Tennessee Williams: Mad Pilgrimage of the Flesh
Page 87
Tennessee Williams Collection, Harry Ransom Center, University of Texas at Austin, Tex.
Tennessee Williams Collection, Special Collections, University of Delaware Library, Newark, Del.
Tennessee Williams Papers, Harvard Theatre Collection, Houghton Library, Harvard University, Cambridge, Mass.
Tennessee Williams Papers, Rare Book and Manuscript Library, Columbia University, New York, N.Y.
Wisconsin Center for Film and Theater Research, Wisconsin Historical Society, Madison, Wisc.
MANUSCRIPTS, BOOKS, AND ESSAYS
Aaronovitch, David. Voodoo Histories. New York: Riverhead, 2010.
Baden, Michael M., with Judith Adler Hennessee. Unnatural Death: Confessions of a Medical Examiner. New York: Ballantine, 2005.
Barrymore, Diana, and Gerold Frank. Too Much, Too Soon. London: Muller, 1957.
Bollas, Christopher. Hysteria. New York: Routledge, 1999.
Bosworth, Patricia. Marlon Brando. New York: Viking, 2001.
Brando, Marlon, with Robert Lindsey. Brando: Songs My Mother Taught Me. New York: Random House, 1994.
Brody, Eugene B. “Introduction.” In Lawrence S. Kubie, Symbol and Neurosis: Selected Papers of Lawrence S. Kubie. Madison, Conn.: International Universities Press, 1978.
Caldwell, Zoe. I Will Be Cleopatra: An Actress’s Journey. New York: W. W. Norton, 2001.
Campbell, Sandy. B: Twenty-Nine Letters from Coconut Grove. Campagnola di Zevio, Italy: Stamperia Valdonega, 1974.
Capote, Truman. Too Brief a Treat: Letters of Truman Capote. Edited by Gerald Clarke. New York: Random House, 2004.
Carr, Virginia Spencer. The Lonely Hunter: A Biography of Carson McCullers. New York: Doubleday, 1975.
Chandler, Charlotte. The Girl Who Walked Home Alone: Bette Davis. New York: Simon & Schuster, 2006.
Clurman, Harold. “Introduction.” In Tennessee Williams, Tennessee Williams: Eight Plays. Garden City, N.Y.: Nelson Doubleday, 1979.
Courtney, Marguerite. Laurette: The Intimate Biography of Laurette Taylor. New York: Limelight Editions, 1984.
Crawford, Cheryl. One Naked Individual: My Fifty Years in the Theatre. Indianapolis: Bobbs-Merrill, 1977.
Devlin, Albert J., ed. Conversations with Tennessee Williams. Jackson: University Press of Mississippi, 1986.
Dowling, Eddie. “The Reminiscences of Eddie Dowling” (unpublished). Columbia University Center for Oral History Collection, New York.
Evans, Harold. The American Century. New York: Alfred A. Knopf, 2000.
Foote, Horton. Beginnings: A Memoir. New York: Scribner, 2001.
Freud, Anna. The Writings of Anna Freud. Vol. 2: Ego and the Mechanisms of Defense. Madison, Conn.: International Universities Press, 1936.
Frommer, Myrna Katz, and Harvey Frommer, eds. It Happened on Broadway: An Oral History of the Great White Way. New York: Harcourt Brace, 1998.
Gill, Brendan. Tallulah. New York: Holt McDougal, 1972.
Governi, Giancarlo. Nannarella: Il romanzo di Anna Magnani. Rome: Minimum Fax, 2008.
Halberstam, David. The Fifties. New York: Villard, 1993.
Hale, Alleane. “The Gnadiges Fraulein: Tennessee Williams’s Clown Show.” In Philip C. Kolin, ed., The Undiscovered Country: The Later Plays of Tennessee Williams. New York: Peter Lang, 2002.
Hall, Peter. Peter Hall’s Diaries: The Story of a Dramatic Battle. Edited by John Goodwin. London: Oberon Books, 2000.
