Children of the Ghetto

by Израэль Зангвилл

  "What right, have you to say it must not be?" she inquired haughtily. "Do you think I can't take care of myself, that I need any one to protect me or to help me?"

  "No-I-I-only mean-" he stammered in infinite distress, feeling himself somehow a blundering brute.

  "Remember I am not like the girls you are used to meet. I have known the worst that life can offer. I can stand alone, yes, and face the whole world. Perhaps you don't know that I wrote Mordecai Josephs, the book you burlesqued so mercilessly!"

  "You wrote it!"

  "Yes, I. I am Edward Armitage. Did those initials never strike you? I wrote it and I glory in it. Though all Jewry cry out 'The picture is false,' I say it is true. So now you know the truth. Proclaim it to all Hyde Park and Maida Vale, tell it to all your narrow-minded friends and acquaintances, and let them turn and rend me. I can live without them or their praise. Too long they have cramped my soul. Now at last I am going to cut myself free. From them and from you and all your petty prejudices and interests. Good-bye, for ever."

  She went out abruptly, leaving the room dark and Raphael shaken and dumbfounded; she went down the stairs and into the keen bright air, with a fierce exultation at her heart, an intoxicating sense of freedom and defiance. It was over. She had vindicated herself to herself and to the imaginary critics. The last link that bound her to Jewry was snapped; it was impossible it could ever be reforged. Raphael knew her in her true colors at last. She seemed to herself a Spinoza the race had cast out.

  The editor of The Flag of Judah stood for some minutes as if petrified; then he turned suddenly to the litter on his table and rummaged among it feverishly. At last, as with a happy recollection, he opened a drawer. What he sought was there. He started reading Mordecai Josephs, forgetting to close the drawer. Passage after passage suffused his eyes with tears; a soft magic hovered about the nervous sentences; he read her eager little soul in every line. Now he understood. How blind he had been! How could he have missed seeing? Esther stared at him from every page. She was the heroine of her own book; yes, and the hero, too, for he was but another side of herself translated into the masculine. The whole book was Esther, the whole Esther and nothing but Esther, for even the satirical descriptions were but the revolt of Esther's soul against mean and evil things. He turned to the great love-scene of the book, and read on and on, fascinated, without getting further than the chapter.

  CHAPTER XI. GOING HOME.

  No need to delay longer; every need for instant flight. Esther had found courage to confess her crime against the community to Raphael; there was no seething of the blood to nerve her to face Mrs. Henry Goldsmith. She retired to her room soon after dinner on the plea (which was not a pretext) of a headache. Then she wrote:

  "DEAR MRS. GOLDSMITH:

  "When you read this, I shall have left your house, never to return.

  It would be idle to attempt to explain my reasons. I could not hope

  to make you see through my eyes. Suffice it to say that I cannot

  any longer endure a life of dependence, and that I feel I have

  abused your favor by writing that Jewish novel of which you

  disapprove so vehemently. I never intended to keep the secret from

  you, after publication. I thought the book would succeed and you

  would be pleased; at the same time I dimly felt that you might

  object to certain things and ask to have them altered, and I have

  always wanted to write my own ideas, and not other people's. With

  my temperament, I see now that it was a mistake to fetter myself by

  obligations to anybody, but the mistake was made in my girlhood

  when I knew little of the world and perhaps less of myself.

  Nevertheless, I wish you to believe, dear Mrs. Goldsmith, that all

  the blame for the unhappy situation which has arisen I put upon my

  own shoulders, and that I have nothing for you but the greatest

  affection and gratitude for all the kindnesses I have received at

  your hands. I beg you not to think that I make the slightest

  reproach against you; on the contrary, I shall always henceforth

  reproach myself with the thought that I have made you so poor a

  return for your generosity and incessant thoughtfulness. But the

  sphere in which you move is too high for me; I cannot assimilate

  with it and I return, not without gladness, to the humble sphere

  whence you took me. With kindest regards and best wishes,

  "I am,

  "Yours ever gratefully,

  "ESTHER ANSELL."

