The Golden Age of Weird Fiction MEGAPACK TM Vol. 6: Clark Ashton Smith

by Clark Ashton Smith

  Straight towards the cathedral he came, as Gaspard had calculated, feeling that the high edifice would be made the special butt of his malevolence.

  The streets were now emptied of people; but, as if to hunt them out and crush them in their hiding-places, the giant thrust his cudgel like a battering-ram through walls and windows and roofs as he went by. The ruin and havoc that he left was indescribable.

  Soon he loomed opposite the cathedral tower on which Gaspard waited behind the gargoyle. His head was level with the tower, and his eyes flamed like wells of burning brimstone as he drew near. His lips were parted over stalactitic fangs in a hateful snarl; and he cried out in a voice like the rumbling of articulate thunder:

  “Ho! Ye puling priests and devotees of a powerless God! Come forth and bow to Nathaire the master, before he sweeps you into limbo!”

  It was then that Gaspard, with a hardihood beyond comparison, rose from his hiding-place and stood in full view of the raging colossus.

  “Draw nearer, Nathaire, if indeed it be you, foul robber of tombs and charnels,” he taunted. “Come close, for I would hold speech with you.”

  A monstrous look of astonishment dimmed the diabolic rage on the colossal features. Peering at Gaspard as if in doubt or incredulity, the giant lowered his lifted cudgel and stepped close to the tower, till his face was only a few feet from the intrepid student. Then, when he had apparently convinced himself of Gaspard’s identity, the look of maniacal wrath returned, flooding his eyes with Tartarean fire and twisting his lineaments into a mask of Apollyon-like malignity. His left arm came up in a prodigious arc, with twitching fingers that poised horribly above the head of the youth, casting upon him a vulture-black shadow in the full-risen sun. Gaspard saw the white, startled faces of the necromancer’s pupils, peering over his shoulder from their plank-built basket.

  “Is it you, Gaspard, my recreant pupil?” the colossus roared stormily. “I thought you were rotting in the oubliette beneath Ylourgne—and now I find you perched atop of this accursed cathedral which I am about to demolish!… You had been far wiser to remain where I left you, my good Gaspard.”

  His breath, as he spoke, blew like a charnel-polluted gale on the student. His vast fingers, with blackened nails like shovelblades, hovered in ogreish menace. Gaspard had furtively loosened his leathern pouch that hung at his belt, and had untied its mouth. Now, as the twitching fingers descended towards him, he emptied the contents of the pouch in the giant’s face, and the fine powder, mounting in a dark-grey cloud, obscured the snarling lips and palpitating nostrils from his view.

  Anxiously he watched the effect, fearing that the powder might be useless after all, against the superior arts and Satanical resources of Nathaire. But miraculously, as it seemed, the evil lambence died in the pit-deep eyes, as the monster inhaled the flying cloud. His lifted hand, narrowly missing the crouching youth in its sweep, fell lifelessly at his side. The anger was erased from the mighty, contorted mask, as if from the face of a dead man; the great cudgel fell with a crash to the empty street; and with drowsy, lurching steps, and listless, hanging arms, the giant turned his back to the cathedral and retraced his way through the devastated city.

  He muttered dreamily to himself as he went; and people who heard him swore that the voice was no longer the awful, thunderswollen voice of Nathaire, but the tones and accents of a multitude of men, amid which the voices of certain of the ravished dead were recognizable. And the voice of Nathaire himself, no louder now than in life, was heard at intervals through the manifold mutterings, as if protesting angrily.

  Climbing the eastern wall as it had come, the colossus went to and fro for many hours, no longer wreaking a hellish wrath and rancour, but searching, as people thought, for the various tombs and graves from which the hundreds of bodies that composed it had been so foully reft. From charnel to charnel, from cemetery to cemetery it went, through all the land; but there was no grave anywhere in which the dead colossus could lie down.

