Being a Green Mother

by Piers Anthony

  She continued to diffuse, becoming so large that Jonah was only an object intersecting her torso. There was no discomfort; she seemed to occupy a different plane, able to overlap without contact. There was wind, but it did not bother her either. There were clouds, and her substance phased through them without resistance. Simultaneously it extended down to the ground and beneath it, completing a phenomenal sphere. No, not a sphere—a shaped representation of herself. She grew and grew, and thinned and thinned, yet her identity remained. She was the most monstrous of invisible giants!

  Her center remained within the fish, but the fish was now a minnow, entirely contained within her body. Near her geographic center, which was—never mind! Still she expanded, her legs plunging down through the globe that was the world, her head reaching up beyond the sky. She was increasing at a greater rate, a geometric rate, doubling her size every second or so, as fast as she might want.

  She became so vast that the globe itself began to seem confining. Her feet poked out through the bottom of it, and she stood with it slowly turning around her legs and getting smaller, casting its shadow into space. She was larger than all the world!

  But she had been in quest of something—a sound, a melody. Where was it? She bent to peer down, cocked her ear, and tuned it in, faintly. It was from the surface of the great Pacific Ocean, a spot just within her right thigh. She put her finger on it. "Here," she said.

  Her word did not sound, for her head was beyond the effective atmosphere, but it had meaning, for it was backed by her will. She began to shrink, but not as she had grown. Her center of awareness was at her finger now, and she was coalescing about that. The world expanded much faster than it had shrunk, and she closed precipitously on the spot.

  Then, abruptly, she was there. She stood on a tiny isle in the sea, beside an inlet, and in the inlet was a single lovely sponge, growing just beneath the water's surface. It was from it that the evocative sound came.

  Orb squatted. A musical sponge?

  Then she came to her senses. What was she doing here, and how had she come? She was alone on a Pacific isle, with no other land in sight, no civilization. She might have imagined her diffusion and condensation, but this was real!

  She walked around the island, finding only sand and rocks. Wind blew back her hair. The sun shone down. She picked up a stone and tossed it into the water. It splashed. Reality.

  Well, she had wanted to be alone. The melody had come from an alone-place. She had sought it and found it. Now what was she to do?

  What had caused her to seek isolation? Oh, yes—the picture of Mym. But already that jolt was passing; he was happy with his new life, and she was no part of it, and that was the way it had to be. The little snake-ring had informed her truly; she had seen him again, but not as before. That aspect of her existence was done.

  It was amazing how quickly she found herself accepting that. She must have been ready for it, merely awaiting the signal. She was free of Mym, to the extent she needed to be; she could now seek other romance.

  With Satan? She kicked the sand with sudden anger. No! That prophecy could have no validity! She would seek her own, and to Hell with Satan!

  Well. So nice to have decided. Now how did she get back home to Jonah?

  She came again to the inlet. She peered into the calm water. There was the sponge, its faint music continuing.

  "That music brought me here," she said aloud. "It must be part of the Llano. Magic. But how do I return?"

  She tried to remember what she had done before, but could not. She had just, somehow, expanded—and contracted here. Thus she had in a few seconds traveled thousands of kilometers.

  Now she was stuck here, no longer wishing to be alone. The wind was picking up, stirring the waves. Clouds were shaping overhead, possibly considering a storm. She had no shelter, no umbrella, no mackintosh. No food, no company. Except for the sponge.

  She peered down at it. The water was becoming turbulent here as the wind whipped the waves across. "What are you going to do when your water starts frothing?" she asked it. The music of the sponge intensified. It began to grow. "You!" Orb exclaimed. "I emulated that technique from you!"

  The sponge continued to grow, fading as it did so. It became an expanding shadow of itself, projecting a gauzy portion above the water. Soon it enlarged itself out of sight; there was only thinning mist where it had been, and then nothing. "Wait for me!" Orb cried. She concentrated, tuning in on the music, joining it, becoming part of it.

