Tom Cain
Page 1
“This is the best first thriller I have read since The Day of the
Jackal, and that was a long time ago. With one mighty
bound, Tom Cain has vaulted over Archer and Grisham
and stands close on Frederick Forsyth’s tail.”
—Wilbur Smith
“The attention to detail, the skillful building and relaxing of
tension, the imaginative violence, the consistency and
human frailties of his characters—all make this a tour de
force, especially for a first-time novelist. I found myself
favourably comparing Cain’s storytelling with the best of
Ian Fleming and Robert Ludlum as I dashed from one page
to the next, easily polishing off the 320-page novel in two
sessions. This is a franchise with legs, and it should come as
no surprise that the movie rights have already been snapped
up by Paramount.”
—Calgary Herald
“Audacious, authentic, full of tension and tradecraft. . . .
Maybe it’s true and maybe it isn’t, but either way it’s a great
thriller read. I loved it.”
—Lee Child
“This audacious first novel takes the events surrounding the
death of Diana, Princess of Wales, and melds them with an
utterly fantastic conspiracy in this tale of assassin-for-hire
Samuel Carver.”
—Ottawa Citizen
Also by Tom Cain
No Survivors
a cognizant original v5 release november 12 2010
THE
ACCIDENT
MAN
PENGUIN CANADA
Published by the Penguin Group
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First published in a Viking Canada hardcover by Penguin Group (Canada), a division
of Pearson Canada Inc., 2008
Published in this edition, 2009
1 2 3 4 5 6 7 8 9 10 (OPM)
Copyright © Tom Cain, 2007
All rights reserved. Without limiting the rights under copyright reserved above, no
part of this publication may be reproduced, stored in or introduced into a retrieval
system, or transmitted in any form or by any means (electronic, mechanical, photo-
copying, recording or otherwise), without the prior written permission of both the
copyright owner and the above publisher of this book.
Publisher’s note: This book is a work of fiction. Names, characters, places and incidents
either are the product of the author’s imagination or are used fictitiously, and any
resemblance to actual persons living or dead, events, or locales is entirely coincidental.
Designed by Nancy Resnick
Manufactured in the U.S.A.
Library and Archives Canada Cataloguing in Publication data available upon request
to the publisher
American Library of Congress Cataloging in Publication data available
ISBN: 978-0-14-305598-3
Except in the United States of America, this book is sold subject to the condition that
it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise
circulated without the publisher’s prior consent in any form of binding or cover other
than that in which it is published and without a similar condition including this
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Author’s Note
The Accident Man was inspired by real events, the worldwide reaction to them, and the ongoing speculation that surrounds them. Wherever relevant, I have endeavored to respect the facts as they are known. Nevertheless, this is explicitly and unambiguously a work of fiction. I am categorically not claiming to reveal some supposedly genuine conspiracy that has somehow remained undisclosed or suppressed up to this point. An investigative journalist or police detective tries to uncover the answer to the factual question “What happened?” But writing as a novelist, I have used my imagination to devise an answer to a very different, hypothetical inquiry: “What if . . . ?”
PRELUDE
The night air was weighed down with heat and the sea rippled lazily against the pebbled beach.
There was a guard on the wooden jetty, but it was past ten o’clock with no moon in the sky, so the man with the AK-47 did not see Samuel Carver as he swam beneath the Adriatic waters, didn’t hear him as he surfaced beneath the jetty, didn’t detect Carver’s presence just beneath his feet.
Slowly, silently, Carver made his way up toward the shore, where the water was shallowest. He took off his mask, fins, and the buoyancy vest to which his breathing system was secured. He clipped the mask and flippers to D rings on the side of the vest, then gently slipped the diving gear back into the water, letting it settle on the seabed.
Carver waited till he heard the sound of the helicopter in the distance before he moved to his starting position by the foot of the ladder that led down to the sea at the deep end of the jetty. He was counting on human nature. When the chopper passed overhead, the man would look up. Anyone would, particularly if his boss was onboard.
There were two waterproof pouches strapped to Carver’s thighs. As the noise of the rotors reached its clattering crescendo, he opened one of them and extracted a standard veterinarian’s air pistol. He let the glow from the helicopter’s landing lights pass overhead. Then he took a deep breath, gripped the side of the ladder, and pulled himself upward.
He landed flat on the planking and looked up to see the guard still watching the Bell 206B3 JetRanger as it hovered about four hundred meters away before dropping down to land at the villa’s private helipad. The man’s back made a perfect target for the tranquilizer dart. Carver dashed forward and caught the guard before he fell. He removed the dart and threw it into the water. Then he entered the estate, preparing himself for the job he had to do.
