Civil Rights Music

Home > Other > Civil Rights Music > Page 35
Civil Rights Music Page 35

by Reiland Rabaka


  ___. (1968). Freedom is a Constant Struggle: Songs of the Freedom Movement. New York: Oak Publications.

  ___. (Eds.). (2007). Sing for Freedom: The Story of the Civil Rights Movement Through Its Songs. Montgomery, AL: NewSouth Books.

  Carby, Hazel V. (1998). Race Men. Cambridge: Harvard University Press.

  Carle, Susan D. (2013). Defining the Struggle: National Organizing for Racial Justice, 1880–1915. Oxford: Oxford University Press.

  Carmichael, Stokely. (2003). Ready for Revolution!: The Life and Struggles of Stokely Carmichael (Kwame Ture) (with Ekwueme Michael Thelwell). New York: Scribner.

  Carr, Cynthia. (2006). Our Town: A Heartland Lynching, A Haunted Town, and the Hidden History of White America. New York: Crown Publishers.

  Carrigan, William D. (2004). The Making of a Lynching Culture: Violence and Vigilantism in Central Texas, 1836–1916. Urbana: University of Illinois Press.

  ___. (2008). Lynching Reconsidered: New Perspectives in the Study of Mob Violence. New York: Routledge

  Carrigan, William D., and Webb, Clive. (2013). Forgotten Dead: Mob Violence Against Mexicans in the United States, 1848–1928. Oxford: Oxford University Press.

  Carson, Clayborne. (1981). In Struggle: SNCC and the Black Awakening of the 1960s. Cambridge: Harvard University Press.

  Carson, Clayborne, Garrow, David J., Gill, Gerald, Harding, Vincent, and Hine, Darlene Clark. (Eds.). (1997). The Eyes on the Prize Civil Rights Reader. New York: Penguin.

  Carter, David C. (2009). The Music Has Gone Out of the Movement: Civil Rights and the Johnson Administration, 1965–1968. Chapel Hill: University of North Carolina Press.

  Cash, Floris Loretta. (1986). “Womanhood and Protest: The Club Movement Among Black Women, 1892–1922.” Ph.D. dissertation, State University of New York, Stony Brook.

  ___. (2001). African American Women and Social Action: The Clubwomen and Volunteerism from Jim Crow to the New Deal, 1896–1936. Westport, CT: Greenwood Press.

  Cashman, Sean D. (1991). African Americans & the Quest for Civil Rights, 1900–1990. New York: New York University Press.

  Castellini, Michael. (2013). “Sit-In, Stand Up and Sing Out!: Black Gospel Music and the Civil Rights Movement.” M.A. thesis, Department of History, Georgia State University, Atlanta, GA. http://scholarworks.gsu.edu/history_theses/76.

  Cateforis, Theo. (Ed.). (2013). The Rock History Reader (2nd Edition.). New York: Routledge.

  Castleman, Harry, and Podrazik, Walter J. (2003). Watching TV: Six Decades of American Television. Syracuse: Syracuse University Press.

  Chadbourn, James Harmon. (1933). Lynching and the Law. Chapel Hill: University of North Carolina Press.

  Chappell, David L. (1994). Inside Agitators: White Southerners in the Civil Rights Movement. Baltimore: Johns Hopkins University Press.

  Charters, Ann. (Ed.). (1983). The Beats, Literary Bohemians in Post-War America (2 Volumes). Detroit: Gale.

  ___. (1986). Beats & Company: A Portrait of a Literary Generation. Garden City, NY: Doubleday.

  ___. (Ed.). (1993). The Penguin Book of the Beats. New York: Penguin.

  ___. (1994). Kerouac: A Biography. New York: St. Martin’s Press.

  ___. (Ed.). (2001). Beat Down to Your Soul: What Was the Beat Generation? New York: Penguin Books.

  ___. (Ed.). (2003). The Portable Beat Reader. New York: Penguin Classics.

  Charters, Samuel Barclay. (1963). The Poetry of the Blues. New York: Oak Publications.