  She expanded. This time the process was much faster than before. In a moment she was towering invisibly over the isle, shooting out in all directions. She grew to encompass the world. Where was Jonah? She reoriented and found him, cruising along over the continent. This time she did not need to put her finger on the target; she merely coalesced about that portion of her that included the big fish. She could solidify at any site within her expanded body; all it required was the melody and her attention.

  Soon she was back inside Jonah. Her targeting was imperfect, and she solidified within the wrong chamber.

  Jezebel and the guitarist were locked in a most passionate embrace. Embarrassed, Orb puffed into whale size, then recoalesced about her own chamber. She was glad that things had worked out so well for that couple, but she had never intended to snoop on them!

  Then, solid, she marveled at what she had done. Just like that, she had enlarged, then contracted, changing her location silently and efficiently.

  She had caught a part of the Llano and traveled across the world!

  But her exploration of the fragments of the Llano was far from complete. Perhaps her most significant progress occurred because of a deceptively irrelevant item.

  The drummer and Lou-Mae were, as they put it, an item; the guitarist had his secret love to sustain him, and that continued to be the way he wanted it. The organist had a girl friend with whom he communed via a tiny magic mirror he had bought for the purpose. She had been a Livin' Sludge fan and had sent her picture, nude to the waist. That had been enough for him; their correspondence had intensified. But she declined his frequent invitations to join the tour; her family needed her on the farm, she said.

  The organist had discussed the matter freely with his companions, Orb and Jezebel included. Was Betsy stringing him along? Was her picture faked up, so that her assets were not as represented? Did she just want a distant association with him for the purpose of notoriety? She seemed like a really nice girl—and that led to another question. What would a nice girl want with a creep like him?

  "Sometimes a nice girl can get to like a creep, if he has redeeming qualities," Lou-Mae said, looking at the drummer.

  "Gee, thanks," the drummer said, smiling. He was poring over fan mail, methodically working his way through a monstrous pile of it. "How about getting a nice girl to answer some of these for me?"

  "I've got my own pile to answer!" Lou-Mae protested. "They never told me that success would bring so many letters!"

  "We need a damned secretary," the guitarist said.

  "Don't look at me!" Jezebel said. "I've got all I can do to keep up with the housework!"

  "An undamned secretary," the guitarist amended himself, smiling.

  "I wonder," Orb mused. "Does Betsy do that sort of work?"

  The organist looked at her. "You mean—?"

  "Why don't you visit her," Jezebel said, "and take Orb along, and sing your girl a song? Then she'll come here."

  The organist nodded. He looked at Orb.

  "If she is as represented..." Orb agreed. "But I have one question: does she know about the H?"

  "What I thought," the organist said, abashed, "was if she came here to Jonah, there wouldn't be any problem about that. I know she wouldn't go for H, but maybe when we find the Llano that won't matter any more."

  "But if we don't find the Llano, you may have trouble trying to fit into her world."

  "We've got to find the Llano!" he said fervently.

  They happened to be within r
ange of Betsy's farm, though there was an engagement scheduled for the following day. "We'll do it now," Orb said. "Jonah can drop us off, then take the rest of you to the city, where you can set up. Then Jonah can come back for us in plenty of time."

  "Uh, remember what happened last time," Jezebel reminded her. "Sometimes Jonah doesn't come on call."

  "He seems to have reason when he doesn't," Orb replied. "If he strands us this time, it will surely be for the best." But she hoped they would not be stranded; that had been an uncomfortable adventure, despite its net benefit.

  Jonah obligingly deposited the two of them at the farm. Orb had her knapsack with her harp and her carpet, just in case. When they were safely on the ground, the big fish swam away, quickly disappearing.

  The farm did not look healthy. Rows and rows of plants were wilting in the baking heat. There were channels for irrigation, but they were dry.

  They approached the house. A young woman in coveralls was cleaning manure out of stalls. The horses did not look well fed.

  "It's her!" the organist whispered, terrified.

  "Then let's introduce ourselves," Orb said, taking the initiative. She strode forward, and the organist had to follow.

