Paterson (Revised Edition)

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by William Carlos Williams


  through the thicket .

  One warm day in April, G.B. had the inspiration to go in swimming naked with the boys, among whom, of course, was her brother, a satyr if there ever was one, to beat anybody up who presumed to molest her. It was at Sandy Bottom, near Willow Point where in later years we used to have picnics. That was before she turned whore and got syphilis. L.M. about that time, a young sailor, went to Rio unafraid of “children’s diseases” as the French (and others) called them—but it was no joke as Gauguin found out when his brains began to rot away

  . the times today

  are safer for the fornicators

  the moral’s

  as you choose but the brain

  need not putrefy

  or petrify

  for fear of venereal disease

  unless you wish it

  “Loose your love to flow”

  while you are yet young

  male and female

  (if it is worth it to you)

  ’n cha cha cha

  you’d think the brain

  ’d be grafted

  on a better root

  II.

  “ . I am no authority on Sappho and do not read her poetry particularly well. She wrote for a clear gentle tinkling voice. She avoided all roughness. ‘The silence that is in the starry sky,’ gives something of her tone, . ”

  A.P.

  Peer of the gods is that man, who

  face to face, sits listening

  to your sweet speech and lovely

  laughter.

  It is this that rouses a tumult

  in my breast. At mere sight of you

  my voice falters, my tongue

  is broken.

  Straightway, a delicate fire runs in

  my limbs; my eyes

  are blinded and my ears

  thunder.

  Sweat pours out: a trembling hunts

  me down. I grow paler

  than dry grass and lack little

  of dying.

  13 Nv Oke Hay my BilBill The Bull Bull, ameer.

  Is there anything in Ac Bul 2/ vide enc that seems cloudy to you, or INComprehensible/

  or that having comprehended you disagree with?

  The hardest thing to discover is WHY someone else, apparently not an ape or a Roosevelt cannot understand something as simple as 2 plus 2 makes four.

  McNair Wilson has just writ me, that Soddy got interested and started to study “economics” and found out what they offered him wasn’t economics but banditry

  Wars are made to make debt, and the late one started by the ambulating dunghill FDR has been amply successful.

  and the stink that elevated

  him still emits a smell.

  Also the ten vols/treasury reports sent me to Rapallo show that in the years from departure of Wiggin till the mail stopped you suckers had paid ten billion for gold that cd/have been bought for SIX billion.

  Is this clear or do you still want DEEtails?

  That sovereignty inheres in the POWER to issue money, whether you have the right to do it or not.

  don’t let me crowd you.

  If there is anything here that is OBskewer , say so.

  don’t worry re Beum,

  He didnt say you told him to send me the book, merely that he had metChu. let the young educ the young.

  Only naive remark I found in Voltaire wuz when he found two good books on econ/ and wrote : “Now people will understand it.” end quote.

  But if the buzzards on yr( and Del M’s) list had been CLEAR I wdn’t have spent so much time clarifying their indistinctnesses.

  You agree that the offering da shittahd aaabull instead of history is

  undesirable ??????

  There is a woman in our town

  walks rapidly, flat bellied

  in worn slacks upon the street

  where I saw her.

  Neither short

  nor tall, nor old nor young

  her

  face would attract no

  adolescent. Grey eyes looked

  straight before her.

  Her

  hair

  was gathered simply behind the

  ears under a shapeless hat.

  Her

  hips were narrow, her

  legs

  thin and straight. She stopped

  me in my tracks — until I saw

  her

  disappear in the crowd.

  An inconspicuous decoration

  made of sombre cloth, meant

  I think to be a flower, was

  pinned flat to her

  right

  breast — any woman might have

  done the same to

  say she was a woman and warn

  us of her mood. Otherwise

  she was dressed in male attire,

  as much as to say to hell

  with you. Her

  expression was

  serious, her

  feet were small.

  And she was gone!

  . if ever I see you again

  as I have sought you

  daily without success

  I’ll speak to you, alas

  too late! ask,

  What are you doing on the

  streets of Paterson? a

  thousand questions:

  Are you married? Have you any

  children? And, most important,

  your NAME! which

  of course she may not

  give me — though

  I cannot conceive it

  in such a lonely and

  intelligent woman

  . have you read anything that I have written?

  It is all for you

  or the birds .

  or Mezz Mezzrow

  who wrote .

  Knocking around with Rapp and the Rhythm Kings put the finishing touches on me and straightened me out. To be with those guys made me know that any white man, if he thought straight and studied hard, could sing and dance and play with the Negro. You didn’t have to take the finest and most original and honest music in America and mess it up because you were a white man; you could dig the colored man’s real message and get in there with him, like Rapp. I felt good all over after a session with the Rhythm Kings, and I began to miss that tenor sax.

