The Robert Sheckley Megapack

by Robert Sheckley

  “You were very warm,” the voice said. “It’s a question of seeing things correctly.”

  Anders resisted the urge to scratch his head, for fear of disarranging his carefully combed hair. What he had seen wasn’t so strange. Everyone sees one or two things in his life that make him doubt his normality, doubt sanity, doubt his very existence. For a moment the orderly Universe is disarranged and the fabric of belief is ripped.

  But the moment passes.

  Anders remembered once, as a boy, awakening in his room in the middle of the night. How strange everything had looked. Chairs, table, all out of proportion, swollen in the dark. The ceiling pressing down, as in a dream.

  But that had also passed.

  “Well, old man,” he said, “if I get warm again, let me know.”

  “I will,” the voice in his head whispered. “I’m sure you’ll find me.”

  “I’m glad you’re so sure,” Anders said gaily, switched off the lights and left.

  * * * *

  Lovely and smiling, Judy greeted him at the door. Looking at her, Anders sensed her knowledge of the moment. Had she felt the change in him, or predicted it? Or was love making him grin like an idiot?

  “Would you like a before-party drink?” she asked.

  He nodded, and she led him across the room, to the improbable green-and-yellow couch. Sitting down, Anders decided he would tell her when she came back with the drink. No use in putting off the fatal moment. A lemming in love, he told himself.

  “You’re getting warm again,” the voice said.

  He had almost forgotten his invisible friend. Or fiend, as the case could well be. What would Judy say if she knew he was hearing voices? Little things like that, he reminded himself, often break up the best of romances.

  “Here,” she said, handing him a drink.

  Still smiling, he noticed. The number two smile—to a prospective suitor, provocative and understanding. It had been preceded, in their relationship, by the number one nice-girl smile, the don’t-misunderstand-me smile, to be worn on all occasions, until the correct words have been mumbled.

  “That’s right,” the voice said. “It’s in how you look at things.”

  Look at what? Anders glanced at Judy, annoyed at his thoughts. If he was going to play the lover, let him play it. Even through the astigmatic haze of love, he was able to appreciate her blue-gray eyes, her fine skin (if one overlooked a tiny blemish on the left temple), her lips, slightly reshaped by lipstick.

  “How did your classes go today?” she asked.

  Well, of course she’d ask that, Anders thought. Love is marking time.

  “All right,” he said. “Teaching psychology to young apes—”

  “Oh, come now!”

  “Warmer,” the voice said.

  What’s the matter with me, Anders wondered. She really is a lovely girl. The gestalt that is Judy, a pattern of thoughts, expressions, movements, making up the girl I—

  I what?

  Love?

  Anders shifted his long body uncertainly on the couch. He didn’t quite understand how this train of thought had begun. It annoyed him. The analytical young instructor was better off in the classroom. Couldn’t science wait until 9:10 in the morning?

  “I was thinking about you today,” Judy said, and Anders knew that she had sensed the change in his mood.

  “Do you see?” the voice asked him. “You’re getting much better at it.”

  “I don’t see anything,” Anders thought, but the voice was right. It was as though he had a clear line of inspection into Judy’s mind. Her feelings were nakedly apparent to him, as meaningless as his room had been in that flash of undistorted thought.

  “I really was thinking about you,” she repeated.

  “Now look,” the voice said.

  * * * *

  Anders, watching the expressions on Judy’s face, felt the strangeness descend on him. He was back in the nightmare perception of that moment in his room. This time it was as though he were watching a machine in a laboratory. The object of this operation was the evocation and preservation of a particular mood. The machine goes through a searching process, invoking trains of ideas to achieve the desired end.

  “Oh, were you?” he asked, amazed at his new perspective.

  “Yes…I wondered what you were doing at noon,” the reactive machine opposite him on the couch said, expanding its shapely chest slightly.

  “Good,” the voice said, commending him for his perception.