Harpham, Geoffrey Galt. On the Grotesque. Princeton, N.J.: Princeton University Press, 1982.
Heilpern, John. John Osborne: A Patriot for Us. New York: Vintage, 2007.
Hewes, Henry. Best Plays of 1964–1965. New York: Dodd, Mead, 1965.
Hunter, Tab, with Eddie Muller. Tab Hunter Confidential: The Making of a Movie Star. Chapel Hill, N.C.: Algonquin Books, 2006.
Isaac, Dan, ed. “Introduction.” In Tennessee Williams, Spring Storm. New York: New Directions, 1999.
Jay, Kaila, and Allen Young, eds. Out of the Closet: Voices of Gay Liberation. New York: New York University Press, 1992.
Kazan, Elia. An American Odyssey. Edited by Michel Ciment. London: Bloomsbury, 1988.
———. Elia Kazan: Interviews. Edited by William Baer. Jackson: University Press of Mississippi, 2000.
———. Kazan on Directing. New York: Alfred A. Knopf, 2009.
———. A Life. New York: Alfred A. Knopf, 1988.
Keathley, George. Unpublished, untitled manuscript. John Lahr Collection, Howard Gotlieb Archival Research Center, Boston University, Boston, Mass.
Keith, Thomas. “Introduction: A Mississippi Fun House.” In Tennessee Williams, A House Not Meant to Stand. New York: New Directions, 2008.
Khan, Masud. Hidden Selves: Between Theory and Practice in Psychoanalysis. London: Karnac Books, 1989.
Kissel, Howard. David Merrick: The Abominable Showman. New York: Applause Books, 1993.
Kubie, Lawrence. Practical and Theoretical Aspects of Psychoanalysis. Madison, Conn.: International Universities Press, 1950.
Kushner, Tony. “Introduction: Notes on The Glass Menagerie.” In Tennessee Williams, The Glass Menagerie (Centennial Edition). New York: New Directions, 2011.
Lahr, John. “The Lady and Tennessee.” The New Yorker, December 19, 1994.
———. Show and Tell: New Yorker Profiles. Woodstock, N.Y.: Overlook Press, 2000.
Laughlin, James. The Way It Wasn’t: From the Files of James Laughlin. Edited by Barbara Epler and Daniel Javitch. New York: New Directions, 2006.
Leaming, Barbara. Bette Davis: A Biography. London: Penguin Books, 1993.
Leavitt, Richard F. The World of Tennessee Williams. New York: G. P. Putnam’s Sons, 1978.
Leverich, Lyle. Tom: The Unknown Tennessee Williams. New York: W. W. Norton, 1995.
Manso, Peter. Brando: The Biography. New York: Hyperion, 1994.
Maxtone-Graham, John. Production Notes for Night of the Iguana (audiotape diary). Tennessee Williams Collection, Archives of the University of the South. Sewanee, Tenn.
Maxwell, Gilbert. Tennessee Williams and Friends: An Informal Biography. Cleveland: World Publishing, 1965.
Medved, Harry, and Michael Medved. The Hollywood Hall of Shame: The Most Expensive Flops in Movie History. New York: Perigee Books, 1984.
Milbert, Seymour. “Stage Manager’s Rehearsal Account” (unpublished) of Camino Real. Billy Rose Theatre Collection, New York Public Library for the Performing Arts, Lincoln Center, New York, N.Y.
Miller, Arthur. “Introduction.” In Tennessee Williams, A Streetcar Named Desire. New York: New Directions, 2004.
———. “Tennessee Williams’ Legacy: An Eloquence and Amplitude of Feeling.” In Arthur Miller, Echoes Down the Corridor: Collected Essays: 1944–2000. New York: Penguin Books, 2000.
———. Timebends: A Life. London: Methuen, 1999.
Morley, Sheridan. John Gielgud: The Authorized Biography. New York: Simon & Schuster, 2002.
