The Annotated Pride and Prejudice

by Austen, Jane

  “If he had had any compassion for me,” cried her husband impatiently, “he would not have danced half so much! For God's sake, say no more of his partners. Oh! that he had sprained his ancle in the first dance!”

  “Oh! my dear” continued Mrs. Bennet, “I am quite delighted with him. He is so excessively handsome! and his sisters are charming women. I never in my life saw any thing more elegant than their dresses. I dare say the lace upon Mrs. Hurst's gown——”

  Here she was interrupted again. Mr. Bennet protested against any description of finery. She was therefore obliged to seek another branch of the subject, and related, with much bitterness of spirit and some exaggeration, the shocking rudeness of Mr. Darcy.

  “But I can assure you,” she added, “that Lizzy does not lose much by not suiting his fancy; for he is a most disagreeable, horrid man, not at all worth pleasing. So high34 and so conceited that there was no enduring him!35 He walked here, and he walked there, fancying himself so very great!36 Not handsome enough to dance with! I wish you had been there, my dear, to have given him one of your set downs.371 quite detest the man.”

  1. Libraries, which had become a standard feature of wealthy families' houses during the eighteenth century, were usually sitting rooms as well as places for books and reading.

  2. Mr. Bingley, as a man, would call on the father of the family; it would then be up to the father to decide whether to introduce the visitor to the rest of the family at this time.

  3. blue coat: blue was considered fashionable. It was during this period that darker, more sober colors were coming to be considered preferable for men's attire. In letters written when she was near the Bennet sisters' age, Jane Austen jokes that a man who admired her had a morning coat that was “a great deal too light,” and that she will refuse any marriage offer from him “unless he promises to give away his white Coat” (January 9 and 14, 1796). For an example of men's clothing from this period, including the sort of coat at issue, see p. 13.

  4. town: London.

  5. Oc: etc. This is a way of abbreviating the standard apologies and courtesies that Bingley would include in his note.

  6. Hertfordshire: the county in England where the action is taking place (see maps on pp. 742 and 745). Its not being mentioned until this point, and now only in passing, indicates its relative lack of importance for the story. Place matters little to Jane Austen compared to many novelists; she sets her novels in various parts of England, but the characters rarely, if ever, exhibit any particular regional characteristics. In part this reflects the reality among the class of people she portrays, for an important trend over the century preceding her novels was for regional differences among the wealthy classes in England to diminish or disappear, thanks to such factors as improved communication and transportation and the increased size and influence of London.

  In choosing a setting for her stories, Jane Austen's main consideration seems to be how the geographic position of the place, particularly its proximity to other places, facilitates the plot. In this case, Hertfordshire, which is immediately north of London, may have been chosen in part because it allows a number of characters, such as Mr. Bingley, to travel easily to and from the capital (for another possible source of the Hertfordshire setting, see p. 51, note 8).

  7. The inaccuracy of these initial rumors about Mr. Bingley's party gives the first glimpse of the fickleness and unreliability of public opinion, something that will be seen frequently in the novel. It also indicates the general danger of relying on initial impressions, which is one of the main themes of the book (the earliest version of the novel was entitled First Impressions).

  8. fine: elegant, refined.

  9. fashion: high social standing. It could also mean the expected elegant behavior and demeanor of those belonging to upper-class society. The word will be used often in the novel, almost always with these meanings.

  10. ten thousand a year: a sum that places him among the one or two hundred wealthiest men in England then. Since he also possesses a lavish house, with its grounds and contents, he may have at least three times the wealth of Bingley.

  11. gentlemen: this is the third use of gentlemen/man in this paragraph. The term and its corollaries “genteel” and “gentility,” along with the concepts behind the terms, play a significant role in the novel, as they did in the society and culture of the time. In her letters Jane Austen frequently judges people by how genteel they are. The terms have both a social and a moral meaning.

  Socially (and “gentle” was originally used in a social rather than a moral sense), a gentleman is someone wealthy enough not to have to work, or able to work in a profession considered genteel, the main ones being military officer or clergyman. That is what is meant by this third use of “gentlemen”—though the term is here being used generously, since assemblies tended to include men whose professions were not quite genteel. The division between those who are genteel, which would include the wives and children of gentlemen, and everyone else, forms the crucial social distinction in the book.

  Morally, a gentleman is someone who possesses certain virtues, such as courtesy, refinement, honesty, and generosity. The description of Mr. Bingley as gentlemanlike signals his possession of these qualities. Ideally all those who are gentlemen in a social sense would also be gentlemen in a moral sense, but in reality this is not always the case. Mr. Hurst, who “merely looked the gentleman” (and thus lacks the true character of one), is an example of this.

  The terms “gentlewoman” and “lady” have similar meanings, though “lady,” the most popular of the two terms, could refer to slightly broader categories of women, and would not be used as often for moral judgments.

  12. gave a disgust: produced a distaste or dislike.

  13. Derbyshire: a county in the northern half of England; see map, p. 742.

  14. His character was decided: the general opinion of him was established.

  15. Jane Austen means to present an initial negative impression of Darcy, but by having the public, already shown as fickle, condemn him in such extreme terms, she suggests the possible defects of that impression.

