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Civil Rights Music Page 34

by Reiland Rabaka


  Athearn, Robert G. (1978). In Search of Canaan: Black to Kansas, 1879–1880. Lawrence: Regents Press of Kansas.

  Averill, Gage. (2010). Four Parts, No Waiting: A Social History of American Barbershop Harmony. Oxford: Oxford University Press.

  Awkward, Michael. (2007). Soul Covers: Rhythm & Blues Remakes and the Struggle for Artistic Identity (Aretha Franklin, Al Green, Phoebe Snow). Durham: Duke University Press.

  Back, Les. (2000). “Voices of Hate, Sounds of Hybridity: Black Music and the Complexities of Racism.” Black Music Research Journal 20 (2), 127–149.

  Bailey, Beth, and Farber, David. (1993). “The ‘Double-V’ Campaign in World War II Hawaii: African Americans, Racial Ideology, and Federal Power.” Journal of Social History 26 (4), 817–843.

  Baker, Bruce E. (2008). This Mob Will Surely Take My Life: Lynchings in the Carolinas, 1871–1947. New York: Continuum.

  Baker, Houston A. (1987). Modernism and the Harlem Renaissance. Chicago: University of Chicago Press.

  Baldwin, Davarian L. (2007). Chicago’s New Negroes: Modernity, the Great Migration & Black Urban Life. Chapel Hill: University of North Carolina Press.

  Baldwin, Lewis V. (2010). The Voice of Conscience: The Church in the Mind of Martin Luther King, Jr. Oxford: Oxford University Press.

  Balfour, Lawrie. (2005). “Representative Women: Slavery, Citizenship, and Feminist Theory in Du Bois’s ‘The Damnation of Women.’” Hypatia 20 (3), 127–148.

  ___. (2011). Democracy’s Reconstruction: Thinking Politically with W.E.B. Du Bois. Oxford: Oxford University Press.

  Banfield, William C. (2010). Cultural Codes: Makings of a Black Music Philosophy—An Interpretive History from Spirituals to Hip Hop. Lanham, MD: Scarecrow Press.

  ___. (2011). Representing Black Music Culture: Then, Now, and When Again? Lanham, MD: Scarecrow Press.

  Baptista, Todd R. (2000). Group Harmony: Echoes of the Rhythm & Blues Era. New Bedford, MA: TRB Enterprises.

  Baraka, Amiri. (1963). Blues People: Negro Music in White America. New York: Morrow.

  ___. (1969). Black Magic: Collected Poetry, 1961–1967. Indianapolis: Bobs-Merrill.

  ___. (1987). The Music: Reflections on Jazz and Blues. New York: Morrow.

  ___. (1994). Conversations with Amiri Baraka (Charlie Reilly, Ed.). Jackson: University Press of Mississippi.

  ___. (2009). Digging: The African American Soul of American Classical Music. Berkeley: University of California Press.

  Barnet, Andrea. (2004). All-Night Party: The Women of Bohemian Greenwich Village and Harlem, 1913–1930. Chapel Hill, NC: Algonquin Books.

  Barrett, Leonard E. (1974). Soul-Force: African Heritage in Afro-American Religion. Garden City, NY: Anchor.

  Bartley, Numan V. (1969). Rise of Massive Resistance: Race and Politics in the South During the 1950s. Baton Rouge: Louisiana State University Press.

  Bascom, William R. (1980). Sixteen Cowries: Yoruba Divination from Africa to the New World. Bloomington: Indiana University Press.

  Baszak, Mark. (2003). Such Sweet Thunder: Views on Black American Music. Amherst: University of Massachusetts Press.

  Bates, Beth T. (2001). Pullman Porters and the Rise of Protest Politics in Black America, 1925–1945. Chapel Hill: University of North Carolina Press.

  Bastide, Roger. (1971). African Civilization in the New World. New York: Harper & Row.

  ___. (1978). The African Religions of Brazil: Toward a Sociology of the Interpretation of Civilization. Baltimore: Johns Hopkins University Press.

  Batiste, Stephanie L. (2012). Darkening Mirrors: Imperial Representation in Depression-Era African American Performance. Durham: Duke University Press.

