These 13

by William Faulkner

  “Will Mayes never done it, boys,” the barber said. “If anybody done it. Why, you all know well as I do there aint any town where they got better niggers than us. And you know how a lady will kind of think things about men when there aint any reason to, and Miss Minnie anyway—”

  “Sure, sure,” the soldier said. “We’re just going to talk to him a little; that’s all.”

  “Talk hell!” Butch said. “When we’re through with the—”

  “Shut up, for God’s sake!” the soldier said. “Do you want everybody in town—”

  “Tell them, by God!” McLendon said. “Tell every one of the sons that’ll let a white woman—”

  “Let’s go; let’s go: here’s the other car.” The second car slid squealing out of a cloud of dust at the alley mouth. McLendon started his car and took the lead. Dust lay like fog in the street. The street lights hung nimbused as in water. They drove on out of town.

  A rutted lane turned at right angles. Dust hung above it too, and above all the land. The dark bulk of the ice plant, where the Negro Mayes was night watchman, rose against the sky. “Better stop here, hadn’t we?” the soldier said. McLendon did not reply. He hurled the car up and slammed to a stop, the headlights glaring on the blank wall.

  “Listen here, boys,” the barber said; “if he’s here, dont that prove he never done it? Dont it? If it was him, he would run. Dont you see he would?” The second car came up and stopped. McLendon got down; Butch sprang down beside him. “Listen, boys,” the barber said.

  “Cut the lights off!” McLendon said. The breathless dark rushed down. There was no sound in it save their lungs as they sought air in the parched dust in which for two months they had lived; then the diminishing crunch of McLendon’s and Butch’s feet, and a moment later McLendon’s voice:

  “Will!… Will!”

  Below the east the wan hemorrhage of the moon increased. It heaved above the ridge, silvering the air, the dust, so that they seemed to breathe, live, in a bowl of molten lead. There was no sound of nightbird nor insect, no sound save their breathing and a faint ticking of contracting metal about the cars. Where their bodies touched one another they seemed to sweat dryly, for no more moisture came. “Christ!” a voice said; “let’s get out of here.”

  But they didn’t move until vague noises began to grow out of the darkness ahead; then they got out and waited tensely in the breathless dark. There was another sound: a blow, a hissing expulsion of breath and McLendon cursing in undertone. They stood a moment longer, then they ran forward. They ran in a stumbling clump, as though they were fleeing something. “Kill him, kill the son,” a voice whispered. McLendon flung them back.

  “Not here,” he said. “Get him into the car.” “Kill him, kill the black son!” the voice murmured. They dragged the Negro to the car. The barber had waited beside the car. He could feel himself sweating and he knew he was going to be sick at the stomach.

  “What is it, captains?” the Negro said. “I aint done nothing. ’Fore God, Mr John.” Someone produced handcuffs. They worked busily about the Negro as though he were a post, quiet, intent, getting in one another’s way. He submitted to the handcuffs, looking swiftly and constantly from dim face to dim face. “Who’s here, captains?” he said, leaning to peer into the faces until they could feel his breath and smell his sweaty reek. He spoke a name or two. “What you all say I done, Mr John?”

  McLendon jerked the car door open. “Get in!” he said.

  The Negro did not move. “What you all going to do with me, Mr John? I aint done nothing. White folks, captains, I aint done nothing: I swear ’fore God.” He called another name.

  “Get in!” McLendon said. He struck the Negro. The others expelled their breath in a dry hissing and struck him with random blows and he whirled and cursed them, and swept his manacled hands across their faces and slashed the barber upon the mouth, and the barber struck him also. “Get him in there,” McLendon said. They pushed at him. He ceased struggling and got in and sat quietly as the others took their places. He sat between the barber and the soldier, drawing his limbs in so as not to touch them, his eyes going swiftly and constantly from face to face. Butch clung to the running board. The car moved on. The barber nursed his mouth with his handkerchief.

  “What’s the matter, Hawk?” the soldier said.

  “Nothing,” the barber said. They regained the highroad and turned away from town. The second car dropped back out of the dust. They went on, gaining speed; the final fringe of houses dropped behind.