Murphy, Brenda. Tennessee Williams and Elia Kazan: A Collaboration in the Theatre. Cambridge, U.K.: Cambridge University Press, 1992.
Nicklaus, Frederick. The Man Who Bit the Sun. New York: New Directions, 1964.
Odets, Clifford. The Time Is Ripe: The 1940 Journal of Clifford Odets. New York: Grove Press, 1988.
Paller, Michael. Gentlemen Callers: Tennessee Williams, Homosexuality, and Mid-Twentieth-Century Drama. New York: Palgrave Macmillan, 2005.
Palmer, R. Barton, and William Robert Bray. Hollywood’s Tennessee: The Williams Films in Postwar America. Austin: University of Texas Press, 2009.
Parker, Brian. “Swinging a Cat.” In Tennessee Williams, Cat on a Hot Tin Roof. New York: New Directions, 2004.
Prosser, William. The Late Plays of Tennessee Williams. New York: Scarecrow Press, 2009.
Quintero, José. If You Don’t Dance They Beat You. Boston: Little, Brown, 1974.
Rader, Dotson. Blood Dues. New York: Alfred A. Knopf, 1973.
———. Tennessee: Cry of the Heart. Garden City, N.Y.: Doubleday,
1985.
Reeves, Richard. President Kennedy: Profile of Power. New York: Simon & Schuster, 1993.
Richardson, Tony. The Long-Distance Runner: A Memoir. London: Faber & Faber, 1993.
Sagan, Françoise. With Fondest Regards. New York: Dutton, 1985.
Sayre, Nora. Previous Convictions: A Journey through the 1950s. New Brunswick, N.J.: Rutgers University Press, 1995.
Schickel, Richard. Elia Kazan: A Biography. New York: HarperCollins, 2005.
Selznick, Irene. A Private View. New York: Alfred A. Knopf, 1983.
Sherry, Michael S. Gay Artists in Modern American Culture: An Imagined Conspiracy. Chapel Hill: University of North Carolina Press, 2007.
Smith, Bruce. Costly Performances: Tennessee Williams: The Last Stage: A Personal Memoir. St. Paul, Minn.: Paragon House, 1990.
Spada, James. More Than a Woman: An Intimate Biography of Bette Davis. New York: Warner Books, 1994.
Spoto, Donald. The Kindness of Strangers: The Life of Tennessee Williams. Boston: Little, Brown, 1985.
Staggs, Sam. When Blanche Met Brando: The Scandalous Story of “A Streetcar Named Desire.” New York: St. Martin’s Press, 2005.
Stapleton, Maureen, and Jane Scovell. A Hell of a Life. New York: Simon & Schuster, 1995.
Steen, Mike. A Look at Tennessee Williams. New York: Hawthorn Books, 1969.
Sweet Tornado: Margo Jones and the American Theater. DVD, directed by A. Dean Bell, Kay Cattarulla, and Rob Trachin. KERA-TV, PBS, 2006.
Tennessee Williams’ South. DVD, directed by Harry Rasky. Canadian Broadcasting Corporation, 1972.
Tynan, Kenneth. The Diaries of Kenneth Tynan. Edited by John Lahr. New York: Bloomsbury, 2001.
Updike, John. Self-Consciousness. New York: Alfred A. Knopf, 1989.
Vidal, Gore. The Essential Gore Vidal. Edited by Fred Kaplan. New York: Random House, 1999.
———. The Golden Age. New York: Doubleday, 2000.
———. Palimpsest: A Memoir. New York: Random House, 1995.
———. “Tennessee Williams: Someone to Laugh at the Squares With.” In Gore Vidal, Armageddon? Essays 1983–1987. London: Andre Deutsch, 1987.
Wallach, Eli. The Good, the Bad, and Me: In My Anecdotage. Boston: Houghton Mifflin Harcourt, 2005.
Webster, Margaret. Don’t Put Your Daughter on the Stage. New York: Alfred A. Knopf, 1972.