  Batterson, Jack A. (1998). Blind Boone: Missouri’s Ragtime Pioneer. Columbia: University of Missouri Press.

  Baumann, Jeffrey Eugene. (2011). “Chords of Discord: Songs of Dissonance, Violence, and Faith in the Civil Rights Movement.” M.A. thesis, San Diego State University.

  Beacham, Frank. (2010). “This Magic Moment: When the Ku Klux Klan Tried to Kill Rhythm and Blues Music in South Carolina.” In Winfred B. Moore and Orville Vernon Burton (Eds.), Toward the Meeting of the Waters: Currents in the Civil Rights Movement of South Carolina during the Twentieth Century (119–145). Columbia, SC: University of South Carolina Press.

  Becton, Julius. (Ed.). (2008). The Exclusion of Black Soldiers from the Medal of Honor in World War II: The Study Commissioned by the United States Army to Investigate Racial Bias in the Awarding of the Nation’s Highest Military Decoration. Jefferson, NC: McFarland & Co.

  Bell, Kevin. (2003). “The Embrace of Entropy: Ralph Ellison and the Freedom Principle of Jazz Invisible.” boundary 2 30 (2), 21–45.

  Bell, Robert I. (2007). The Myth of Rock & Roll: The Racial Politics of American Popular Music, 1945–2005. Philadelphia, PA: Robell Publishing.

  Belz, Carl. (1972). The Story of Rock. Oxford: Oxford University Press.

  Benjaminson, Peter. (1979). The Story of Motown. New York: Grove Press.

  ___. (2008). The Lost Supreme: The Life of Dreamgirl Florence Ballard. Chicago: Lawrence Hill Books.

  ___. (2012). Mary Wells: The Tumultuous Life of Motown’s First Superstar. Chicago: Chicago Review Press.

  Bennett, Andy, Shank, Barry, and Toynbee, Jason. (Eds.). (2005). The Popular Music Studies Reader. New York: Routledge.

  Berger, Maurice. (2010). For All the World to See: Visual Culture and the Struggle for Civil Rights. New Haven: Yale University Press.

  Berlin, Edward A. (1980). Ragtime: A Musical and Cultural History. Berkeley: University of California Press.

  ___. (1987). Reflections and Research on Ragtime. Brooklyn, NY: City University of New York Press.

  ___. (2016). King of Ragtime: Scott Joplin and His Era (Second Edition). Oxford: Oxford University Press.

  Berlin, Ira. (2010). The Making of African America: The Four Great Migrations. New York: Viking.

  Bernard, Shane K. (1996). Swamp Pop: Cajun and Creole Rhythm & Blues. Jackson: University Press of Mississippi.

  Berrey, Stephen A. (2015). The Jim Crow Routine: Everyday Performances of Race, Civil Rights, and Segregation in Mississippi. Chapel Hill: University of North Carolina Press.

  Berry, Mary Frances. (1994). Black Resistance, White Law: A History of Constitutional Racism in America. New York: Penguin.

  Bertrand, Michael T. (2000). Race, Rock, and Elvis. Urbana: University of Illinois Press.

  Bebey, Francis. (1999). African Music: A People’s Art. New York: Lawrence Hill Books.

  Bilbija, Marina. (2011). “Democracy’s New Song: Black Reconstruction in America, 1860–1880 and the Melodramatic Imagination.” Annals of the American Academy of Political and Social Science 637 (1), 64–77.

  Billingsley, Andrew. (1999). Mighty Like a River: The Black Church and Social Reform. Oxford: Oxford University Press.

  Bimmler, Lauren. (2008). “The Grassroots Gospel: How Spirituals and Freedom Songs Democratized the Civil Rights Movement.” B.A. thesis, Honors College, Florida Atlantic University, Boca Raton, FL.

  Binkowski, Carol J. (2012). Joseph F. Lamb: A Passion for Ragtime. Jefferson: McFarland Publishers.

  Birnbaum, Larry. (2013). Before Elvis: The Prehistory of Rock & Roll. Lanham, MD: Scarecrow Press.