  “Goddamn, he stinks!” the soldier said.

  “We’ll fix that,” the drummer in front beside McLendon said. On the running board Butch cursed into the hot rush of air. The barber leaned suddenly forward and touched McLendon’s arm.

  “Let me out, John,” he said.

  “Jump out, niggerlover,” McLendon said without turning his head. He drove swiftly. Behind them the sourceless lights of the second car glared in the dust. Presently McLendon turned into a narrow road. It was rutted with disuse. It led back to an abandoned brick kiln—a series of reddish mounds and weed- and vine-choked vats without bottom. It had been used for pasture once, until one day the owner missed one of his mules. Although he prodded carefully in the vats with a long pole, he could not even find the bottom of them.

  “John,” the barber said.

  “Jump out, then,” McLendon said, hurling the car along the ruts. Beside the barber the Negro spoke:

  “Mr Henry.”

  The barber sat forward. The narrow tunnel of the road rushed up and past. Their motion was like an extinct furnace blast: cooler, but utterly dead. The car bounded from rut to rut.

  “Mr Henry,” the Negro said.

  The barber began to tug furiously at the door. “Look out, there!” the soldier said, but the barber had already kicked the door open and swung onto the running board. The soldier leaned across the Negro and grasped at him, but he had already jumped. The car went on without checking speed.

  The impetus hurled him crashing through dust-sheathed weeds, into the ditch. Dust puffed about him, and in a thin, vicious crackling of sapless stems he lay choking and retching until the second car passed and died away. Then he rose and limped on until he reached the highroad and turned toward town, brushing at his clothes with his hands. The moon was higher, riding high and clear of the dust at last, and after a while the town began to glare beneath the dust. He went on, limping. Presently he heard cars and the glow of them grew in the dust behind him and he left the road and crouched again in the weeds until they passed. McLendon’s car came last now. There were four people in it and Butch was not on the running board.

  They went on; the dust swallowed them; the glare and the sound died away. The dust of them hung for a while, but soon the eternal dust absorbed it again. The barber climbed back onto the road and limped on toward town.

  IV

  As she dressed for supper on that Saturday evening, her own flesh felt like fever. Her hands trembled among the hooks and eyes, and her eyes had a feverish look, and her hair swirled crisp and crackling under the comb. While she was still dressing the friends called for her and sat while she donned her sheerest underthings and stockings and a new voile dress. “Do you feel strong enough to go out?” they said, their eyes bright too, with a dark glitter. “When you have had time to get over the shock, you must tell us what happened. What he said and did; everything.”

  In the leafed darkness, as they walked toward the square, she began to breathe deeply, something like a swimmer preparing to dive, until she ceased trembling, the four of them walking slowly because of the terrible heat and out of solicitude for her. But as they neared the square she began to tremble again, walking with her head up, her hands clinched at her sides, their voices about her murmurous, also with that feverish, glittering quality of their eyes.

  They entered the square, she in the center of the group, fragile in her fresh dress. She was trembling worse. She walked slower and slower, as children eat ice cream
, her head up and her eyes bright in the haggard banner of her face, passing the hotel and the coatless drummers in chairs along the curb looking around at her: “That’s the one: see? The one in pink in the middle.” “Is that her? What did they do with the nigger? Did they—?” “Sure. He’s all right.” “All right, is he?” “Sure. He went on a little trip.” Then the drug store, where even the young men lounging in the doorway tipped their hats and followed with their eyes the motion of her hips and legs when she passed.

  They went on, passing the lifted hats of the gentlemen, the suddenly ceased voices, deferent, protective. “Do you see?” the friends said. Their voices sounded like long, hovering sighs of hissing exultation. “There’s not a Negro on the square. Not one.”

  They reached the picture show. It was like a miniature fairyland with its lighted lobby and colored lithographs of life caught in its terrible and beautiful mutations. Her lips began to tingle. In the dark, when the picture began, it would be all right; she could hold back the laughing so it would not waste away so fast and so soon. So she hurried on before the turning faces, the undertones of low astonishment, and they took their accustomed places where she could see the aisle against the silver glare and the young men and girls coming in two and two against it.

