Cressy

by Harte, Bret

  "That's my name."

  They both stood looking at it with their heads very much on one side. "It ain't so bad as the rest you've done. It MIGHT be your name. That ez, it don't look like anythin' else," suggested Rupert, struck with a new idea that it was perhaps more professional occasionally to encourage his pupil. "You might get on in course o' time. But what are you doin' all this for?" he asked suddenly.

  "Doin' what?"

  "This yer comin' to school when you ain't sent, and you ain't got no call to go—you, a grown-up man!"

  The color deepened in Uncle Ben's face to the back of his ears. "Wot would you giv' to know, Roop? S'pose I reckoned some day to make a strike and sorter drop inter saciety easy—eh? S'pose I wanted to be ready to keep up my end with the other fellers, when the time kem? To be able to sling po'try and read novels and sich—eh?"

  An expression of infinite and unutterable scorn dawned in the eyes of Rupert. "You do? Well," he repeated with slow and cutting deliberation, "I'll tell you what you're comin' here for, and the only thing that makes you come."

  "What?"

  "It's—some—girl!"

  Uncle Ben broke into a boisterous laugh that made the roof shake, stamping about and slapping his legs till the crazy floor trembled. But at that moment the master stepped to the perch and made a quiet but discomposing entrance.

  CHAPTER IV.

  The return of Miss Cressida McKinstry to Indian Spring and her interrupted studies was an event whose effects were not entirely confined to the school. The broken engagement itself seemed of little moment in the general estimation compared to her resumption of her old footing as a scholar. A few ill-natured elders of her own sex, and naturally exempt from the discriminating retort of Mr. McKinstry's "shot-gun," alleged that the Seminary at Sacramento had declined to receive her, but the majority accepted her return with local pride as a practical compliment to the educational facilities of Indian Spring. The Tuolumne "Star," with a breadth and eloquence touchingly disproportionate to its actual size and quality of type and paper, referred to the possible "growth of a grove of Academus at Indian Spring, under whose cloistered boughs future sages and statesmen were now meditating," in a way that made the master feel exceedingly uncomfortable. For some days the trail between the McKinstrys' ranch and the school-house was lightly patrolled by reliefs of susceptible young men, to whom the enfranchised Cressida, relieved from the dangerous supervision of the Davis-McKinstry clique, was an object of ambitious admiration. The young girl herself, who, in spite of the master's annoyance, seemed to be following some conscientious duty in consecutively arraying herself in the different dresses she had bought, however she may have tantalized her admirers by this revelation of bridal finery, did not venture to bring them near the limits of the play-ground. It struck the master with some surprise that Indian Spring did not seem to trouble itself in regard to his own privileged relations with its rustic enchantress; the young men clearly were not jealous of him; no matron had suggested any indecorum in a young girl of Cressy's years and antecedents being intrusted to the teachings of a young man scarcely her senior. Notwithstanding the attitude which Mr. Ford had been pleased to assume towards her, this implied compliment to his supposed monastic vocations affected him almost as uncomfortably as the "Star's" extravagant eulogium. He was obliged to recall certain foolish experiences of his own to enable him to rise superior to this presumption of his asceticism.

  In pursuance of his promise to McKinstry, he had procured a few elementary books of study suitable to Cressy's new position, without, however, taking her out of the smaller classes or the discipline of the school. In a few weeks he was enabled to further improve her attitude by making her a "monitor" over the smaller girls, thereby dividing certain functions with Rupert Filgee, whose ministrations to the deceitful and "silly" sex had been characterized by perhaps more vigilant scorn and disparagement than was necessary. Cressy had accepted it as she had accepted her new studies, with an indolent good-humor, and at times a frankly supreme ignorance of their abstract or moral purpose that was discouraging. "What's the good of that?" she would ask, lifting her eyes abruptly to the master. Mr. Ford, somewhat embarrassed by her look, which always, sooner or later, frankly confessed itself an excuse for a perfectly irrelevant examination of his features in detail, would end in giving her some severely practical answer. Yet, if the subject appealed to any particular idiosyncrasy of her own, she would speedily master the study. A passing predilection for botany was provoked by a single incident. The master deeming this study a harmless young-lady-like occupation, had one day introduced the topic at recess, and was met by the usual answer. "But suppose," he continued artfully, "somebody sent you anonymously some flowers."

