Delphi Complete Works of Henry Wadsworth Longfellow (Delphi Poets Series Book 13)
Page 5
WHEN the warm sun, that brings
Seed-time and harvest, has returned again,
‘T is sweet to visit the still wood, where springs
The first flower of the plain.
I love the season well, 5
When forest glades are teeming with bright forms,
Nor dark and many-folded clouds foretell
The coming-on of storms.
From the earth’s loosened mould
The sapling draws its sustenance, and thrives; 10
Though stricken to the heart with winter’s cold,
The drooping tree revives.
The softly-warbled song
Comes from the pleasant woods, and colored wings
Glance quick in the bright sun, that moves along 15
The forest openings.
When the bright sunset fills
The silver woods with light, the green slope throws
Its shadows in the hollows of the hills,
And wide the upland glows. 20
And when the eve is born,
In the blue lake the sky, o’er-reaching far,
Is hollowed out, and the moon dips her horn,
And twinkles many a star.
Inverted in the tide 25
Stand the gray rocks, and trembling shadows throw,
And the fair trees look over, side by side,
And see themselves below.
Sweet April! many a thought
Is wedded unto thee, as hearts are wed; 30
Nor shall they fail, till, to its autumn brought,
Life’s golden fruit is shed.
Autumn
WITH what a glory comes and goes the year!
The buds of spring, those beautiful harbingers
Of sunny skies and cloudless times, enjoy
Life’s newness, and earth’s garniture spread out;
And when the silver habit of the clouds 5
Comes down upon the autumn sun, and with
A sober gladness the old year takes up
His bright inheritance of golden fruits,
A pomp and pageant fill the splendid scene.
There is a beautiful spirit breathing now 10
Its mellow richness on the clustered trees,
And, from a beaker full of richest dyes,
Pouring new glory on the autumn woods,
And dipping in warm light the pillared clouds.
Morn on the mountain, like a summer bird, 15
Lifts up her purple wing, and in the vales
The gentle wind, a sweet and passionate wooer,
Kisses the blushing leaf, and stirs up life
Within the solemn woods of ash deep-crimsoned,
And silver beech, and maple yellow-leaved, 20
Where Autumn, like a faint old man, sits down
By the wayside a-weary. Through the trees
The golden robin moves. The purple finch,
That on wild cherry and red cedar feeds,
A winter bird, comes with its plaintive whistle, 25
And pecks by the witch-hazel, whilst aloud
From cottage roofs the warbling bluebird sings,
And merrily, with oft-repeated stroke,
Sounds from the threshing-floor the busy flail.
Oh, what a glory doth this world put on 30
For him who, with a fervent heart, goes forth
Under the bright and glorious sky, and looks
On duties well performed, and days well spent!
For him the wind, ay, and the yellow leaves,
Shall have a voice, and give him eloquent teachings. 35
He shall so hear the solemn hymn that Death
Has lifted up for all, that he shall go
To his long resting-place without a tear.
Woods in Winter
WHEN winter winds are piercing chill,
And through the hawthorn blows the gale,
With solemn feet I tread the hill,
That overbrows the lonely vale.
O’er the bare upland, and away 5
Through the long reach of desert woods,
The embracing sunbeams chastely play,
And gladden these deep solitudes.
Where, twisted round the barren oak,
The summer vine in beauty clung, 10
And summer winds the stillness broke,
The crystal icicle is hung.
Where, from their frozen urns, mute springs
Pour out the river’s gradual tide,
Shrilly the skater’s iron rings, 15
And voices fill the woodland side.
Alas! how changed from the fair scene,
When birds sang out their mellow lay,
And winds were soft, and woods were green,
And the song ceased not with the day! 20
But still wild music is abroad,
Pale, desert woods! within your crowd;
And gathering winds, in hoarse accord,
Amid the vocal reeds pipe loud.
Chill airs and wintry winds! my ear 25
Has grown familiar with your song;
I hear it in the opening year,
I listen, and it cheers me long.
Hymn of the Moravian Nuns of Bethlehem
At the Consecration of Pulaski’s Banner
The historical basis of the poem is discussed in a discussed in a note.
WHEN the dying flame of day
Through the chancel shot its ray,
Far the glimmering tapers shed
Faint light on the cowlèd head;
And the censer burning swung, 5
Where, before the altar, hung
The crimson banner, that with prayer
Had been consecrated there.
