Koontz, Dean R. - The Bad Place

by The Bad Place(Lit)

  "I don't think I did. It doesn't feel right-as an explanation, I mean.

  besides I didn't fall asleep in the motel until after eight o'clock. I

  probably couldn't have gotten up again, gone out, and bought the clothes

  before the stores closed."

  "Some places are open until ten o'clock," Clint said.

  "There was a narrow window of opportunity," Bobby agreed.

  "I don't think I would've broken into a store after hours," Pollard

  said. "Or stolen the clothes. I don't think I'm a thief."

  "We know you're not a thief," Bobby said.

  "We don't know any such thing," Julie said sharply.

  Bobby and Clint looked at her, but Pollard continued to stare at his

  hands, too shy or confused to defend himself.

  She felt like a bully for having questioned his honesty. Which was

  nuts. They knew nothing about him. Hell, if he was telling the truth,

  he knew nothing about himself.

  Julie said, "Listen, whether he bought or stole the clothes is not the

  point here. I can't accept it either. At least not with our current

  scenario. It's just too outrageous-the man going to a mall or K-Mart or

  someplace in his underwear, outfitting himself, while he's sleepwalking.

  Could he do all that and not wake up-and appear to be awake to other

  people? I don't think so. I don't know anything about sleepwalking,

  but if we research it, I don't think we'll find such a thing is

  possible."

  "Of course, it wasn't just the clothes," Clint said.

  "No, not just the clothes," Pollard said.

  "When I woke up, there was a large paper bag on the bed beside me, like

  one of those you get at a supermarket if you don't want plastic. I

  looked inside, and it was full of... money. More cash."

  "How much?" Bobby asked.

  "I don't know. A lot."

  "You didn't count it?"

  "It's back at the motel where I'm staying now, the new place. I keep

  moving. I feel safer that way. Anyway, you can count it later if you

  want. I tried to count it, but I've lost my ability to do even simple

  arithmetic. Yeah, that sounds screwy, but it's what happened. Couldn't

  add the numbers. I keep trying but... numbers just don't mean much to

  me any more." He lowered his head, put his face in his hands.

  "First I lost my memory. Now I'm losing essential skills, like math. I

  feel as if... as if I'm coming apart... dissolving... until there's

  going to be none of me left, just a body, no mind at all... gone."

  "That won't happen, Frank," Bobby said.

  "We won't quit. We'll find out who you are and what all this means."

  "Bobby," Julie said warningly.

  "Hmmm?" He smiled obtusely.

  She got up from her desk and went into the bathroom.

  "Ah, Jeez." Bobby followed her, closed the door, and turned on the fan.

  "Julie, we have to help the poor guy."

  "The man is obviously experiencing psychotic fugues.

  doing these things in a blacked-out condition. He gets them in the

  middle of the night, yeah, but he's not sleepwalking.

  awake, alert, but in a fugue state. He could steal, kill-and remember

  any of it."

  "Julie, I'll bet you that was his own blood on his hands.

  maybe having blackouts, fugues, whatever you want to call them, but he's

  not a killer. How much you want to bet?

  "And you still say he's not a thief.? On a regular basis he wakes up

  with a bagful of money, doesn't know where he got it, but he's not a

  thief.? You think maybe he counterfeits during these amnesiac spells?

  No, I'm sure you think he's nice to be a counterfeiter."

  "Listen," he said,

  "we've got to go with gut feelings sometimes, and my gut feeling is that

  Frank is a good guy. Clint thinks he's a good guy."

  "Greeks are notoriously gregarious. They like every one.

  "You telling me Clint is your typical Greek social animal? Are we

  talking about the same Clint? Last name-Karaghiosis ? Guy who looks as

  if he was cast from concrete, and about as stoic as a cigar store

  Indian?"

  The light in the bathroom was too bright. It bounced off the mirror,

  white sink, white walls, and white ceramic tile. Thanks to the glare

  and Bobby's good-natured if not iron-willed did nothing to help Pollard,

  Julie was getting a headache.

  She closed her eyes.

  "Pollard's pathetic," she admitted.

  "Want to go back in there and hear him out?"

  "All right. But, dammit, don't tell him we'll help him until we've

  heard everything. All right?"

  They returned to the office.

  The sky no longer looked like cold, scorched metal. It was darker than

  before, and churning, molten. Though only a mildest breeze stirred at

  ground level, stronger winds were at work in the higher altitudes, for

  dense black thunderheads were being hurled inland from the sea.