  There were tears in Esther's eyes when she finished, and she was penetrated with admiration of her own generosity in so freely admitting Mrs. Goldsmith's and in allowing that her patron got nothing out of the bargain. She was doubtful whether the sentence about the high sphere was satirical or serious. People do not know what they mean almost as often as they do not say it.

  Esther put the letter into an envelope and placed it on the open writing-desk she kept on her dressing-table. She then packed a few toilette essentials in a little bag, together with some American photographs of her brother and sisters in various stages of adolescence. She was determined to go back empty-handed as she came, and was reluctant to carry off the few sovereigns of pocket-money in her purse, and hunted up a little gold locket she had received, while yet a teacher, in celebration of the marriage of a communal magnate's daughter. Thrown aside seven years ago, it now bade fair to be the corner-stone of the temple; she had meditated pledging it and living on the proceeds till she found work, but when she realized its puny pretensions to cozen pawnbrokers, it flashed upon her that she could always repay Mrs. Goldsmith the few pounds she was taking away. In a drawer there was a heap of manuscript carefully locked away; she took it and looked through it hurriedly, contemptuously. Some of it was music, some poetry, the bulk prose. At last she threw it suddenly on the bright fire which good Mary O'Reilly had providentially provided in her room; then, as it flared up, stricken with remorse, she tried to pluck the sheets from the flames; only by scorching her fingers and raising blisters did she succeed, and then, with scornful resignation, she instantly threw them back again, warming her feverish hands merrily at the bonfire. Rapidly looking through all her drawers, lest perchance in some stray manuscript she should leave her soul naked behind her, she came upon a forgotten faded rose. The faint fragrance was charged with strange memories of Sidney. The handsome young artist had given it her in the earlier days of their acquaintanceship. To Esther to-night it seemed to belong to a period infinitely more remote than her childhood. When the shrivelled rose had been further crumpled into a little ball and then picked to bits, it only remained to inquire where to go; what to do she could settle when there. She tried to collect her thoughts. Alas! it was not so easy as collecting her luggage. For a long time she crouched on the fender and looked into the fire, seeing in it only fragmentary pictures of the last seven years-bits of scenery, great Cathedral interiors arousing mysterious yearnings, petty incidents of travel, moments with Sidney, drawing-room episodes, strange passionate scenes with herself as single performer, long silent watches of study and aspiration, like the souls of the burned manuscripts made visible. Even that very afternoon's scene with Raphael was part of the "old unhappy far-off things" that could only live henceforwards in fantastic arcades of glowing coal, out of all relation to future realities. Her new-born love for Raphael appeared as ancient and as arid as the girlish ambitions that had seemed on the point of blossoming when she was transplanted from the Ghetto. That, too, was in the flames, and should remain there.

  At last she started up with a confused sense of wasted time and began to undress mechanically, trying to concentrate her thoughts the while on the problem that faced her. But they wandered back to her first night in the fine house, when a separate bedroom was a new experience and she was afraid to sleep alone, though turned fifteen. But she
was more afraid of appearing a great baby, and so no one in the world ever knew what the imaginative little creature had lived down.

  In the middle of brushing her hair she ran to the door and locked it, from a sudden dread that she might oversleep herself and some one would come in and see the letter on the writing-desk. She had not solved the problem even by the time she got into bed; the fire opposite the foot was burning down, but there was a red glow penetrating the dimness. She had forgotten to draw the blind, and she saw the clear stars shining peacefully in the sky. She looked and looked at them and they led her thoughts away from the problem once more. She seemed to be lying in Victoria Park, looking up with innocent mystic rapture and restfulness at the brooding blue sky. The blood-and-thunder boys' story she had borrowed from Solomon had fallen from her hand and lay unheeded on the grass. Solomon was tossing a ball to Rachel, which he had acquired by a colossal accumulation of buttons, and Isaac and Sarah were rolling and wrangling on the grass. Oh, why had she deserted them? What were they doing now, without her mother-care, out and away beyond the great seas? For weeks together, the thought of them had not once crossed her mind; to-night she stretched her arms involuntarily towards her loved ones, not towards the shadowy figures of reality, scarcely less phantasmal than the dead Benjamin, but towards the childish figures of the past. What happy times they had had together in the dear old garret!