  16. Significantly, it is only at this point, when the question of her relationship with Darcy arises, that Elizabeth emerges as a central character. This foreshadows the focus of the story.

  17. stupid: dull, tiresome.

  18. stand up: dance.

  19. This exchange between Bingley and Darcy, the first time either of them is seen speaking, displays the first man's enthusiasm and fondness for everyone and the second man's reserve and critical eye, a contrast between them that will persist throughout the novel.

  20. handsome: a term often used for women in the novel; it had no particular masculine connotation at the time.

  21. This is Jane, who is consistently described as beautiful. But no further information about her appearance is ever provided. In general, Jane Austen offers little or no physical descriptions of her characters. This is not because she lacks any notion of how they look: in a letter she describes seeing a picture that exactly resembled Jane, in “size, shaped face, features & sweetness,” and even says the picture confirms her supposition that “green was a favourite color with her” (May 24, 1813). But in her novels she omits all this, for it does not serve her artistic purposes.

  22. humour: mood

  23. consequence: importance or dignity. In other words, being asked to dance would raise Elizabeth's standing, after she has been slighted by other men. Darcy may also mean that dancing with him would confer a special dignity upon her, an opinion in line with his high estimation of himself.

  24. These insulting words play a significant role in the story. Though Darcy is not addressing Elizabeth, he presumably is in a position to anticipate that she will overhear him. His defense would probably be that he is engaged in a private conversation that she has no business hearing, and thus strictly speaking he has not violated any rule of etiquette. Yet his behavior shows a clear disregard for others. The early part of th
e novel will show additional instances where Darcy, while generally remaining in the letter of the law as regards politeness, exhibits frequent disdain for the general spirit of courtesy, especially as it involves kindness and consideration toward others.

  25. This is the first time that Elizabeth is shown in action, and her response to Darcy's words gives a good sense of her general character, as well as of her future relationship with him. The term “lively,” which is often used to describe Elizabeth, means not only vigorous or animated, but also light-hearted or merry. Her possession of these latter qualities is one of the main ways she contrasts with the serious Darcy.

  26. distinguished: singled out for notice or attention.

  27. Young women were often praised for being accomplished. For what this meant, see the discussion on pp. 68 and 70, and the notes to those pages.

  28. principal inhabitants: the family of the highest social position in the village. A village is defined by the Encyclopaedia Britannica of the time as “an assemblage of houses inhabited chiefly by peasants and farmers, and having no market, whereby it is distinguished from a town.” In the case of Long-bourn the other residents are all too low socially for the Bennet family ever to socialize with them; it is probable that many of them work on the Bennets' farm. This social gap, along with the absence of a market, is what causes many of the Bennets to venture so frequently to the town of Meryton, which contains shops as well as people of a higher social level.

  29. event: outcome.

  30. views: expectations.

  31. going down the dance: moving down the row of dancers. At this time the most popular dances were the so-called longways country dances, in which two rows of dancers, one male and one female, would face each other, and each couple would proceed in turn down the rows while the others watched. The latter could thus get a good look at those proceeding down the rows, as Bingley does with Jane. During these years the waltz, in which each couple keeps to itself, was starting to become popular at the highest social levels; its eventual triumph can be seen as a move toward greater individualism, and away from the more communal spirit represented by the country dances.

  32. two next: people normally had the same partner for a pair of dances (Elizabeth was described as sitting down for two dances). Hence Mrs. Ben-net's list—two third, two fourth, etc.—relates to the succeeding pairs of dances that Bingley shared with someone. Each pair of dances would generally last around half an hour.

  33. Boulanger: a dance imported from France. Jane Austen refers to dancing it at a ball she attended (September 5, 1796). In a collection of her music, one piece is entitled “boulangerie.” It is a moderately lively piece, and one that would be appropriate for dancing.

  34. high: haughty.

  35. no enduring him!: such an exaggerated expression, coming on top of others like “so excessively handsome!,” “never in my life,” and “horrid,” indicates Mrs. Bennet's shallowness. Jane Austen often has her more foolish characters speak in such a way. Having as unreliable a judge as Mrs. Bennet condemn Darcy in such harsh terms also underlines the potential inaccuracy of everyone's initial negative verdict on him.

  36. great: important, especially in a social sense.

  37. set downs: humiliating rebuffs. Mrs. Bennet's wish has a particular significance, for over the course of the novel Elizabeth, who shares many characteristics with her father, will give Darcy a number of “set downs,” and this will play a central role in the story.

  Chapter Four

  When Jane and Elizabeth were alone, the former, who had been cautious in her praise of Mr. Bingley before, expressed to her sister how very much she admired him.

  “He is just what a young man ought to be,” said she, “sensible, good humoured, lively; and I never saw such happy manners!—so much ease,1 with such perfect good breeding!”2

  “He is also handsome,” replied Elizabeth, “which a young man ought likewise to be, if he possibly can. His character is thereby complete.”

