Detective Stories From Real Life

by Edited by Julian Hawthorne

  One of the most instructive incidents I know, in relation to this question of the psychology of deception, is the one given by Doctor Hodgson[1]--the case of the officer and the Hindu juggler. In this case, a trick was performed before an English officer and his wife, and Doctor Hodgson happened to overhear this officer telling some travelers of the experience at dinner that evening. "Referring to the movements of the coins, he said that he had taken a coin from his own pocket and placed it on the ground himself, yet that this coin had indulged in the same freaks as the other coins. His wife ventured to suggest that the juggler had taken the coin and placed it on the ground, but the officer was emphatic in repeating his statement, and appealed to me for confirmation. He was, however, mistaken. I had watched the transaction with special curiosity, as I knew what was necessary for the performance of the trick. The officer had apparently intended to place the coin upon the ground himself, but as he was doing so, the juggler leaned slightly forward, dexterously and in a most unobtrusive manner received the coin from the fingers of the officer, as the latter was stooping down, and laid it close to the others. If the juggler had not thus taken the coin, but had allowed the officer himself to place it on the ground, the trick, as actually performed, would have been frustrated.

  [1] Proceedings Society for Psychical Research, Vol. IV., pp. 385-6.

  "Now I think it highly improbable that the movement of the juggler entirely escaped the perception of the officer; highly improbable, that is to say, that the officer was absolutely unaware of the juggler's action at the moment of its happening; but I suppose that, although an impression was made on his consciousness, it was so slight as to be speedily effaced by the officer's IMAGINATION of himself as stooping and placing the coin upon the ground. The officer, I may say, had obtained no insight into the modus operandi of the trick, and his fundamental misrepresentation of the only patent occurrence that might have given him a clew to its performance debarred him completely from afterwards, on reflection, arriving at any explanation. Just similarly, many an honest witness may have described himself as having placed one slate upon another at a sitting with a medium, whereas it was the medium who did so, and who possibly effected at the same time one or two other operations altogether unnoticed by the witness."

  In reading through descriptions of slate-writing seances, we very seldom find the statement made as to WHO placed the slates on the table, or under the table, etc., generally the account reading "the slates were then placed on the table," without any qualifying statement as to WHO placed them there. Accounts of this kind are absolutely worthless, from an evidential standpoint. We must at once ask ourselves: who placed the slates in that position? and if it was the medium--as it probably was in the vast majority of instances--then that test, in all probability, ceases to have any evidential weight. Anyone can read over a number of accounts of slate-writing performances, and verify these statements, if he chooses to do so. Frequently, the statement is made that the sitter did actually place the slate on the table, when in reality the medium did so. This error is quite unconscious on the sitter's part, of course, but the account is falsified, nevertheless. Mistakes of this kind are very common, the sitter thinking afterwards that he (the sitter) MUST have placed the slates on the table himself!

  It will be seen from the above that there is a great difference between what ACTUALLY transpired, at any given seance, and what the accounts SAY transpired. The general public cannot get that all- important fact too strongly rooted in its mind: that the events which transpired at a seance may not be reported accurately, so that the report of the seance may be altogether wrong and erroneous, though the sitters, and those who drew up the report, may have been thoroughly honest in their belief that the report is accurate in every respect. The effect of all this is very great indeed. Many spiritualistic seances are quite inexplicable AS DE- SCRIBED, but the description is not a true report of what took place at the seance in question. The facts are distorted. Consequently, the person taking it upon himself to explain what took place at the seance is called upon to explain a number of things which, in reality, never took place at all. We must remember, in this connection, that a number of conjuring tricks, AS DESCRIBED, would be quite impossible to explain by any process of trickery. The description of the trick was not correct.

  Let me make this still clearer, and at the same time illustrate the difference between what apparently occurs, and what actually happens, by the following example: A conjurer places a coin (say a quarter) in each hand, and closes his hands. Another quarter is now placed upon the fingers of each hand, so that there is now one quarter in each hand and one-quarter on the fingers of each. The magician announces that, by simply opening and closing his hands-- which are held at some distance from each other--he will thereby transfer one of the coins from one hand to the other, so that there will be three coins in one of the hands, and only one left in the other.