  Man, I was gone with it — inspiration’s mammy was with me. And to top it all, I walked down Madison Street one day and what I heard made me think my ears were lying. Bessie Smith was shouting the Downhearted Blues from a record in a music shop. I flew in and bought up every record they had by the mother of the blues — Cemetery Blues, Bleedin’ Hearted, and Midnight Blues — then I ran home and listened to them for hours on the victrola. I was put in a trance by Bessie’s mournful stories and the patterns of true harmony in the piano background, full of little runs that crawled up and down my spine like mice. Every note that woman wailed vibrated on the tight strings of my nervous system; every word she sang answered a question I was asking. You couldn’t drag me away from that victrola, even to eat.

  . . or the Satyrs, a

  pre-tragic play,

  a satyric play!

  All plays

  were satyric when they were most devout.

  Ribald as a Satyr!

  Satyrs dance!

  all the deformities take wing

  Centaurs

  leading to the rout of the vocables

  in the writings

  of Gertrude

  Stein — but

  you cannot be

  an artist

  by mere ineptitude

  The dream

  is in pursuit!

  The neat figures of

  Paul Klee

  fill the canvas

  but that

  is not the work

  of a child .

  the cure began, perhaps

  with the abstraction

  of Arabic art

  Dürer

  with his Melancholy

  was aware
of it—

  the shattered masonry. Leonardo

  saw it,

  the obsession,

  and ridiculed it

  in La Gioconda.

  Bosch’s

  congeries of tortured souls and devils

  who prey on them

  fish

  swallowing

  their own entrails

  Freud

  Picasso

  Juan Gris.

  A letter from a friend

  saying:

  For the last

  three nights

  I have slept like a baby

  without

  liquor or dope of any sort!

  we know

  that a stasis

  from a chrysalis

  has stretched its wings .

  like a bull

  or a Minotaur

  or Beethoven

  in the scherzo

  from the Fifth Symphony

  stomped

  his heavy feet

  I saw love

  mounted naked on a horse

  on a swan

  the tail of a fish

  the bloodthirsty conger eel

  and laughed

  recalling the Jew

  in the pit

  among his fellows

  when the indifferent chap

  with the machine gun

  was spraying the heap .

  he had not yet been hit

  but smiled

  comforting his companions .

  comforting

  his companions

  Dreams possess me

  and the dance

  of my thoughts

  involving animals

  the blameless beasts

  (Q. Mr. Williams, can you tell me, simply, what poetry is?

  A.Well . . . I would say that poetry is language charged with emotion. It’s words, rhythmically organized . . . A poem is a complete little universe. It exists separately. Any poem that has worth expresses the whole life of the poet. It gives a view of what the poet is.

  Q.All right, look at this part of a poem by E. E. Cummings, another great American poet:

  (im)c-a-t(mo)

  b,j;l:e

  FallleA

  ps.!fl

  OattumblI

  sh?dr

  IftwhirlF

  (U1) (1Y)

  &&&

  Is this poetry?

  A.I would reject it as a poem. It may be, to him, a poem. But I would reject it. I can’t understand it. He’s a serious man. So I struggle very hard with it — and I get no meaning at all.

  Q.You get no meaning? But here’s part of a poem you yourself have written: “2 partridges/2 mallard ducks/a Dungeness crab/24 hours out/of the Pacific/and 2 live-frozen/trout/from Denmark . . .” Now, that sounds just like a fashionable grocery list!

  A.It is a fashionable grocery list.

  Q.Well — is it poetry?

  A.We poets have to talk in a language which is not English. It is the American idiom. Rhythmically it’s organized as a sample of the American idiom. It has as much originality as jazz. If you say “2 partridges, 2 mallard ducks, a Dungeness crab” — if you treat that rhythmically, ignoring the practical sense it forms a jagged pattern. It is, to my mind, poetry.

  Q.But if you don’t “ignore the practical sense” . . . you agree that it is a fashionable grocery list.

  A.Yes. Anything is good material for poetry. Anything. I’ve said it time and time again.

  Q.Aren’t we supposed to understand it?

  A.There is a difference of poetry and the sense. Sometimes modern poets ignore sense completely. That’s what makes some of the difficulty . . . The audience is confused by the shape of the words.

  Q.But shouldn’t a word mean something when you see it?

  A.In prose, an English word means what it says. In poetry, you’re listening to two things . . . you’re listening to the sense, the common sense of what it says. But it says more. That is the difficulty.

  . . . . )

  III.

  Peter Brueghel, the elder, painted

  a Nativity, painted a Baby

  new born!

  among the words.