  Then, towards evening, men saw it from afar on the red rim of the sky, digging with its hands in the soft, loamy plain beside the river Isoile. There, in a monstrous and self-made grave, the colossus laid itself down, and did not rise again. The ten pupils of Nathaire, it was believed, unable to descend from their basket, were crushed beneath the mighty body; for none of them was ever seen thereafter.

  For many days no one dared to approach the place where the corpse lay uncovered in its self-dug grave. And so the thing rotted prodigiously beneath the summer sun, breeding a mighty stench that wrought pestilence in that portion of Averoigne. And they who ventured to go near in the following autumn, when the stench had lessened greatly, swore that the voice of Nathaire, still protesting angrily, was heard by them to issue from the enormous, rook-haunted bulk.

  Of Gaspard du Nord, who had been the saviour of the province, it was related that he lived in much honour to a ripe age, being the one sorcerer of that region who at no time incurred the disapprobation of the Church.

  THE CHAIN OF AFORGOMON

  Weird Tales, Dec. 1935.

  It is indeed strange that John Milwarp and his writings should have fallen so speedily into semi-oblivion. His books, treating of Oriental life in a somewhat flowery, romantic style, were popular a few months ago. But now, in spite of their range and penetration, their pervasive verbal sorcery, they are seldom mentioned; and they seem to have vanished unaccountably from the shelves of book-stores and libraries.

  Even the mystery of Milwarp’s death, baffling to both law and science, has evoked but a passing interest, an excitement quickly lulled and forgotten.

  I was well acquainted with Milwarp over a term of years. But my recollection of the man is becoming strangely blurred, like an image in a misted mirror. His dark, half-alien personality, his preoccupation with the occult, his immense knowledge of Eastern life and lore, are things I remember with such effort and vagueness as attends the recovery of a dream. Sometimes I almost doubt that he ever existed. It is as if the man, and all that pertains to him, were being erased from human record by some mysterious acceleration of the common process of obliteration.

  In his will, he appointed me his executor. I have vainly tried to interest publishers in the novel he left among his papers: a novel surely not inferior to anything he ever wrote. They say that his vogue has passed. Now I am publishing as a magazine story the contents of the diary kept by Milwarp for a period preceding his demise.

  Perhaps, for the open-minded, this diary will explain the enigma of his death. It would seem that the circumstances of that death are virtually forgotten, and I repeat them here as part of my endeavor to revive and perpetuate Milwarp’s memory.

  Milwarp had returned to his house in San Francisco after a long sojourn in Indo-China. We who knew him gathered that he had gone into places seldom visited by Occidentals. At the time of his demise he had just finished correcting the typescript of a novel which dealt with the more romantic and mysterious aspects of Burma.

  On the morning of April 2nd, 1933, his housekeeper, a middle-aged woman, was startled by a glare of brilliant light which issued from the half-open door of Milwarp’s study. It was as if the whole room were in flames. Horrified, the woman hastened to investigate. Entering the study, she saw her master sitting in an armchair at the table, wearing the rich, somber robes of Chinese brocade which he affected as a dressing-gown. He sat stiffly erect, a pen clutched unmoving in his fingers on the open pages of a manuscript volume. About him, in a sort of nimbus, glowed and flickered the strange light; and her only thought was that his garments were on fire.

  She ran toward him, crying out a warning. At that moment the weird nimbus brightened intolerably, and the wan early dayshine, the electric bulbs that still burned to attest the night’s labor, were alike blotted out. It seemed to the housekeeper that something had gone wrong with the room itself; for the walls and table vanished, and a g
reat, luminous gulf opened before her; and on the verge of the gulf, in a seat that was not his cushioned armchair but a huge and rough-hewn seat of stone, she beheld her master stark and rigid. His heavy brocaded robes were gone, and about him, from head to foot, were blinding coils of pure white fire, in the form of linked chains. She could not endure the brilliance of the chains, and cowering back, she shielded her eyes with her hands. When she dared to look again, the weird glowing had faded, the room was as usual; and Milwarp’s motionless figure was seated at the table in the posture of writing.