  ___. (1975). The Country Blues. New York: Da Capo Press.

  ___. (1977). The Legacy of the Blues: A Glimpse into the Art and the Lives of Twelve Great Bluesmen. New York: Da Capo.

  ___. (1981). The Roots of the Blues: An African Search. New York: Putnam.

  ___. (2005). Walking a Blues Road: A Selection of Blues Writing, 1956–2004. New York: Marion Boyars Publishers.

  ___. (2008). A Trumpet Around the Corner: The Story of New Orleans Jazz. Jackson: University Press of Mississippi.

  ___. (2009). A Language of Song: Journeys in the Musical World of the African Diaspora. Durham: Duke University Press.

  ___. (2015). Songs of Sorrow: Lucy McKim Garrison and Slave Songs of the United States. Jackson: University Press of Mississippi.

  Chernoff, John Miller. (1979). African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms. Chicago: University of Chicago Press.

  Chikowero, Mhoze. (2015). African Music, Power, and Being in Colonial Zimbabwe. Indianapolis: Indiana University Press.

  Chilisa, Bagele. (2012). Indigenous Research Methodologies. Thousand Oaks, CA: Sage.

  Chilton, John. (1992). Let the Good Times Roll: The Story of Louis Jordan and His Music. Ann Arbor: University of Michigan Press.

  Chong, Dennis. (1991). Collective Action and the Civil Rights Movement. Chicago: University of Chicago Press.

  Classen, Steven D. (2004). Watching Jim Crow: The Struggles over Mississippi TV, 1955–1969. Durham: Duke University Press.

  Clay, Andreana. (2012). The Hip Hop Generation Fights Back!: Youth, Activism, and Post-Civil Rights Politics. New York: New York University Press.

  Clayson, William S. (2010). Freedom Is Not Enough: The War on Poverty and the Civil Rights Movement in Texas. Austin: University of Texas Press.

  Crazy Horse, Kandia. (Ed.). (2004). Rip It Up!: The Black Experience in Rock & Roll. New York: Palgrave Macmillan.

  Cohen, Rich. (2004). Machers and Rockers: Chess Records and the Business of Rock & Roll. New York: Norton.

  ___. (2005). The Record Men: The Chess Brothers and the Birth of Rock & Roll. New York: Norton.

  Cohn, Nik. (1969). Rock from the Beginning. New York: Stein & Day.

  Cohodas, Nadine (2000). Spinning Blues into Gold: The Chess Brothers and the Legendary Chess Records. New York: St. Martin’s Press.

  Coleman, Rick. (2006). Blue Monday: Fats Domino and the Lost Dawn of Rock & Roll. Cambridge, MA: Da Capo Press

  Colley, Zoe A. (2013). Ain’t Scared of Your Jail: Arrest, Imprisonment, and the Civil Rights Movement. Gainesville: University Press of Florida.

  Collier-Thomas, Bettye, and Franklin, V.P. (Eds.). (2001). Sisters in the Struggle: African American Women in the Civil Rights-Black Power Movement. New York: New York University Press.

  Collins, Ann V. (2012). All Hell Broke Loose: American Race Riots from the Progressive Era through World War II. Santa Barbara, CA: Praeger.

  Collis, John. (1998). The Story of Chess Records. New York: Bloomsbury Publishing.

  Combs, James E. (1984). Polpop: Politics and Popular Culture in America. Bowling Green, OH: Bowling Green University Popular Press.

  Cone, James H. (1991). Martin & Malcolm & America: A Dream or A Nightmare. Maryknoll, NY: Orbis.

  Cook, Bruce. (1971). The Beat Generation: The Tumultuous ’50s Movement and Its Impact on Today. New York: Charles Scribner’s Sons.

  Costen, Melva W. (2004). In Spirit and In Truth: The Music of African American Worship. Louisville: Westminster John Knox Press.

  Cottrell, Robert C. (2015). Sex, Drugs, and Rock & Roll: The Rise of America’s 1960s Counterculture. Lanham: Rowman & Littlefield.

  Countryman, Matthew. (2006). Up South: Civil Rights and Black Power in Philadelphia. Philadelphia: University of Pennsylvania Press.

