A Little History of Literature

by John Sutherland

  Patch, Harry (i)

  Pater, Walter (i), (ii)

  Peake, Mervyn (i)

  Penguin (i), (ii)

  Pericles (i)

  Petrarch, Francesco (i)

  Philoctetes (i)

  The Pickwick Papers (i), (ii), (iii)

  The Picture of Dorian Gray (i)

  The Pilgrim's Progress (i), (ii), (iii)

  Pinter, Harold (i)

  Pirandello, Luigi (i)

  Plath, Sylvia (i), (ii)

  Plato (i), (ii), (iii), (iv)

  Poe, Edgar Allan (i), (ii)

  Poetics (i), (ii)

  Porter, Cole (i)

  Porter, Katherine Anne (i)

  A Portrait of the Artist as a Young Man (i)

  post-modernism (i), (ii), (iii), (iv)

  Pound, Ezra (i), (ii), (iii)

  The Prelude (i), (ii)

  Pride and Prejudice (i), (ii), (iii), (iv)

  Prix Goncourt (i), (ii)

  Proust, Marcel (i)

  Pullman, Philip (i)

  Pratchett, Terry (i)

  Pulitzer Prize (i), (ii)

  Pye, Henry (i)

  Pynchon, Thomas (i)

  Rabelais, François (i)

  The Rainbow (i)

  The Raj Quartet (i)

  Raleigh, Sir Walter (i)

  Rasselas (i)

  realism (i), (ii), (iii), (iv), (v)

  Remarque, Erich Maria (i)

  Remembrance of Things Past (i)

  The Republic (i)

  ‘Resolution and Independence’ (i), (ii)

  Richard II (i)

  Richard III (i), (ii), (iii)

  Richards, I.A. (i)

  Richardson, Samuel (i), (ii), (iii)

  The Rime of the Ancyent Marinere (i)

  Robinson Crusoe (i), (ii), (iii), (iv)

  Romanticism (i), (ii), (iii), (iv), (v), (vi)

  A Room of One's Own (i), (ii)

  Rosenberg, Isaac (i)

  Rosencrantz and Guildenstern Are Dead (i)

  Roth, Philip (i), (ii)

  Rousseau, Jean-Jacques (i)

  Rowling, J.K. (i), (ii), (iii), (iv)

  Rushdie, Salman (i), (ii), (iii), (iv)

  Sackville-West, Vita (i)

  Salinger, J.D. (i)

  Saramago, José (i)

  Sartre, Jean-Paul (i), (ii), (iii)

  Sassoon, Siegfried (i)

  Schiller, Johann (i), (ii)

  Scott, Paul (i)

  Scott, Walter (i), (ii), (iii), (iv), (v), (vi), (vii)

  Second Shepherds' Play (i)

  The Secret Agent (i)

  Selznick, David O. (i)

  Sense and Sensibility (i)

  Seuss, Dr (i)

  Sexton, Anne (i)

  Shakespeare, Hamnet (i), (ii)

  Shakespeare, William (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii)

  The Shape of Things to Come (i)

  Shaw, George Bernard (i), (ii), (iii)

  Shelley, Percy (i), (ii)

  Showalter, Elaine (i)

  Shriver, Lionel (i)

  Sidney, Sir Philip (i)

  Silas Marner (i)

  Sinclair, Upton (i)

  Singer, Isaac Bashevis (i)

  Sir Gawain and the Green Knight (i), (ii)

  Six Characters in Search of an Author (i)

  Smith, Zadie (i)

  ‘The Soldier’ (i)

  Solzhenitsyn, Alexander (i), (ii), (iii)

  Songs and Sonnets (Donne) (i)

  Songs of Innocence and Experience (i)

  Sons and Lovers (i)

  Sophocles (i)

  Southey, Robert (i), (ii), (iii)

  Spender, Stephen (i)

  Spenser, Edmund (i)

  Spielberg, Steven (i)

  Stalin, Josef (i), (ii)

  Star Wars (film) (i)