  “Dreaming of you, of course,” he said to the flesh-clad skeleton behind the total gestalt Judy. The flesh machine rearranged its limbs, widened its mouth to denote pleasure. The mechanism searched through a complex of fears, hopes, worries, through half-remembrances of analogous situations, analogous solutions.

  And this was what he loved. Anders saw too clearly and hated himself for seeing. Through his new nightmare perception, the absurdity of the entire room struck him.

  “Were you really?” the articulating skeleton asked him.

  “You’re coming closer,” the voice whispered.

  To what? The personality? There was no such thing. There was no true cohesion, no depth, nothing except a web of surface reactions, stretched across automatic visceral movements.

  He was coming closer to the truth.

  “Sure,” he said sourly.

  The machine stirred, searching for a response.

  Anders felt a quick tremor of fear at the sheer alien quality of his viewpoint. His sense of formalism had been sloughed off, his agreed-upon reactions bypassed. What would be revealed next?

  He was seeing clearly, he realized, as perhaps no man had ever seen before. It was an oddly exhilarating thought.

  But could he still return to normality?

  “Can I get you a drink?” the reaction machine asked.

  At that moment Anders was as thoroughly out of love as a man could be. Viewing one’s intended as a depersonalized, sexless piece of machinery is not especially conducive to love. But it is quite stimulating, intellectually.

  Anders didn’t want normality. A curtain was being raised and he wanted to see behind it. What was it some Russian scientist—Ouspensky, wasn’t it—had said?

  “Think in other categories.”

  That was what he was doing, and would continue to do.

  “Good-by,” he said suddenly.

  The machine watched him, open-mouthed, as he walked out the door. Delayed circuit reactions kept it silent until it heard the elevator door close.

  * * * *

  “You were very warm in there,” the voice within his head whispered, once he was on the street. “But you still don’t understand everything.”

  “Tell me, then,” Anders said, marveling a little at his equanimity. In an hour he had bridged the gap to a completely different viewpoint, yet it seemed perfectly natural.

  “I can’t,” the voice said. “You must find it yourself.”

  “Well, let’s see now,” Anders began. He looked around at the masses of masonry, the convention of streets cutting through the architectural piles. “Human life,” he said, “is a series of conventions. When you look at a girl, you’re supposed to see—a pattern, not the underlying formlessness.”

  “That’s true,” the voice agreed, but with a shade of doubt.

  “Basically, there is no form. Man produces gestalts, and cuts form out of the plethora of nothingness. It’s like looking at a set of lines and saying that they represent a figure. We look at a mass of material, extract it from the background and say it’s a man. But in truth there is no such thing. There are only the humanizing features that we—myopically—attach to it. Matter is conjoined, a matter of viewpoint.”

  “You’re not seeing it now,” said the voice.

  “Damn it,” Anders said. He was certain that he was on the track of something big, perhaps something ultimate. “Everyone’s had the experience. At some time in his life, everyone looks at a familiar object and can’t make any sense ou
t of it. Momentarily, the gestalt fails, but the true moment of sight passes. The mind reverts to the superimposed pattern. Normalcy continues.”

  The voice was silent. Anders walked on, through the gestalt city.

  “There’s something else, isn’t there?” Anders asked.

  “Yes.”

  What could that be, he asked himself. Through clearing eyes, Anders looked at the formality he had called his world.

  He wondered momentarily if he would have come to this if the voice hadn’t guided him. Yes, he decided after a few moments, it was inevitable.

  But who was the voice? And what had he left out?

  “Let’s see what a party looks like now,” he said to the voice.

  * * * *

  The party was a masquerade; the guests were all wearing their faces. To Anders, their motives, individually and collectively, were painfully apparent. Then his vision began to clear further.

  He saw that the people weren’t truly individual. They were discontinuous lumps of flesh sharing a common vocabulary, yet not even truly discontinuous.

  The lumps of flesh were a part of the decoration of the room and almost indistinguishable from it. They were one with the lights, which lent their tiny vision. They were joined to the sounds they made, a few feeble tones out of the great possibility of sound. They blended into the walls.