  Covach, John, and Flory, Andrew. (2012). What’s That Sound?: An Introduction to Rock and Its History (Third Edition). New York: Norton.

  Crawford, Vicki L., Rouse, Jacqueline Anne, and Woods, Barbara. (Eds.). (1990). Women in the Civil Rights Movement: Trailblazers and Torchbearers, 1941–1965. Brooklyn, NY: Carlson.

  Cripps, Thomas. (1977). Slow Fade to Black: The Negro in American Film. Oxford: Oxford University Press.

  ___. (1993). Making Movies Black: The Hollywood Message Movie from World War II to the Civil Rights Era. Oxford: Oxford University Press.

  Crosby, Emily. (2011). Civil Rights History from the Ground Up: Local Struggles, A National Movement. Athens: University of Georgia Press.
/>   Cross, Charles R. (2005). Room Full of Mirrors: A Biography of Jimi Hendrix. New York: Hyperion.

  Cruz, Jon David. (1986). “The Politics of Popular Culture: Black Popular Music as Public Sphere.” Ph.D. dissertation, University of California, Berkeley.

  ___. (1999). Culture on the Margins: The Black Spiritual and the Rise of American Cultural Interpretation. Princeton: Princeton University Press.

  Curtis, Susan. (2004). Dancing to a Black Man's Tune: a Life of Scott Joplin. Columbia: University of Missouri Press.

  Dahl, Bill. (2001). Motown: The Golden Years, The Stars and Music That Shaped a Generation. Iola, WI: Krause.

  Daley, Mike. (2003). “‘Why Do Whites Sing Black?’: The Blues, Whiteness, and Early Histories of Rock.” Popular Music and Society 26 (2), 161–167.

  Dalton, Russell J., and Kuechler, Manfred. (Eds.). (1990). Challenging the Political Order: New Social and Political Movements in Western Democracies. New York: Oxford University Press.

  Dance, Stanley. (2001). The World of Swing: An Oral History of Big Band Jazz. Cambridge, MA: Perseus Books.

  Daniel, Pete. (2000). Lost Revolutions: The South in the 1950s. Chapel Hill: University of North Carolina Press.

  Darden, Bob. (2004). People Get Ready!: A New History of Black Gospel Music. New York: Continuum.

  ___. (2014). Nothing but Love in God’s Water: Black Sacred Music from the Civil War to the Civil Rights Movement. University Park: Pennsylvania State University Press.

  Dargan, William T. (2006). Lining Out the Word: Dr. Watts Hymn Singing in the Music of Black Americans. Berkeley: University of California Press.

  David, Jonathan C. (2007). Together Let Us Sweetly Live: The Singing and Praying Bands. Urbana: University of Illinois Press.

  Davies, David R. (Ed.). (2001). The Press and Race: Mississippi Journalists Confront the Movement. Jackson: University Press of Mississippi.

  Davis, Angela Y. (1998). Blues Legacies and Black Feminism: Gertrude “Ma” Rainey, Bessie Smith, and Billie Holiday. New York: Pantheon.

  Davis, Daniel S. (1972). Mr. Black Labor: The Story of A. Philip Randolph, Father of the Civil Rights Movement. New York: E.P. Dutton.

  Davis, Elizabeth L. (1996). Lifting As They Climb: The National Association of Colored Women. New York: G.K. Hall.

  Davis, Francis. (1995). The History of the Blues. New York: Hyperion.

  Davis, Jack E. (Ed.). (2001). The Civil Rights Movement. Malden, MA: Blackwell.

  Davis, Nathan T. (1996). African American Music: A Philosophical Look at African American Music in Society. Needham Heights, MA: Simon & Schuster.

  Davis, Paul. (2001). Pat Boone: The Authorized Biography. New York: HarperCollins.

  Davis, Sharon. (1988). Motown: The History. Enfield, Middlesex: Guinness Publishing.

  ___. (2001). Marvin Gaye: I Heard It Through the Grapevine. Edinburgh: Mainstream.

  Davis, Townsend. (1998). Weary Feet, Rested Souls: A Guided History of the Civil Rights Movement. New York: Norton.