And the nuns’ sweet hymn was heard the while,
Sung low, in the dim, mysterious aisle. 10
“Take thy banner! May it wave
Proudly o’er the good and brave;
When the battle’s distant wail
Breaks the sabbath of our vale,
When the clarion’s music thrills 15
To the hearts of these lone hills,
When the spear in conflict shakes,
And the strong lance shivering breaks.
“Take thy banner! and, beneath
The battle-cloud’s encircling wreath, 20
Guard it, till our homes are free!
Guard it! God will prosper thee!
In the dark and trying hour,
In the breaking forth of power,
In the rush of steeds and men, 25
His right hand will shield thee then.
“Take thy banner! But when night
Closes round the ghastly fight,
If the vanquished warrior bow,
Spare him! By our holy vow, 30
By our prayers and many tears,
By the mercy that endears,
Spare him! he our love hath shared!
Spare him! as thou wouldst be spared!
“Take thy banner! and if e’er 35
Thou shouldst press the soldier’s bier,
And the muffled drum should beat
To the tread of mournful feet,
Then this crimson flag shall be
Martial cloak and shroud for thee.” 40
The warrior took that banner proud,
And it was his martial cloak and shroud!
Sunrise on the Hills
I STOOD upon the hills, when heaven’s wide arch
Was glorious with the sun’s returning march,
And woods were brightened, and soft gales
Went forth to kiss the sun-clad vales.
The clouds were far beneath me; bathed in light, 5
They gathered midway round the wooded height,
And, in their fading glory, shone
Like hosts in battle overthrown,
As many a pinnacle, with shifting glance,
Through the gray mist thrust up its shattered lance, 10
And roc
king on the cliff was left
The dark pine blasted, bare, and cleft.
The veil of cloud was lifted, and below
Glowed the rich valley, and the river’s flow
Was darkened by the forest’s shade, 15
Or glistened in the white cascade;
Where upward, in the mellow blush of day,
The noisy bittern wheeled his spiral way.
I heard the distant waters dash,
I saw the current whirl and flash, 20
And richly, by the blue lake’s silver beach,
The woods were bending with a silent reach.
Then o’er the vale, with gentle swell,
The music of the village bell
Came sweetly to the echo-giving hills; 25
And the wild horn, whose voice the woodland fills,
Was ringing to the merry shout
That faint and far the glen sent out,
Where, answering to the sudden shot, thin smoke,
Through thick-leaved branches, from the dingle broke. 30
If thou art worn and hard beset
With sorrows, that thou wouldst forget,
If thou wouldst read a lesson, that will keep
Thy heart from fainting and thy soul from sleep,
Go to the woods and hills! No tears 35
Dim the sweet look that Nature wears.
The Spirit of Poetry
This and the following poem were written in Portland immediately after Mr. Longfellow left college in the autumn of 1825.
THERE is a quiet spirit in these woods,
That dwells where’er the gentle south-wind blows;
Where, underneath the white-thorn in the glade,
The wild flowers bloom, or, kissing the soft air,
The leaves above their sunny palms outspread. 5
With what a tender and impassioned voice
It fills the nice and delicate ear of thought,
When the fast ushering star of morning comes
O’er-riding the gray hills with golden scarf;
Or when the cowled and dusky-sandalled Eve, 10
In mourning weeds, from out the western gate,
Departs with silent pace! That spirit moves
In the green valley, where the silver brook,
From its full laver, pours the white cascade;
And, babbling low amid the tangled woods, 15
Slips down through moss-grown stones with endless laughter.
And frequent, on the everlasting hills,
Its feet go forth, when it doth wrap itself
In all the dark embroidery of the storm,
And shouts the stern, strong wind. And here, amid 20
The silent majesty of these deep woods,
Its presence shall uplift thy thoughts from earth,
As to the sunshine and the pure, bright air
Their tops the green trees lift. Hence gifted bards
Have ever loved the calm and quiet shades. 25
For them there was an eloquent voice in all
The sylvan pomp of woods, the golden sun,
The flowers, the leaves, the river on its way,
Blue skies, and silver clouds, and gentle winds,
The swelling upland, where the sidelong sun 30
Aslant the wooded slope, at evening, goes,
Groves, through whose broken roof the sky looks in,
Mountain, and shattered cliff, and sunny vale,
The distant lake, fountains, and mighty trees,
In many a lazy syllable, repeating 35
Their old poetic legends to the wind.