  The lights flicked away; the screen glowed silver, and soon life began to unfold, beautiful and passionate and sad, while still the young men and girls entered, scented and sibilant in the half dark, their paired backs in silhouette delicate and sleek, their slim, quick bodies awkward, divinely young, while beyond them the silver dream accumulated, inevitably on and on. She began to laugh. In trying to suppress it, it made more noise than ever; heads began to turn. Still laughing, her friends raised her and led her out, and she stood at the curb, laughing on a high, sustained note, until the taxi came up and they helped her in.

  They removed the pink voile and the sheer underthings and the stockings, and put her to bed, and cracked ice for her temples, and sent for the doctor. He was hard to locate, so they ministered to her with hushed ejaculations, renewing the ice and fanning her. While the ice was fresh and cold she stopped laughing and lay still for a time, moaning only a little. But soon the laughing welled again and her voice rose screaming.

  “Shhhhhhhhhhh! Shhhhhhhhhhhhhh!” they said, freshening the icepack, smoothing her hair, examining it for gray; “poor girl!” Then to one another: “Do you suppose anything really happened?” their eyes darkly aglitter, secret and passionate. “Shhhhhhhhhh! Poor girl! Poor Minnie!”

  V

  It was midnight when McLendon drove up to his neat new house. It was trim and fresh as a birdcage and almost as small, with its clean, green-and-white paint. He locked the car and mounted the porch and entered. His wife rose from a chair beside the reading lamp. McLendon stopped in the floor and stared at her until she looked down.

  “Look at that clock,” he said, lifting his arm, pointing. She stood before him, her face lowered, a magazine in her hands. Her face was pale, strained, and weary-looking. “Haven’t I told you about sitting up like this, waiting to see when I come in?”

  “John,” she said. She laid the magazine down. Poised on the balls of his feet, he glared at her with his hot eyes, his sweating face.

  “Didn’t I tell you?” He went toward her. She looked up then. He caught her shoulder. She stood passive, looking at him.

  “Dont, John. I couldn’t sleep … The heat; something. Please, John. You’re hurting me.”

  “Didn’t I tell you?” He released her and half struck, half flung her across the chair, and she lay there and watched him quietly as he left the room.

  He went on through the house, ripping off his shirt, and on the dark, screened porch at the rear he stood and mopped his head and shoulders with the shirt and flung it away. He took the pistol from his hip and laid it on the table beside the bed, and sat on the bed and removed his shoes, and rose and slipped his trousers off. He was sweating again already, and he stooped and hunted furiously for the shirt. At last he found it and wiped his body again, and, with his body pressed against the dusty screen, he stood panting. There was no movement, no sound, not even an insect. The dark world seemed to lie stricken beneath the cold moon and the lidless stars.

  III

  MISTRAL

  DIVORCE IN NAPLES

  CARCASSONNE

  MISTRAL

  I

  It was the last of the Milanese brandy. I drank, and passed the bottle to Don, who lifted the flask until the liquor slanted yellowly in the narrow slot in the leather jacket, and while he held it so the soldier came up the path, his tunic open at the throat, pushing the bicycle. He was a young man, with a bold lean face. He gave us a surly good day and looked at the flask a moment as he passed. We watched him disappear beyond the crest, mounting the bicycle as he went out of sight.

  Don took a mouthful, then he poured the rest out. It splattered on the parched earth, pocking it for a fading moment. He shook the flask to the ultimate drop. “Salut,” he said, returning the flask. “Thanks, O gods. My Lord, if I thought I’d have to go to bed with any more of that in my stomach.”

  “It’s too bad, the way you have to drink it,” I said. “Just have to drink it.” I stowed the flask away and we went on, crossing the crest. The path began to descend, still in shadow. The air was vivid, filled with sun which held a quality beyond that of mere light and heat, and a sourceless goat bell somewhere beyond the next turn of the path, distant and unimpeded.

  “I hate to see you lugging the stuff along day after day,” Don said. “That’s the reason I do. You couldn’t drink it, and you wouldn’t throw it away.”

