Knowing Yourself - A Medieval Romance (The Sword of Glastonbury Series Book 1)

by Lisa Shea

  Blade - The metal slicing part of the sword.

  Chemise - In medieval days, most people had only a few outfits. They would not want to wash their heavy main dress every time they wore it, just as in modern times we don’t wash our jackets after each wearing. In order to keep the sweaty skin away from the dress, women wore a light, white underdress which could then be washed more regularly. This was often slept in as well.

  Drinking - In general, medieval sanitation was not great. People who drank milk had to drink it “raw” - pasteurization was not well known before the 1700s. Water was often unsafe to drink. For these reasons, all ages of medieval folk drank liquid with alcohol in it. The alcohol served as a natural sanitizer. This was even true as recently as colonial American times.

  God’s Teeth / God’s Blood – Common oaths in the middle ages.

  Grip - The part of the sword one holds, usually wrapped in leather or another substance to keep it firmly in the wielder’s hand.

  Guard - The crossed top of the sword’s hilt which keeps the enemy’s sword from sliding down and chopping off the wielder’s fingers.

  Hilt - The entire handle part of the sword; everything that is not blade.

  Mead - A fermented beverage made from honey. Mead has been enjoyed for thousands of years and is mentioned in Beowulf.

  Pommel - The bottom end of the sword, where the hilt ends.

  Tip - The very end of the sword

  Wolf’s Head – a term for a bandit. The Latin legal term caput gerat lupinum meant they could be hunted and killed as legally as any dangerous wolf or wild animal that threatened the area.

  Parts of a Sword

  Medieval Clothing

  Medieval people - despite modern stereotypes - did have noses and did like to stay clean. Public baths were popular, and people liked to swim as well. However, they did not have the luxury of bathing daily. Also, in medieval times people were often cold. Castles were damp and drafty. Fireplaces were not kept blazingly hot all night long. There is a reason that people wore many heavy layers including cloaks. That way they could add or remove layers as necessary to keep warm.

  The basic under-layer was a chemise. This thin nightgown would be worn at night as well as during the day. Because it was against the body it kept the actual clothes clean from sweat. That way you could wash the chemise regularly and not have to wash your actual dress every day. Think of it like when you wear a turtleneck and a wool sweater. At the end of the day you would wash the turtleneck, but you would not wash the wool sweater after every wearing. If you wear a t-shirt under a jacket, you would toss the t-shirt into the washing machine but just hang the jacket on a hook again. The same is true for medieval outfits. The inner layer would be washed, while the other layer would be reused multiple days before it had to be washed.

  The chemise was generally not meant to be seen, especially in colder months. It was underwear. There would always be an over-dress with a floor-length hem on top of that. Perhaps a glimpse of the chemise would show at the neckline or at the end-of-sleeve area. In hotter months the chemise might be more visible as the outer dress had short sleeves or no sleeves.

  Men would typically wear a tunic over leggings. Men working in summer heat would sometimes wear simple linen “shorts” without anything else. Their chest and lower legs would be bare. This is a stark difference from how covered up women would be.

  Both sexes would wear boots or shoes. There was no “left” or “right” - both halves would be made in the same oval shape.

  Cloaks would be worn when going out into poor weather, to help keep you warm. These cloaks could be quite heavy if they were full circle cloaks, and incredibly warm.

  Monks would wear similar clothing to non-religious men, but the monk’s hair would be cut short and have a “tonsure” - or bald spot - shaved out of its center. The tonsure was a sign of their humility. This illuminated image is from a 12th century manuscript at the library at Cambridge University.

  Women’s Clothing

  A number of readers had specific questions about women’s medieval clothing so I created this page with those specific details. To illustrate it, I have included a drawing done by Andreas Muller, a famous German artist known for his work restoring ancient paintings. This drawing was published back in 1861, so it’s now out of copyright. As you might expect the drawing shows German people, not English, but the fashions are from the 1200s and are quite similar in style.

  So, the basics. Women wore at least two layers of long dress. The bottom layer, or “chemise,” was often plain white but could be fancier with nobles. This was what was against the skin, got sweaty, and would be washed. The chemise was often slept in, again especially if the person was poor.

  The outer layer, what we would call the “dress,” was the prettier layer. This would have the nicer stitching and designs. It could have embroidery or different fabrics stitched together to create designs. The outer dress could have long sleeves, short sleeves, or no sleeves, depending on how hot the weather was. In general, though, a woman’s arms and legs were covered by the inner chemise and perhaps also by the outer dress as well. Women in medieval times did not tend to show skin from those parts of the body.

  You might see images on the web with medieval women wearing long “trumpet” sleeves which made housework impractical. These were sometimes worn by French nobles who were showing off that they did not have to do menial labor. They were not a normal fashion in England or most other areas.

  By the same token, women who had to work hard would wear shorter dresses - ending above the ankle rather than dragging on the floor. That was so their dresses did not catch or drag while they went about their work. Noblewomen who had a quiet day planned or a formal event would wear longer, floor-dragging dresses. These subtle differences helped to show off their status.

  If it got even colder women would wear cloaks. These range from light, like the woman in the middle is wearing here, to heavy and full-circle, which could be amazingly warm. I have one of those.

  Here is an illuminated image done between 1285 and 1292 which shows the famous poet Marie de France. Marie primarily wrote between 1160 to 1190 and was well known by nobility in France and England. Again, you can see how her outer long dress goes to the floor and the inner dress is visible at the arms. This copyright-free image comes via the National Library of France.

  Women had an immense array of colorful dyes to choose from, some more expensive, some less expensive. So clothing could be quite bright and cheery. Just as in modern times, practicality had an aspect here. If someone was going to work in the pig pen all day long they’d probably wear something brown and old. If they were going to church they’d wear their best outfit they had.