  "Her ho!" suggested Johnny Filgee hoarsely, with bold bad recklessness. Ignoring the remark and the kick with which Rupert had resented it on the person of his brother, the master continued:

  "And if you couldn't find out who sent them, you would want at least to know what they were and where they grew."

  "Ef they grew anywhere 'bout yer we could tell her that," said a chorus of small voices.

  The master hesitated. He was conscious of being on delicate ground. He was surrounded by a dozen pairs of little keen eyes from whom Nature had never yet succeeded in hiding her secrets—eyes that had waited for and knew the coming up of the earliest flowers; little fingers that had never turned the pages of a text-book, but knew where to scrape away the dead leaves above the first anemone, or had groped painfully among the lifeless branches in forgotten hollows for the shy dog-rose; unguided little feet that had instinctively made their way to remote southern slopes for the first mariposas, or had unerringly threaded the tule-hidden banks of the river for flower-de-luce. Convinced that he could not hold his own on their level, he shamelessly struck at once above it.

  "Suppose that one of those flowers," he continued, "was not like the rest; that its stalks and leaves, instead of being green and soft, were white and stringy like flannel as if to protect it from cold, wouldn't it be nice to be able to say at once that it had lived only in the snow, and that some one must have gone all that way up there above the snow line to pick it?" The children, taken aback by this unfair introduction of a floral stranger, were silent. Cressy thoughtfully accepted botany on those possibilities. A week later she laid on the master's desk a limp-looking plant with a stalk like heavy frayed worsted yarn. "It ain't much to look at after all, is it?" she said. "I reckon I could cut a better one with scissors outer an old cloth jacket of mine."

  "And you found it here?" asked the master in surprise.

  "I got Masters to look for it when he was on the Summit. I described it to him. I didn't allow he had the gumption to get it. But he did."

  Although botany languished slightly after this vicarious effort, it kept Cressy in fresh bouquets, and extending its gentle influence to her friends and acquaintances became slightly confounded with horticulture, led to the planting of one or two gardens, and was accepted in school as an implied concession to berries, apples, and nuts. In reading and writing Cressy greatly improved, with a marked decrease in grammatical solecisms, although she still retained certain characteristic words, and always her own slow Southwestern, half musical intonation. This languid deliberation was particularly noticeable in her reading aloud, and gave the studied and measured rhetoric a charm of which her careless colloquial speech was incapable. Even the "Fifth Reader," with its imposing passages from the English classics carefully selected with a view of paralyzing small, hesitating, or hurried voices, in Cressy's hands became no longer an unintelligible incantation. She had quietly mastered the difficulties of pronunciation by some instinctive sense of euphony if not of comprehension. The master with his eyes closed hardly recognized his pupil. Whether or not she understood what she read he hesitated to inquire; no doubt, as with her other studies, she knew what attracted her. Rupert Filgee, a sympathetic if not always a correct reader, who boldly took four and five syllabled fences flying only t
o come to grief perhaps in the ditch of some rhetorical pause beyond, alone expressed his scorn of her performance. Octavia Dean, torn between her hopeless affection for this beautiful but inaccessible boy, and her soul-friendship for this bigger but many-frocked girl, studied the master's face with watchful anxiety.

  It is needless to say that Hiram McKinstry was, in the intervals of stake-driving and stock-hunting, heavily contented with this latest evidence of his daughter's progress. He even intimated to the master that her reading being an accomplishment that could be exercised at home was conducive to that "kam" in which he was so deficient. It was also rumored that Cressy's oral rendering of Addison's "Reflections in Westminster Abbey" and Burke's "Indictment of Warren Hastings," had beguiled him one evening from improving an opportunity to "plug" one of Harrison's boundary "raiders."