  Now, if the sitter were writing out an account of what happened, it would most certainly read as follows:

  "The magician then tried the experiment--of opening and closing his hands rapidly, and causing the coin to be transferred, as promised-- but failed in the attempt, the coins from the back of each hand falling on to the table in rather a clumsy manner. They were, however, again placed upon the backs of the magician's hands; the movement was repeated, and this time successfully. The coins disappeared from the backs of both hands, in one of which was now found three of the coins, while the other hand contained only one."

  Such is precisely the description of the trick, as it would be given by the average person, on seeing it, and it would represent his honest opinion of what occurred; as it stands, it is quite inexplicable by trickery. Needless to say, the account is NOT a true statement of what actually occurred, as the following explanation will make clear:

  The first time the coins were dropped on to the table, the movement was not so "clumsy" as might have been supposed. It was, in fact, intentional, being the principal factor in the accomplishment of the trick. What ACTUALLY transpired at that time was this: The magician, by a quick movement, dropped both coins from ONE hand on to the table, at the same time dexterously opening the other hand a trifle, and allowing the second coin, on that hand, to fall into the interior of the hand itself. Thus, while both hands are still seen to be closed, one is empty, and the other contains two coins. It is obvious, therefore, that, when a coin is placed upon each of the hands again, the magician has only to repeat the opening and closing movement, and there will be three coins in one of the hands, and only one in the other.

  This trick illustrates, in a very simple and striking manner, the possibility of reporting a fact in an entirely erroneous manner, quite unconscious of the fact that this error in reporting has been committed. Just in this same manner, are many slate-writing and other phenomena misreported, and hence an explanation of the seance, AS REPORTED, is rendered impossible. The trouble is that the "report" does not REALLY report what actually occurred.

  Many of my readers may feel somewhat insulted at this accusation that they cannot detect such obvious trickery when it exists, and that they are liable to make such mistakes in recording a seance as those here mentioned. They may comfort themselves with the thought, however, that it is no disgrace to make mistakes and errors of this kind; for, as Professor Jastrow pointed out:[1]

  [1] Fact and Fable in Psychology, p. 148.

  "The matter is in some aspects as much a technical acquisition as in the diagnosticating of a disease. It is not at all to the discredit of anyone's powers of observation or intellectual acumen to be deceived by the performances of a conjurer; and the same holds true of the professional part of mediumistic phenomena. Until this homely but salutary truth is impressed with all its importance upon all intending investigators, there is little hope of bringing about a proper attitude toward these and kindred phenomena."

  These remarks will make it clear to us why many men of science have been deceived by very simple tricks and fraudulent
devices, while investigating spiritualistic phenomena--their scientific culture is no guaranty that they are any more capable of detecting fraud than is the man-in-the-street--in fact their training has made them very much LESS capable of detecting fraud than the average person, who comes more in contact with the world, and is an acuter judge of character and human nature.

  How Spirits Materialize

  Anonymous

  From "The Revelations of a Spirit Medium"--a book out of existence now, since the plates and all copies were bought up by "spiritualists" and destroyed. The following is given by courtesy of Mr. Hereward Carrington:

  Reader, have you ever attended a "seance" for "full-form materialization?" Have you ever thought you had met your dead relative's spirit at these "seances"?

  If you have never had the pleasure of attending a seance of this "phase" you have missed a rare treat. The writer has assisted at many a one and will relate to you some of the wonderful phenomena occurring at them and the means used to produce them. . . . There are hundreds of "materializing mediums" doing business in this country, who are swelling a good-sized bank account. Their business sometimes runs into the hundreds of dollars in a single week. This "phase" of mediumship is considered by the spiritual- ists as the highest possible attainable, and if you are a clever "full-form medium" your financial welfare is assured. . . . Many and various are the methods employed by the different "mediums" in producing this phase. It is in Boston, New York, and San Francisco that it is worked the finest. The full-form seances most often met with are very simply worked, and easy of performance by the medium. You are usually given a seat in a circle of chairs about the front of a "cabinet" made by hanging heavy curtains across the corner of the room. If you are a stranger or one who looks or acts as though he would "grab" the "spirits," you are seated at the farthest point from the cabinet; or, if there are two rows of seats, you will be given a seat in the back row. . . .