  Black, Timuel D. (2003). Bridges of Memory: Chicago’s First Wave of Black Migration (Vol. 1). Evanston: Northwestern University Press.

  ___. (2008). Bridges of Memory: Chicago’s First Wave of Black Migration (Vol. 2). Evanston: Northwestern University Press.

  Blackmon, Douglas A. (2008). Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II. New York: Doubleday.

  Blackwell, Otis. (Songwriter). (2012). Handy Man: The Otis Blackwell Songbook. London: Ace Records.

  Blades, William C. (1921). Negro Poems, Melodies, Plantation Pieces, Camp Meeting Songs, etc. Boston: R.G. Badger.

  Blake, John. (2004). Children of the Movement. Chicago: Lawrence Hill Books.

&nbs
p; Blesh, Rudi. (1971). They All Played Ragtime: The True Story of an American Music. New York: Oak Publications.

  Blocker, Jack S. (2008). A Little More Freedom: African Americans Enter the Urban Midwest, 1860–1930. Columbus: Ohio State University Press.

  Bloom, Jack M. (1987). Class, Race, and the Civil Rights Movement: The Changing Political Economy of Southern Racism. Bloomington: Indiana University Press.

  Blum, Edward J. (2007). W.E.B. Du Bois: American Prophet. Philadelphia, PA: University of Pennsylvania Press.

  Blum, Edward J., and Young, Jason R. (Eds.). (2009). The Souls of W.E.B. Du Bois: New Essays and Reflections. Macon, GA: Mercer University Press.

  Bodroghkyozy, Anika. (2013). Equal Time: Television and the Civil Rights Movement. Urbana: University of Illinois Press.

  Boehm, Lisa K. (2009). Making a Way out of No Way: African American Women and the Second Great Migration. Jackson: University Press of Mississippi.

  Boggs, Carl. (1976). Gramsci’s Marxism. London: Pluto Press.

  Bonilla-Silva, Eduardo, and Zuberi, Tukufu. (Eds.). (2008). White Logic, White Methods: Racism and Methodology. Lanham, MD: Rowman & Littlefield.

  Bordowitz, Hank. (2004). Turning Points in Rock & Roll: The Key Events that Affected Popular Music in the Latter Half of the 20th Century. New York: Citadel Press.

  Bourgeois, Anna Stong. (2004). Blueswomen: Profiles of 37 Early Performers, with an Anthology of Lyrics, 1920–1945. Jefferson, NC: McFarland.

  Boyd, Tim S.R. (2012). Georgia Democrats, the Civil Rights Movement, and the Shaping of the New South. Gainesville: University Press of Florida.

  Boyer, Horace Clarence. (1979). “Contemporary Gospel Music.” Black Perspective in Music 7 (1), 5–58.

  ___. (1983). “Charles Albert Tindley: Progenitor of Black-American Gospel Music.” Black Perspective in Music 11 (2), 103–132.

  ___. (1985). “A comparative analysis of traditional and contemporary Gospel music.” In Irene V. Jackson (Ed.), More Than Dancing: Essays on Afro-American Music and Musicians (127–146). Westport, CT: Greenwood.

  ___. (1988). “Tracking the Tradition: New Orleans Sacred Music. Black Music Research Journal 8 (1), 135–147.

  ___. (1995). How Sweet the Sound: The Golden Age of Gospel. Washington, D.C.: Elliott & Clark.

  ___. (2000). The Golden Age of Gospel. Urbana: University of Illinois Press.

  ___. (2001). “African American Gospel Music.” In Vincent L. Wimbush (Ed.), African Americans and the Bible: Sacred Texts and Social Structures (464–488). New York: Continuum.

  Boyett, Patricia M. (2015). Right to Revolt: The Crusade for Racial Justice in Mississippi’s Central Piney Woods. Jackson: University Press of Mississippi.

  Bracey, Earnest N. (2003). On Racism: Essays on Black Popular Culture, African American Politics, and the New Black Aesthetics. Lanham, MD: University Press of America.

  Brackett, David. (Ed.). (2005). The Pop, Rock, and Soul Reader: Histories and Debates. Oxford: Oxford University Press.