  Like metal filings drawn to magnets, shadows had piled up in some

  corners. Julie reached for the switch to snap on the overhead

  fluorescence. Then she saw Bobby looking around with obvious pleasure

  at the softly lustrous, burnished brass surfaces of the lamps, at the

  way the polished oak end tables and coffee table glimmered in the fall

  of warm buttery light, and she left the switch unflicked.

  She sat behind her desk again. Bobby perched on the edge of it, legs

  dangling.

  Clint clicked on the tape recorder, and Julie said,

  "Frank...

  Mr. Pollard, before you continue your story, I'd like you to answer a

  few important questions for me. In spite of the bloody hands, and the

  scratches, you believe you're incapable of hurting anyone?"

  "Yeah. Except maybe in self-defense."

  "And you don't think you're a thief'?"

  "No. I can't..., I don't see myself as a thief, no."

  "Then why haven't you gone to the police for help?"

  He was silent. He clutched the open flight bag on his lap and peered

  into it, as if Julie was speaking to him from its interior.

  She said, "Because if you really feel certain you're an innocent man in

  all regards, the police are best equipped to help you find out who you

  are and who's pursuing you. You know what I think? I think you're not

  as certain of your innocence as you pretend. You know how to hot-wire a

  car, and although any man with reasonable knowledge of automobiles could

  perform that trick, it's at least an indication of criminal experience.

  And then there's the money, all that money, bags full of it. You don't

  remember committing any crimes, but in your heart you're convinced you

  have, so you're afraid to go to the COPS."

  "That's part of it," he acknowledged.

  She said, "You do understand, I hope, that if we take your case, and if

  we turn up evidence that you've committed a criminal act, we'll have to

  convey that information to the police."

  "Of course. But I figure if I went to the cops first, they wouldn't

  even look for the truth. They'd make up their minds that I was guilty

  of something even before I finished telling my story."

  "And of course we wouldn't do that," Bobby said, turning his head to

  favor Julie with a meaningful look.

  Pollard said, "Instead of helping me, the
y'd look around some recent

  crimes to pin on me."

  "The police don't work that way," Julie assured him.

  "Of course they do," Bobby said mischievously.

  He slid the desk and began to pace back and forth from the Uncle Scrooge

  poster to one of Mickey Mouse.

  "Haven't we seen 'e do that a thousand times on TV shows? Haven't we

  all read Hammett and Chandler?" "Mr. Pollard," Julie said,

  "I was a police officer once-' "Proves my point," Bobby said.

  "Frank, if you'd gone to the cops, you'd no doubt already have been

  booked, tried, convicted, and sentenced to a thousand years."

  "There's a more important reason I can't go to the cops That would be

  like going public. Maybe the press would hear about me, and be real

  eager to do a story about this poor guy with amnesia and bags of cash.

  Then he would know where to find me. I can't risk that."

  Bobby said, "Who is 'he,' Frank?"

  "The man who was chasing me the other night."

  "The way you said it, I thought you'd remembered his name, had a

  specific person in mind."

  "No. I don't know who he is. I'm not even entirely sure who he is. But

  I know he'll come for me again if he learns where I am. So I've got to

  keep my head down."

  From the sofa, Clint said, "I better flip the tape over."

  They waited while he popped the cassette out of the recorder.

  Although it was only three o'clock, the day was in the grip of a false

  twilight indistinguishable from the real one. The breeze at ground

  level was striving to match the wind that drove the clouds at higher

  altitudes; a thick fog poured in from the west, exhibiting none of the

  lazy motion with which fog usually advanced, swirling and churning, a

  molten flux that seemed to be trying to solder the earth to the thunder

  heads above.

  When Clint had the recorder going again, Julie said, "Frank is that the

  end of it? When you woke Saturday morning, were you wearing new

  clothes, with the paper bag full of money on the bed beside you?"

  "No. Not then."

  He raised his head, but he didn't look at her. He stared past her at

  the dreary day beyond the windows, though he seemed to be gazing at

  something much farther away than Newport Beach.

  "Maybe it's never going to end." From the second flight bag out of

  which he had earlier withdrawn the bloody shirt and the sample of black

  sand, he produced a one-pint mason jar of the type used to store

  homecanned fruits and vegetables, with a sturdy, hinged glass lid that

  clamped on a rubber gasket. The jar was filled with what appeared to be

  rough, uncut, dully gleaming gems. Some were more polished than others;

  they sparkled, flared.

  Frank released the lid, tipped the jar, and poured some of the contents

  onto the imitation blond-wood Formica desktop.

  Julie leaned forward.

  Bobby stepped in for a closer look.

  The less irregular gems were round, oval, teardrop, or lozenge-shaped;

  some aspects of each stone were smoothly curved, and some were naturally

  beveled with lots of sharp edges. Other gems were lumpy, jagged,

  pocked. Several were as large as fat grapes, others as small as peas.

