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Western Civilization: Volume B: 1300 to 1815, 8th Edition

Page 18

by Spielvogel, Jackson J.


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  Although some Italians had developed a sense of national consciousness and differentiated between Italians and “barbarians” (all foreigners), few Italians conceived of creating an alliance or confederation of states that could repel foreign invaders. Italians remained fiercely loyal to their own petty states, making invasion a fact of life in Italian history for all too long. Italy would not achieve unification and nationhood until 1870.

  The Birth of Modern Diplomacy

  The modern diplomatic system was a product of the Italian Renaissance. There were ambassadors in the Middle Ages, but they were used only on a temporary basis. Moreover, an ambassador, regardless of whose subject he was, regarded himself as the servant of all Christendom, not just of his particular employer. As a treatise on diplomacy stated, “An ambassador is sacred because he acts for the general welfare.” Since he was the servant of all Christendom, “the business of an ambassador is peace.”8

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  CHRONOLOGY The Italian States in the Renaissance

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  Duchy of Milan

  The Viscontis

  1311–1447

  The Sforzas

  1450–1494

  Florence

  Cosimo de’ Medici

  1434–1464

  Lorenzo de’ Medici

  1469–1492

  Peace of Lodi

  1454

  Beginning of Italian wars—French invasion of italy

  1494

  Sack of Rome

  1527

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  This concept of an ambassador changed during the Italian Renaissance because of the political situation in Italy. A large number of states existed, many so small that their security was easily threatened by their neighbors. To survive, the Italian states began to send resident diplomatic agents to each other to ferret out useful information. During the Italian wars, the practice of resident diplomats spread to the rest of Europe, and in the course of the sixteenth and seventeenth centuries, Europeans developed the diplomatic machinery still in use today, such as the rights of ambassadors in host countries and the proper procedures for conducting diplomatic business.

  With the use of permanent resident agents or ambassadors, the conception of the purpose of an ambassador also changed. A Venetian diplomat attempted to define an ambassador’s function in a treatise written at the end of the fifteenth century. He wrote, “The first duty of an ambassador is exactly the same as that of any other servant of a government, that is, to do, say, advise, and think whatever may best serve the preservation and aggrandizement of his own state.”9 An ambassador was now an agent only of the territorial state that sent him, not the larger body of Christendom. He could use any methods that were beneficial to the political interests of his own state. We are at the beginning of modern politics when the interests of the state supersede all other considerations.

  Machiavelli and the New Statecraft

  No one gave better expression to the Renaissance preoccupation with political power than Niccolò Machiavelli (nee-koh-LOH mahk-ee-uh-VEL-ee) (1469–1527). He entered the service of the Florentine republic in 1498, four years after the Medici family had been expelled from the city. As a secretary to the Florentine Council of Ten, he made numerous diplomatic missions, including trips to France and Germany, and saw the workings of statecraft at first hand. Machiavelli’s political activity occurred during the period of tribulation and devastation for Italy that followed the French invasion in 1494. In 1512, French defeat and Spanish victory led to the reestablishment of Medici power in Florence. Staunch republicans, including Machiavelli, were sent into exile. Forced to give up politics, the great love of his life, Machiavelli now reflected on political power and wrote books, including The Prince (1513), one of the most famous treatises on political power in the Western world.

  Niccolò Machiavelli. In The Prince, Machiavelli gave concrete expression to the Renaissance preoccupation with political power. This slender volume remains one of the most famous and most widely read Western treatises on politics. Machiavelli is seen here in a portrait by Santi di Tito.

  ©AKG/Photo Researchers, Inc.

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  Niccolò Machiavelli. The Prince, selected topics (1513)

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  THE PRINCE Machiavelli’s ideas on politics stemmed from two major sources, his knowledge of ancient Rome and his preoccupation with Italy’s political problems. As a result of his experiences, Machiavelli fully realized that the small Italian states were no match for the larger monarchical states outside Italy’s borders and that Italy itself had become merely a battleground for the armies of foreign states. His major concerns in The Prince were the acquisition and expansion of political power as the means to restore and maintain order in his time. Late medieval political theorists believed that a ruler was justified in exercising political power only if it contributed to the common good of the people he served. The ethical side of a prince’s activity—how a ruler ought to behave based on Christian moral principles—was the focus of many late medieval treatises on politics. Machiavelli bluntly contradicted this approach:

  My hope is to write a book that will be useful, at least to those who read it intelligently, and so I thought it sensible to go straight to a discussion of how things are in real life and not waste time with a discussion of an imaginary world. … For the gap between how people actually behave and how they ought to behave is so great that anyone who ignores everyday reality in order to live up to an ideal will soon discover he has been taught how to destroy himself, not how to preserve himself.10

  Machiavelli considered his approach far more realistic than that of his medieval forebears.