  “I was very much flattered by his asking me to dance a second time. I did not expect such a compliment.”

  “Did not you? I did for you. But that is one great difference between us. Compliments always take you by surprise, and me never. What could be more natural than his asking you again? He could not help seeing that you were about five times as pretty as every other woman in the room. No thanks to his gallantry3 for that. Well, he certainly is very agreeable, and I give you leave to like him. You have liked many a stupider person.”

  “Dear Lizzy!”4

  “Oh! you are a great deal too apt you know, to like people in general.5 You never see a fault in any body. All the world are good and agreeable in your eyes. I never heard you speak ill of a human being in my life.”

  “I would wish not to be hasty in censuring any one; but I always speak what I think.”

  “I know you do; and it is that which makes the wonder. With your good sense, to be so honestly blind to the follies and nonsense of others! Affectation of candour6 is common enough;—one meets it every where. But to be candid without ostentation or design —to take the good of every body's character and make it still better, and say nothing of the bad —belongs to you alone. And so, you like this man's sisters too, do you? Their manners7 are not equal to his.”

  “Certainly not; at first. But they are very pleasing women when you converse with them. Miss Bingley is to live with her brother and keep his house;8 and I am much mistaken if we shall not find a very charming neighbour in her.”

  Elizabeth listened in silence, but was not convinced; their behaviour at the assembly had not been calculated to please in general; and with more quickness of observation and less pliancy of temper than her sister, and with a judgment too unassailed9 by any attention to herself, she was very little disposed to approve them. They were in fact very fine ladies; not deficient in good humour when they were pleased, nor in the power of being agreeable where they chose it; but proud and conceited. They were rather handsome, had been educated in one of the first private seminaries in town,10 had a fortune of twenty thousand pounds, were in the habit of spending more than they ought, and of associating with people of rank;11 and were therefore in every respect entitled to think well of themselves, and meanly12 of others. They were of a respectable family in the north of England; a circumstance more deeply impressed on their memories than that their brother's fortune and their own had been acquired by trade.13

  Mr. Bingley inherited property to the amount of nearly an hundred thousand pounds from his father,14 who had intended to purchase an estate, but did not live to do it.—Mr. Bingley intended it likewise, and sometimes made choice of his county; but as he was now provided with a good house and the liberty of a manor,15 it was doubtful to many of those who best knew the easiness of his temper, whether he might not spend the remainder of his days at Netherfield, and leave the next generation to purchase.

  His sisters were very anxious for his having an estate of his own;16 but though he was now established only as a tenant, Miss Bingley was by no means unwilling to preside at his table, nor was Mrs. Hurst, who had married a man of more fashion than fortune,17 less disposed to consider his house as her home when it suited her. Mr. Bingley had not been of age two years,18 when he was tempted by an accidental19 recommendation to look at Netherfield House. He did look at it and into it for half an hour, was pleased with the situation20 and the principal rooms, satisfied with what the owner said in its praise, and took it immediately.21

  Between him and Darcy there was a very steady friendship, in spite of a great opposition of character.—Bingley was endeared to Darcy by the easiness, openness, ductility of his temper, though no disposition could offer a greater contrast to his own, and though with his own he never appeared dissatisfied. On the strength of Darcy's regard Bingley had the firmest reliance, and of his judgment the highest opinion.22 In understanding23 Darcy was the superior. Bingley was by no means deficient, but Darcy was clever. He was at the same time haughty, reserved, and fasti
dious,24 and his manners, though well bred, were not inviting.25 In that respect his friend had greatly the advantage. Bingley was sure of being liked wherever he appeared, Darcy was continually giving offence.

  The manner in which they spoke of the Meryton assembly was sufficiently characteristic. Bingley had never met with pleasanter people or prettier girls in his life; every body had been most kind and attentive to him, there had been no formality, no stiffness, he had soon felt acquainted with all the room; and as to Miss Ben-net,26 he could not conceive an angel more beautiful. Darcy, on the contrary, had seen a collection of people in whom there was little beauty and no fashion, for none of whom he had felt the smallest interest, and from none received either attention or pleasure. Miss Bennet he acknowledged to be pretty, but she smiled too much.

  Mrs. Hurst and her sister allowed it to be so —but still they admired her and liked her, and pronounced her to be a sweet girl, and one whom they should not object to know more of27 Miss Bennet was therefore established as a sweet girl, and their brother felt authorised by such commendation to think of her as he chose.

  1. ease: amiability, openness—i.e., the quality of getting along easily with others.

  2. good breeding: good manners (considered to result from being bred well).

  3. gallantry: courtesy or consideration toward women.

  4. This is the first conversation between Elizabeth and Jane, whose close relationship is central to the book. Jane Austen's previous novel, Sense and Sensibility, revolved even more around a relationship between two sisters. Her use of this element had strong personal roots, for throughout her life Jane Austen was closer to her elder sister Cassandra than to any other person. In this case, the two sisters' closeness is indicated by, among other things, Elizabeth's frequent teasing of Jane without causing any offense.