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Civil Rights Music Page 38

by Reiland Rabaka


  Johnson, Daniel M., and Campbell, Rex R. (1981). Black Migration in America: A Social Demographic History. Durham: Duke University Press.

  Johnson, James Weldon, and Johnson, J. Rosamond. (Eds.). (2002). The Books of the American Negro Spirituals. New York: Da Capo Press.

  Johnson, Joan Marie. (2004). Southern Ladies, New Women: Race, Region, and Clubwomen in South Carolina, 1890–1930. Gainesville: University Press of Florida.

  Johnson, Ronna, and Grace, Nancy. (Eds.). (2002). Girls Who Wore Black: Women Writing the Beat Generation. New Brunswick: Rutgers University Press.

  Johnson, Sylvester A. (2015). African American Religions, 1500–2000: Colonialism, Democracy, and Freedom. Cambridge: Cambridge University Press.

  Johnson, Terrence L. (2012). Tragic Soul-Life: W.E.B. Du Bois and the Moral Crisis Facing American Democracy. Oxford: Oxford University Press.

  Jones, Arthur C. (1993). Wade in the Water: The Wisdom of the Spirituals. Maryknoll, NY: Orbis Books.

  Jones, Ebony Elizabeth. (2008). “Motown and the Movement.” M.A. thesis, University of Toledo, Toledo, OH.

  Jones, Ferdinand, and Jones, Arthur C. (2001). The Triumph of the Soul: Cultural and Psychological Aspects of African American Music. Westport, CT: Praeger.

  Jones, Nikki. (2010). Between Good and Ghetto: African American Girls and Inner-City Violence. New Brunswick: Rutgers University Press.

  Jones, Stacy L.H. (2007). Torch Singing: Performing Resistance and Desire from Billie Holiday to Edith Piaf. Lanham, MD: AltaMira Press.

  Jones, Steven J. (2006). Antonio Gramsci. New York: Routledge.

  Jones, Thomas Frederick. (1973). “A Rhetorical Study of Black Songs: 1860–1930.” M.A. thesis, University of Georgia, Athens, GA.

  Jones-Branch, Cherisse. (2014). Crossing the Line: Women’s Interracial Activism in South Carolina during and after World War II. Gainesville: University Press of Florida.

  Jorgensen, Ernst. (1998). Elvis Presley: A Life In Music. New York: St. Martin’s Press.

  Joseph, Peniel E. (Ed.). (2006a). Black Power Movement: Rethinking the Civil Rights-Black Power Era. New York: Routledge.

  ___. (2006b). Waiting ‘Til the Midnight Hour: A Narrative History of Black Power in America. New York: Henry Holt.

  ___. (2014). Stokely: A Life. New York: Basic Civitas.

  Kahn, Jonathon S. (2009). The Divine Discontent: The Religious Imagination of W.E.B. Du Bois. Oxford: Oxford University Press.

  Kalil, Timothy M. (1993). “The Role of the Great Migration of African Americans to Chicago in the Development of Traditional Black Gospel Piano by Thomas A. Dorsey, circa 1930.” Ph.D. dissertation, Kent State University, Kent, OH.

  ___. (2000). “Thomas A. Dorsey and the Development and Diffusion of Traditional Black Gospel Piano.” In Michael Saffle (Ed.), Perspectives on American Music, 1900–1950 (171–191). New York: Garland.

  Kallen, Stuart A. (2000). The 1950s. San Diego, CA: Greenhaven Press.

  Kamin, Jonathan Liff. (1975). “Rhythm & Blues in White America: Rock & Roll as Acculturation and Perceptual Learning.” Ph.D. dissertation, Princeton University, Princeton, NJ.

  Kaplan, Max. (1993). Barbershopping: Musical and Social Harmony. Rutherford, NJ: Fairleigh Dickinson University Press.

  Katagiri, Yasuhiro. (2014). Black Freedom, White Resistance, and Red Menace: Civil Rights and Anticommunism in the Jim Crow South. Baton Rouge: Louisiana State University Press.

  Katz, Bernard. (1969). The Social Implications of Early Negro Music in the United States. New York: Arno Press.

  Keck, George R., and Martin, Sherrill V. (Eds.). (1988). Feel the Spirit: Studies in Nineteenth-Century Afro-American Music. New York: Greenwood Press.

  Kelley, Norman. (2002). R&B, Rhythm and Business: The Political Economy of Black Music. New York: Akashic.

  Kelley, Robin D.G. (1994). Race Rebels: Culture, Politics, and the Black Working-Class. New York: Free Press.

  ___. (1997). Yo’ Mama’s Disfunktional!: Fighting the Culture Wars in Urban America. Boston: Beacon.

  Kelley, Robin D.G. and Lewis, Earl. (Eds.). (2000). To Make Our World Anew: A History of African Americans. Oxford: Oxford University Press.

  Kelly, Brian. (2001). Race, Class, and Power in the Alabama Coalfields, 1908–1921. Urbana: University of Illinois Press.

  Kelly, Christine A. (2001). Tangled Up in Red, White, and Blue: New Social Movements in America. Lanham, MD: Rowman & Littlefield.

