'There, Hor, do let him alone,' Kalinitch would say. 'But why doesn't he order some boots for you?' Hor retorted. 'Eh? boots!… what do I want with boots? I am a peasant.' 'Well, so am I a peasant, but look!' And Hor lifted up his leg and showed Kalinitch a boot which looked as if it had been cut out of a mammoth's hide. 'As if you were like one of us!' replied Kalinitch. 'Well, at least he might pay for your bast shoes; you go out hunting with him; you must use a pair a day.' 'He does give me something for bast shoes.' 'Yes, he gave you two coppers last year.'
Kalinitch turned away in vexation, but Hor went off into a chuckle, during which his little eyes completely disappeared.
Kalinitch sang rather sweetly and played a little on the balalaëca. Hor was never weary of listening to him: all at once he would let his head drop on one side and begin to chime in, in a lugubrious voice. He was particularly fond of the song, 'Ah, my fate, my fate!' Fedya never lost an opportunity of making fun of his father, saying, 'What are you so mournful about, old man?' But Hor leaned his cheek on his hand, covered his eyes, and continued to mourn over his fate…. Yet at other times there could not be a more active man; he was always busy over something—mending the cart, patching up the fence, looking after the harness. He did not insist on a very high degree of cleanliness, however; and, in answer to some remark of mine, said once, 'A cottage ought to smell as if it were lived in.'
'Look,' I answered, 'how clean it is in Kalinitch's beehouse.'
'The bees would not live there else, your honour,' he said with a sigh.
'Tell me,' he asked me another time, 'have you an estate of your own?' 'Yes.' 'Far from here?' 'A hundred miles.' 'Do you live on your land, your honour?' 'Yes.'
'But you like your gun best, I dare say?'
'Yes, I must confess I do.' 'And you do well, your honour; shoot grouse to your heart's content, and change your bailiff pretty often.'
On the fourth day Mr. Polutikin sent for me in the evening. I was sorry to part from the old man. I took my seat with Kalinitch in the trap. 'Well, good-bye, Hor—good luck to you,' I said; 'good-bye, Fedya.'
'Good-bye, your honour, good-bye; don't forget us.' We started; there was the first red glow of sunset. 'It will be a fine day to-morrow,' I remarked looking at the clear sky. 'No, it will rain,' Kalinitch replied; 'the ducks yonder are splashing, and the scent of the grass is strong.' We drove into the copse. Kalinitch began singing in an undertone as he was jolted up and down on the driver's seat, and he kept gazing and gazing at the sunset.
The next day I left the hospitable roof of Mr. Polutikin.
II
YERMOLAÏ AND THE MILLER'S WIFE
One evening I went with the huntsman Yermolaï 'stand-shooting.' … But perhaps all my readers may not know what 'stand-shooting' is. I will tell you.
A quarter of an hour before sunset in spring-time you go out into the woods with your gun, but without your dog. You seek out a spot for yourself on the outskirts of the forest, take a look round, examine your caps, and glance at your companion. A quarter of an hour passes; the sun has set, but it is still light in the forest; the sky is clear and transparent; the birds are chattering and twittering; the young grass shines with the brilliance of emerald…. You wait. Gradually the recesses of the forest grow dark; the blood-red glow of the evening sky creeps slowly on to the roots and the trunks of the trees, and keeps rising higher and higher, passes from the lower, still almost leafless branches, to the motionless, slumbering tree-tops…. And now even the topmost branches are darkened; the purple sky fades to dark-blue. The forest fragrance grows stronger; there is a scent of warmth and damp earth; the fluttering breeze dies away at your side. The birds go to sleep—not all at once—but after their kinds; first the finches are hushed, a few minutes later the warblers, and after them the yellow buntings. In the forest it grows darker and darker. The trees melt together into great masses of blackness; in the dark-blue sky the first stars come timidly out. All the birds are asleep. Only the redstarts and the nuthatches are still chirping drowsily…. And now they too are still. The last echoing call of the pee-wit rings over our heads; the oriole's melancholy cry sounds somewhere in the distance; then the nightingale's first note. Your heart is weary with suspense, when suddenly—but only sportsmen can understand me—suddenly in the deep hush there is a peculiar croaking and whirring sound, the measured sweep of swift wings is heard, and the snipe, gracefully bending its long beak, sails smoothly down behind a dark bush to meet your shot.
That is the meaning of 'stand-shooting.' And so I had gone out stand- shooting with Yermolaï; but excuse me, reader: I must first introduce you to Yermolaï.