Samuel Carver made very bad accidents happen to even worse people. His current target was a forty-three-year-old ethnic Albanian named Skender Visar. The official term for Visar’s business was people-trafficking, but Carver preferred a more traditional job description. As far as he was concerned, the Albanian was a slave trader.
Visar shipped human beings in containers from China, Africa, and the former communist states of Eastern Europe. He sent men to work as indentured labor in fields and sweatshops, doing jobs that Westerners now felt were beneath their di
gnity. He bought women from families so impoverished they would sell their own kith and kin; he then beat them into submission, strung them out on drugs, and worked them mercilessly in the brothels, bars, and massage parlors he owned across Europe and the United States. Few slaves lasted more than two or three years. By then they had repaid the cost of their purchase, transport, and pitifully meager upkeep hundreds of times over. And there were always more, countless thousands more.
Slavery was crime’s growth industry, its profits rapidly catching up with those to be made from illicit weapons and drugs. In some ways, the business model was far smarter. You could only sell a gun or a gram of cocaine once you could sell a sex slave ten times a night. But easy money bred tough competition. Visar lived in a permanent state of professional paranoia, constantly on the lookout for enemies, alert to every possible threat to his position, whether real or imagined.
He’d been taking a break on his 180-foot yacht, cruising the Dalmatian coast of Croatia with his family, when he heard that one of his senior lieutenants, Ergon Ali, had been trying to cut a deal with a rival boss. The information was false, planted to deceive, but it had the desired effect.
Visar sent a four-man team to the Berlin strip club that served as Ali’s base. They knocked Ali unconscious with the butt of a Mossberg pump-action shotgun, bundled him into the trunk of an S-Class Mercedes, shot him full of heroin, and hit the autobahn south. Fourteen hours later they arrived in Split, the Croatian seaside town that had once been the favored summer resort of the emperors of Rome.
Visar’s men topped up Ali’s dose to keep him quiet, then drove their Merc onto the ferry to the island of Hvar, sticking it next to a camper van filled with Australian students on a round-Europe tour. They spent the three-hour voyage in the ferry bar, matching the Aussies beer for beer. The only other occupant of the bar was sitting in the corner, a bearded man in a battered Panama hat, with a pair of binoculars around his neck, eking out a pot of tea and studiously consulting a book about bird watching.
When Visar’s men reached the villa, they dumped Ergon Ali, bound and gagged, in the cellar. They did not want to waste their boss’s time, so they spent the rest of the night and all the next day beating, electrocuting, and half-drowning the man who had once been their friend. Only when they felt that Ali was about to crack did they call Skender Visar to inform him that everything had been prepared for his arrival. By the time Visar hung up, the blades on his helicopter had already started to turn. He was on his way to apply the finishing touches to Ergon Ali’s interrogation. And Samuel Carver, bird watching now far from his mind, was waiting for him.
Carver crouched in the shadows to the side of the helipad. Visar and his bodyguard had already walked up the main house where Ergon Ali was awaiting his fate. The pilot stayed behind for a few minutes to shut down and check his aircraft, then he too made his way up the path. Carver waited until he was sure that the area was deserted, then slipped across the pad to the silent machine.
The Bell 206B3 is the workhorse of the skies, first put into service in 1967 and barely changed since. The rear of the aircraft consists of a long tail boom, at the end of which sit the tail rotor and the vertical stabilizer, which sticks out above and below the boom like the angled fins of a shark. This stabilizer is attached to the rest of the helicopter by four bolts, arranged in a rectangle.
Carver put on his gloves, took an adjustable wrench out of his second pouch, and removed the bottom two bolts. Then he used a minisaw to cut halfway through each one, making them significantly weaker. He screwed them back into the housing, taking extreme care not to snap them in two. Next he unscrewed the top pair of bolts, exactly as before. But this time he cut right through them, up by the head. He put the shafts back into his thigh pouch, then used tiny blobs of Blu-Tack to stick the heads of the bolts back on the vertical stabilizer, exactly where they had been before. An inch-by-inch inspection of the helicopter would reveal what Carver had done. But his work would certainly pass a tired pilot’s cursory pretakeoff check.
He ran through the whole procedure one more time in his mind, making sure he had done everything that was required, and then made his way back to the jetty. By the time the guard woke from his slumber, Carver was long gone.
Ergon Ali took a long time to die, protesting his innocence and loyalty to the end. It was dawn by the time Skender Visar got back onboard his helicopter. He was tired and preoccupied, fearing a dangerous, costly gang war and wondering who would be next to betray him. He wanted to get back to his boat. His pilot had no desire to anger him further, so he rushed through his takeoff procedures and got the Bell off the ground as fast as possible.
