that people had been in Paris only after they had gone away, or feeling convinced that they were there but not to be found through their not having registered, or wondering whether they should overtake them if they should go to Dresden, and then making up their minds to start for Dresden only to learn at the eleventh hour, through some accident, that the hunted game had “left for” Biarritz even as the Rosenheims for Brussels. “We know plenty of people if we could only come across them,” Delia had more than once observed: she scanned the Continent with a wondering baffled gaze and talked of the unsatisfactory way in which friends at home would “write out” that other friends were “somewhere in Europe.” She expressed the wish that such correspondents as that might be in a place that was not at all vague. Two or three times people had called at the hotel when they were out and had left cards for them without an address and superscribed with some mocking dash of the pencil—”So sorry to miss you!” or “Off to-morrow!” The girl sat looking at these cards, handling them and turning them over for a quarter of an hour at a time; she produced them days afterwards, brooding upon them afresh as if they were a mystic clue. George Flack generally knew where they were, the people who were “somewhere in Europe.” Such knowledge came to him by a kind of intuition, by the voices of the air, by indefinable and unteachable processes. But he held his peace on purpose; he didn’t want any outsiders; he thought their little party just right. Mr. Dosson’s place in the scheme of Providence was to “go” with Delia while he himself “went” with Francie, and nothing would have induced George Flack to disfigure that equation. The young man was professionally so occupied with other people’s affairs that it should doubtless be mentioned to his praise that he still managed to have affairs—or at least an affair—of his own. That affair was Francie Dosson, and he was pleased to perceive how little SHE cared what had become of Mr. and Mrs. Rosenheim and Master Samuel and Miss Cora. He counted all the things she didn’t care about—her soft inadvertent eyes helped him to do that; and they footed up so, as he would have said, that they gave him the rich sense of a free field. If she had so few interests there was the greater possibility that a young man of bold conceptions and cheerful manners might become one. She had usually the air of waiting for something, with a pretty listlessness or an amused resignation, while tender shy indefinite little fancies hummed in her brain. Thus she would perhaps recognise in him the reward of patience. George Flack was aware that he exposed his friends to considerable fatigue: he brought them back pale and taciturn from suburban excursions and from wanderings often rather aimless and casual among the boulevards and avenues of the town. He regarded them at such times with complacency however, for these were hours of diminished resistance: he had an idea that he should be able eventually to circumvent Delia if he only could catch her some day sufficiently, that is physically, prostrate. He liked to make them all feel helpless and dependent, and this was not difficult with people who were so modest and artless, so unconscious of the boundless power of wealth. Sentiment, in our young man, was not a scruple nor a source of weakness; but he thought it really touching, the little these good people knew of what they could do with their money. They had in their hands a weapon of infinite range and yet were incapable of firing a shot for themselves. They had a sort of social humility; it appeared never to have occurred to them that, added to their loveliness, their money gave them a value. This used to strike George Flack on certain occasions when he came back to find them in the places where he had dropped them while he rushed off to give a turn to one of his screws. They never played him false, never wearied of waiting; always sat patient and submissive, usually at a cafe to which he had introduced them or in a row of chairs on the boulevard, on the level expanse of the Tuileries or in the Champs Elysees.

  He introduced them to many cafes, in different parts of Paris, being careful to choose those which in his view young ladies might frequent with propriety, and there were two or three in the neighbourhood of their hotel where they became frequent and familiar figures. As the late spring days grew warmer and brighter they mainly camped out on the “terrace,” amid the array of small tables at the door of the establishment, where Mr. Flack, on the return, could descry them from afar at their post and in the very same postures to which he had appointed them. They complained of no satiety in watching the many- coloured movement of the Parisian streets; and if some of the features in the panorama were base they were only so in a version that the social culture of our friends was incapable of supplying. George Flack considered that he was rendering a positive service to Mr. Dosson: wouldn’t the old gentleman have sat all day in the court anyway? and wasn’t the boulevard better than the court? It was his theory too that he nattered and caressed Miss Francie’s father, for there was no one to whom he had furnished more copious details about the affairs, the projects and prospects, of the Reverberator. He had left no doubt in the old gentleman’s mind as to the race he himself intended to run, and Mr. Dosson used to say to him every day, the first thing, “Well, where have you got to now?”—quite as if he took a real interest. George Flack reported his interviews, that is his reportings, to which Delia and Francie gave attention only in case they knew something of the persons on whom the young emissary of the Reverberator had conferred this distinction; whereas Mr. Dosson listened, with his tolerant interposition of “Is that so?” and “Well, that’s good,” just as submissively when he heard of the celebrity in question for the first time.