  The girl paused as she spied them coming. She was grimy and sweaty, and her hair was matted against her head, but she had an excellent superstructure. It seemed that her picture had been an honest representation. "What can I do for you?" she inquired tiredly. "You come to buy a horse?"

  "Not exactly," Orb said. "I am Orb, a singer for the touring group called the Livin' Sludge, and this is—"

  "It's you!" Betsy exclaimed, recognizing the organist. "Oh, I'm a sight!"

  "You're beautiful!" he said.

  She paused as if straight-armed. "You think so now?"

  "Sure! I mean, I never knew a girl before who really worked."

  She flushed, flattered. "I'm not really working, I'm just filling in. I need to get out on my own. But—"

  "But not on some freak show," he said.

  "I didn't say that!" she protested.

  "I thought maybe you were some groupie, you know, or maybe just stringing me along. Why'd you send your picture like that?"

  She grimaced. "Well, I guess it was more or less of a joke. Farm life—it's like this. I wanted to seem different. And I really like your music. And when I got to know you—" she shrugged. "I didn't think you were serious. I mean you musicians have a girl in every city, don't you?"

  "No," Orb said. "You're the only one he's kept in contact with. He asked me to help convince you to join us on the tour."

  "But I can't sing or play!" she protested. "All I know is farm life, and not a lot of that."

  "We need a secretary," Orb explained. "It really isn't professional work. It's just that there is a lot of mail coming in, and we'd like to answer it, but with the rehearsals there just isn't time to do it properly. We need someone who can go through it on a full-time basis, and sort it out, and call our attention to the important letters, and—do you type?"

  "Oh, sure, I do that. But—"

  "We could pay you, of course. We have a housekeeper already. But you would have to travel with us."

  "Now wait!" Betsy said. "I sent that picture, sure, but I'm not that kind of—"

  "We can see that you aren't," Orb said. "This is a legitimate offer. It is true that this man would like to have you with him, but there would be no commitment apart from that of the job."

  Betsy looked at her. "You know, I don't think I'd believe him, even though I like him a lot. But you—you I believe."

  "Then you'll do it?" the organist asked, hardly daring to believe it.

  "I don't know. It would be like a dream come true, to travel with the Livin' Sludge and see the whole country. But with the farm drying up like this, I'd sure feel guilty about walking out."

  "I saw that you had irrigation ditches," Orb said. "But why aren't you running water in them?"

  "What water? They're taking it all for the poison gas plant, drying up our river. If we don't get rain soon, we're finished! Us and every other farm in this area!"

  "For what kind of plant?" Orb asked, appalled.

  "Well, they claim it's a chemical plant. But there was a leak—I mean a news leak, not the other kind, thank God! and we found out it's making poison gas for the next war. And it uses an awful lot of water—something about the refinement process. We got up a petition to close it down, but they went to court and they had the money, and now they've got first call on the water. In this drought—" She shrugged. "Nothing anyone can do. If only it would rain!"

  "A poison gas plant!" the organist exclaimed, horrified. "I wish we could get rid of that!"

  "Oh, enough rain would do it," Betsy said. "Enough to wash right down that channel of theirs and flood the thing out! That would do us some good, too."

  "Rain," Orb said, a farfetched idea coming to her.

  "Bring us a deluge, and I'll go anywhere with you!" Betsy said, laughing somewhat bitterly.

  The organist spread his hands. "I wish we could! But that's not the kind of magic we're into."

  But Orb was tuning in on what she believed to be another fragment of the Llano. She concentrated, seeking it out. It was similar to the melody for traveling, but different, too; it involved expansion, but not of her own body. Contraction, of something else. A summoning and intensification "Say, Ms. Orb, are you all right?" Betsy inquired.

  "Hey, wait!" the organist cautioned her. "I think she's caught a piece of the Llano."

  "The what?"

  "It's the magic song we're all looking for, to get us off the—I mean, it's like nothing you ever heard. It—she got some of it a few months back, and—" He faltered, not wanting to speak of either H or the succubus.