  “Throw it away? It cost ten lire. What did I buy it for?”

  “God knows,” Don said. Against the sun-filled valley the trees were like the bars of a grate, the path a gap in the bars, the valley blue and sunny. The goat bell was somewhere ahead. A fainter path turned off at right angles, steeper than the broad one which we were following. “He went that way,” Don said.

  “Who did?” I said. Don was pointing to the faint mark of bicycle tires where they had turned into the fainter path.

  “See.”

  “This one must not have been steep enough for him,” I said.

  “He must have been in a hurry.”

  “He sure was, after he made that turn.”

  “Maybe there’s a haystack at the bottom.”

  “Or he could run on across the valley and up the other mountain and then run back down that one and up this one again until his momentum gave out.”

  “Or until he starved to death,” Don said.

  “That’s right,” I said. “Did you ever hear of a man starving to death on a bicycle?”

  “No,” Don said. “Did you?”

  “No,” I said. We descended. The path turned, and then we came upon the goat bell. It was on a laden mule cropping with delicate tinkling jerks at the path-side near a stone shrine. Beside the shrine sat a man in corduroy and a woman in a bright shawl, a covered basket beside her. They watched us as we approached.

  “Good day, signor,” Don said. “Is it far?”

  “Good day, signori,” the woman said. The man looked at us. He had blue eyes with dissolving irises, as if they had been soaked in water for a long time. The woman touched his arm, then she made swift play with her fingers before his face. He said, in a dry metallic voice like a cicada’s:

  “Good day, signori.”

  “He doesn’t hear any more,” the woman said. “No, it is not far. From yonder you will see the roofs.”

  “Good,” Don said. “We are fatigued. Might one rest here, signora?”

  “Rest, signori,” the woman said. We slipped our packs and sat down. The sun slanted upon the shrine, upon the serene, weathered figure in the niche and upon two bunches of dried mountain asters lying there. The woman was making play with her fingers before the man’s face. Her other hand in repose upon the basket beside her was gnarled and rough. Motionless, it had that rigid quality
of unaccustomed idleness, not restful so much as quite spent, dead. It looked like an artificial hand attached to the edge of the shawl, as if she had donned it with the shawl for conventional complement. The other hand, the one with which she talked to the man, was swift and supple as a prestidigitator’s.

  The man looked at us. “You walk, signori,” he said in his light, cadenceless voice.

  “Sì,” we said. Don took out the cigarettes. The man lifted his hand in a slight, deprecatory gesture. Don insisted. The man bowed formally, sitting, and fumbled at the pack. The woman took the cigarette from the pack and put it into his hand. He bowed again as he accepted a light. “From Milano,” Don said. “It is far.”

  “It is far,” the woman said. Her fingers rippled briefly. “He has been there,” she said.

  “I was there, signori,” the man said. He held the cigarette carefully between thumb and forefinger. “One takes care to escape the carriages.”

  “Yes,” Don said. “Those without horses.”

  “Without horses,” the woman said. “There are many. Even here in the mountains we hear of it.”

  “Many,” Don said. “Always whoosh. Whoosh. Whoosh.”

  “Sì,” the woman said. “Even here I have seen it.” Her hand rippled in the sunlight. The man looked at us quietly, smoking. “It was not like that when he was there, you see,” she said.

  “I am there long time ago, signori,” he said. “It is far.” He spoke in the same tone she had used, the same tone of grave and courteous explanation.

  “It is far,” Don said. We smoked. The mule cropped with delicate, jerking tinkles of the bell. “But we can rest yonder,” Don said, extending his hand toward the valley swimming blue and sunny beyond the precipice where the path turned. “A bowl of soup, wine, a bed?”

  The woman watched us across that serene and topless rampart of the deaf, the cigarette smoking close between thumb and finger. The woman’s hand flickered before his face. “Sì,” he said; “sì. With the priest: why not? The priest will take them in.” He said something else, too swift for me. The woman removed the checked cloth which covered the basket, and took out a wineskin. Don and I bowed and drank in turn, the man returning the bows.