  In conversation with his daughters Mr. Flack was frequently the theme, though introduced much more by the young ladies than by himself, and especially by Delia, who announced at an early period that she knew what he wanted and that it wasn’t in the least what SHE wanted. She amplified this statement very soon—at least as regards her interpretation of Mr. Flack’s designs: a certain mystery still hung about her own, which, as she intimated, had much more to recommend them. Delia’s vision of the danger as well as the advantage of being a pretty girl was closely connected, as was natural, with the idea of an “engagement”: this idea was in a manner complete in itself—her imagination failed in the oddest way to carry it into the next stage. She wanted her sister to be engaged but wanted her not at all to be married, and had clearly never made up her mind as to how Francie was to enjoy both the peril and the shelter. It was a secret source of humiliation to her that there had as yet to her knowledge been no one with whom her sister had exchanged vows; if her conviction on this subject could have expressed itself intelligibly it would have given you a glimpse of a droll state of mind—a dim theory that a bright girl ought to be able to try successive aspirants. Delia’s conception of what such a trial might consist of was strangely innocent: it was made up of calls and walks and buggy-drives, and above all of being, in the light of these exhibitions, the theme of tongues and subject to the great imputation. It had never in life occurred to her withal that a succession of lovers, or just even a repetition of experiments, may have anything to say to a young lady’s delicacy. She felt herself a born old maid and never dreamed of a lover of her own—he would have been dreadfully in her way; but she dreamed of love as something in its nature essentially refined. All the same she discriminated; it did lead to something after all, and she desired that for Francie it shouldn’t lead to a union with Mr.
Flack. She looked at such a union under the influence of that other view which she kept as yet to herself but was prepared to produce so soon as the right occasion should come up; giving her sister to understand that she would never speak to her again should this young man be allowed to suppose—! Which was where she always paused, plunging again into impressive reticence.

  “To suppose what?” Francie would ask as if she were totally unacquainted—which indeed she really was—with the suppositions of young men.

  “Well, you’ll see—when he begins to say things you won’t like!” This sounded ominous on Delia’s part, yet her anxiety was really but thin: otherwise she would have risen against the custom adopted by Mr. Flack of perpetually coming round. She would have given her attention—though it struggled in general unsuccessfully with all this side of their life —to some prompt means of getting away from Paris. She expressed to her father what in her view the correspondent of the Reverberator was “after”; but without, it must be added, gaining from him the sense of it as a connexion in which he could be greatly worked up. This indeed was not of importance, thanks to her inner faith that Francie would never really do anything—that is would never really like anything—her nearest relatives didn’t like. Her sister’s docility was a great comfort to Delia, the more that she herself, taking it always for granted, was the first to profit by it. She liked and disliked certain things much more than her junior did either; and Francie cultivated the convenience of her reasons, having so few of her own. They served—Delia’s reasons— for Mr. Dosson as well, so that Francie was not guilty of any particular irreverence in regarding her sister rather than her father as the controller of her fate. A fate was rather an unwieldy and terrible treasure, which it relieved her that some kind person should undertake to administer. Delia had somehow got hold of hers first—before even her father, and ever so much before Mr. Flack; and it lay with Delia to make any change. She couldn’t have accepted any gentleman as a party to an engagement—which was somehow as far as her imagination went—without reference to Delia, any more than she could have done up her hair without a glass. The only action taken by Mr. Dosson on his elder daughter’s admonitions was to convert the general issue, as Mr. Flack would have called it, to a theme for daily pleasantry. He was fond, in his intercourse with his children, of some small usual joke, some humorous refrain; and what could have been more in the line of true domestic sport than a little gentle but unintermitted raillery on Francie’s conquest? Mr. Flack’s attributive intentions became a theme of indulgent parental chaff, and the girl was neither dazzled nor annoyed by the freedom of all this tribute. “Well, he HAS told us about half we know,” she used to reply with an air of the judicious that the undetected observer I am perpetually moved to invoke would have found indescribably quaint.

  Among the items of knowledge for which they were indebted to him floated the fact that this was the very best time in the young lady’s life to have her portrait painted and the best place in the world to have it done well; also that he knew a “lovely artist,” a young American of extraordinary talent, who would be delighted to undertake the job. He led his trio to this gentleman’s studio, where they saw several pictures that opened to them the strange gates of mystification. Francie protested that she didn’t want to be done in THAT style, and Delia declared that she would as soon have her sister shown up in a magic lantern. They had had the fortune not to find Mr. Waterlow at home, so that they were free to express themselves and the pictures were shown them by his servant. They looked at them as they looked at bonnets and confections when they went to expensive shops; as if it were a question, among so many specimens, of the style and colour they would choose. Mr. Waterlow’s productions took their place for the most part in the category of those creations known to ladies as frights, and our friends retired with the lowest opinion of the young American master. George Flack told them however that they couldn’t get out of it, inasmuch as he had already written home to the Reverberator that Francie was to sit. They accepted this somehow as a kind of supernatural sign that she would have to, for they believed everything they ever heard quoted from a newspaper. Moreover Mr. Flack explained to them that it would be idiotic to miss such an opportunity to get something at once precious and cheap; for it was well known that impressionism was going to be the art of the future, and Charles Waterlow was a rising impressionist. It was a new system altogether and the latest improvement in art. They didn’t want to go back, they wanted to go forward, and he would give them an article that would fetch five times the money in about five years—which somehow, as he put it, seemed a very short time, though it would have seemed immense for anything else. They were not in search of a bargain, but they allowed themselves to be inoculated with any reason they thought would be characteristic of informed people; and he even convinced them after a little that when once they had got used to impressionism they would never look at anything else. Mr. Waterlow was the man, among the young, and he had no interest in praising him, because he was not a personal friend: his reputation was advancing with strides, and any one with any sense would want to secure something before the rush.