  The kaleidoscopic view came so fast that Anders had trouble sorting his new impressions. He knew now that these people existed only as patterns, on the same basis as the sounds they made and the things they thought they saw.

  Gestalts, sifted out of the vast, unbearable real world.

  “Where’s Judy?” a discontinuous lump of flesh asked him. This particular lump possessed enough nervous mannerisms to convince the other lumps of his reality. He wore a loud tie as further evidence.

  “She’s sick,” Anders said. The flesh quivered into an instant sympathy. Lines of formal mirth shifted to formal woe.

  “Hope it isn’t anything serious,” the vocal flesh remarked.

  “You’re warmer,” the voice said to Anders.

  Anders looked at the object in front of him.

  “She hasn’t long to live,” he stated.

  The flesh quivered. Stomach and intestines contracted in sympathetic fear. Eyes distended, mouth quivered.

  The loud tie remained the same.

  “My God! You don’t mean it!”

  “What are you?” Anders asked quietly.

  “What do you mean?” the indignant flesh attached to the tie demanded. Serene within its reality, it gaped at Anders. Its mouth twitched, undeniable proof that it was real and sufficient. “You’re drunk,” it sneered.

  Anders laughed and left the party.

  * * * *

  “There is still something you don’t know,” the voice said. “But you were hot! I could feel you near me.”

  “What are you?” Anders asked again.

  “I don’t know,” the voice admitted. “I am a person. I am I. I am trapped.”

  “So are we all,” Anders said. He walked on asphalt, surrounded by heaps of concrete, silicates, aluminum and iron alloys. Shapeless, meaningless heaps that made up the gestalt city.

  And then there were the imaginary lines of demarcation dividing city from city, the artificial boundaries of water and land.

  All ridiculous.

  “Give me a dime for some coffee, mister?” something asked, a thing indistinguishable from any other thing.

  “Old Bishop Berkeley would give a nonexistent dime to your nonexistent presence,” Anders said gaily.

  “I’m really in a bad way,” the voice whined, and Anders perceived that it was no more than a series of modulated vibrations.

  “Yes! Go on!” the voice commanded.

  “If you could spare me a quarter—” the vibrations said, with a deep pretense at meaning.

  No, what was there behind the senseless patterns? Flesh, mass. What was that? All made up of atoms.

  “I’m really hungry,” the intricately arranged atoms muttered.

  All atoms. Conjoined. There were no true separations between atom and atom. Flesh was stone, stone was light. Anders looked at the masses of atoms that were pretending to solidity, meaning and reason.

  “Can’t you help me?” a clump of atoms asked. But the clump was identical with all the other atoms. Once you ignored the superimposed patterns, you could see the atoms were random, scattered.

  “I don’t believe in you,” Anders said.

  The pile of atoms was gone.

  “Yes!” the voice cried. “Yes!”

  “I don’t believe in any of it,” Anders said. After all, what was an atom?

  “Go on!” the voice shouted. “You’re hot! Go on!”

  What was an atom? An empty space surrounded by an empty space.

  Absurd!

  “Then it’s all false!” Anders said. And he was alone under the stars.

  “That’s right!” the voice within his head screamed. “Nothing!”

  But stars, Anders thought. How can one believe—

  The stars disappeared. Anders was in a gray nothingness, a void. There was nothing around him except shapeless gray.

  Where was the voice?

  Gone.

  Anders perceived the delusion behind the grayness, and then there was nothing at all.

  Complete nothingness, and himself within it.

  * * * *

  Where was he? What did it mean? Anders’ mind tried to add it up.

  Impossible. That couldn’t be true.

  Again the score was tabulated, but Anders’ mind couldn’t accept the total. In desperation, the overloaded mind erased the figures, eradicated the knowledge, erased itself.

  “Where am I?”

  In nothingness. Alone.

  Trapped.

  “Who am I?”

  A voice.

  The voice of Anders searched the nothingness, shouted, “Is there anyone here?”