  Kemp, Kathryn B. (2011). Make a Joyful Noise!: A Brief History of Gospel Music Ministry in America. Chicago: Joyful Noise Press.

  ___. (2015). Anointed to Sing the Gospel: The Levitical Legacy of Thomas A. Dorsey. Chicago: Joyful Noise Press.

  Kempton, Arthur. (2003). Boogaloo: The Quintessence of American Popular Music.

  New York: Pantheon Books.

  Kendi, Ibram X. (2012). The Black Campus Movement: Black Students and the Racial Reconstitution of Higher Education, 1965–1972. New York: Palgrave Macmillan.

  Keogh, Pamela C. (2004). Elvis Presley: The Man. The Life. The Legend. New York: Atria.

  Kerkering, Jack. (2001). “‘Of Me and of Mine’: The Music of Racial Identity in Whitman and Lanier, Dvorak and Du Bois.” American Literature 73 (1), 147–184.

  Kersten, Andrew Edmund. (2007). A. Philip Randolph: A Life in the Vanguard. Lanham, MD: Rowman & Littlefield.

  Kersten, Andrew E., and Lang, Clarence. (Eds.). (2013). Reframing Randolph: Labor, Black Freedom, and the Legacies of A. Philip Randolph. New York: New York University Press.

  Kimbrough, Natalie. (2007). Equality or Discrimination?: African Americans in the U.S. Military during the Vietnam War. Lanham, MD: University Press of America.

  Kinchen, Shirletta J. (2015). Black Power in the Bluff City: African American Youth and Student Activism in Memphis, 1965–1975. Knoxville: University of Tennessee Press.

  King, Martin Luther. (1958). Stride Toward Freedom: The Montgomery Story. New York: Harper & Row.

  ___. (1964). Why We Can’t Wait. New York: Harper & Row.

  ___. (1986). A Testament of Hope: The Essential Writings of Martin Luther King, Jr. (James Melvin Washington, Ed.). San Francisco: Harper & Row.

  ___. (1992). I Have a Dream: Writings and Speeches That Changed the World (James Melvin Washington, Ed.). San Francisco: Harper.

  ___. (1998). The Autobiography of Martin Luther King, Jr. (Claiborne Carson, Ed.). New York: Warner Books.

  ___. (2001). A Call to Conscience: The Landmark Speeches of Dr. Martin Luther King, Jr. (Clayborne Carson and Kris Shepard, Eds.). New York: Warner Books.

  Kirby, David. (2009). Little Richard: The Birth of Rock & Roll. New York: Continuum.

  Klarman, Michael J. (2007). Brown v. Board of Education and the Civil Rights Movement. Oxford: Oxford University Press.

  Knight, Brenda. (1998). Women of the Beat Generation: The Writers, Artists and Muses at the Heart of a Revolution. Berkeley, CA: Conari Press

  Knight, Gladys. (1997). Between Each Line of Pain and Glory: My Life Story. New York: Hyperion.

  Knowles, Christopher. (2010). The Secret History of Rock & Roll: The Mysterious Roots of Modern Music. Berkeley, CA: Viva Editions.

  Knupfer, Anne Meis. (1996). Toward a Tender Humanity and a Nobler Womanhood: African American Women’s Clubs in Turn-of-the-Century Chicago. New York: New York University Press.

  ___. (2006). The Chicago Black Renaissance and Women’s Activism. Urbana: University of Illinois Press.

  Koch, Stephen. (2014). Louis Jordan: Son of Arkansas, Father of R&B. Charleston, SC: History Press.

  Kochman, Thomas. (1972). Rappin’ and Stylin’ Out: Communication in Urban Black America. Urbana: University of Illinois Press.

  Kohl, Herbert R. (2005). She Would Not Be Moved: How We Tell the Story of Rosa Parks and the Montgomery Bus Boycott. New York: New Press.

  Kot, Greg. (2014). I’ll Take You There: Mavis Staples, the Staple Singers, and the Music That Shaped the Civil Rights Era. New York: Scribner.

  Kotarba, Joseph
A. (2013). Baby Boomer Rock & Roll Fans: The Music Never Ends. Lanham, MD: Scarecrow Press.

  Kovach, Margaret. (2009). Indigenous Methodologies: Characteristics, Conversations and Contexts. Toronto: University of Toronto Press.

  Kruse, Kevin M., and Tuck, Stephen G.N. (Eds.). (2012). Fog of War: The Second World War and the Civil Rights Movement. Oxford: Oxford University Press.

  Kryder, Daniel. (2000). Divided Arsenal: Race and the American State during World War II. Cambridge: Cambridge University Press.

  Kubernik, Harvey. (2014). Turn Up the Radio!: Rock, Pop, and Roll in Los Angeles, 1956–1972. Solana Beach, CA: Santa Monica Press.

  Kubik, Gerhard. (1999). Africa and the Blues. Jackson: University Press of Mississippi.

