Icarus Descending w-3
Page 41
When Hand isn’t writing stories of decadence and deities, she divides her time between the coast of Maine and London, with her partner, UK critic John Clute. She is a regular contributor to numerous publications, including the Washington Post and the Magazine of Fantasy and Science Fiction .
Hand is the oldest of five siblings in a very close-knit family. This photo shows them in 1967, on one of their camping trips to Maine and Canada. All five kids, then under the age of ten, shared a canvas tent with their parents. From left to right: Brian, Patrick, Elizabeth, Kathleen, and baby Barbara. “Maine imprinted on me during this time, which is why I've lived there for the last twenty-five years,” Hand says.
Hand in her driveway with her beloved family dog Cindy shortly before leaving for college in Washington, DC. “Note the skirt, made from a pair of massively embroidered jeans; my favorite red velvet beret, which my mother gave me for Christmas and which disappeared under dark circumstances a few years later; my Mom’s suede jacket (I added the denim cuffs); and needlework belt with my initials on it, made by my grandmother Hand. You can’t see them, but I was also wearing my lace-up Frye boots.”
In her journal, Hand once wrote, “I am being haunted by a town.” The town was Katonah, New York, which she transformed into Kamensic Village, the setting or background for much of her fiction. This photo from 1975 shows the train station where characters Lit and Jamie Casson make their escape at the end of the novel Black Light .
Hand recalls: “In 1976, I was hitchhiking in Putnam County, New York, with my friend Katy. A guy our age picked us up, we drove around and hung out for a few hours, and he then dropped me back at my parents’ house in Pound Ridge. It was only after I got home that I realized I’d left my journal in his car.
Flash forward to 1999, shortly after Black Light was published. I was visiting my folks in Pound Ridge when the phone rang: I picked it up and a voice asked, ‘Is this Elizabeth Hand?’ It turned out to be the guy who’d picked us up—he’d seen a copy of Black Light in his local bookstore and remembered my name (which was in the journal). And, when he went back and read the journal again (which he’d done back in 1976 as well—hey, I would have, too), he realized that some of the people and places I’d written about in the journal ended up in Black Light .”
Hand in proto-punk mode with some friends at their second New Year’s gathering at the Hotel Empire in New York City —at the time a “total dump” (just the way they liked it). Left to right: Michael, Oscar, Julie, Elizabeth, and Steve. Hand says: “The red blodge by my nose is actually my crimson fingernail and a cigarette. I was a chain smoker, also an early do-rag adapter. Oscar inspired Oliver in Waking the Moon; the book was dedicated to him.”
Hand in the early 1980s.
Hand read Samuel R. Delany’s Dhalgren when it first came out in 1975, and it was a huge influence on her early works, such as Winterlong . In spring 2012, Hand visited Washington, DC, and saw her dear friend Rafael Sa’adah, who had an amazing surprise in store: one of the original manuscripts of Dhalgren , which he’d acquired from a book dealer. Hand says, “Raf unwrapped it for the first time and we went through it page by page. Like entering a literary Tutankhamun’s tomb.” Hand took many photos of the text, including this shot of the novel’s epigraph, which she has always loved.
Acknowledgements
Thanks to my brother Brian, for the inspiration for Icarus. Also, profound thanks to Geoffrey Chester of the National Air and Space Museum, Smithsonian Institution, for his technical advice. Any errors of fact or judgment contained herein are, of course, the author’s.
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