Williams, Dakin. “The Last Days of Diana Barrymore” (unpublished). Lyle Leverich Collection, attached to the John Lahr Collection, Howard Gotlieb Archival Research Center. Boston University, Boston, Mass.
Williams, Dakin, and Shepherd Mead. Tennessee Williams: An Intimate Biography. New York: Arbor House, 1983.
Williams, Edwina Dakin, as told to Lucy Freeman. Remember Me to Tom. New York: G. P. Putnam’s Sons, 1963.
Williams, Tennessee. “The Big Time Operators” (unpublished). Tennessee Williams Collection, Harry Ransom Center, University of Texas at Austin.
———. The Collected Poems of Tennessee Williams. Edited by David Roessel and Nicholas Moschovakis. New York: New Directions, 2002.
———. Collected Stories. New York: New Directions, 1985.
———. Five O’Clock Angel: Letters of Tennessee Williams to Maria St. Just, 1948–1982. With commentary by Maria St. Just. New York: Alfred A. Knopf, 1990.
———. Memoirs. New York: Doubleday, 1975.
———. “Memoirs” (unpublished manuscript). Lyle Leverich Collection, attached to the John Lahr Collection, Howard Gotlieb Archival Research Center, Boston University, Boston, Mass.
———. Moise and the World of Reason. London: Brilliance Books, 1984.
———. New Selected Essays: Where I Live. Edited by John S. Bak. New York: New Directions, 2009.
———. “Night Passage” (unpublished). Lyle Leverich Collection, attached to the John Lahr Collection, Howard Gotlieb Archival Research Center, Boston University, Boston, Mass.
———. Notebooks: Tennessee Williams. Edited by Margaret Bradham Thornton. New Haven, Conn.: Yale University Press, 2006.
———. “The Primary Colors” (unpublished). Tennessee Williams Collection, Harry Ransom Center, University of Texas at Austin.
———. The Roman Spring of Mrs. Stone. London: Vintage Classic, 1999.
———. The Selected Letters of Tennessee Williams. Vol. 1: 1920–1945. Edited by Albert J. Devlin and Nancy M. Tischler. New York: New Directions, 2000.
———. The Selected Letters of Tennessee Williams. Vol. 2: 1945–1957. Edited by Albert J. Devlin, co-edited by Nancy M. Tischler. New York: New Directions, 2004.
———. Tennessee Williams’ Letters to Donald Windham, 1940–1965. Edited and with comments by Donald Windham. New York: Holt, Rinehart & Winston, 1977.
———. Tennessee Williams: Plays 1937–1955. New York: Library of America, 2000.
———. Tennessee Williams: Plays 1957–1980. New York: Library of America, 2000.
Williams, Tennessee, and Donald Windham. You Touched Me! New York: Samuel French, 2010.
Windham, Donald. As If: A Personal View of Tennessee Williams. Verona, N.Y.: Privately published, 1985.
Wood, Audrey, with Max Wilk. Represented by Audrey Wood. Garden City, N.Y.: Doubleday, 1981.
Young, Jeff. Kazan: The Master Director Discusses His Films. New York: Newmarket Press, 1999.
Credits
IMAGE CREDITS
iv By permission of the University of the South/Tennessee Williams Papers, Rare Book and Manuscript Library, Columbia University.
3 By Edward Lynch, World-Telegram Photo, Library of Congress, Prints and Photographs Division, New York World-Telegram & Sun Photograph Collection.
6 Photofest.
10 Photofest.
17 By Dan Grossi/AP/Press Association Images.
24 Beinecke Rare Book and Manuscript Library.
28 By Richard Tucker/Photofest.
37 MSThr553(2), Harvard Theatre Collection, Harvard University.
39 MSThr553(2), Harvard Theatre Collection, Harvard University.
47 MSThr553(69), Harvard Theatre Collection, Harvard University.
50 Michael Ochs Archives/Getty Images.
57 MSThr553(42), Harvard Theatre Collection, Harvard University.
63 By permission of the University of the South/Tennessee Williams, Manuscript Collection, Harry Ransom Center, the University of Texas at Austin.