Picture to yourself a tall gaunt man of forty-five, with a long thin nose, a narrow forehead, little grey eyes, a bristling head of hair, and thick sarcastic lips. This man wore, winter and summer alike, a yellow nankin coat of German cut, but with a sash round the waist; he wore blue pantaloons and a cap of astrakhan, presented to him in a merry hour by a spendthrift landowner. Two bags were fastened on to his sash, one in front, skilfully tied into two halves, for powder and for shot; the other behind for game: wadding Yermolaï used to produce out of his peculiar, seemingly inexhaustible cap. With the money he gained by the game he sold, he might easily have bought himself a cartridge- box and powder-flask; but he never once even contemplated such a purchase, and continued to load his gun after his old fashion, exciting the admiration of all beholders by the skill with which he avoided the risks of spilling or mixing his powder and shot. His gun was a single- barrelled flint-lock, endowed, moreover, with a villainous habit of 'kicking.' It was due to this that Yermolaï's right cheek was permanently swollen to a larger size than the left. How he ever succeeded in hitting anything with this gun, it would take a shrewd man to discover—but he did. He had too a setter-dog, by name Valetka, a most extraordinary creature. Yermolaï never fed him. 'Me feed a dog!' he reasoned; 'why, a dog's a clever beast; he finds a living for himself.' And certainly, though Valetka's extreme thinness was a shock even to an indifferent observer, he still lived and had a long life; and in spite of his pitiable position he was not even once lost, and never showed an inclination to desert his master. Once indeed, in his youth, he had absented himself for two days, on courting bent, but this folly was soon over with him. Valetka's most noticeable peculiarity was his impenetrable indifference to everything in the world…. If it were not a dog I was speaking of, I should have called him 'disillusioned.' He usually sat with his cropped tail curled up under him, scowling and twitching at times, and he never smiled. (It is well known that dogs can smile, and smile very sweetly.) He was exceedingly ugly; and the idle house-serfs never lost an opportunity of jeering cruelly at his appearance; but all these jeers, and even blows, Valetka bore with astonishing indifference. He was a source of special delight to the cooks, who would all leave their work at once and give him chase with shouts and abuse, whenever, through a weakness not confined to dogs, he thrust his hungry nose through the half-open door of the kitchen, tempting with its warmth and appetising smells. He distinguished himself by untiring energy in the chase, and had a good scent; but if he chanced to overtake a slightly wounded hare, he devoured it with relish to the last bone, somewhere in the cool shade under the green bushes, at a respectful distance from Yermolaï, who was abusing him in every known and unknown dialect. Yermolaï belonged to one of my neighbours, a landowner of the old style. Landowners of the old style don't care for game, and prefer the domestic fowl. Only on extraordinary occasions, such as birthdays, namedays, and elections, the cooks of the old-fashioned landowners set to work to prepare some long-beaked birds, and, falling into the state of frenzy peculiar to Russians when they don't quite know what to do, they concoct such marvellous sauces for them that the guests examine the proffered dishes curiously and attentively, but rarely make up their minds to try them. Yermolaï was under orders to provide his master's kitchen with two brace of grouse and partridges once a month. But he might live where and how he pleased. They had given him u
p as a man of no use for work of any kind—'bone lazy,' as the expression is among us in Orel. Powder and shot, of course, they did not provide him, following precisely the same principle in virtue of which he did not feed his dog. Yermolaï was a very strange kind of man; heedless as a bird, rather fond of talking, awkward and vacant-looking; he was excessively fond of drink, and never could sit still long; in walking he shambled along, and rolled from side to side; and yet he got over fifty miles in the day with his rolling, shambling gait. He exposed himself to the most varied adventures: spent the night in the marshes, in trees, on roofs, or under bridges; more than once he had got shut up in lofts, cellars, or barns; he sometimes lost his gun, his dog, his most indispensable garments; got long and severe thrashings; but he always returned home, after a little while, in his clothes, and with his gun and his dog. One could not call him a cheerful man, though one almost always found him in an even frame of mind; he was looked on generally as an eccentric. Yermolaï liked a little chat with a good companion, especially over a glass, but he would not stop long; he would get up and go. 'But where the devil are you going? It's dark out of doors.' 'To Tchaplino.' 'But what's taking you to Tchaplino, ten miles away?' 'I am going to stay the night at Sophron's there.' 'But stay the night here.' 'No, I can't.' And Yermolaï, with his Valetka, would go off into the dark night, through woods and water-courses, and the peasant Sophron very likely did not let him into his place, and even, I am afraid, gave him a blow to teach him 'not to disturb honest folks.' But none could compare with Yermolaï in skill in deep-water fishing in spring-time, in catching crayfish with his hands, in tracking game by scent, in snaring quails, in training hawks, in capturing the nightingales who had the greatest variety of notes. … One thing he could not do, train a dog; he had not patience enough. He had a wife too. He went to see her once a week. She lived in a wretched, tumble-down little hut, and led a hand-to-mouth existence, never knowing overnight whether she would have food to eat on the morrow; and in every way her lot was a pitiful one. Yermolaï, who seemed such a careless and easy-going fellow, treated his wife with cruel harshness; in his own house he assumed a stern, and menacing manner; and his poor wife did everything she could to please him, trembled when he looked at her, and spent her last farthing to buy him vodka; and when he stretched himself majestically on the stove and fell into an heroic sleep, she obsequiously covered him with a sheepskin. I happened myself more than once to catch an involuntary look in him of a kind of savage ferocity; I did not like the expression of his face when he finished off a wounded bird with his teeth. But Yermolaï never remained more than a day at home, and away from home he was once more the same 'Yermolka' (i.e. the shooting-cap), as he was called for a hundred miles round, and as he sometimes called himself. The lowest house-serf was conscious of being superior to this vagabond —and perhaps this was precisely why they treated him with friendliness; the peasants at first amused themselves by chasing him and driving him like a hare over the open country, but afterwards they left him in God's hands, and when once they recognised him as 'queer,' they no longer tormented him, and even gave him bread and entered into talk with him…. This was the man I took as my huntsman, and with him I went stand-shooting to a great birch-wood on the banks of the Ista.
A Sportsman's Sketches / Works of Ivan Turgenev, Volume I Page 2