  No answer.

  But there was someone. All directions were the same, yet moving along one he could make contact…with someone. The voice of Anders reached back to someone who could save him, perhaps.

  “Save me,” the voice said to Anders, lying fully dressed on his bed, except for his shoes and black bow tie.

  DEATH WISH

  The space freighter Queen Dierdre was a great, squat, pockmarked vessel of the Earth-Mars run and she never gave anyone a bit of trouble. That should have been sufficient warning to Mr. Watkins, her engineer. Watkins was fond of saying that there are two kinds of equipment—the kind that fails bit by bit, and the kind that fails all at once.

  Watkins was short and red-faced, magnificently mustached, and always a little out of breath. With a cigar in his hand, over a glass of beer, he talked most cynically about his ship, in the immemorial fashion of engineers. But in reality, Watkins was foolishly infatuated with Dierdre, idealized her, humanized her, and couldn’t conceive of anything serious ever happening.

  On this particular run, Dierdre soared away from Terra at the proper speed; Mr. Watkins signaled that fuel was being consumed at the proper rate; and Captain Somers cut the engines at the proper moment indicated by Mr. Rajcik, the navigator.

  As soon as Point Able had been reached and the engines stopped, Somers frowned and studied his complex control board. He was a thin and meticulous man, and he operated his ship with mechanical perfection. He was well liked in the front offices of Mikkelsen Space Lines, where Old Man Mikkelsen pointed to Captain Somers’ reports as models of neatness and efficiency. On Mars, he stayed at the Officers’ Club, eschewing the stews and dives of Marsport. On Earth, he lived in a little Vermont cottage and enjoyed the quiet companionship of two cats, a Japanese houseboy, and a wife.

  * * * *

  His instructions read true. And yet he sensed something wrong. Somers knew every creak, rattle and groan that Dierdre was capable of making. During blastoff, he had heard something different. In space, something different h
ad to be wrong.

  “Mr. Rajcik,” he said, turning to his navigator, “would you check the cargo? I believe something may have shifted.”

  “You bet,” Rajcik said cheerfully. He was an almost offensively handsome young man with black wavy hair, blasé blue eyes and a cleft chin. Despite his appearance, Rajcik was thoroughly qualified for his position. But he was only one of fifty thousand thoroughly qualified men who lusted for a berth on one of the fourteen spaceships in existence. Only Stephen Rajcik had had the foresight, appearance and fortitude to court and wed Helga, Old Man Mikkelsen’s eldest daughter.

  Rajcik went aft to the cargo hold. Dierdre was carrying transistors this time, and microfilm books, platinum filaments, salamis, and other items that could not as yet be produced on Mars. But the bulk of her space was taken by the immense Fahrensen Computer.

  Rajcik checked the positioning lines on the monster, examined the stays and turnbuckles that held it in place, and returned to the cabin.

  “All in order, Boss,” he reported to Captain Somers, with the smile that only an employer’s son-in-law can both manage and afford.

  “Mr. Watkins, do you read anything?”

  Watkins was at his own instrument panel. “Not a thing, sir. I’ll vouch for every bit of equipment in Dierdre.”

  “Very well. How long before we reach Point Baker?”

  “Three minutes, Chief,” Rajcik said.

  “Good.”

  The spaceship hung in the void, all sensation of speed lost for lack of a reference point. Beyond the portholes was darkness, the true color of the Universe, perforated by the brilliant lost points of the stars.

  Captain Somers turned away from the disturbing reminder of his extreme finitude and wondered if he could land Dierdre without shifting the computer. It was by far the largest, heaviest and most delicate piece of equipment ever transported in space.

  He worried about that machine. Its value ran into the billions of dollars, for Mars Colony had ordered the best possible, a machine whose utility would offset the immense transportation charge across space. As a result, the Fahrensen Computer was perhaps the most complex and advanced machine ever built by Man.

  “Ten seconds to Point Baker,” Rajcik announced.

  “Very well.” Somers readied himself at the control board.