About the Author
The prolific author of more than fifty books and numerous short stories, Lawrence Block is a Mystery Writers of American Grand Master, a four-time winner of the Edgar Allan Poe and Shamus Awards, and the recipient of literary prizes from France, Germany, and Japan. Block is a devout New Yorker who spends much of his time traveling.
Also by Lawrence Block
The Matthew Scudder Novels
THE SINS OF THE FATHERS
TIME TO MURDER AND CREATE
IN THE MIDST OF DEATH
A STAB IN THE DARK
EIGHT MILLION WAYS TO DIE
WHEN THE SACRED GINMILL CLOSES
OUT ON THE CUTTING EDGE
A TICKET TO THE BONEYARD
A DANCE AT THE SLAUGHTERHOUSE
A WALK AMONG THE TOMBSTONES
THE DEVIL KNOWS YOU’RE DEAD
A LONG LINE OF DEAD MEN
EVEN THE WICKED
EVERYBODY DIES
HOPE TO DIE
Keller’s Greatest Hits
HIT MAN
HIT LIST
Collected Short Stories
ENOUGH ROPE
Enter the World of Lawrence Block’s Matthew Scudder
Lawrence Block is widely acknowledged by both fans and reviewers to be one of the best mystery writers working today. He is also one of the most prolific, and his varied series—from the lighthearted romps of Bernie the Burglar to the cool musings of Keller the Hit Man—have impressed readers with their versatility. He is a Mystery Writers of America Grand Master and a multiple winner of the Edgar, Shamus, and Maltese Falcon awards.
Block’s most intriguing hero may be the deeply flawed and deeply moral ex-policeman, recovering alcoholic, and unlicensed private investigator Matthew Scudder. Scudder has walked New York’s mean streets for almost thirty years and in that time a lot of change has come both to this dark hero and to the city he calls home. But he’s still the complex detective who caused The Wall Street Journal to say, “Block has done something new and remarkable with the private-eye novel,” and Jonathan Kellerman to exclaim, “The Matthew Scudder novels are among the finest detective books penned in this century.”
Read on, and enter Scudder’s world . . .
The Sins of the Fathers
The hooker was young, pretty . . . and dead, butchered in a Greenwich Village apartment. The murderer, a minister’s son, has already been caught and become a jailhouse suicide. The case is closed as far as the NYPD is concerned. But the victim’s father wants it reopened—he wants to understand how his bright little girl went wrong and what led to her gruesome death. That’s where Matthew Scudder comes in. He’s not really a detective, not licensed, but he’ll look into problems as a favor to a friend, and sometimes the friends compensate him. A hard drinker and a melancholy man, the former cop believes in doing an in-depth investigation when he’s paid for it, but he doesn’t see any hope here—the case is closed, and he’s not going to learn anything about the victim that won’t break her father’s heart.
But the open-and-shut case turns out to be more complicated than anyone bargained for. The assignment carries an unmistakable stench of sleaze and perversion, and it lures Scudder into a sordid world of phony religion and murderous lust, where children must die for their parents’ most secret, unspeakable sins.
Time to Murder and Create
Small-time stoolie Jake “The Spinner” Jablon made a lot of new enemies when he switched careers from informer to blackmailer. And the more “clients,” he figured, the more money—and the more people eager to see him dead. So he’s greedy but scared, and he turns to his old acquaintance Matthew Scudder, who used to pay him for information back in Scudder’s days as a cop. Scudder’s his insurance policy—if anything happens to “The Spinner,” Scudder can check up on the people who wanted him dead.
No one is too surprised when the pigeon is found floating in the East River with his skull bashed in. Blackmail’s a dangerous business. What’s worse, no one cares—except Matthew Scudder. The unofficial private eye is no conscientious avenging angel. But he’s willing to risk his own life and limb to confront Spinner’s most murderously aggressive marks. A job’s a job, after all, and Scudder’s been paid to find a killer—by the victim . . . in advance.
In the Midst of Death
Jerry Broadfield thinks he’s a good cop. But now he’s been charged with extortion—and his former buddies in the NYPD would like to see him laid out on a morgue slab for squealing to a committee on police corruption. Suddenly, he’s got a lot of enemies, and when a dead call girl turns up in his apartment his troubles get even bigger.
Broadfield screams “setup,” but nobody believes him—except ex-policeman now unlicensed p.i. Matthew Scudder. Because Broadfield turned traitor no cop is going to give Scudder any help with this investigation, so Scudder’s on his own. But finding a killer among the stoolie cop’s sleazebag connections is going to be as difficult as pouring a cold beer in hell—where some of Broadfield’s enemies would like to see Scudder if he gets himself in too deep.