  I made my way to the "materializing seance," at which my friends hoped to materialize. I was admitted to the seance room and found about twenty persons already assembled. I was seated in the front row of chairs. The cabinet used was a closet about six feet long and four feet wide. The ceiling of both the room and the cabinet was of wood. After a thorough examination had been made of the cabinet by all those who cared to do so, the sitters were rearranged to suit the medium. There were present now thirty-five persons. The seance room was very large. The door had been taken off the closet that served as a cabinet, and in its stead were hung heavy curtains. The floor of the room was carpeted with a dark carpet, as was the cabinet. The light was furnished by a lamp placed in a box that was fastened to the wall some eight feet from the floor. This box had a sliding lid in front, controlled by a cord passing into the cabinet. By this means the "spirits" could regulate the light to suit themselves, without any movement on the part of any of those in the seance room being necessary. When everything was in readiness the medium entered the cabinet, seated himself and was tied, and so secured to his chair that it was impossible that he could have any use of himself. He was most thoroughly secured to his chair, and his chair nailed fast to the floor by passing leather straps over the rounds in the side and nailing the ends to the floor. After it was shown to the sitters that he was utterly helpless, the curtain was drawn. The manager now placed an ordinary kitchen table in front of the door of the cabinet, so that it stood away from it about two feet. The table contained no drawer. On the table was laid writing materials, a guitar, and small bell. The manager seated himself close to one side of the cabinet entrance, and started a large Swiss music box. Before it had finished the first air the lamp was shut entirely off, making the room inky dark.

  An illuminated hand and arm was now seen to come from behind the curtain, and played an accompaniment to the music box on the guitar. We could see plainly the movements of the hand, arm, and fingers, as it manipulated the strings of the instrument. It did not appear necessary to finger the strings on the keyboard, although the air was in a key that made it impossible to tune the guitar so that an accompaniment could be performed WITHOUT fingering. However, but one hand was visible, and it was picking the strings. After the tune was finished, the hand left the in- strument, and moved out into the room to the front of the table, and from the sound we knew it was writing on the tablet that had been placed there. The arm was of bluish light and appeared to end just above the elbow, and to have no connection with the body. It finished writing and seemed to float into the cabinet near the top.

  The light was opened and the manager requested those who had tied the medium to examine his condition and see if the ropes had been tampered with. The examination was made and it was evident that the fastenings were undisturbed. The communication was read aloud to those present, and contained the following:

  "We are pleased to meet so many seekers after light and truth here this evening, and, from the conditions, as we sense them, we will have a satisfactory and pleasant seance. The way to obtain the best results is for each person to maintain a passive condition and take what we have to give. You may rest assured that our best efforts will be put forth to give you entire satisfaction. The Control."

  The writing was exactly on the ruled lines although written in absolute darkness. The hand and arm, although luminous, did not give out a particle of light. The arm had been at least five feet from the cabinet opening and seven feet from the medium. Surely, it was not he. The message read, the light was again shut down and the music again started.

  Once more a hand appeared, and floating out to the table, again began writing. Of a sudden the hand disappeared, and, after a few seconds, I was astonished to feel a hand thrusting a paper into my top coat pocket. Now appeared two hands and they played an air on the guitar. Now came three, then four hands were visible, bright as the day. Two of them began writing again, and, when they had finished, two more sitters were the recipients of sheets of paper. Soon the light was opened for an inspection of the cabinet, which was made, with the conclusion that the medium had not moved. Those of us receiving communications were afforded an opportunity to read them. We found them nicely written, as before, and all contained "tests." . . .

  After the light went out again, more hands were seen; the table was floated about over the heads of the circle, as was the music box, which weighed at least fifty pounds. Another examination of the cabinet was made and everything found satisfactory. This time the light was not put entirely out, but a very dim light was allowed.