  "Is there something I ought to know about?" Betsy asked alertly. "Just what's going on, on your tour?"

  Orb was concentrating on the elusive melody of summoning, ferreting it out, strengthening it in her mind. But it wasn't enough. "Get—harp," she gasped, not looking at him.

  The organist scrambled to obey. In a moment Orb's harp was in her hands. Still she clung to the tail of the melody, resonating to its enormous power without quite being able to grasp it. "Set me up!" she snapped, unable to spare the attention to do this for herself.

  They took her by the arms and guided her to the ground. They drew up her legs—she felt the organist's hands on her knees, but knew he was not being familiar. The harp came back into her hands.

  "She epileptic?" Betsy asked, worried.

  "No. It's the song. It—"

  "Tell her the truth!" Orb said, as her fingers sought the proper strings. She couldn't start playing until she found the precise place, but she had to be ready.

  "We're into H," the organist said reluctantly. "We want the Llano to get us off it."

  "You're all drug addicts?" Betsy asked, shocked.

  "Not her. Just us, the original Sludge. Once she sang my friend free of it for a while. But she can do it only a little; she needs the Llano to do it all. Meanwhile, Jonah holds it down."

  "Who?"

  The organist went into his answer, but Orb tuned out. She had zeroed in on enough of the melody to amplify! Her fingers moved, playing chords on the harp, and its magic amplified the effect. It was strange music, unlike anything she had played before, but its power manifested increasingly as she grasped it, the feedback providing her more and more of it. It was the melody of the operating system of the Elements! With it she was moving the Element of Air, stirring it—but not enough. All she could generate was a light breeze; the leverage simply wasn't there.

  She needed something else. And she thought she found it, in a distant variation of the theme. The Element of Air related to what she had done when traveling: diffusion and concentration. This other related to heat. In fact, it was the Element of Fire. She pursued this melody, her fingers dancing over the strings of her harp. More quickly than before, she caught it; she was learning how.

  She tuned in on
Fire, juxtaposing it with Air, at the site she watched with her mundane eyes. The air was now being heated. But it was already hot; she was doing only what the sun was doing—and doing no good for the parched crops. It was water she needed, not fire.

  She quested for the Element of Water, scenting its melody. More quickly yet, she traced it down, caught hold of it, tuned it in. Using it, she summoned water. She knew the humidity was rising.

  But that was not enough for rain. The air would simply drift onward, retaining its moisture. She needed to make it yield that water, to precipitate it. To do that, she had to cool it—but all she had was heat, not cold. She had the melody of intensification, but not of alleviation. Should she quest for the rest? She risked losing what she had, for her mind was already overflowing with these vast and potent new themes. How long could she retain them?

  No—she could do it with the tools she had acquired! Air-Fire-Water. She concentrated her attention, fixing it on a large region of air. Then she summoned water into it, raising the humidity. Then she summoned the heat, heating the moist air. This increased its capacity to support water. So she summoned more water.

  The process accelerated as she became conversant with the separate themes. She was, indeed, tuning in on the Llano: the great processes of nature, the wind and sun and moisture, that together shaped the weather. She continued the intensification, building up an enormous mass of hot, moist air above the parched fields. Something would soon have to give!

  It did. The heated air was less dense than the cooler air surrounding it, and began to rise. Air swept in from the great geographic torus, displacing the heated mass, squeezing under it. Orb continued to heat the region, so that the incoming air warmed and followed the prior air up.

  The process accelerated further. The outer air swept in with greater authority, and the warm mass rose faster. The original mass expanded as it achieved elevation, and cooled as it did so, bringing itself to the dew point. Precipitation occurred; the air now carried too much water to support, and the water emerged as tiny droplets. The circulation of the air carried positive and negative charges into the cloud, mostly positive above, mostly negative below, and so the droplets became charged in positive and negative layers. These charges built up, until intra-cloud lightning occurred to nullify the disparity. But the process was constant, so more lightning was needed, and more. The lightning, instead of causing the precipitation to ease off, increased it a thousand fold.