A Stab in the Dark
Nine long years have passed since the killer last struck—nine years since eight helpless young women were brutally slaughtered by an icepick-wielding maniac. The trail grew cold and the book was unofficially closed on a serial killer who stopped killing. But now “The Icepick Prowler” has confessed—but only to seven of the killings. Not only does he deny the eighth, he has an airtight alibi.
Barbara Ettinger’s family had almost come to accept that the young woman was the victim of a random killing. Now they must grapple with the shocking revelation that not only was her death disguised to look like the serial killer’s work, but her murderer may have been someone she knew and trusted. Matthew Scudder has been hired to finally bring her slayer to justice, setting the relentless detective on the trail of a death almost a decade cold, searching for a vicious murderer who’s either long gone, long dead . . . or patiently waiting to kill again.
Eight Million Ways to Die
Nobody knows better than Matthew Scudder how far down a person can sink in the dirty city of New York. A young prostitute named Kim knew it also—and she wanted out. Maybe Kim didn’t deserve the life fate had dealt her. She surely didn’t deserve her death.
The alcoholic ex-cop turned p.i. was supposed to protect her, but someone slashed her to ribbons on a crumbling waterfront pier. Now finding Kim’s killer will be Scudder’s penance. But there are lethal secrets hiding in the slain hooker’s past that are far dirtier than her trade. And there are many ways of dying in this cruel and dangerous town—some quick and brutal . . . and some agonizingly slow.
When the Sacred Ginmill Closes
The 1970s were dark days for Matthew Scudder. An ex-New York cop, he had drowned his career in booze. Now he was drinking away his life in a succession of seedy establishments that opened early and closed late, reduced to doing paid “favors” for the cronies who gathered to drink with him.
However, in a lonely place like so many others, opportunity comes knocking: a chance to both help the ginmill’s owner recover his stolen, doctored financial records and exonerate a drinking buddy accused of murdering his wife. But when cases flow together in dangerous and disturbing ways—like the nightmare images of a drunkard’s delirium—it’s time for Scudder to change his priorities to staying sober . . . and staying alive.
Out on the Cutting Edge
Paula Hoeldtke was a nice girl from Indiana who came to New York to be an actress and disappeared. Her father wanted Scudder to find her. Eddie Dunphy was a small-time hood trying to give up drinking who wanted Scudder to sponsor him in AA. Ex-cop, ex-drunk, ex-innocent Matthew Scudder is trying to stay sober in a city gone mad, but he’ll try to give Paula’s father and Eddie what they need.
But Eddie turns up dead, apparently in an ugly accident. And Paula may be dead, too—her cold trail leads Scudder to the blistering heat of a dark part of the city called Hell’s Kitchen. All Scudder w
ants to do is find a straight path out of trouble, but on the road he’s following all he can find easily is death.
A Ticket to the Boneyard
Matthew Scudder knew James Leo Motley was the most dangerous kind of man: one who hurts people for pleasure. So twelve years ago Scudder, then a cop, lied to a jury to put Motley behind bars.
But now the brilliant psychopath is free—and Scudder must pay. Friends and former lovers, even strangers unfortunate enough to share Scudder’s name are turning up dead because a vengeful maniac won’t rest until he’s driven his nemesis back to the bottle . . . and then to the grave.
A Dance at the Slaughterhouse
In Matt Scudder’s mind money, power, and position elevate nobody above morality and the law. Now, in this Edgar Award-winning novel, the ex-cop and unlicensed p.i. has been hired to prove that socialite Richard Thurman orchestrated the murder of his beautiful, pregnant wife.
During Scudder’s hard-drinking years, he left a piece of his soul on every seedy corner of the Big Apple. But this case is more depraved and more potentially devastating than anything he experienced while floundering in the urban depths. Because this investigation is leading Scudder on a frightening grand tour of New York’s sex-for-sale underworld, where an innocent young life is simply a commodity to be bought and perverted . . . and then destroyed.
A Walk Among the Tombstones
A new breed of entrepreneurial monster has set up shop in the big city. Ruthless, ingenious murderers, they prey on the loved ones of those who live outside the law, knowing that criminals will never run to the police, no matter how brutal the threat. So other avenues for justice must be explored, which is where ex-cop turned p.i. Matthew Scudder comes in.
Scudder has no love for the drug dealers and poison peddlers who now need his help. Nevertheless, he is determined to do whatever it takes to put an elusive pair of thrill-kill extortionists out of business—for they are using the innocent to fuel their terrible enterprise.
The Devil Knows You’re Dead
In this city, there is little sense and no rules. Those who fly the highest often come crashing down the hardest—like successful young Glenn Holtzmann, randomly blown away by a deranged derelict at a corner phone booth on Eleventh Avenue. Unlicensed p.i. Matt Scudder thinks Holtzmann was simply in the wrong place at the wrong time. Others think differently—like Thomas Sadecki, brother of the crazed Vietnam vet accused of the murder, who wants Scudder to prove his brother innocent.
