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Madwoman On the Bridge and Other Stories

Page 22

by Su Tong


  And, oh, will it hurt.

  Endnotes

  1 Azalea Mountain, written by Wang Shuyuan, was a popular play about the heroine He Xiang and her revolutionary exploits in the late 1920s. The play was adapted into pingju and several Beijing Opera scripts (‘revolutionary’ and otherwise), as well as a 1974 film version.

  2 A famous aria from Shajiabang, another revolutionary opera, named after a centre of Communist resistance to the Japanese invasion. The town lies on Yangcheng Lake, north of Suzhou in the east of Jiangsu Province.

  3 Tragic heroine of Cao Xueqin’s 18th Century novel, Dream of the Red Chamber. Frail and emotional, she is associated with melancholy and tears.

  4 Many Chinese cities have outlying zones set aside to attract investment, typically offering preferential taxation and financial-support policies. A position in such a zone is, in general, highly desirable.

  5 The Republic of China was established in 1912 (Year 1), after the fall of the Qing Dynasty. The thirteenth year of the Republic would therefore be 1924.

  6 A festival on the twenty-third of the final lunar month, a week before the New Year’s Festival.

  7 The Hongmen banquet was an incident during the Chu-Han contention (206–202 bc), a civil war which followed the end of the Qin Dynasty. The warrior Xiang Yu tried to eliminate his rival Liu Bang during a feast held in his honour. In modern Chinese, it suggests a trap during festivities.

  8 Tang Yin (1470–1523), also known as Tang Bohu, a leading Ming Dynasty painter.

  9 A Qing Dynasty reign name, lasting from 1796 to 1820, more than 250 years after Tang Yin’s life.

  10 There is such a place on the Three Gorges. The word being used for goddess in this story can, however, also be a (rather archaic) euphemism for a prostitute. The Chinese reader is likely to make this association by the end of this story.

  11 A short canon of Chinese Communist heroes. Lei Feng (1940–62) was the archetype of the ‘nameless hero’, selfless and revolutionary. Having died in an accident, he became the model for an official ‘Learn from Lei Feng’ movement. Wang Jie (1942–65) sacrificed his own life and saved those of twelve other men in an accidental dynamite blast. Qiu Shaoyan (1931–52) was a Korean War hero who burned to death rather than move and reveal his unit’s position.

  12 The song is ‘The People of the World will Be Victorious’, written ‘collectively’ by the national philharmonic in reaction to Mao Zedong’s statement in May 1970 for the ‘people of the world to unite, and defeat the American aggressors and their running dogs’.

  13 Cai Yi (1906–92), Marxist thinker whose work New Aesthetics contained an influential discussion of the ‘image’.

  14 Licheng means ‘Pear City’.

  About the Author

  Born in 1963 in Suzhou and now living in Nanjing with his family, Su Tong is one of China’s most celebrated bestselling authors, shooting to international fame in 1993 when Zhang Yimou’s film of his novella Raise the Red Lantern was nominated for an Oscar. Madwoman on the Bridge is his first collection of short stories to be published in English. It is to be followed by his latest novel, Check, a violent drama set in the aftermath of the Cultural Revolution, to be published by Doubleday in 2009.

  Also by Su Tong

  Raise the Red Lantern

  (a collection of three novellas)

  Rice

  My Life as Emperor

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  MADWOMAN ON THE BRIDGE

  A BLACK SWAN BOOK ISBN: 9780552774529

  Version 1.0 Epub ISBN: 9780753516690

  First publication in Great Britain

  Black Swan edition published 2008

  Copyright © Su Tong 2008

  English translation copyright © Josh Stenberg 2008

  Su Tong has asserted his right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work.

  An earlier version of the translation of ‘How the Ceremony Ends’ by Josh Stenberg first appeared in the Kyoto Journal #63, 2006.

  This book is a work of fiction and, except in the case of historical fact, any resemblance to actual persons, living or dead is purely coincidental.

  This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorized distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.

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  is available from the British Library.

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