And this is the sweet spirit, that doth fill
The world; and, in these wayward days of youth,
My busy fancy oft embodies it,
As a bright image of the light and beauty 40
That dwell in nature; of the heavenly forms
We worship in our dreams, and the soft hues
That stain the wild bird’s wing, and flush the clouds
When the sun sets. Within her tender eye
The heaven of April, with its changing light, 45
And when it wears the blue of May, is hung,
And on her lip the rich, red rose. Her hair
Is like the summer tresses of the trees,
When twilight makes them brown, and on her cheek
Blushes the richness of an autumn sky, 50
With ever-shifting beauty. Then her breath,
It is so like the gentle air of Spring,
As, from the morning’s dewy flowers, it comes
Full of their fragrance, that it is a joy
To have it round us, and her silver voice 55
Is the rich music of a summer bird,
Heard in the still night, with its passionate cadence.
Burial of the Minnisink
ON sunny slope and beechen swell,
The shadowed light of evening fell;
And, where the maple’s leaf was brown,
With soft and silent lapse came down,
The glory, that the wood receives, 5
At sunset, in its golden leaves.
Far upward in the mellow light
Rose the blue hills. One cloud of white,
Around a far uplifted cone,
In the warm blush of evening shone; 10
An image of the silver lakes,
By which the Indian’s soul awakes.
But soon a funeral hymn was heard
Where the soft breath of evening stirred
The tall, gray forest; and a band 15
Of stern in heart, and strong in hand,
Came winding down beside the wave,
To lay the red chief in his grave.
They sang, that by his native bowers
He stood, in the last moon of flowers, 20
And thirty snows had not yet shed
Their glory on the warrior’s head;
But, as the summer fruit decays,
So died he in those naked days.
A dark cloak of the roebuck’s skin 25
Covered the warrior, and within
Its heavy folds the weapons, made
For the hard toils of war, were laid;
The cuirass, woven of plaited reeds,
And the broad belt of shells and beads. 30
Before, a dark-haired virgin train
Chanted the death dirge of the slain;
Behind, the long procession came
Of hoary men and chiefs of fame,
With heavy hearts, and eyes of grief, 35
Leading the war-horse of their chief.
Stripped of his proud and martial dress,
Uncurbed, unreined, and riderless,
With darting eye, and nostril spread,
And heavy and impatient tread, 40
He came; and oft that eye so proud
Asked for his rider in the crowd.
They buried the dark chief; they freed
Beside the grave his battle steed;
And swift an arrow cleaved its way 45
To his stern heart! One piercing neigh
Arose, and, on the dead man’s plain,
The rider grasps his steed again.
L’Envoi
This poem was written as a poetical summary of the volume Voices of the Night, which it closed, referring in its three parts to the three divisions of that volume.
YE voices, that arose
After the Evening’s close,
And whispered to my restless heart repose!
Go, breathe it in the ear
Of all who doubt and fear, 5
And say to them, “Be of good cheer!”
Ye sounds, so low and calm,
That in the groves of balm
Seemed to me like an angel’s psalm!
Go, mingle yet once more 10
With the perpetual roar
Of the pine forest, dark and hoar!
Tongues of the dead, not lost,
But speaking from death’s frost,
Like fiery tongues at Pentecost! 15
Glimmer, as funeral lamps,
Amid the chills and damps
Of the vast plain where Death encamps!
BALLADS AND OTHER POEMS
CONTENTS
The Skeleton in Armor
The Wreck of the Hesperus
The Village Blacksmith
Endymion
It is not always May
The Rainy Day
God’s-Acre
To the River Charles
Blind Bartimeus
The Goblet of Life
Maidenhood
Excelsior
Bowdoin College, Brunswick — where Longfellow was educated
The Skeleton in Armor
The volume of Ballads and other Poems was published December 19, 1841, and contained all the verse which Mr. Longfellow had written since the publication of Voices of the Night, with the important exception of The Spanish Student. Besides the pieces here included under this division, the original volume contained two ballads translated from the German, and also The Children of the Lord’s Supper, which will be found under the general division Translations near the close of this volume. The historical basis of The Skeleton in Armor is discussed in the Notes. This ballad, when first published in the Knickerbocker for January, 1841, was furnished with marginal notes after the manner of Coleridge’s The Ancient Mariner, but in reprinting it in his volume the poet wisely discarded an apparatus, which, unlike Coleridge’s, was merely a running index to the poem.