  Shaken and terrified as she was, the woman found courage to approach her master. A hideous smell of burnt flesh arose from beneath his garments, which were wholly intact and without visible trace of fire. He was dead, his fingers clenched on the pen and his features frozen in a stare of tetanic agony. His neck and wrists were completely encircled by frightful burns that had charred them deeply. The coroner, in his examination, found that these burns, preserving an outline as of heavy links, were extended in long unbroken spirals around the arms and legs and torso. The burning was apparently the cause of Milwarp’s death: it was as if iron chains, heated to incandescence, had been wrapped about him.

  Small credit was given to the housekeeper’s story of what she had seen. No one, however, could suggest an acceptable explanation of the bizarre mystery. There was, at the time, much aimless discussion; but, as I have hinted, people soon turned to other matters. The efforts made to solve the riddle were somewhat perfunctory. Chemists tried to determine the nature of a queer drug, in the form of a gray powder with pearly granules, to whose use Milwarp had become addicted. But their tests merely revealed the presence of an alkaloid whose source and attributes were obscure to Western science.

  Day by day, the whole incredible business lapsed from public attention; and those who had known Milwarp began to display the forgetfulness that was no less unaccountable than his weird doom. The housekeeper, who had held steadfastly in the beginning to her story, came at length to share the common dubiety. Her account, with repetition, became vague and contradictory; detail by detail, she seemed to forget the abnormal circumstances that she had witnessed with overwhelming horror.

  The manuscript volume, in which Milwarp had apparently been writing at the time of death, was given into my charge with his other papers. It proved to be a diary, its last entry breaking off abruptly. Since reading the diary, I have hastened to transcribe it in my own hand, because, for some mysterious reason, the ink of the original is already fading and has become almost illegible in places.

  The reader will note certain lacunae, due to passages written in an alphabet which neither I nor any scholar of my acquaintance can transliterate. These passages seem to form an integral part of the narrative, and they occur mainly toward the end, as if the writer had turned more and more to a language remembered from his ancient avatar. To the same mental reversion one must attribute the singular dating, in which Milwarp, still employing English script, appears to pass from our contemporary notation to that of some premundane world.

  I give hereunder the entire diary, which begins with an undated footnote:

  This book, unless I have been misinformed concerning the qualities of the drug souvara, will be the record of my former life in a lost cycle. I have had the drug in my possession for seven months, but fear has prevented me from using it. Now, by certain tokens, I perceive that the longing for knowledge will soon overcome the fear. Ever since my earliest childhood I have been troubled by intimations, dim, unplaceable, that seemed to argue a forgotten existence. These intimations partook of the nature of feelings rather than ideas or images: they were like the wraiths of dead memories. In the background of my mind there has lurked a sentiment of formless, melancholy desire for some nameless beauty long perished out of time. And, coincidentally, I have been haunted by an equally formless dread, an apprehension as of some bygone but still imminent doom.

  Such feelings have persisted, undiminished, throughout my youth and maturity, but nowhere have I found any clue to their causation. My travels in the mystic Orient, my delvings into occultism have merely convinced me that these shadowy intuitions pertain to some incarnation buried under the wreck of remotest cycles.

  Many times, in my wanderings through Buddhistic lands, I had heard of the drug souvara, which is believed to restore, even for the uninitiate, the memory of other lives. And at last, after many vain efforts, I managed to procure a supply of the drug. The manner in which I obtained it is a tale sufficiently remarkable in itself, but of no special relevance here. So far—perhaps because of that apprehension which I have hinted—I have not dared to use the drug.

  March 9th, 1933. This morning I took souvara for the first time, dissolving the proper amount in pure distilled water as I had been instructed to do. Afterward I leaned back easily in my chair, breathing with a slow, regular rhythm. I had no preconceived idea of the sensations that would mark the drug’s initial effect, since these were said to vary prodigiously with the temperament of the users; but I composed myself to await them with tranquility, after formulating clearly in my mind the purpose of the experinent. For a while there was no change in my awareness. I noticed a slight quickening of the pulse, and modulated my breathing in conformity with this. Then, by slow degrees, I experienced a sharpening of visual perception. The Chinese rugs on the floor, the backs of the serried volumes in my bookcases, the very wood of chairs, table and shelves, began to exhibit new and unimagined colors. At the same time there were curious alterations of outline, every object seeming to extend itself in a hitherto unsuspected fashion. Following this, my surroundings became semi-transparent, like molded shapes of mist. I found that I could see through the marbled cover the illustrations in a volume of John Martin’s edition of Paradise Lost, which lay before me on the table.