  Armed men,

  savagely armed men

  armed with pikes,

  halberds and swords

  whispering men with averted faces

  got to the heart

  of the matter

  as they talked to the pot bellied

  greybeard (center)

  the butt of their comments,

  looking askance, showing their

  amazement at the scene,

  features like the more stupid

  German soldiers of the late

  war

  — but the Baby (as from an

  illustrated catalogue

  in colors) lies naked on his Mother’s

  knees

  — it is a scene, authentic

  enough, to be witnessed frequently

  among the poor (I salute

  the man Brueghel who painted

  what he saw —

  many times no doubt

  among his own kids but not of course

  in this setting

  The crowned and mitred heads

  of the 3 men, one of them black,

  who had come, obviously from afar

  (highwaymen?)

  by the rich robes

  they had on — offered

  to propitiate their gods

  Their hands were loaded with gifts

  — they had eyes for visions

  in those days — and saw,

  saw with their proper eyes,

  these things

  to the envy of the vulgar soldiery

  He painted

  the bustle of the scene,

  the unkempt straggling

  hair of the old man in the

  middle, his sagging lips

  —— incredulous

  that there was so much fuss

  about such a simple thing as a baby

  born to an old man

  out of a girl and a pretty girl

  at that

  But the gifts! (works of art,

  where could they have picked

  them up or more properly

  have stolen them?)

  — how else to honor

  an old man, or a woman?

  — the soldiers’ ragged clothes,

  mouths open,

  their knees and feet

  broken from 30 years of

  war, hard campaigns, their mouths

  watering for the feast which

  had been provided

  Peter Brueghel the artist saw it

  from the two sides: the

  imagination must be served —

  and he served

  dispassionately

  It is no mortal sin to be poor — anything but this featureless tribe that has the money now — staring into the atom, completely blind — without grace or pity, as if they were so many shellfish. The artist, Brueghel, saw them . : the suits of his peasants were of better stuff, hand woven, than we can boast.

  — we have come in our time to the age of shoddy, the men are shoddy, driven by their bosses, inside and outside the job to be done, at a profit. To whom? But not true of the Portuguese mason, his own boss “in the new country” who is building a wall for me, moved by oldworld knowledge of what is “virtuous” . “that stuff they sell you in the stores now-a-days, no good, break in your hands . that manufactured stuff, from the factory, break in your hands, no care what they turn out”

  The Gospel according to St. Matthew, Chapter I, verse 18, — Now the birth of Jesus Christ was on this wise: When as his mother Miriam was espoused to Joseph before they came together she was found with child of the Holy Ghost.

  19 Then Joseph her husband, being a just man, and not willing to make her a public example, was minded to put her away privately.

  20 But while he thought on these things, beho
ld, the angel of the Lord, appeared to him in a dream, saying, Joseph, thou son of David, fear not to take unto thee Miriam thy wife: for that which is conceived in her is of the Holy Ghost.

  Luke . . And Mary kept all these sayings, pondering them in her heart.

  . no woman is virtuous

  who does not give herself to her lover

  — forthwith

  Dear Bill:

  . . . . . . . . . . . . . . . .

  I am told by a dear friend in Paris, G.D. who is married to Henri Matisse’s daughter, and who is the one vibrant head I have met in Europe, that France today is ruled by the gendarme and the concierge. In socialist Denmark I knew a highly intelligent author, a woman, who had come to America and there had a child by a wretched scribbler. Poor and forsaken she had returned to Copenhagen, where she earned her niggard indigence doing reviews for the Politiken, and giving occasional lectures on Middle English and early Danish. She lived in the slummy part of that beautiful city, trying to support a wonderful boy, sturdy, loving, and very masculine. It was my joy to bring him oranges, chocolate, and those precious morsels which his mother could not afford. She told me that the socialist police had called on her one night, asking why she had not paid her taxes to the government. Poverty was her reply. Do you recall the epitaph on Thomas Churchyard’s tombstone? ‘Poverty and Obscurity doth this tomb enclose.’ A week later they returned, threatening to remove her furniture and have it impounded by the government. When she again pleaded that if she gave what Kroners she had her little boy would starve, the police said: ‘We went to the Vin Handel last evening, and learned from the proprietor that you had bought a bottle of wine; if you can afford to drink wine you certainly can pay your taxes.’ She then said ‘I am so poor, and so driven to despair by it that I had to have a bottle of wine to relieve me of my melancholia.’

  I am quite sure too that people only have the kind of government that their bellies crave. Furthermore, I cannot cure one soul in the earth. Plato took three journeys to Dionysius, the Tyrant of Syracuse, and once was almost killed and on another occasion was nearly sold into slavery because he imagined that he influenced a devil to model his tyranny upon The Republic. Seneca was the teacher of Nero, and Aristotle tutored Alexander of Macedon. What did they teach?

  We are content here because it is cheap; my wife can eat chateaubriand for seven pesetas, about 15 or 16 cents. Going to the shops in the morning is a ritual; there is the greeting from the woman who runs the Panaderia, and the salutation (courtesy always eases the spirit and relieves the nervous system), from the man or his wife at the lecheria (where you get milk), and an expansive smile from the humble woman who sells you three pesetas worth of helio, ice….

  Edward

  Paterson has grown older

 

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