  In modern times we can sometimes think of dresses as “fancy” items we wear to “dress up” that are hard to move in. In medieval times, a dress was normal and natural! These were the outfits they wore every single day. Women made their dresses so they could do all their normal activities in them. To them a dress was like our modern t-shirt and sweatpants. So they’re no question about “could they do chores in a dress” or “could they ride a horse in a dress.” Of course they could - that’s what the clothing was made for. Medieval women didn’t generally hide out in tower rooms. Noblewomen would do archery and horseback riding for fun. Working women would scythe hay, ride to the market, and do a myriad of other chores in their dresses. It was what one wore. So those outfits absolutely were made to easily let them do those tasks. Dresses were loose to allow all of that. Women didn’t ride side-saddle in medieval days - they simply put their legs on either side for stability. And their clothing was made for that. To ride, a woman could either tuck the skirt beneath her, like when one sits on a chair, or let it flow behind her. Either way works!

  In terms of underclothes, most medieval women did not wear a bra. Their simple, straight dresses were meant to keep the body hidden rather than emphasized. A large breasted woman might wear a “binder” to keep the breasts from
jiggling around while they tried to work. Current thought is that women didn’t wear “underwear” (underpants) either. With their long multi-layer dresses it would be a challenge for underwear-wearing women to go to the bathroom. Instead, they would just move to a section of the field, fluff out their dresses, and go. Then they could get back to work. The same in the outhouses.

  Even during the time of their periods, many researchers feel that the philosophy of the time was that binding or constricting a woman’s flow would damage her fertility. So she simply bled into her underdress and that was washed. This free-flow practice continued long after medieval times. It was mentioned in doctors’ journals in the 1800s. Even as recent as the 1900s there were cotton mills in the United States that had straw-strewn floors to absorb female workers’ blood, so again this was not a short-term trend. And given that tampons can cause toxic shock syndrome, maybe those medieval women knew what they were doing :).

  Let me know if you have any other questions about medieval women’s clothing! I have a library of books here to help with research.

  Dedication

  To my mom, dad, siblings, and family members who encouraged me to indulge myself in medieval fantasies. I spent many long car rides creating epic tales of sword-wielding heroines and the strong men who stood by their sides. Jenn, Uncle Blake, and Dad were awesome proofers.

  To Peter and Elizabeth May, who patiently toured me around England, Scotland, and France on three separate occasions. Elizabeth offered valuable tips on creating authentic scenes. Visiting the Berkhamsted motte and bailey was priceless.

  To Jody, Leslie, Liz, Sarah, and Jenny, my friends who enjoy my eclectic ways and provide great suggestions. Becky was my first ever web-fan and her enthusiasm kept me going!

  To the editors at BellaOnline, who inspire me daily to reach for my dreams and to aim for the stars. Lisa, Cheryll, Jeanne, Lizzie, Moe, Terrie, Ian, and Jilly provided insightful feedback to help my polishing efforts.

  To the Massachusetts Mensa Writing Group for their feedback and enthusiastic support. Lynn, Tom, Ruth, Carmen, Al, and Dean all offered detailed, helpful advice!

  To the Geek Girls, with their unflagging support for my expanding list of projects and enterprises. Debi’s design talents are amazing. I simply adore the covers she created for me.

  To the Academy of Knightly Arts for several years of in-depth training and combat experience with medieval swords and knives. I loved sparring with Nikki and Jo-Ann!

  To B&R Stables who renewed my love of horseback riding and quiet forest trails.

  To my son, James, whose insights into psychology help ground my characters in authentic behavior.

  To Bob See, my partner in love for over 19 years and counting. He enthusiastically supports all of my new projects.

  About the Author

  Lisa Shea is a fervent fan of honor, loyalty, and chivalry. She brings to life worlds where men and women stand shoulder to shoulder, steady in their desire to make the world a better place for all. While her medieval heroines often wield a sword, they equally value the skilled use of their intelligence, wisdom, courage, and compassion.

  Lisa has studied the Middle Ages since she was quite young. She has trained in medieval swordfighting for several years. She studied medieval dance and music with the SCA. She has been to England numerous times and loves exploring old castles and churches.

  Please visit Lisa at LisaShea.com to learn more about her background and interests. Feedback is always appreciated!

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  Namaste Aloha Servus

  Many languages have a single word that can be used both as a greeting and a farewell. I imagine it’s because, in thoughtful relationships, the person is never really gone. They stay within your thoughts until the next time you are able to be together again. While there was technically a beginning, once that connection is made it is always there. There is a continuation of memory and care.

  Over the years, countless people have helped me with my writing. My dedication earlier does not even come close to touching them all. Every time a new reader picks up a book and becomes part of the story process, their comments enrich our entire community. Often it’s a random thought or idea from one reader which then causes improving changes in the storylines for future ones.

  I then am able to pass along those ideas and suggestions to all the authors I help. That allows them to blossom and grow in their own projects.

  If you have feedback on this or any of my stories, please share it! I’d love to hear from you.

  Thank you so much to all my readers. Thank you to my fellow authors who encourage me. Thank you to the wonderful creative spirits who provide inspiration for me.

  Perhaps most of all, I want to send my warmest of wishes to the battered and emotionally burdened women who struggle each day to face the world. All of the proceeds from this series support shelters. This mission is extremely important to me. It is tragic we still live in a world where those shelters are necessary. Until our society rises to a level where they’re no longer needed, I will strive to do my part to support them.

  We all share this big blue marble we call home. It’s the only place we have to live. And we’re only on it for the blink of an eye before we’re gone again.

  We should treasure each day.

  We should care for those around us who have walked a rough road.

  And we should be grateful for all we have.

  Thank you for being a part of my journey.

  Namaste.