  Stein, Gertrude (i), (ii)

  Steinbeck, John (i)

  Sterne, Laurence (i), (ii)

  Stoker, Bram (i)

  Stoppard, Tom (i)

  Stowe, Harriet Beecher (i), (ii)

  Strachey, Lytton (i)

  A Streetcar Named Desire (i)

  Strindberg, August (i)

  Stuart, Charles Edward (i)

  Sturgeon, Theodore (i)

  Swift, Jonathan (i)

  The Taming of the Shrew (i)

  Tar Baby (i)

  The Tempest (i)

  The Tenant of Wildfell Hall (i), (ii)

  Tennyson, Lord Alfred (i), (ii), (iii), (iv)

  The Terminator (film) (i)

  Tess of the d'Urbervilles (i), (ii)

  The Testament of Beauty (i)

  Thackeray, William Makepeace (i), (ii), (iii)

  Things Fall Apart (i)

  Thomas, Dylan (i)

  The Threepenny Opera (i)

  The Time Machine (i)

  The Tin Drum (i), (ii)

  Titanic (film) (i)

  ‘To a Mouse’ (i)

  To the Lighthouse (i)

  Tolkien, J.R.R. (i), (ii)

  Tolstoy, Leo (i)

  ‘Tradition and the Individual Talent’ (i)

  translation (i), (ii), (iii)

  The Trial (i)

  Troilus and Criseyde (i)

  Trollope, Anthony (i), (ii), (iii)

  Troy (film) (i)

  Twain, Mark (i), (ii)

  Twilight series (i)

  ‘The Tyger’ (i)

  Tynan, Kenneth (i)

  Tyndale, William (i)

  Ulysses (i), (ii)

  Uncle Tom's Cabin (i), (ii), (iii)

  Under the Greenwood Tree (i)

  The Unfortunates (i)

  Utopia (i)

  V for Vendetta (i)

  The Vampire Diaries (TV series) (i)

  Vanity Fair (i)

  The Vanity of Human Wishes (i)

  Vargas Llosa, Mario (i)

  ‘Verses upon the Burning of Our House’ (i)

  Victoria (Queen) (i), (ii), (iii)

  Villette (i)

  Virgil (i)

  ‘Virtue’ (Donne) (i)

  A Vision of Judgement (Southey) (i)

  The Vision of Judgment (Byron) (i)

  Voltaire (i)

  The Voyage Out (i)

  Waiting for Godot (i), (ii)

  ‘Waking in the Blue’ (i)

  Walcott, Derek (i)

  Walton, Izaak (i), (ii)

  War and Peace (i)

  The Waste Land (i), (ii)

  Waugh, Evelyn (i)

  Waverley (i)

  The Way We Live Now (i)

  Wayne, John (i)

  We Need to Talk About Kevin (i)

  Webber, Andrew Lloyd (i)

  Wells, H.G. (i), (ii)

  W.H. Smith (i)

  ‘(What Did I Do to Be So) Black and Blue?’ (song) (i)

  What is Literature? (i)

  ‘The White Man's Burden’ (i)

  Whitman, Walt (i), (ii), (iii), (iv), (v)

  Who's Afraid of Virginia Woolf? (i)

  Wilde, Oscar (i), (ii), (iii), (iv), (v)

  William the Conqueror (i)

  Williams, Tennessee (i)

  Williams, William Carlos (i)

  Wilson, Edmund (i)

  The Wind in the Willows (i)

  The Wizard of Oz (film) (i)

  Women in Love (i)

  The Wonderful Wizard of Oz (i)

  Woolf, Virginia (i), (ii), (iii), (iv), (v), (vi)

  Wordsworth, William (i), (ii), (iii), (iv), (v)

  Wuthering Heights (i), (ii), (iii), (iv)

  Wuthering Heights (film) (i)

  Wyndham, John (i)

  Yeats, W.B. (i), (ii), (iii), (iv)

  Yevtushenko, Yevgeny (i)

  Zola, Émile (i), (ii)

 

 

 
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