  They were all red, though they varied in their degree of coloration.

  They vigorously refracted the light, a pool of scarlet glitter on the

  pale surface of the desk; the gems marshaled the diffuse glow of the

  lamps through their prisms, and cast shimmering spears of crimson toward

  the ceiling and one wall, where the acoustic tiles and Sheetrock

  appeared to be marked by luminous wounds.

  "Rubies?" Bobby asked.

  "They don't look quite like rubies," Julie said.

  "What are they, Frank?"

  "I don't know. They might not even be valuable."

  "Where'd you get them?"

  "Saturday night I couldn't sleep much at all. Just minutes at a time. I

  kept tossing and turning, popping awake again as soon as I dozed off.

  Afraid to sleep. And I didn't nap Sunday afternoon. But by yesterday

  evening, I was so exhausted, I couldn't keep my eyes open any more. I

  slept in my clothes, and when I got up this morning, my pants pockets

  were filled with these things."

  Julie plucked one of the more polished stones from the pile and held it

  to her right eye, looking through it toward the nearest lamp. Even in

  its raw state, the gem's color and clarity were exceptional. They

  might, as Frank implied, be only semiprecious, but she suspected that

  they were, in fact, of considerable value.

  Bobby said, "Why're you keeping them in a mason jar?"

  "Because I had to go buy one anyway to keep this, stuff.

  From the flight bag he produced a larger, quart-size jar and placed it

  on the desk.

  Julie turned to look at it and was so startled that she dropped the gem

  she had been examining. An insect, nearly as large as her hand, lay in

  that glass container. Though it had a tough shell like a

  beetle-midnight black with blood-red markings around the entire rim-the

  thing within that carapace more closely resembled a spider than a

  beetle. It had the sturdy, hairy legs of a tarantula.

  "What the hell?"

  Bobby grimaced. He was mildly entromophobic. When he encountered any

  insect more formidable than a housefly, he called upon Julie to capture

  or kill it, while he watched from a distance.

  "Is it alive?" Julie asked.

  "Not now," Frank said.

  Two forearms, like miniature lobster claws, extended from under the

  front of the thing's shell, one on each side of the head, though they

  differed from the appendages of a lobster in that the pincers were far

  more highly articulated than those of any common crustacean. They

  somewhat resembled a hand with four curved, chitinous segments, each

  jointed at the back, the edges were wickedly serrated.

  "If that thing got hold of your finger," Bobby said, "It could snip it

  off. You say it was alive, Frank?"

  "When I woke up this morning, it was crawling on my chest.

  "Good God!" Bobby paled visibly.

  "It was sluggish."

  "Yeah? Well, it sure looks quick as a damned cockroach

  "I think it was dying already," Frank said.

  "I screamed brushed it off. It just lay there on its back, on the

  floor, kicking kinda feebly for a few seconds, then it was still. I

  stripped the case off one of the bed pillows, scooped the thing into it,

  knotted the top so it wouldn't crawl away if it was still alive. Then I

  discovered the gems in my pockets, so I bought two mason jars, one for

  the bug, and it hasn't moved since I put it in there, so I figure it's

  dead. You ever see anything like it?"

  "No," Julie said.

  "Thank God, no," Bobby agreed. He was not leaning over the jar for a

  closer look, as Julie was. In fact he had taken a step back from the

  desk, as if he thought the creepy-crawler might be able, in a wink, to

  cut its way through the glass.

  Julie picked up the jar and turned it so she could look at the bug

  face-on. Its satin-black head was almost as big as a plum and half

  hidden under the carapace. Multifaceted, muddy yellow eyes wer
e set

  high on the sides of the face, and under each of them was what appeared

  to be another eye, a third smaller than the one above it and

  reddish-blue. Queer patterns of tiny holes, half a dozen thumblike

  extrusions, and three clusters of silky-looking hairs marked the

  otherwise smooth, shiny surface of that hideous countenance. Its small

  mouth, open now, was a circular orifice in which she saw what appeared

  to be rings of tiny but sharp teeth.

  Staring at the occupant of the jar, Frank said, "Whatever the hell I'm

  mixed up in, it's a bad thing. It's a real bad thing, and I'm afraid."

  Bobby twitched. In a thoughtful voice, speaking more to himself than to

  them, Bobby said, "Bad thing.

  Putting the jar down, Julie said, "Frank, we'll take the case."

  "All right!" Clint said, and switched off the recorder.

  Turning away from the desk, heading toward the bathroom, Bobby said,

  "Julie, I need to see you alone for a moment."

  For the third time they stepped into the bathroom together, closed the