  Dawson, Jim. (2005). Rock Around the Clock!: The Record That Started the Rock Revolution. San Francisco: Backbeat Books.

  DeCurtis, Anthony. (Ed.). (1992). Present Tense: Rock & Roll and Culture. Durham: Duke University Press.

  DeCurtis, Anthony, Henke, James, and George-Warren, Holly Georg. (Eds.). (1992). The Rolling Stone Illustrated History of Rock & Roll. New York: Random House.

  Deffaa, Chip. (1996). Blue Rhythm: Six Lives in Rhythm & Blues. Urbana: University of Illinois Press.

  DjeDje, Jacqueline C., and Meadows, Eddie S. (Eds.). (1998). California Soul: Music of African Americans in the West. Berkeley: University of California Press.

  de Jong, Greta. (2002). A Different Day: African American Struggles for Justice in Rural Louisiana, 1900–1970. Chapel Hill: University of North Carolina Press.

  De Lerma, Dominique-René. (1973). Reflections on Afro-American Music. Kent, OH: Kent State University Press.

  Delmont, Matthew F. (2012). The Nicest Kids in Town: American Bandstand, Rock & Roll, and the Struggle for Civil Rights in 1950s Philadelphia. Berkeley: University of California Press.

  Denisoff, R. Serge. (1970). “The Religious Roots of the American Song of Persuasion.” Western Folklore 29 (3), 175–184.

  Denzin, Norman K., Lincoln, Yvonna S., and Smith, Linda Tuhiwai. (Eds.). (2008). Handbook of Critical and Indigenous Methodologies. Los Angeles: Sage.

  de Schweinitz, Rebecca. (2009). If We Could Change the World: Young People and America’s Long Struggle for Racial Equality. Chapel Hill: University of North Carolina Press.

  DeVeaux, Scott Knowles, and Kenney, William Howland. (Eds.). (1992). The Music of James Scott. Washington, DC: Smithsonian Institution Press.

  Dickerson, Vanessa D. (2008). Dark Victorians. Urbana: University of Illinois Press.

  Dickson, Lynda Faye. (1982). “The Early Club Movement Among Black Women in Denver, 1890–1925.” Ph.D. dissertation, University of Colorado at Boulder.

  Dierenfield, Bruce J. (2008). The Civil Rights Movement. New York: Pearson Longman.

  Diggs, Irene. (1974). “Du Bois and Women: A Short Story of Black Women, 1910–1934.” Current Bibliography on African Affairs 7 (Summer), 260–307.

  Dillard, Angela D. (2007). Faith in the City: Preaching Radical Social Change in Detroit. Ann Arbor: University of Michigan Press.

  Dittmer, John. (1994). Local People: The Struggle for Civil Rights in Mississippi. Urbana: University of Illinois Press.

  Dixon, Robert, Godrich, John, and Rye, Howard. (Eds.). (1997). Blues & Gospel Records, 1890–1943. New York: Oxford University Press.

  Dodge, Timothy. (2013). The School of Arizona Dranes: Gospel Music Pioneer. Lanham: Lexington Books.

  Dodson, Howard, and Diouf, Sylviane A. (2004). In Motion: The African-American Migration Experience. Washington, DC: National Geographic.

  Doggett, Peter. (Compiler and Annotator). (2007). Power To The Motown People!: Civil Rights Anthems and Political Soul, 1968–1975 [Compact Disc]. Santa Monica, CA: Motown/Universal Music Group.

  Doherty, Thomas P. (2002). Teenagers and Teenpics: The Juvenilization of American Movies in the 1950s. Philadelphia: Temple University Press.

  Dorrien, Gary J. (2015). The New Abolition: W. E. B. Du Bois and the Black Social Gospel. New Haven: Yale University Press.

  Driggs, Frank, and Haddix, Chuck. (2005). Kansas City Jazz: From Ragtime to Bebop—A History. Oxford: Oxford University Press.

  Dublin, Thomas, Arias, Franchesca, and Carreras, Debora. (2003). What Gender Perspectives Shaped the Emergence of the National Association of Colored Women, 1895–1920? Alexandria, VA: Alexander Street Press.