  Bracks, Lean’tin L., and Smith, Jessie Carney. (Eds.). (2014). Black Women of the Harlem Renaissance Era. Lanham: Rowman & Littlefield.

  Brake, Mike. (1995). The Sociology of Youth Culture and Youth Subcultures: Sex and Drugs and Rock & Roll? Boston: Routledge & Kegan Paul

  Branch, Taylor. (1988). Parting the Waters: America in the King Years, 1954–1963. New York: Simon & Schuster.

  ___. (1998). Pillar of Fire: America in the King Years, 1963–1965. New York: Simon & Schuster.

  ___. (2006). At Canaan’s Edge: America in the King Years, 1965–1968. New York: Simon & Schuster.

  ___. (2013). The King Years: Historic Moments in the Civil Rights Movement. New York: Simon & Schuster.

  Brandt, Nat. (1996). Harlem at War: The Black Experience in WWII. Syracuse: Syracuse University Press.

  Brar, Dhanveer Singh. (2013). “Blackness, Radicalism, Sound: Black Consciousness and Black Popular Music in the U.S.A (1955–1971).” Ph.D. dissertation, Goldsmiths, University of London.

  Brash, Sarah, and Britten, Loretta. (Eds.). (1998). Rock & Roll Generation: Teen Life in the 50s. Alexandria, VA: Time-Life Books.

  Bridges, Flora W. (2001). Resurrection Song: African American Spirituality. Maryknoll, NY: Orbis Books

  Brinkley, Douglas. (2000a). Mine Eyes Have Seen the Glory: The Life of Rosa Parks. London: Weidenfeld & Nicolson.

  ___. (2000b). Rosa Parks: A Life. New York: Viking.

  Brode, Douglas. (2015). Sex, Drugs & Rock & Roll: The Evolution of an American Youth Culture. New York: Peter Lang.

  Brooks, Daphne A. (2006). Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910. Durham: Duke University Press.

  Brooks, Tilford. (1984). America’s Black Musical Heritage. Englewood Cliffs, NJ: Prentice-Hall.

  Broughton, Viv. (1985). Black Gospel: An Illustrated History of the Gospel Sound. New York: Distributed by Sterling Pub. Co.

  ___. (1996). Too Close to Heaven: The Illustrated History of Gospel Music. London: Midnight Books.

  Broven, John. (1974). Walking to New Orleans: The Story of New Orleans Rhythm & Blues. Bexhill-on-Sea, East Sussex, UK: Blues Unlimited.

  ___. (1978). Rhythm & Blues in New Orleans. Gretna, LA: Pelican.

  ___. (1983). South To Louisiana: The Music of the Cajun Bayous. Gretna, LA: Pelican.

  ___. (2009). Record Makers and Breakers: Voices of the Independent Rock & Roll Pioneers. Urbana: University of Illinois Press.

  Brown, Courtney. (2008). Politics in Music: Music and Political Transformation from Beethoven to Hip Hop. Atlanta, GA: Farsight Press.

  Brown, Jayna. (2008). Babylon Girls: Black Women Performers and the Shaping of the Modern. Durham: Duke University Press.

  Brown, Lois. (2008). Pauline Elizabeth Hopkins: Black Daughter of the Revolution. Chapel Hill: University of North Carolina Press.

  Brown, Matthew P. (1994). “Funk Music as Genre: Black Aesthetic, Apocalyptic Thinking and Urban Protest in Post-1965 African American Pop.” Cultural Studies 8 (3), 484–508.

  Brown, Teresa L.F. (2003). Weary Throats and New Songs: Black Women Proclaiming God’s Word. Nashville, TN: Abingdon Press.

  Brown-Nagin, Tomiko. (2011). Courage to Dissent: Atlanta and the Long History of the Civil Rights Movement. Oxford: Oxford University Press.

  Browne, Errol Tsekani. (2000). “The Widest Possible Application of Democratic Principles”: Gender & Nation in W.E.B. Du Bois’s Political Thought. M.A. thesis, University of California, Los Angeles.

  Browne, Nick. (Eds.). (1994). American Television: New Directions in History and Theory. Langhorne, PA: Harwood Academic.

  Brundage, W. Fitzhugh. (1993). Lynching in the New South: Georgia and Virginia, 1880–1930. Urbana: University of Illinois Press.

  ___. (Ed.). (1997). Under Sentence of Death: Lynching in the South. Chapel Hill: University of North Carolina Press.

  ___. (2005). The Southern Past: A Clash of Race and Memory . Cambridge: Harvard University Press.

  ___. (2011). Beyond Blackface: African Americans and the Creation of American Popular Culture, 1890–1930. Chapel Hill: University of North Carolina Press.

  Bullard, Sara. (1993). Free at Last: A History of the Civil Rights Movement and Those Who Died in the Struggle. Oxford: Oxford University Press.

  Burnim, Mellonee V. (1980a). “The Black Gospel Music Tradition: Symbol of Ethnicity.” Ph.D. dissertation, Indiana University, Bloomington, IN.

  ___. (1980b). “Gospel Music Research.” Black Music Research Journal 1, 63–70.

  ___. (1985a). “The Black Gospel Music Tradition: A Complex of Ideology, Aesthetic and Behavior.” In Irene V. Jackson (Ed.), More Than Dancing: Essays on Afro-American Music and Musicians (147–167). Westport, CT: Greenwood.

  ___. (1985b). “Culture Bearer and Tradition Bearer: An Ethnomusicologist's Research on Gospel Music.” Ethnomusicology 29 (3), 432–447.

  ___. (1988). “Functional Dimensions of Gospel Music Performance.” Western Journal of Black Studies 12 (2), 1
12–121.

  ___. (2006). “Gospel Women.” In Mellonee V. Burnim and Portia K. Maultsby (Eds.), African American Music: An Introduction (493–508). New York: Routledge.

  ___. (2015). “Gospel” In Mellonee V. Burnim and Portia K. Maultsby (Eds.), African American Music: An Introduction (2nd Edition) (189–212). New York: Routledge.

  Burnim, Mellonee V. and Maultsby, Portia K. (Eds.). (2006). African American Music: An Introduction. New York: Routledge.

  ___. (Eds.). (2015). African American Music: An Introduction (2nd Edition). New York: Routledge.

  Burns, Gary. (Ed.). (2016). A Companion to Popular Culture. Malden: Blackwell.

  Burns, Stewart. (1990). Social Movements of the 1960s: Searching for Democracy. Boston: Twayne Publishers.

  Butler, J. Michael. (2016). Beyond Integration: The Black Freedom Struggle in Escambia County, Florida, 1960–1980. Chapel Hill: University of North Carolina Press.

  Burton, Frederick. (2003). Cleveland’s Gospel Music. Charleston, SC: Arcadia.

  Bynoe, Yvonne. (2004). Stand and Deliver: Political Activism, Leadership, and Hip Hop Culture. Brooklyn, NY: Soft Skull Press.

  Bynum, Cornelius L. (2010). A. Philip Randolph and the Struggle for Civil Rights. Urbana: University of Illinois Press.

  Bynum, Thomas L. (2013). NAACP Youth and the Fight for Black Freedom. Knoxville: University of Tennessee Press.

  Campbell, James. (2001). This is the Beat Generation: New York, San Francisco, Paris. Berkeley: University of California Press.

  Campbell, Michael. (2007). Rock & Roll: An Introduction (with James Brody). New York: Schirmer.

  Cantor, Louis. (2005). Dewey and Elvis: The Life and Times of a Rock & Roll Deejay. Urbana: University of Illinois Press.

  Caponi-Tabery, Gena. (1999). “Jump for Joy: The Jump Trope in African America, 1937–1941.” Prospects 24, 521–574.

  ___. (2008). Jump for Joy: Jazz, Basketball, and Black Culture in 1930s America. Amherst: University of Massachusetts Press.

  Carasik, Diane Sue. (1972). “Motown Record Corporation and the Revival of Rhythm & Blues Music.” M.A. thesis, Boston University, Boston, MA.

  Carawan, Guy and Carawan, Candie. (Eds.). (1963). We Shall Overcome!: Songs of the Southern Freedom Movement. New York: Oak Publications.

 

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