  In her strange half-waking hallucination, her outstretched arms were clasped round little Sarah. She was putting her to bed and the tiny thing was repeating after her, in broken Hebrew, the children's night-prayer: "Suffer me to lie down in peace, and let me rise up in peace. Hear O Israel, the Lord our God, the Lord is one," with its unauthorized appendix in baby English: "Dod teep me, and mate me a dood dirl, orways."

  She woke to full consciousness with a start; her arms chilled, her face wet. But the problem was solved.

  She would go back to them, back to her true home, where loving faces waited to welcome her, where hearts were open and life was simple and the weary brain could find rest from the stress and struggle of obstinate questionings of destiny. Life was so simple at bottom; it was she that was so perversely complex. She would go back to her father whose naive devout face swam glorified upon a sea of tears; yea, and back to her father's primitive faith like a tired lost child that spies its home at last. The quaint, monotonous cadence of her father's prayers rang pathetically in her ears; and a great light, the light that Raphael had shown her, seemed to blend mystically with the once meaningless sounds. Yea, all things were from Him who created light and darkness, good and evil; she felt her cares falling from her, her soul absorbing itself in the sense of a Divine Love, awful, profound, immeasurable, underlying and transcending all things, incomprehensibly satisfying the soul and justifying and explaining the universe. The infinite fret and fume of life seemed like the petulance of an infant in the presence of this restful tenderness diffused through the great spaces. How holy the stars seemed up there in the quiet sky, like so many Sabbath lights shedding visible consecration and blessing!

  Yes, she would go back to her loved ones, back from this dainty room, with its white laces and perfumed draperies, back if need be to a Ghetto garret. And in the ecstasy of her abandonment of all worldly things, a great peace fell upon her soul.

  In the morning the nostalgia of the Ghetto was still upon her, blent with a passion of martyrdom that made her yearn for a lower social depth than was really necessary. But the more human aspects of the situation were paramount in the gray chillness of a bleak May dawn. Her resolution to cross the Atlantic forthwith seemed a little hasty, and though she did not flinch from it, she was not sorry to remember that she had not money enough for the journey. She must perforce stay in London till she had earned it; meantime she would go back to the districts and the people she knew so well, and accustom herself again to the old ways, the old simplicities of existence.

  She dressed herself in her plainest apparel, though she could not help her spring bonnet being pretty. She hesitated between a hat and a bonnet, but decided that her solitary position demanded as womanly an appearance as possible. Do what she would, she could not prevent herself looking exquisitely refined, and the excitement of adventure had lent that touch of color to her face which made it fascinating. About seven o'clock she left her room noiselessly and descended the stairs cautiously, holding her little black bag in her hand.

  "Och, be the holy mother, Miss Esther, phwat a turn you gave me," said Mary O'Reilly, emerging unexpectedly from the dining-room and meeting her at the foot of the stairs. "Phwat's the matther?"

  "I'm going out, Mary," she said, her heart beating violently.

  "Sure an' it's rale purty ye look, Miss Esther; but it's divil a bit the marnin' for a walk, it looks a raw kind of a day, as if the weather was sorry for bein' so bright yisterday."

  "Oh, but I must go, Mary."

