Extras

by Scott Westerfeld

  The second paragraph of the email was about the novel Darcy had just finished. She didn’t mention, of course, that all sixty thousand words of Afterworlds had been written in thirty days. The Underbridge Literary Agency hardly needed to know that. Instead, this paragraph described a terrorist attack, a girl who wills herself to die, and the bewitching boy she meets in the afterworld. It promised skulking ghosts and the traumas that haunt families, and little sisters who are more clever than they appear. Using the present tense and short sentences, Darcy set the scene, thumbnailed the characters and their motivations, and teased the conclusion. This was the best of the three paragraphs, she was later told.

  The third paragraph was pure flattery, because Darcy wanted very much for the Underbridge Literary Agency to say yes to her. She praised the breadth of their vision and paid tribute to their clients’ genius, even while daring to compare herself to those illustrious names. She explained how her novel was different from the other paranormals of the last few years (none of which had a smoldering Vedic psychopomp as its love interest).

  This email was not a perfect query letter. But it did its job. Seventeen days after pressing Send, Darcy was signed to Underbridge, a flourishing and respected literary agency, and not long after that she had a two-book deal for an astonishing amount of money.

  Only a handful of challenges remained—high school graduation, a perilous decision, and parental approval—before Darcy Patel would be packing her bags for New York City.

  CHAPTER 2

  I met the man of my dreams in an airport, just before midnight a few days into the New Year. I was changing planes in Dallas, and I almost died.

  What saved me was texting my mother.

  I text her a lot when I’m traveling—when I get to the airport, when the flight’s called, and when they make us put our phones away. I know, it sounds like something you’d do with your boyfriend, not your mom. But traveling alone made me nervous even before I could see ghosts.

  And trust me, my mother needs to hear from me. A lot. She’s always been kind of clingy, but even more so since my father ran off to New York.

  So I was walking alone through the mostly vacant airport, looking for better reception. This late at night most of the shops were shuttered and dark, and I’d wandered until reaching another wing of the airport, which was closed off by a metal gate that hung from the ceiling. Through the steel mesh I could see a pair of moving walkways gliding past, empty.

  I didn’t see the attack begin. My eyes were focused on my phone, watching as autocorrect made war on my spelling. Mom was asking about my dad’s new girlfriend, whom I’d just met during my winter break visit. Rachel was lovely, always well dressed, and had the same size feet as me, but I couldn’t tell Mom all that. She has awesome shoes and I get to borrow them wasn’t the right place to start.

  My father’s new apartment was also amazing, twenty stories up, with floor-to-ceiling windows looking down on Astor Place. His walk-in closet was as big as my bedroom back home, and full of drawers that slid open with a sound like spinning skateboard wheels. I wouldn’t want to live there. All that chrome and white leather furniture was cool to the touch and didn’t feel like home. But Mom had been right—my father had made a metric fuck-ton of money since leaving us. He was wealthy now, with a doorman building and his own driver and a glittery black credit card that made shop assistants straighten up. (Calling people who worked in stores “shop assistants” was a thing I’d learned from Rachel.)

  I was wearing jeans and a hoodie, like always when I fly, but my suitcase was full of shiny new clothes that I’d have to hide when I got back to California. Dad’s wealth pissed Mom off for good reason: she supported him through law school and then he bailed on us. I got worked up about it sometimes, but then he’d send some of that wealth my way and I’d get over it.

  Sounds pretty shallow, right? Being bought off with money that should’ve been my mother’s? Trust me, I know. Almost dying makes you realize how shallow you are.

  Mom had just texted me: Tell me she’s older than the last one. And not a Libra again!

  Didn’t ask her bitch day.

  Um, what?

  BIRTHDAY. Autocorrect fail.

  Mom was mostly desensitized to my bad typing. The night before, she hadn’t even noticed when I’d texted that my father and I were eating raw cock dough for dessert. But when it came to Rachel, no typo went unremarked.

  Ha! Wish you’d asked her THAT!

  I decided to ignore that, and answered: She says hi, by the way.

  How sweet.

  If you’re being ironing, I can’t tell. We are TEXTING, mom.

  I’m too old for irony. That was sarcasm.

  I heard shouts behind me now, back by the security checkpoint. I turned around and headed back toward my gate, but didn’t look up from the phone.

  I think my planet’s about to leave.

  OK. See you in three hours, kiddo! Miss you.

  You too, I began to type, but then the world fell into sharp little pieces.

  I’d never heard an automatic weapon in real life before. It was somehow too loud for my ears to register, not so much a sound as the air ripping around me, a shudder I could feel in my bones and in the liquid of my eyes. I looked up from my phone and stared.

  The gunmen didn’t look human. They wore horror movie masks, and smoke flowered around them as they swung their aim across the crowd. At first everyone was frozen with shock. No one ran or tried to hide behind the rows of plastic chairs, and the terrorists seemed in no hurry.

  I didn’t hear the screams until the terrorists paused to reload.