But no one is truly innocent in this unmerciful metropolis, including Matthew Scudder, whose curiosity and dedication are leading him to dark, unexplored places in his own heart . . . and to passions and revelations that could destroy everything he loves.
A Long Line of Dead Men
An ancient brotherhood meets annually in the back room of a swank Manhattan restaurant, a fraternity created in secret to celebrate life by celebrating its dead. But the past three decades have not been kind to the Club of 31. Matthew Scudder—ex-cop, ex-boozer—has known death in all its guises, which is why he has been asked to investigate a baffling, thirty-year run of suicides and suspiciously random accidents that has thinned the ranks of this very select group of gentlemen.
But Scudder has mortality problems of his own, for this is a city that feeds mercilessly on the unsuspecting—and even the powerful and those who serve them are easy prey. There are too many secrets here, and too many places for a maddeningly patient serial killer to hide . . . and wait . . . and strike.
A New York Times Notable Book
Even the Wicked
Matthew Scudder knows that justice is an elusive commodity in the big city, where a harmless man can be shot dead in a public place while criminals fly free through holes in a tattered legal system. But now a vigilante is roaming among the millions, executing those he feels deserve to die. He calls himself “The Will of the People,” an ingenious serial killer who announces his specific murderous intentions to the media before carrying through on his threats. A child molester, a Mafia don, a violent anti-abortionist, even the protected and untouchable are being ruthlessly erased by New York’s latest celebrity avenger.
Scudder knows that no one is innocent—but who among us has the right to play God? It is a question that will haunt the newly licensed p.i. on his journey through the bleak city grays as he searches for the sanity in urban madness . . . and for a frighteningly efficient killer who can do the impossible.
Everybody Dies
Matt Scudder is finally leading a comfortable life. The crime rate’s down and the stock market’s up. Gentrification’s prettying up the old neighborhood. The New York streets don’t look so mean anymore.
Then all hell breaks loose.
Scudder quickly discovers that the spruced-up sidewalks are as mean as ever—dark and gritty and stained with blood. He’s living in a world where the past is a minefield, the present is a war zone, and the future’s an open question. It’s a world where nothing is certain and nobody’s safe, a random universe where no one’s survival can be taken for granted—not even his own. A world where everybody dies.
A New York Times and Publishers Weekly Notable Book
HOPE TO DIE
A Matthew Scudder Crime Novel
When a prominent Manhattan couple is killed in a brutal home invasion, the whole city catches its breath. A few days later, their killers turn up dead behind a locked door in Brooklyn. One has killed his partner, then himself.
The city sighs with relief. The cops close the case.
Private investigator Matt Scudder and his wife were in the same room with the couple just hours before their death, and in spite of himself, Scudder is drawn to the case. The closer he looks, the more he senses the presence of a third man, a puppet master who manipulated his two accomplices, then cut their strings when he was done with them.
The villain who looms in the shadows is cold and diabolical, murdering for pleasure and profit. Nobody but Scudder even suspects he exists—and he’s not done killing.
He’s just getting started . . .
A deranged derelict, a crazed Vietnam vet, has been arrested for gunning down successful young lawyer Glenn Holtzmann at a corner phone booth on Eleventh Avenue—and the suspect’s brother wants p.i. Matthew Scudder to prove the madman innocent. But Scudder’s curiosity and dedication are leading him to dark, unexplored places in his own heart . . . and to passions and secrets that could destroy everything he loves.
THE DEVIL KNOWS YOU’RE DEAD
“Block has never been better.”
New York Daily News
“An intriguing mystery . . . as fresh and compelling a read as the first in the series. . . . In plot and character, this is a thriller written by a master.”
Pittsburgh Post-Gazette
“For clean, close-to-the-bone prose, the line goes from Dashiell Hammett to James M. Cain to Lawrence Block. He’s that good.”
Martin Cruz Smith
“Wry dialogue, appealing characters, and convincing New York atmosphere . . . Block writes terrific stories. . . . It’s always a kick to watch Scudder work.”
Orlando Sentinel
“Lawrence Block is a master. . . . The Matthew Scudder novels are among the finest detective books penned in this century.”
Jonathan Kellerman
“Highly successful and eminently readable . . . Block’s moody page-turners depict a world that is all warts. . . . THE DEVIL KNOWS YOU’RE DEAD shows Scudder’s continuing appeal.”
Chicago Sun-Times
“Lawrence Block’s novels are as good as the crime thriller gets.”
San Diego Union-Tribune
“When Lawrence Block is in his Matt Scudder mode, crime fiction can sidle up so close to literature that often there’s no degree of difference.”
Philadelphia Inquirer
“Recommended. . . . A complex and compelling work.”
Montgomery Advisor
The Devil Knows You’re Dead Page 31