  All this, I knew, was a mere extension of ordinary physical vision. It was only a prelude to those apperceptions of occult realms which I sought through souvara. Fixing my mind once more on the goal of the experiment, I became aware that the misty walls had vanished like a drawn arras. About me, like reflections in rippled water, dim sceneries wavered and shifted, erasing one another from instant to instant. I seemed to hear a vague but ever-present sound, more musical than the murmurs of air, water or fire, which was a property of the unknown element that environed me.

  With a sense of troublous familiarity, I beheld the blurred unstable pictures which flowed past me upon this never-resting medium. Orient temples, flashing with sun-struck bronze and gold; the sharp, crowded gables and spires of medieval cities; tropic and northern forests; the costumes and physiognomies of the Levant, of Persia, of old Rome and Carthage, went by like blown, flying mirages. Each succeeding tableau belonged to a more ancient period than the one before it—and I knew that each was a scene from some former existence of my own.

  Still tethered, as it were, to my present self, I reviewed these visible memories, which took on tri-dimensional depth and clarity. I saw myself as warrior and troubadour, as noble and merchant and mendicant. I trembled with dead fears, I thrilled with lost hopes and raptures, and was drawn by ties that death and Lethe had broken. Yet never did I fully identify myself with those other avatars: for I knew well that the memory I sought pertained to some incarnation of older epochs.

  Still the fantasmagoria streamed on, and I turned giddy with vertigo ineffable before the vastness and diuturnity of the cycles of being. It seemed that I, the watcher, was lost in a gray land where the homeless ghosts of all dead ages went fleeing from oblivion to oblivion.

  The walls of Nineveh, the columns and towers of unnamed cities, rose before me and were swept away. I saw the luxuriant plains that are now the Gobi desert. The sealost capitals of Atlantis were drawn to the light in unquenched glory. I gazed on lush and cloudy scenes from the first continents of Earth. Briefly I relived the beginnings of terrestrial man—and knew that the secret I would learn was ancie
nter even than these.

  My visions faded into black voidness—and yet, in that void, through fathomless eons, it seemed that I existed still like a blind atom in the space between the worlds. About me was the darkness and repose of that night which antedated the Earth’s creation. Time flowed backward with the silence of dreamless sleep.…

  The illumination, when it came, was instant and complete. I stood in the full, fervid blaze of day amid royally towering blossoms in a deep garden, beyond whose lofty, vine-clad walls I heard the confused murmuring of the great city called Kalood. Above me, at their vernal zenith, were the four small suns that illumed the planet Hestan. Jewel-colored insects fluttered about me, lighting without fear on the rich habiliments of gold and black, enwrought with astronomic symbols, in which I was attired. Beside me was a dial-shaped altar of zoned agate, carved with the same symbols, which were those of the dreadful omnipotent time-god, Aforgomon, whom I served as a priest.

  I had not even the slightest memory of myself as John Milwarp, and the long pageant of my terrestrial lives was as something that had never been—or was yet to be. Sorrow and desolation choked my heart as ashes fill some urn consecrated to the dead; and all the hues and perfumes of the garden about me were redolent only of the bitterness of death. Gazing darkly upon the altar, I muttered blasphemy against Aforgomon, who, in his inexorable course, had taken away my beloved and had sent no solace for my grief. Separately I cursed the signs upon the altar: the stars, the worlds, the suns, the moons, that meted and fulfilled the processes of time. Belthoris, my betrothed, had died at the end of the previous autumn: and so, with double maledictions, I cursed the stars and planets presiding over that season.