  The music box was again set playing, and, while yet it was playing the first tune, a tall figure, robed in creamy white, with gleaming sparks in her hair, and on her head a sort of crown, issued from the cabinet. She was recognized by a gentleman present, a spiritualist, whose spirit guide she was, and who addressed her as "my queen." She stood a few seconds behind the table and then stepped out in the open space between the sitters and the table. The gentleman now arose from his seat and, standing beside her, holding her hand, conversed in a whisper with her for some seconds.

  This was most assuredly a lady, if appearances go for anything. Her hands were quite small, and were warm and lifelike, as several, including myself, can testify, having been permitted to shake hands with her. At last she started to the cabinet, and, as she went, appeared to grow shorter, until, as she disappeared between the curtains, she was not much taller than the table. The manager now explained that the spirit had remained out rather too long and came near dematerializing before she reached the cabinet. Now came the spirit of a young man, dressed in a light suit of clothes, who gave his name and said his mother was present. She was, and had a few words of conversation with him when he disappeared into the cabinet. The lady said that it was unmistakably her son; but there was SOMETHING that was not as he had been, but what it was she was unable to describe.

  The next spirit to present itself was my son Eddie. He came out from the cabinet calling "Papa, papa." The manager asked "Who is your papa?" and he replied, "Mr. (Smith)." All this time he st
ood between the table and the cabinet, and only his head and shoulders could be seen. The manager told him to step out where he could be seen, when he came around to the front of the table.

  It was rather dark, but I could swear it was my son. He was just the right size, with long flaxen hair and a very pale face. He wore a light-colored waist and darker knee-breeches and stockings, with a large black bow at his throat, Just as I remember seeing him last in health.

  While Eddie was still standing in front of the table a large man came out and took him by the hand. Eddie spoke, saying:

  "Must I go back, grandpa?" The form turned toward me, saying:

  "My son, this is a great pleasure to us, but we must not long remain, as it is our first attempt at materializing." He turned to go when the manager said to him:

  "If the gentleman is your son you ought to give him your name."

  "The name of the child is Eddie, and my own is J. A. Smith," replied the form, as they vanished into the cabinet.

  The manager suggested that it would be well to examine and see whether the medium had been out or not. The cabinet was examined and everything found satisfactory.

  Spirit after spirit came from the cabinet, one or two at a time for an hour; some of them came to friends, and others were "controls" of the medium. Many of them were recognized by different ones of the sitters in the room. I, for one, could swear to the identity of my own son Eddie, while my father was plainly recognizable. . . .

  The room was again made dark. Suddenly there appeared on the floor, in front of the table, a light about as large as a baseball. It moved about in a circle of perhaps a foot in diameter and grew larger. It soon lost the shape of a ball and appeared to be a luminous cloud. Seemingly we could see into and through it. In the course of thirty seconds it had become as large as a six-year- old child; still there was no definite shape, only a fleecy cloudlike mass, turning, twisting, and rolling. At the end of perhaps a minute it was the size and shape of an adult person. The face could not be seen, but light, luminous spots were visible as though the hair and ears were decorated with gems. The shape spoke and requested light. As the light was turned on the luminousness disappeared, and we beheld a beautiful young lady clothed in a dazzling white costume. Her arms and shoulders were bare, and about her neck there was a necklace of what appeared to be very brilliant diamonds. Her feet were encased in white slippers, with straps across the instep. In her ears and hair glistened and shimmered beautiful diamonds. Her face and arms were as alabaster, and altogether she was one of the most beautiful women I had ever beheld. She was recognized by a lady and gentleman present as their daughter. They had met her here before. They were from the East, and were wealthy. The spirit requested that they come to her, which they did, and were each kissed and embraced by it. They held a moment's conversation with her and resumed their seats, when the lamp was slowly turned down. As the light became dim the spirit became luminous. The face and arms disappeared and the body became as a cloud again, turning and twisting and growing smaller until it was nothing but a small light spot on the carpet, which of a sudden disappeared entirely.