  "Ah, the saints bliss your kind heart!" said Mary, catching sight of the bag. "Sure, then, it's a charity irrand you're bent on. I mind me how my blissed old masther, Mr. Goldsmith's father, Olov Hasholom, who's gone to glory, used to walk to Shool in all winds and weathers; sometimes it was five o'clock of a winter's marnin' and I used to get up and make him an iligant cup of coffee before he wint to Selichoth; he niver would take milk and sugar in it, becaz that would be atin' belike, poor dear old ginthleman. Ah the Holy Vargin be kind to him!"

  "And may she be kind to you, Mary," said Esther. And she impulsively pressed her lips to the old woman's seamed and wrinkled cheek, to the astonishment of the guardian of Judaism. Virtue was its own reward, for Esther profited by the moment of the loquacious creature's breathlessness to escape. She opened the hall door and passed into the silent streets, whose cold pavements seemed to reflect the bleak stony tints of the sky.

  For the first few minutes she walked hastily, almost at a run. Then her pace slackened; she told herself there was no hurry, and she shook her head when a cabman interrogated her. The omnibuses were not running yet. When they commenced, she would take one to Whitechapel. The signs of awakening labor stirred her with new emotions; the early milkman with his cans, casual artisans with their tools, a grimy sweep, a work-girl with a paper lunch-package, an apprentice whistling. Great sleeping houses lined her path like gorged monsters drowsing voluptuously. The world she was leaving behind her grew alien and repulsive, her heart went out to the patient world of toil. What had she been doing all these years, amid her books and her music and her rose-leaves, aloof from realities?

  The first 'bus overtook her half-way and bore her back to the Ghetto.

  * * * * *

  The Ghetto was all astir, for it was half-past eight of a work-a-day morning. But Esther had not walked a hundred yards before her breast was heavy with inauspicious emotions. The well-known street she had entered was strangely broadened. Instead of the dirty picturesque houses rose an appalling series of artisans' dwellings, monotonous brick barracks, whose dead, dull prose weighed upon the spirits. But, as in revenge, other streets, unaltered, seemed incredibly narrow. Was it possible it could have taken even her childish feet six strides to cross them, as she plainly remembered? And they seemed so unspeakably sordid and squalid. Could she ever really have walked them with light heart, unconscious of the ugliness? Did the gray atmosphere that overhung them ever lift, or was it their natural and appropriate mantle? Surely the sun could never shine upon these slimy pavements, kissing them to warmth and life.

  Great magic shops where all things were to be had; peppermints and cotton, china-faced dolls and lemons, had dwindled into the front windows of tiny private dwelling-houses; the black-wigged crones, the greasy shambling men, were uglier and greasier than she had ever conceived them. They seemed caricatures of humanity; scarecrows in battered hats or draggled skirts. But gradually, as the scene grew upon her, she perceived that in spite of the "model dwellings" builder, it was essentially unchanged. No vestige of improvement had come over Wentworth Street: the narrow noisy market street, wher
e serried barrows flanked the reeking roadway exactly as of old, and where Esther trod on mud and refuse and babies. Babies! They were everywhere; at the breasts of unwashed women, on the knees of grandfathers smoking pipes, playing under the barrows, sprawling in the gutters and the alleys. All the babies' faces were sickly and dirty with pathetic, childish prettinesses asserting themselves against the neglect and the sallowness. One female mite in a dingy tattered frock sat in an orange-box, surveying the bustling scene with a preternaturally grave expression, and realizing literally Esther's early conception of the theatre. There was a sense of blankness in the wanderer's heart, of unfamiliarity in the midst of familiarity. What had she in common with all this mean wretchedness, with this semi-barbarous breed of beings? The more she looked, the more her heart sank. There was no flaunting vice, no rowdiness, no drunkenness, only the squalor of an oriental city without its quaintness and color. She studied the posters and the shop-windows, and caught old snatches of gossip from the groups in the butchers' shops-all seemed as of yore. And yet here and there the hand of Time had traced new inscriptions. For Baruch Emanuel the hand of Time had written a new placard. It was a mixture of German, bad English and Cockneyese, phonetically spelt in Hebrew letters: