Gunmans Reckoning

by Brand, Max

  One thing at least he had done; he had taken the joy out of his life forever.

  And here, answering a rap at the door, he opened it upon Lou Macon. She wore a dress of some very soft material. It was a pale blue--faded, no doubt--but the color blended exquisitely with her hair and with the flush of her face. It came to Donnegan that it was an unnecessary cruelty of chance that made him see the girl lovelier than he had ever seen her before at the very moment when he was surrendering the last shadow of a claim upon her.

  And it hurt him, also, to see the freshness of her face, the clear eyes; and to hear her smooth, untroubled voice. She had lived untouched by anything save the sunshine in The Corner.

  Her glance flicked across his face and then fluttered down, and her color increased guiltily.

  "I have come to ask you a favor," she said.

  "Step in," said Donnegan, recovering his poise at length.

  At this, she looked past him, and her eyes widened a little. There was an imperceptible shrug of her shoulders, as though the very thought of entering this cabin horrified her. And Donnegan had to bear that look as well.

  "I'll stay here; I haven't much to say. It's a small thing."

  "Large or small," said Donnegan eagerly. "Tell me!"

  "My father has asked me to take a letter for him down to the town and mail it. I--I understand that it would be dangerous for me to go alone. Will you walk with me?"

  And Donnegan turned cold. Go down into The Corner? Where by five chances out of ten he must meet his brother in the street?

  "I can do better still," he said, smiling. "I'll have George take the letter down for you."

  "Thank you. But you see, father would not trust it to anyone save me. I asked him; he was very firm about it."

  "Tush! I would trust George with my life."

  "Yes, yes It is not what I wish--but my father rarely changes his mind."

  Perspiration beaded the forehead of Donnegan. Was there no way to evade this easy request?

  "You see," he faltered, "I should be glad to go--"

  She raised her eyes slowly.

  "But I am terribly busy this morning."

  She did not answer, but half of her color left her face.

  "Upon my word of honor there is no danger to a woman in the town."

  "But some of the ruffians of Lord Nick--"

  "If they dared to even raise their voices at you, they would hear from him in a manner that they would never forget."

  "Then you don't wish to go?"

  She was very pale now; and to Donnegan it was more terrible than the gun in the hand of Lord Nick. Even if she thought he was slighting her why should she take it so mortally to heart? For Donnegan, who saw all things, was blind to read the face of this girl.

  "It doesn't really matter," she murmured and turned away.

  A gentle motion, but it wrenched the heart of Donnegan. He was instantly before her.

  "Wait here a moment. I'll be ready to go down immediately."

  "No. I can't take you from your--work."

  What work did she assign to him in her imagination? Endless planning of deviltry no doubt.

  "I shall go with you," said Donnegan. "At first--I didn't dream it could be so important. Let me get my hat."

  He left her and leaped back into the cabin.

  "I am going down into The Corner for a moment," he said over his shoulder to George, as he took his belt down from the wall.

  The big man strode to the wall and took his hat from a nail.

  "I shall not need you, George."

  But George merely grinned, and his big teeth flashed at the master. And in the second place he took up a gun from the drawer and offered it to Donnegan.

  "The gun in that holster ain't loaded," he said.

  Donnegan considered him soberly.

  "I know it. There'll be no need for a loaded gun."

  But once more George grinned. All at once Donnegan turned pale.

  "You dog," he whispered. "Did you listen at the door when Nick was here?"

  "Me?" murmured George. "No, I just been thinking."

  And so it was that while Donnegan went down the hill with Lou Macon, carrying an empty-chambered revolver, George followed at a distance of a few paces, and he carried a loaded weapon unknown to Donnegan.

  It was the dull time of the day in The Corner. There were very few people in the single street, and though most of them turned to look at the little man and the girl who walked beside him, not one of them either smiled or whispered.

  "You see?" said Donnegan. "You would have been perfectly safe--even from Lord Nick's ruffians. That was one of his men we passed back there."

  "Yes. I'm safe with you," said the girl.

  And when she looked up to him, the blood of Donnegan turned to fire.

  Out of a shop door before them came a girl with a parcel under her arm. She wore a gay, semi-masculine outfit, bright-colored, jaunty, and she walked with a lilt toward them. It was Nelly Lebrun. And as she passed them. Donnegan lifted his hat ceremoniously high. She nodded to him with a smile, but the smile aimed wan and small in an instant. There was a quick widening and then a narrowing of her eyes, and Donnegan knew that she had judged Lou Macon as only one girl can judge another who is lovelier.

  He glanced at Lou to see if she had noticed, and he saw her raise her head and go on with her glance proudly straight before her; but her face was very pale, and Donnegan knew that she had guessed everything that was true and far more than the truth. Her tone at the door of the post office was ice.

  "I think you are right, Mr. Donnegan. There's no danger. And if you have anything else to do, I can get back home easily enough."

  "I'll wait for you," murmured Donnegan sadly, and he stood as the door of the little building with bowed head.

  And then a murmur came down the street. How small it was, and how sinister! It consisted of exclamations begun, and then broken sharply off. A swirl of people divided as a cloud of dust divides before a blast of wind, and through them came the gigantic figure of Lord Nick!

  On he came, a gorgeous figure, a veritable king of men. He carried his hat in his hand and his red hair flamed, and he walked with great strides. Donnegan glanced behind him. The way was clear. If he turned, Lord Nick would not pursue him, he knew.

  But to flee even from his brother was more than he could do; for the woman he loved would know of it and could never understand.

  He touched the holster that held his empty gun--and waited!

  An eternity between every step of Lord Nick. Others seemed to have sensed the meaning of this silent scene. People seemed to stand frozen in the midst of gestures. Or was that because Donnegan's own thoughts were traveling at such lightning speed that the rest of the world seemed standing still? What kept Lou Macon? If she were with him, not even Lord Nick in his madness would force on a gunplay in the presence of a woman, no doubt.

  Lord Nick was suddenly close; he had paused; his voice rang over the street and struck upon Donnegan's ear as sounds come under water.

  "Donnegan!"

  "Aye!" called Donnegan softly.

  "It's the time!"

  "Aye," said Donnegan.

  Then a huge body leaped before him; it was big George. And as he sprang his gun went up with his hand in a line of light. The two reports came close together as finger taps on a table, and big George, completing his spring, lurched face downward into the sand.

  Dead? Not yet. All his faith and selflessness were nerving the big man. And Donnegan stood behind him, unarmed!

  He reared himself upon his knees--an imposing bulk, even then, and fired again. But his hand was trembling, and the bullet shattered a sign above the head of Lord Nick. He, in his turn, it seemed to Donnegan that the motion was slow, twitched up the muzzle of his weapon and fired once more from his hip. And big George lurched back on the sand, with his face upturned to Donnegan. He would have spoken, but a burst of blood choked him; yet his eyes fixed and glazed, he mustered his last strength
and offered his revolver to Donnegan.

  But Donnegan let the hand fall limp to the ground. There were voices about him; steps running; but all that he clearly saw was Lord Nick with his feet braced, and his head high.

  "Donnegan! Your gun!"

  "Aye," said Donnegan.

  "Take it then!"

  But in the crisis, automatically Donnegan flipped his useless revolver out of its holster and into his hand. At the same instant the gun from Nick's hand seemed to blaze in his eyes. He was struck a crushing blow in his chest. He sank upon his knees: another blow struck his head, and Donnegan collapsed on the body of big George.

  * * *

  44

  An ancient drunkard in the second story of one of the stores across the street had roused himself at the sound of the shots and now he dragged himself to the window and began to scream: "Murder! Murder!" over and over, and even The Corner shuddered at the sound of his voice.

  Lord Nick, his revolver still in his hand, stalked through the film of people who now swirled about him, eager to see the dead. There was no call for the law to make its appearance, and the representatives of the law were wisely dilatory in The Corner.

  He stood over the two motionless figures with a stony face.

  "You saw it, boys," he said. "You know what I've borne from this fellow. The big man pulled his gun first on me. I shot in self-defense. As for--the other--it was a square fight."

  "Square fight," someone answered. "You both went for your irons at the same time. Pretty work, Nick."

  It was a solid phalanx of men which had collected around the moveless bodies as swiftly as mercury sinks through water. Yet none of them touched either Donnegan or George. And then the solid group dissolved at one side. It was the moan of a woman which had scattered it, and a yellow-haired girl slipped through them. She glanced once, in horror, at the mute faces of the men, and then there was a wail as she threw herself on the body of Donnegan. Somewhere she found the strength of a man to lift him and place him face upward on the sand, the gun trailing limply in his hand. And then she lay, half crouched over him, her face pressed to his heart--listening--listening for the stir of life.

  Shootings were common in The Corner; the daily mortality ran high; but there had never been aftermaths like this one. Men looked at one another, and then at Lord Nick. A bright spot of color had come in his cheeks, but his face was as hard as ever.

  "Get her away from him," someone murmured.

  And then another man cried out, stooped, wrenched the gun from the limp hand of Donnegan and opened the cylinder. He spun it: daylight was glittering through the empty cylinder.

  At this the man stiffened, and with a low bow which would have done credit to a drawing-room, he presented the weapon butt first to Lord Nick.

  "Here's something the sheriff will want to see," he said, "but maybe you'll be interested, too."

  But Lord Nick, with the gun in his hand, stared at it dumbly, turned the empty cylinder. And the full horror crept slowly on his mind. He had not killed his brother, he had murdered him. As his eyes cleared, he caught the glitter of the eyes which surrounded him.

  And then Lou Macon was on her knees with her hands clasped at her breast and her face glorious.

  "Help!" she was crying. "Help me. He's not dead, but he's dying unless you help me!"

  Then Lord Nick cast away his own revolver and the empty gun of Donnegan. They heard him shout: "Garry!" and saw him stride forward.

  Instantly men pressed between, hard-jawed men who meant business. It was a cordon he would have to fight his way through: but he dissolved it with a word.

  "You fools! He's my brother!"

  And then he was on his knees opposite Lou Macon.

  "You?" she had stammered in horror.

  "His brother, girl."

  And ten minutes later, when the bandages had been wound, there was a strange sight of Lord Nick striding up the street with his victim in his arms. How lightly he walked; and he was talking to the calm, pale face which rested in the hollow of his shoulder.

  "He will live? He will live?" Lou Macon was pleading as she hurried at the side of Lord Nick.

  "God willing, he shall live!"

  It was three hours before Donnegan opened his eyes. It was three days before he recovered his senses, and looking aside toward the door he saw a brilliant shaft of sunlight falling into the room. In the midst of it sat Lou Macon. She had fallen asleep in her great weariness now that the crisis was over. Behind her, standing, his great arms folded, stood the indomitable figure of Lord Nick.

  Donnegan saw and wondered greatly. Then he closed his eyes dreamily. "Hush," said Donnegan to himself, as if afraid that what he saw was all a dream. "I'm in heaven, or if I'm not, it's still mighty good to be alive."

  End of the Project Gutenberg EBook of Gunman's Reckoning, by Max Brand *** END OF THIS PROJECT GUTENBERG EBOOK GUNMAN'S RECKONING *** ***** This file should be named 10066-h.htm or 10066-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/0/0/6/10066/ Produced by Suzanne Shell, Dave Morgan and PG Distributed Proofreaders Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.net/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public doma
in in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.net), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS," WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some stat
es do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Each eBook is in a subdirectory of the same number as the eBook's eBook number, often in several formats including plain vanilla ASCII, compressed (zipped), HTML and others. Corrected EDITIONS of our eBooks replace the old file and take over the old filename and etext number. The replaced older file is renamed. VERSIONS based on separate sources are treated as new eBooks receiving new filenames and etext numbers. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.net This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks. EBooks posted prior to November 2003, with eBook numbers BELOW #10000, are filed in directories based on their release date. If you want to download any of these eBooks directly, rather than using the regular search system you may utilize the following addresses and just download by the etext year. http://www.ibiblio.org/gutenberg/etext06 (Or /etext 05, 04, 03, 02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) EBooks posted since November 2003, with etext numbers OVER #10000, are filed in a different way. The year of a release date is no longer part of the directory path. The path is based on the etext number (which is identical to the filename). The path to the file is made up of single digits corresponding to all but the last digit in the filename. For example an eBook of filename 10234 would be found at: http://www.gutenberg.net/1/0/2/3/10234 or filename 24689 would be found at: http://www.gutenberg.net/2/4/6/8/24689 An alternative method of locating eBooks: http://www.gutenberg.net/GUTINDEX.ALL