  Then everyone was running, some in my direction, some the other way. A guy my age in a football jersey—Travis Brinkman, as everyone learned later—tackled two gunmen, wrapping his arms around them and spinning with them across the blood-slick floor. If there had only been two terrorists he might have won that fight and spent his life a hero, telling his grandkids the story till they got bored of it. But there were four gunmen in all, and the others still had plenty of bullets.

  As Travis Brinkman fell, the first running people reached me. Smoke roiled in their wake, bringing a smell like burning plastic. I’d been just standing there, but the acrid scent snapped my panic and I turned and started running with the crowd.

  My phone lit up in my hand, and I stared stupidly at it. There was something I was supposed to do with this glowing, buzzing object, but I’d forgotten what. I still hadn’t grasped what was happening, but I knew that to stop running was to die.

  But then death was right in front of me—that steel gate stretched across the entire hallway, floor to ceiling, side to side. The closed section of the airport stood behind it, the walkways still flowing. The terrorists had waited for midnight, when we were all trapped in the smallest possible space.

  A tall man in a leather biker jacket threw his shoulder against the gate, and the metal rippled. He knelt to claw at the bottom, lifting it a few inches. Others joined him.

  I stared at my phone. A text from my mother:

  Try to sleep on the plane.

  I stabbed at the screen to bring up a number pad. Some part of my brain realized that I’d never called 911 before. As it rang, I turned around to face the gunfire.

  People were scattered on the floor, a trail of them. The terrorists had been gunning us down as we ran.

  One of them was walking toward me, still a hundred feet away. He looked at the floor, stepping carefully among the fallen bodies, as if he couldn’t see well through the mask.

  There was a tiny voice in my hand, dulled by my battered ears. “What is the location of your emergency?”

  “Airport.”

  “We’re aware of that situation. Security is responding from on-site and they will be there soon. Are you in a safe location?”

  The woman was so calm. Looking back, it alway
s makes me cry to think how calm she was, how brave. I might’ve been screaming if I were her, knowing what was happening at the other end of the line. But I wasn’t screaming. I was watching the gunman walk slowly toward us.

  He was shooting the wounded people with a pistol, one by one.

  “I’m not safe.”

  “Can you get to a safe location?”

  I turned back to the gate. A dozen of us were pulling at it now, trying to lift it up. The metal rattled and swayed, but was catching against some kind of lock. The gate wouldn’t rise more than a few inches.

  I looked for a door, a hallway, a drink machine to hide behind. But the walls stretched away bare and flat.

  “I can’t, and he’s shooting everyone.” We were so calm, just talking to each other.

  “Well, honey, maybe you should pretend to be dead.”

  “What?”

  The gunman looked up from the wounded on the floor, and I could see the glitter of eyes through the two holes in the mask. He was staring straight at me.

  “If there’s no way to get to safety,” she said carefully, “maybe you should lie down and not move.”

  He holstered his pistol and raised the automatic rifle again.

  “Thank you,” I said, and let myself fall as the gun roared smoke and noise.

  My knees struck the floor with a burst of pain, but I let every muscle go, flopping over onto my face, a dropped rag doll. My forehead hit the tiles so hard that light flashed across my vision, and I felt a sticky warmth on my brow.

  My eyelids fluttered once—blood was running into my eyes.

  In a stunned heap I lay there, the gun firing again and again, the bullets hissing over me. The screams made me want to curl into a ball, but I forced myself to stay still. I tried to squeeze my own breathing to a halt.

  I’m dead. I’m dead.

  My body shuddered once, fighting me, demanding deeper breaths.

  I don’t need to breathe—I’m dead.

  The shooting finally stopped again, but worse sounds filled the ringing silence. A woman crying for mercy, someone trying to breathe with torn lungs. In the distance, I heard the pop and crack of pistols.

  Then the worst noise of all: tennis shoes squeaking on wet tiles, taking slow, careful steps. I remembered him shooting the wounded, making sure that no one would escape this nightmare.

  Don’t look at me. I’m dead.

  My heartbeat thudded, hard enough to shake the whole airport. But somehow I kept myself from breathing.

  The squeak of tennis shoes began to fade, crowded out by a soft roar in my head. My lungs were still now, not fighting anymore, and I felt myself falling softly away from my body, straight through the floor and down toward someplace dark and silent and cold.

  It didn’t matter if the world was crumbling. I couldn’t breathe or move or think, except to remind myself . . .

  I’m dead.

  Behind my eyelids, vision went from red to black, like spilled ink spreading across my mind. Cold filled me, and my dizziness became a slow swaying, a feeling of stillness.

  A long time seemed to pass with nothing happening.

  And then I woke up somewhere else.

  CHAPTER 3

  The manila envelope from the Underbridge Literary Agency was as thick as a college acceptance package. But instead of forms, booklets, and brochures, it contained four copies of the same document—a publishing contract—and a return envelope that was already addressed and stamped.

  Darcy Patel had learned all this from an email a week ago, and had read the contract at various stages of its drafting. There was no mystery about the envelope’s contents at all. But the act of slicing it open still seemed momentous. She had appropriated her father’s Princeton letter opener for the occasion.