  DuBose-Simons, Carla J. (2013). “The ‘Silent Arrival’: The Second-Wave of the Great Migration and its Affects on Black New York, 1940–1950.” Ph.D. dissertation, City University of New York.

  Dudziak, Mary L. (2011). Cold War Civil Rights: Race and the Image of American Democracy. Princeton: Princeton University Press

  Draper, Alan. (1994). Conflict of Interests: Organized Labor and the Civil Rights Movement in the South, 1954–1968. Ithaca, NY: ILR Press.

  Du Bois, W.E.B. (1899). The Philadelphia Negro: A Social Study. Philadelphia: University of Pennsylvania Press.

  ___. (1903a). The Negro Church Atlanta University Press.

  ___. (1903b). The Souls of Black Folk: Essays and Sketches. Chicago: A.C. McClurg.

  ___. (1910). “The Souls of White Folk.” Independent 69 (August 18), 339–342.

  ___. (1917). “Of the Culture of White Folk.” Journal of International Relations 7 (April), 434–447.

  ___. (1920). Darkwater: Voices From Within the Veil. New York: Harcourt, Brace and Howe.

  ___. (1924). The Gift of Black Folk: The Negroes in the Making of America. Boston: Stratford.

  ___. (1939). Black Folk Then and Now: An Essay in the History and Sociology of the Negro Race. New York: Henry Holt.

  ___. (1935). Black Reconstruction in America, 1860–1880. New York: Harcourt, Brace & Co.


  ___. (1970). The Gift of Black Folk: The Negro in the Making of America. New York: Simon & Schuster.

  ___. (1971). The Seventh Son: The Thought and Writings of W.E.B. Du Bois, (Volume 2, Julius Lester, Ed.). New York: Vintage Books.

  ___. (1978). W.E.B. Du Bois on Sociology and the Black Community (Dan S. Green and Edwin D. Driver, Eds.). Chicago: University of Chicago Press.

  ___. (1980). Prayers for Dark People (Herbert Aptheker, Ed.). Amherst: University of Massachusetts Press.

  ___. (1982). Writings in Periodicals Edited by Others (Volume 1, Herbert Aptheker, Ed.). Millwood, NY: Kraus-Thomson.

  ___. (1985). Against Racism: Unpublished Essays, Papers, Addresses, 1887–1961 (Herbert Aptheker, Ed.). Amherst, MA: University of Massachusetts Press.

  ___. (2000). Du Bois on Religion (Phil Zuckerman, Ed.). Walnut Creek: Altamira.

  Dunaway, David K. (2008). How Can I Keep from Singing?: The Ballad of Pete Seeger. New York: Villard.

  Dunson, Josh. (1965). Freedom in the Air: Song Movements of the Sixties. New York: International Publishers.

  Dupont, Carolyn R. (2013). Mississippi Praying: Southern White Evangelicals and the Civil Rights Movement, 1945–1975. New York: New York University Press.

  Dwyer, Owen J., and Alderman, Derek H. (2008). Civil Rights Memorials and the Geography of Memory. Athens: University of Georgia Press.

  Dyson, Michael Eric. (1997). Between God and Gangsta Rap : Bearing Witness to Black Culture. Oxford: Oxford University Press.

  ___. (2002). Holler If You Hear Me : Searching for Tupac Shakur. New York: Basic Civitas.

  Eagles, Charles W. (1986). The Civil Rights Movement in America: Essays. Jackson: University Press of Mississippi.

  Early, Gerald L. (2004). One Nation Under a Groove: Motown and American Culture. Ann Arbor: University of Michigan Press.

  Eastman, Ralph. (1989). “Central Avenue Blues: The Making of Los Angeles Rhythm and Blues, 1942–1947.” Black Music Research Journal 9 (1), 19–33.

  Edgerton, Gary R. (2007). The Columbia History of American Television. New York: Columbia University Press.

  Edgerton, Robert B. (2001). Hidden Heroism: Black Soldiers in America’s Wars. Boulder, CO: Westview Press.

 

‹ Prev