  III

  The young ladies consented to return to the Avenue des Villiers; and this time they found the celebrity of the future. He was smoking cigarettes with a friend while coffee was served to the two gentlemen— it was just after luncheon—on a vast divan covered with scrappy oriental rugs and cushions; it looked, Francie thought, as if the artist had set up a carpet-shop in a corner. He struck her as very pleasant; and it may be mentioned without circumlocution that the young lady ushered in by the vulgar American reporter, whom he didn’t like and who had already come too often to his studio to pick up “glimpses” (the painter wondered how in the world he had picked HER up), this charming candidate for portraiture rose on the spot before Charles Waterlow as a precious model. She made, it may further be declared, quite the same impression on the gentleman who was with him and who never took his eyes off her while her own rested afresh on several finished and unfinished canvases. This gentleman asked of his friend at the end of five minutes the favour of an introduction to her; in consequence of which Francie learned that his name—she thought it singular—was Gaston Probert. Mr. Probert was a kind-eyed smiling youth who fingered the points of his moustache; he was represented by Mr. Waterlow as an American, but he pronounced the American language—so at least it seemed to Francie—as if it had been French.

  After she had quitted the studio with Delia and Mr. Flack—her father on this occasion not being of the party—the two young men, falling back on their divan, broke into expressions of aesthetic rapture, gave it to each other that the girl had qualities—oh but qualities and a charm of line! They remained there an hour, studying these rare properties through the smoke of their cigarettes. You would have gathered from their conversation—though as regards much of it only perhaps with the aid of a grammar and dictionary—that the young lady had been endowed with plastic treasures, that is with physical graces, of the highest order, of which she was evidently quite unconscious. Before this, however, Mr. Waterlow had come to an understanding with his visitors—it had been settled that Miss Francina should sit for him at his first hour of leisure. Unfortunately that hour hovered before him as still rather distant—he was unable to make a definite appointment. He had sitters on his hands, he had at least three portraits to finish before going to Spain. He adverted with bitterness to the journey to Spain—a little excursion laid out precisely with his friend Probert for the last weeks of the spring, the first of the southern summer, the time of the long days and the real light. Gaston Probert re-echoed his regrets, for though he had no business with Miss Francina, whose name he yet liked, he also wanted to see her again. They half-agreed to give up Spain—they had after all been there before—so that Waterlow might take the girl in hand without delay, the moment he had knocked off his present work. This amendment broke down indeed, for other considerations came up and the artist resigned himself to
the arrangement on which the young women had quitted him: he thought it so characteristic of their nationality that they should settle a matter of that sort for themselves. This was simply that they should come back in the autumn, when he should be comparatively free: then there would be a margin and they might all take their time. At present, before long—by the time he should be ready—the question of the pretty one’s leaving Paris for the summer would be sure to rise, and that would be a tiresome interruption. The pretty one clearly liked Paris, she had no plans for the autumn and only wanted a reason to come back about the twentieth of September. Mr. Waterlow remarked humorously that she evidently bossed the shop. Meanwhile, before starting for Spain, he would see her as often as possible—his eye would take possession of her.

  His companion envied his eye, even expressed jealousy of his eye. It was perhaps as a step towards establishing his right to jealousy that Mr. Probert left a card upon the Miss Dossons at the Hotel de l’Univers et de Cheltenham, having first ascertained that such a proceeding would not, by the young American sisters, be regarded as an unwarrantable liberty. Gaston Probert was an American who had never been in America and was obliged to take counsel on such an emergency as that. He knew that in Paris young men didn’t call at hotels on blameless maids, but he also knew that blameless maids, unattended by a parent, didn’t visit young men in studios; and he had no guide, no light he could trust—none save the wisdom of his friend Waterlow, which was for the most part communicated to him in a derisive and misleading form. Waterlow, who was after all himself an ornament of the French, and the very French, school, jeered at the other’s want of native instinct, at the way he never knew by which end to take hold of a compatriot. Poor Probert was obliged to confess to his terrible paucity of practice, and that in the great medley of aliens and brothers—and even more of sisters—he couldn’t tell which was which. He would have had a country and countrymen, to say nothing of countrywomen, if he could; but that matter had never been properly settled for him, and it’s one there’s ever a great difficulty in a gentleman’s settling for himself. Born in Paris, he had been brought up altogether on French lines, in a family that French society had irrecoverably absorbed. His father, a Carolinian and a Catholic, was a Gallomaniac of the old American type. His three sisters had married Frenchmen, and one of them lived in Brittany while the others were ostensibly seated in Touraine. His only brother had fallen, during the Terrible Year, in defence of their adopted country. Yet Gaston, though he had had an old Legitimist marquis for godfather, was not legally one of its children; his mother had, on her death-bed, extorted from him the promise that he wouldn’t take service in its armies; she considered, after the death of her elder son—Gaston, in 1870, had been a boy of ten—that the family had sacrificed enough on the altar of sympathy.