76 © Eileen Darby Images, Inc.
84 © Jon F. Anderson, Estate of Paul Cadmus/VAGA, NY/DACS, London 2013/Courtesy of the Collection of Christopher Walling.
91 Tennessee Williams Papers, Rare Book and Manuscript Library, Columbia University.
98 © Eileen Darby Images, Inc.
102 Tennessee Williams Papers, Rare Book and Manuscript Library, Columbia University.
108 Tennessee Williams Literary File, Photography Collection, Harry Ransom Center, the University of Texas at Austin.
117 By Sam Shaw © 2014 Sam Shaw Inc., licensed by Shaw Family Archives www.shawfamilyarchives.com/from Tennessee Williams Papers, Rare Book and Manuscript Library, Columbia University.
132 © Inge Morath/© the Inge Morath Foundation/Magnum.
142 © Ruth Orkin.
147 © Eileen Darby Images, Inc.
148 By Martin Harris, PIX International, The Museum of the City of New York.
149 By Jo Healy, Courtesy Erin Clermont.
154 By Jo Healy, Courtesy Erin Clermont.
161 Tennessee Williams Papers, Rare Book and Manuscript Library, Columbia University.
168 Tennessee Williams Papers, Rare Book and Manuscript Library, Columbia University.
170 © Herbert List/Magnum Photos.
177 Culver Pictures Inc.
189 By John Vachon, Look Magazine Photograph Collection, Library of Congress, Prints and Photographs Division.
206 Personal Collection of Maureen Stapleton.
213 By John Vachon, Look Magazine Photograph Collection, Library of Congress, Prints and Photographs Division.<
br />
216 By Arnold Newman/Getty Images.
220 Tennessee Williams Papers, Rare Book and Manuscript Library, Columbia University.
224 Tennessee Williams Papers, Rare Book and Manuscript Library, Columbia University.
228 Photofest.
234 By Clifford Coffin/Condé Nast Archive.
260 World-Telegram Photo, Library of Congress, Prints and Photographs Division, New York World-Telegram & Sun Photograph Collection.
270 By Alfredo Valente/Billy Rose Theatre Division, the New York Public Library for the Performing Arts, Astor, Lenox and Tilden Foundations.
274 Photofest.
286 MSThr550(52), Harvard Theatre Collection, Harvard University.
303 The Museum of the City of New York.
309 © Genevieve Naylor/Corbis.
316 Photofest.
318 Warner Bros./Photofest.
321 © Bettmann/Corbis.
323 By Stan Wayman/Photofest.
327 © Ray Fisher/Tennessee Williams Papers, Rare Book and Manuscript Library, Columbia University.
338 Photofest.
340 Photofest.
347 Collection of Daniel L. Rabinowitz.
358 © Burt Glinn/Magnum Photos.
364 Tennessee Williams Papers, Rare Book and Manuscript Library, Columbia University.
382 By Fred Fehl/Courtesy of Gabriel Pinski.
398 Tennessee Williams Literary File, Photography Collection, Harry Ransom Center, the University of Texas at Austin.
407 Collection of the Begner Family.
419 By Sam Anderson. Tennessee Williams Literary File, Photography Collection, Harry Ransom Center, the University of Texas at Austin.
430 By Friedman-Abeles/ © Billy Rose Theatre Division, the New York Public Library for the Performing Arts.
445 By Friedman-Abeles/© Billy Rose Theatre Division, the New York Public Library for the Performing Arts.
450 Box 3, Frederick Nicklaus Papers, Manuscript Division, Library of Congress, Washington, D.C.
464 By Fuller, Tennessee Williams Papers, Rare Book and Manuscript Library, Columbia University.
469 United Press Photo, Tennessee Williams Literary File, Photography Collection, Harry Ransom Center, the University of Texas at Austin.
481 By Friedman-Abeles/© Billy Rose Theatre Division, the New York Public Library for the Performing Arts.
486 Photofest.