They were five miles out to sea when the vibrations started. The pilot’s instincts told him to turn back, but he knew Visar would not allow it, so he picked up speed, hoping to get the trip over and done with as soon as possible.
As the helicopter accelerated, air started rushing ever faster around the vertical stabilizer, bullying it from side to side. If all four assembly bolts had been solidly in place, they would have kept the stabilizer upright and motionless. But with the top assembly bolts gone, the weakened bottom bolts became a hinge around which the stabilizer started to flap. And the more the pilot piled on the speed, the more extreme the flapping became.
When the helicopter took off, there was a clearance of about a foot between the stabilizer and the tail rotor. But with each vibration that distance decreased: ten inches . . . six . . . three . . . closer and closer until it collided with the spinning blades in a screaming impact of metal on metal, instantly jamming the rotor like a broom handle shoved between the spokes of a bicycle wheel.
The sudden, total deceleration ripped the rotor blades away from the helicopter. The two remaining stabilizer bolts snapped like breadsticks and the entire tail assembly was sent plummeting down toward the waters of the Adriatic Sea, burnished to a gleaming copper by the rays of the rising sun.
The helicopter began spinning around and around at an ever-increasing speed. Skender Visar, who had calmly supervized the death and degradation of so many human souls, reacted to his own impending doom with an animal howl of terror. The pilot simply switched off the engine, leaving the main rotors to autorotate like the blades of a windmill.
For a brief moment, calm was restored. The cabin stopped spinning. Visar grinned feebly in a desperate attempt to disguise his cowardice. The pilot began sending out a Mayday message and calling for rescue. A Bell 206B3 JetRanger under autorotation descends at a speed of seventeen miles per hour. With an experienced pilot at the controls, the chances of survival are good, even when landing on water. But Carver had banked on something else.
A helicopter’s tail rotor is powered by a driveshaft that runs from the engine along the tail boom. But the power can’t be transferred from the shaft to the rotor without a gearbox. This box is a heavy hunk of metal and sits at one end of the boom, acting as a counterweight to the cabin and engine at the other end.
When the rotor was ripped away from the helicopter, it yanked the gearbox out of its moorings and left it dangling off the driveshaft at the open end of the shredded tail boom. It stayed there for ten, maybe fifteen seconds, pulled by gravity and pummeled by the wind. Then the connection to the driveshaft gave way and the gearbox joined the debris tumbling to the sea.
Without its weight, the JetRanger lost any semblance of balance. One second the pilot was looking at the sky. The next he was pointing straight down at the sea, and the chopper had ceased to be a functioning aircraft, becoming instead a glass-and-metal coffin plummeting toward the churning waters, and all the pilot could hear was the manic rush of the air and the death scream of Skender Visar.
Samuel Carver was fast asleep when the people trafficker died. Hours earlier, he’d swum back to the rented motorboat he’d moored just around the headland from the bay where Visar’s villa lay.
He’d peeled away the wetsuit, dried himself off, and changed into a pair of jeans and a loose cotton shirt. He�
��d then returned to the tourist resort of Hvar, where he was staying, moored the boat, and had a late dinner in a restaurant down by the seafront. Carver ordered grilled seafood and a chilled bottle of Pošip Cara, a fresh white wine from the neighboring island of Korcula. He ate at an outside table and watched the girls go by. Then he walked back to his hotel, just like any other tourist, bidding goodnight to the night porter before making his way to bed.
The next day Carver breakfasted on fresh rolls and sweet black coffee before he checked out, paying in cash. He boarded a ferry across the Adriatic to the Italian port of Pescara, just another anonymous foot passenger at the height of the summer season. Once he got to Italy, he bought a train ticket home—no documentation or ID required, no record kept of his journey, cash accepted without question.
Carver traveled first class. He read a book that wasn’t about bird watching. He joined in the conversation when fellow passengers felt like talking, stopped along the way for a couple of decent meals. He did everything he could not to think about what he’d just done.
TEN DAYS
LATER
1
The man smiled to himself as he walked into the walnut paneled room, relishing the cool of the air-conditioning after the blazing August heat. He pushed his sunglasses off his face, up over his thinning, tightly cropped black hair. The semidarkness too came as a relief. The peoples of the cold, gloomy north might be happy to spend their summer holidays roasting their milky skins to a crimson crisp, but he was a child of the sun. So he respected its power and sought the shade at midday.
He only had a few minutes to himself. Soon he would be expected back outside, where the servants were laying a table for lunch under a white canvas awning that flapped in the Mediterranean breeze. He walked across the room, feeling the soft thickness of the custom-woven carpet under his bare, olive brown feet. His jeans and T-shirt were simple but very expensive. His watch was a Rolex. He took such things for granted. His entire life had been spent inside the cocoon that money provides for the children of the rich.