  “It’s here,” she said at her sister’s door. Nisha threw her book aside, sprang out of bed, and followed Darcy to her room.

  They were quiet going down the hall. Darcy didn’t want her father reading through the contract again and offering more legal advice. (For one thing, he was an engineer, not a lawyer. For another, Darcy had an agent already.) But Nisha had to be here. She’d read Afterworlds last November, as it was being written, sometimes aloud over Darcy’s shoulder.

  “Close the door.” Darcy sat at her desk. Her hands trembled a little.

  Nisha obeyed and padded in. “Took long enough. When did Paradox say they wanted to buy it? Three months ago?”

  “My agent says some contracts take a year.”

  “That’s seven today, and it’s not even noon!”

  By mutual agreement, Darcy was allowed to use the phrase “my agent” no more than ten times a day in front of her little sister; any overages cost a dollar each. This seemed generous to everyone concerned.

  Darcy faced the envelope, hefting the letter opener in one

  hand.

  “Okay. Here we go.”

  The blade cut smoothly at first, but halfway through it caught on something inside, a staple or a butterfly clip perhaps. It began to stutter, tearing instead of slicing.

  Then it was stuck.

  “Crap.” Darcy pushed a little harder.

  The opener moved again, but in its wake a ragged little filigree of white paper emerged from the slit.

  “Smooth, Patel,” Nisha said, now standing directly behind her.

  Darcy slid the contracts out. She had torn the top of the first page.

  “Great. My agent’s going to think I’m a dipshit.”

  “That’s eight,” Nisha said. “Why do they need all those copies, anyway?”

  “I guess it’s more official that way.” Darcy checked the rest of the envelope’s contents. She hadn’t destroyed anything else. “Do you think this one counts, now that it’s ripped?”

  “With a massive tear like that? Frankly, Patel, I think your whole career is canceled.”

  Something sharp levered itself between two of Darcy’s ribs, as if the errant letter opener had slipped again. “Don’t even say that. And stop calling me by my last name. Our last name. It’s weird.”

  “Pfft,” Nisha said to this. She developed new verbal ticks about once a week, which was often useful. The protagonist of Afterworlds had borrowed a lot of her eccentric cursing. “Just put some tape on it.”

  Darcy sighed, sliding open her desk drawer. A moment later, the contract was taped together, but somehow it looked even more pathetic now. Like a fifth grader’s art project: My PubLisHing ContRact.

  “It doesn’t even seem real anymore.”

  “It’s a disaster!” Nisha fell backward on Darcy’s bed, bouncing in her death throes and pulling the blankets askew. People were always saying how much older Nisha seemed than her fourteen years. If only they knew the truth.

  “None of this seems real,” Darcy said softly, staring at the torn contract.

  Nisha sat up. “You know why that is, Patel? Because you haven’t told them yet.”

  “I will. After graduation next week.” Or maybe later, whenever Oberlin’s deferral deadline was.

  “No, now. Right after you drop those contracts in the mail.”

  “Today?” The thought of her parents’ reaction sent a cold trickle down Darcy’s spine.

  “Yes. Telling them is what makes all of this real. Until then, you’re just some little kid daydreaming about being a famous writer.”

  Darcy stared at her sister. “You remember I’m older than you, right?”

  “So act like it.”

  “But they might say no.”

  “They can’t. You’re eighteen. That’s, like, an adult.”

  A laugh erupted out of Darcy, and Nisha joined in. The idea of the elder Patels recognizing their children’s independence at eighteen—or any age—was hilarious.

  “Don’t worry about them,” Nisha said once they’d
recovered. “I have a plan.”

  “Which is?”

  “Secret.” A crafty smile settled onto Nisha’s face, which was about as reassuring as the shredded contract.

  It wasn’t only her parents’ reaction that was making Darcy nervous. There was something terrifying about her plans, something absurd, as if she’d decided to become an astronaut or a rock star.

  “Do you think I’m crazy, wanting to do this?”

  Nisha shrugged. “If you want to be a writer, you should do it now. Like you keep saying, Afterworlds could tank and no one will ever publish you again.”

  “I only said that once.” Darcy sighed. “But thanks for reminding me.”

  “You’re welcome, Patel. But look—that’s a binding legal contract. Until your book officially bombs, you’re a real novelist! So would you rather blow all that money as a writer in New York City? Or as some freshman churning out essays about dead white guys?”

  Darcy dropped her gaze to the torn contract. Maybe it had ripped because she wanted this too much. Maybe her hand would always slip at the last moment, tearing what she desired most. But somehow the contract was beautiful, even in its damaged state. Right there on the first page, it defined her, Darcy Patel, as “The Author.” You couldn’t get much realer than that.

  “I’d rather be a writer than a freshman,” she said.

  “Then you have to tell the elder Patels—after those are in the mailbox.”

  Darcy looked at the return envelope and wondered if the Underbridge Literary Agency provided stamps for all its authors, or only the teenage ones. But at least it made sending off the contract as easy as walking to the corner, which took less effort than resisting Nisha. If her little sister had a plan, there would be no respite without compliance.

  “Okay. At lunch.”