  In Machiavelli’s view, a prince’s attitude toward power must be based on an understanding of human nature, which he perceived as basically self-centered: “For of men one can, in general, say this: They are ungrateful, fickle, deceptive and deceiving, avoiders of danger, eager to gain.” Political activity, therefore, could not be restricted by moral considerations. The prince acts on behalf of the state and for the sake of the state must be willing to let his conscience sleep. As Machiavelli put it:

  You need to understand this: A ruler, and particularly a ruler who is new to power, cannot conform to all those rules that men who are thought good are expected to respect, for he is often obliged, in order to hold on to power, to break his word, to be uncharitable, inhumane, and irreligious. So he must be mentally prepared to act as circumstances and changes in fortune require. As I have said, he should do what is right if he can; but he must be prepared to do wrong if necessary.11

  Machiavelli found a good example of the new Italian ruler in Cesare Borgia, the son of Pope Alexander VI, who used ruthless measures to achieve his goal of carving out a new state in central Italy. As Machiavelli said: “So anyone who decides that the policy to follow when one has newly acquired power is to destroy one’s enemies, to secure some allies, to win wars, whether by force or by fraud, to make oneself both loved and feared by one’s subjects, … cannot hope to find, in the recent past, a better model to imitate than Cesare Borgia.”12 Machiavelli was among the first to abandon morality as the basis for the analysis of political activity.

  The Intellectual Renaissance in Italy

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  FOCUS QUESTION: What was humanism, and what effect did it have on philosophy, education, attitudes toward politics, and the writing of history?

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  Individualism and secularism—two characteristics of the Italian Renaissance—were most noticeable in the intellectual and artistic realms. Italian culture had matured by the fourteenth century. For the next two centuries, Italy was the cultural leader of Europe. This new Italian culture was primarily the product of a relatively wealthy, urban lay society. The most important literary movement associated with the Renaissance was humanism.

  Italian Renaissance Humanism

  Renaissance humanism was an intellectual movement based on the study of the Classical li
terary works of Greece and Rome. Humanists examined the studia humanitatis (“the studies of humanity”)—grammar, rhetoric, poetry, moral philosophy or ethics, and history—all based on the writings of ancient Greek and Roman authors. These are the subjects we call the humanities.

  The central importance of literary preoccupations in Renaissance humanism is evident in the professional status or occupations of the humanists. Some of them were teachers of the humanities in secondary schools and universities, where they either gave occasional lectures or held permanent positions, often as professors of rhetoric. Others served as secretaries in the chancelleries of Italian city-states or at the courts of princes or popes. All of these occupations were largely secular, and most humanists were laymen rather than members of the clergy.

  THE EMERGENCE OF HUMANISM Petrarch (1304–1374) has often been called the father of Italian Renaissance humanism (see Chapter 11 on his use of the Italian vernacular). Petrarch rejected his father’s desire that he become a lawyer and took up a literary career instead. Although he lived in Avignon for a time, most of his last decades were spent in Italy as the guest of various princes and city governments. With his usual lack of modesty, Petrarch once exclaimed, “Some of the greatest kings of our time have loved me and cultivated my friendship. … When I was their guest it was more as if they were mine.”13

  Petrarch did more than any other individual in the fourteenth century to foster the development of Renaissance humanism. He was the first intellectual to characterize the Middle Ages as a period of darkness, promoting the mistaken belief that medieval culture was ignorant of Classical antiquity. Petrarch’s interest in the classics led him on a quest for forgotten Latin manuscripts and set in motion a ransacking of monastic libraries throughout Europe. In his preoccupation with the classics and their secular content, Petrarch worried at times whether he was sufficiently attentive to spiritual ideals. His qualms, however, did not prevent him from inaugurating the humanist emphasis on the use of pure Classical Latin, making it fashionable for humanists to use Cicero as a model for prose and Virgil for poetry. As Petrarch said, “Christ is my God; Cicero is the prince of the language.”

  HUMANISM IN FIFTEENTH-CENTURY ITALY In Florence, the humanist movement took a new direction at the beginning of the fifteenth century when it became closely tied to Florentine civic spirit and pride, giving rise to what one modern scholar has labeled civic humanism. Fourteenth-century humanists such as Petrarch had described the intellectual life as one of solitude. They rejected family and a life of action in the community. In the busy civic world of Florence, however, intellectuals began to take a new view of their role as intellectuals. The Classical Roman Cicero, who was both a statesman and an intellectual, became their model. Leonardo Bruni (1370–1444), a humanist, Florentine patriot, and chancellor of the city, wrote a biography of Cicero titled The New Cicero, in which he waxed enthusiastic about the fusion of political action and literary creation in Cicero’s life. From Bruni’s time on, Cicero served as the inspiration for the Renaissance ideal that it was the duty of an intellectual to live an active life for one’s state. An individual only “grows to maturity—both intellectually and morally—through participation” in the life of the state. Civic humanism reflected the values of the urban society of the Italian Renaissance. Humanists came to believe that their study of the humanities should be put to the service of the state. It is no accident that humanists served the state as chancellors, councillors, and advisers.