  The master shared in Cressy's glory in the public eye. But although Mrs. McKinstry did not materially change her attitude of tolerant good-nature towards him, he was painfully conscious that she looked upon her daughter's studies and her husband's interests in them as a weakness that might in course of time produce infirmity of homicidal purpose and become enervating of eye and trigger-finger. And when Mr. McKinstry got himself appointed as school-trustee, and was thereby obliged to mingle with certain Eastern settlers,—colleagues on the Board,—this possible weakening of the old sharply drawn sectional line between "Yanks" and themselves gave her grave doubts of Hiram's physical stamina.

  "The old man's worrits hev sorter shook out a little of his sand," she had explained. On those evenings when he attended the Board, she sought higher consolation in prayer meeting at the Southern Baptist Church, in whose exercises her Northern and Eastern neighbors, thinly disguised as "Baal" and "Astaroth," were generally overthrown and their temples made desolate.

  If Uncle Ben's progress was slower, it was no less satisfactory. Without imagination and even without enthusiasm, he kept on with a dull laborious persistency. When the irascible impatience of Rupert Filgee at last succumbed to the obdurate slowness of his pupil, the master himself, touched by Uncle Ben's perspiring forehead and perplexed eyebrows, often devoted the rest of the afternoon to a gentle elucidation of the mysteries before him, setting copies for his heavy hand, or even guiding it with his own, like a child's, across the paper. At times the appalling uselessness of Uncle Ben's endeavors reminded him of Rupert's taunting charge. Was he really doing this from a genuine thirst for knowledge? It was inconsistent with all that Indian Spring knew of his antecedents and his present ambitions; he was a simple miner without scientific or technical knowledge; his already slight acquaintance with arithmetic and the scrawl that served for his signature were more than sufficient for his needs. Yet it was with this latter sign-manual that he seemed to take infinite pains. The master, one afternoon, thought fit to correct the apparent vanity of this performance.

  "If you took as much care in trying to form your letters according to copy, you'd do better. Your signature is fair enough as it is."

  "But it don't look right, Mr. Ford," said Uncle Ben, eying it distrustfully; "somehow it ain't all there."

  "Why, certainly it is. Look, D A B N E Y—not very plain, it's true, but there are all the letters."

  "That's just it, Mr. Ford; them AIN'T all the letters that ORTER be there. I've allowed to write it D A B N E Y to save time and ink, but it orter read DAUBIGNY," said Uncle Ben, with painful distinctness.

  "But that spells d'Aubigny!"

  "It are."

  "Is that your name?"

  "I reckon."

  The master looked at Uncle Ben doubtfully. Was this only another form of the Dobell illusion? "Was your father a Frenchman?" he asked finally.

  Uncle Ben paused as if to recall the trifling circumstances of his father's nationality. "No."

  "Your grandfather?"

  "I reckon not. At least ye couldn't prove it by me."

  "Was your father or grandfather a voyageur or trapper, or Canadian?"

  "They were from Pike County, Mizzoori."

  The master regarded Uncle Ben still dubiously. "But you call yourself Dabney. What makes you think your real name is d'Aubigny?"

  "That's the way it uster be writ in letters to me in the States. Hold on. I'll show ye." He deliberately began to feel in his pockets, finally extracting his old purse from which he produced a crumpled envelope, and carefully smoothing it out, compared it with his signature.

  "Thar, you see. It's the same—d'Aubigny."

  The master hesitated. After all, it was not impossible. He recalled other instances of the singular transformation of names in the Californian emigration. Yet he could not help saying, "Then you concluded d'Aubigny was a better name than Dabney?"

  "Do YOU think it's better?"

  "Women might. I dare say your wife would prefer to be called Mrs. d'Aubigny rather than Dabney."

  The chance shot told. Uncle Ben suddenly flushed to his ears.

  "I didn't think o' that," he said hurriedly. "I had another idee. I reckoned that on the matter o' holdin' property and passin' in money it would be better to hev your name put on the square, and to sorter go down to bed rock for it, eh? If I wanted to take a hand in them lots or Ditch shares, for instance—it would be only law to hev it made out in the name o' d'Aubigny."

  Mr. Ford listened with certain impatient contempt. It was bad enough for Uncle Ben to have exposed his weakness in inventing fictions about his early education, but to invest himself now with a contingency of capital for the sake of another childish vanity, was pitiable as it was preposterous. There was no doubt that he had lied about his school experiences; it was barely probable that his name was really d'Aubigny, and it was quite consistent with all this—even setting apart the fact that he was perfectly well known to be only a poor miner—that he should lie again. Like most logical reasoners Mr. Ford forgot that humanity might be illogical and inconsistent without being insincere. He turned away without speaking as if indicating a wish to hear no more.