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  The Renaissance Prince: The Views of Machiavelli and Erasmus

  At the beginning of the sixteenth century, two writers produced very different views of political power and how a ruler should conduct affairs of state. In 1513, Niccolò Machiavelli wrote a short treatise on political power that, justly or unjustly, has given him a reputation as a political opportunist. In this selection from Chapter 17 of The Prince, Machiavelli analyzes whether it is better for a ruler to be loved than to be feared. Three years later the Dutch intellectual Erasmus, leader of the Christian humanists (see Chapter 13), also wrote a treatise on political power, entitled Education of a Christian Prince. As is evident in this excerpt from his treatise, Erasmus followed in the footsteps of medieval theorists on power by insisting that a true prince should think only of his moral obligations to the people he rules.

  Machiavelli, The Prince (1513)

  This leads us to a question that is in dispute: Is it better to be loved than feared, or vice versa? My reply is one ought to be both loved and feared; but, since it is difficult to accomplish both at the same time, I maintain it is much safer to be feared than loved, if you have to do without one of the two. For of men one can, in general, say this: They are ungrateful, fickle, deceptive and deceiving, avoiders of danger, eager to gain. As long as you serve their interests, they are devoted to you. They promise you their blood, their possessions, their lives, and their children, as I said before, so long as you seem to have no need of them. But as soon as you need help, they turn against you. Any ruler who relies simply on their promises and makes no other preparations, will be destroyed. For you will find that those whose support you buy, who do not rally to you because they admire your strength of character and nobility of soul, these are people you pay for, but they are never yours, and in the end you cannot get the benefit of your investment. Men are less nervous of offending someone who makes himself lovable, than someone who makes himself frightening. For love attaches men by ties of obligation, which, since men are wicked, they break whenever their interests are at stake. But fear restrains men because they are afraid of punishment, and this fear never leaves them. Still, a ruler should make himself feared in such a way that, if he does not inspire love,atleast he does not provoke hatred. For it is perfectly possible to be feared and not hated. You will only be hated if you seize the property or the women of your subjects and citizens. Whenever you have to kill someone, make sure that you have a suitable excuse and an obvious reason; but, above all else, keep your hands off other people’s property; for men are quicker to forget the death of their father than the loss of their inheritance. Moreover, there are always reasons why you might want to seize people’s property; and he who begins to live by plundering others will always find an excuse for seizing other people’s possessions; but there are fewer reasons for killing people, and one killing need not lead to another.

  When a ruler is at the head of his army and has a vast number of soldiers under his command, then it is absolutely essential to be prepared to be thought cruel; for it is impossible to keep an army united and ready for action without acquiring a reputation for cruelty.

  Erasmus, Education of a Christian Prince (1516)

  Follow the right, do violence to no one, plunder no one, sell no public office, be corrupted by no bribes. … As you would rather stand for an injury than avenge it at great loss to the state, perchance you will lose a little something of your empire. Bear that; consider that you have gained a great deal because you have brought hurt to fewer than you would otherwise have done. … If you cannot defend your realm without violating justice, without wanton loss of human life, without great loss to religion, give up and yield to the importunities of the age! …

  A good prince … is a living likeness of God, who is at once good and powerful. His goodness makes him want to help all; his power makes him able to do so. On the other hand, an evil prince, who is like a plague to his country, is the incarnation of the devil, who has great power joined with his wickedness. All his resources to the very last, he uses for the undoing of the human race. …

  [A good prince is one] who holds the life of each individual dearer than his own; who works and strives night and day for just one end—to be the best he can for everyone; with whom rewards are ready for all good men … for so much does he want to be of real help to his people, without thought of recompense, that if necessary he would not hesitate to look out for their welfare at great risk to himself; who considers his wealth to lie in the advantage of his co
untry; who is ever on the watch so that everyone else may sleep deeply; who grants no leisure to himself so that he may spend his life in the peace of his country; who worries himself with continual cares so that his subjects may have peace and quiet. … He does everything and allows everything that will bring everlasting peace to his country, for he realizes that war is the source of all misfortunes to the state.

  What does Machiavelli have to say about being loved rather than feared? How does this view contrast with that of Erasmus on the characteristics of a good ruler? Which viewpoint do you consider more modern? Why? Which viewpoint do you think is correct? Why?

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  Petrarch: Mountain Climbing and the Search for Spiritual Contentment

  Petrarch has long been regarded as the father of Italian Renaissance humanism. One of his literary masterpieces was The Ascent of Mount Ventoux, a colorful description of his attempt to climb a mountain in Provence in southern France and survey the world from its top. Petrarch’s primary interest is in presenting an allegory of his own soul’s struggle to achieve a higher spiritual state. The work is addressed to a professor of theology in Paris who had initially encouraged Petrarch to read Augustine. The latter had experienced a dramatic conversion to Christianity almost a thousand years earlier.

 

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