  "Some o' these days," said Uncle Ben, with dull persistency, "I'll tell ye suthen'."

  "I'd advise you just now to drop it and stick to your lessons," said the master sharply.

  "That's so," said Uncle Ben hurriedly, hiding himself as it were in an all-encompassing blush. "In course lessons first, boys, that's the motto." He again took up his pen and assumed his old laborious attitude. But after a few moments it became evident that either the master's curt dismissal of his subject or his own preoccupation with it, had somewhat unsettled him. He cleaned his pen obtrusively, going to the window for a better light, and whistling from time to time with a demonstrative carelessness and a depressing gayety. He once broke into a murmuring, meditative chant evidently referring to the previous conversation, in its—"That's so—Yer we go—Lessons the first, boys, Yo, heave O." The rollicking marine character of this refrain, despite its utter incongruousness, apparently struck him favorably, for he repeated it softly, occasionally glancing behind him at the master who was coldly absorbed at his desk. Presently he arose, carefully put his books away, symmetrically piling them in a pyramid beside Mr. Ford's motionless elbow, and then lifting his feet with high but gentle steps went to the peg where his coat and hat were hanging. As he was about to put them on he appeared suddenly struck with a sense of indecorousness in dressing himself in the school, and taking them on his arm to the porch resumed them outside. Then saying, "I clean disremembered I'd got to see a man. So long, till to-morrow," he disappeared whistling softly.

  The old woodland hush fell back upon the school. It seemed very quiet and empty. A faint sense of remorse stole over the master. Yet he remembered that Uncle Ben had accepted without reproach and as a good joke much more direct accusations from Rupert Filgee, and that he himself had acted from a conscientious sense of duty towards the man. But a conscientious sense of duty to inflict pain upon a fellow-mortal for his own good does not always bring perfect serenity to the inflicter—possibly because, in the defective machinery of human compe
nsation, pain is the only quality that is apt to appear in the illustration. Mr. Ford felt uncomfortable, and being so, was naturally vexed at the innocent cause. Why should Uncle Ben be offended because he had simply declined to follow his weak fabrications any further? This was his return for having tolerated it at first! It would be a lesson to him henceforth. Nevertheless he got up and went to the door. The figure of Uncle Ben was already indistinct among the leaves, but from the motion of his shoulders he seemed to be still stepping high and softly as if not yet clear of insecure and engulfing ground.

  The silence still continuing, the master began mechanically to look over the desks for forgotten or mislaid articles, and to rearrange the pupils' books and copies. A few heartsease gathered by the devoted Octavia Dean, neatly tied with a black thread and regularly left in the inkstand cavity of Rupert's desk, were still lying on the floor where they had been always hurled with equal regularity by that disdainful Adonis. Picking up a slate from under a bench, his attention was attracted by a forgotten cartoon on the reverse side. Mr. Ford at once recognized it as the work of that youthful but eminent caricaturist, Johnny Filgee. Broad in treatment, comprehensive in subject, liberal in detail and slate-pencil—it represented Uncle Ben lying on the floor with a book in his hand, tyrannized over by Rupert Filgee and regarded in a striking profile of two features by Cressy McKinstry. The daring realism of introducing the names of each character on their legs—perhaps ideally enlarged for that purpose—left no doubt of their identity. Equally daring but no less effective was the rendering of a limited but dramatic conversation between the parties by the aid of emotional balloons attached to their mouths like a visible gulp bearing the respective legends: "I luv you," "O my," and "You git!"

  The master was for a moment startled at this unlooked-for but graphic testimony to the fact that Uncle Ben's visits to the school were not only known but commented upon. The small eyes of those youthful observers had been keener than his own. He had again been stupidly deceived, in spite of his efforts. Love, albeit deficient in features and wearing an improperly short bell-shaped frock, had boldly re-entered the peaceful school, and disturbing complications on abnormal legs were following at its heels.