  ___. (2010a). Theory of African Music, Volume I. Chicago: University of Chicago Press.

  ___. (2010b). Theory of African Music, Volume II. Chicago: University of Chicago Press.

  Kuhn, Thomas S. (1970). The Structure of Scientific Revolutions (Second Edition). Chicago: University of Chicago Press.

  Kusmer, Kenneth L. (1976). A Ghetto Takes Shape: Black Cleveland, 1870–1930. Urbana: University of Illinois Press.

  Kyagambiddwa, Joseph. (1955). African Music From the Source of the Nile. New York: Praeger.

  Lait, Jack, and Mortimer, Lee. (1952). U.S.A. Confidential. New York: Crown Publishers.

  Laraña, Enrique, Johnston, Hank, and Gusfield, Joseph R. (Eds.). (1994). New Social Movements: From Ideology to Identity. Philadelphia: Temple University Press.

  Lauterbach, Preston. (2011). The Chitlin’ Circuit: And the Road to Rock & Roll. New York: W.W. Norton.

  Lavelle, Kristen M. (2014). Whitewashing the South: White Memories of Segregation and Civil Rights. Lanham: Rowman & Littlefield.

  Lawlor, William. (Ed.). (2005). Beat Culture: Icons, Lifestyles, and Impact. Santa Barbara, CA: ABC-CLIO.

  Lawrence, Sharon. (2006). Jimi Hendrix: The Intimate Story of a Betrayed Musical Legend. New York: Harper.

  Lawson, R. A. (2010). Jim Crow’s Counterculture: The Blues and Black Southerners, 1890–1945. Baton Rouge: Louisiana State University Press.

  Lawson, Steven F. (2014). Running for Freedom: Civil Rights and Black Politics in America since 1941. Hoboken, NJ: Wiley-Blackwell.

  Lawson, Steven F., and Payne, Charles M. (2006). Debating the Civil Rights Movement, 1945–1968. Lanham, MD: Rowman & Littlefield.

  Le Blanc, Paul and Yates, Michael. (2013). A Freedom Budget for All Americans: Recapturing the Promise of the Civil Rights Movement in the Struggle for Economic Justice Today. New York: Monthly Review Press

  Le Gendre, Kevin. (2012). Soul Unsung: Reflections on the Band in Black Popular Music. Bristol, CT: Equinox.

  Lee, George Perry. (2008). “Thomas A. Dorsey’s Influence on African American Worship.” Ph.D. dissertation, Southern Baptist Theological Seminary, Louisville, KY.

  Lee, Patti Meyer, and Lee, Gary. (2001). Don’t Bother Knockin’ . . . This Town’s A Rockin’: A History of Traditional Rhythm & Blues and Early Rock & Roll In Buffalo, New York. Buffalo, NY: Buffalo Sounds Press.

  Lee, Sonia Song-Ha. (2014). Building a Latino Civil Rights Movement: Puerto Ricans, African Americans, and the Pursuit of Racial Justice in New York City. Chapel Hill: University of North Carolina Press.

  Lee, Su H. (2007). Debating New Social Movements: Culture, Identity, and Social Fragmentation. Lanham, MD: University Press of America.

  Lee, Taeku. (1992). Mobilizing Public Opinion: Black Insurgency and Racial Attitudes in the Civil Rights Era. Chicago: University of Chicago Press.

  Lefever, Harry G. (2005). Undaunted by the Fight: Spelman College and the Civil Rights Movement, 1957–1967. Macon: Mercer University Press.

  Leidholdt, Alexander. (1997). Standing Before the Shouting Mob: Lenoir Chambers and Virginia’s Massive Resistance to Public School Integration. Tuscaloosa: University of Alabama Press.

  Lemann, Nicholas (1991). The Promised Land: The Great Black Migration and How It Changed America. New York: Knopf.

  Lemke-Santangelo, Gretchen. (1996). Abiding Courage: African American Migrant Women and the East Bay Community. Chapel Hill: University of North Carolina Press.

  Lemons, Gary L. (2001). “‘When and Where [We] Enter’: In Search of a Feminist Forefather—Reclaiming the Womanist Legacy of W.E.B. Du Bois.” In Rudolph P. Byrd and Beverly Guy-Sheftall (Eds.), Traps: African American Men on Gender and Sexuality (71–89). Indianapolis: Indiana University Press.

  ___. (2009). Womanist Forefathers: Frederick Douglass and W. E. B. Du Bois. Albany: State University of New York Press.

  Leonard, Stephen J. (2002). Lynching in Colorado, 1859–1919. Boulder: University Press of Colorado.

  Leszczak, Bob. (2013). Who Did It First? Great Rhythm & Blues Cover Songs and Their Original Artists. Lanham, MD: Scarecrow Press.

  ___. (2014). Who Did It First?: Great Rock & Roll Cover Songs and Their Original Artists. Lanham, MD: Rowman & Littlefield.

  Levine, Ellen S. (1993). Freedom’s Children: Young Civil Rights Activists Tell Their Own Stories. New York: Putnam.

  Levine, Lawrence. (1977). Black Culture and Black Consciousness: Afro-American Folk Thought from Slavery to Freedom. New York: Oxford University Press.

  Levinson, David. (2006). Sewing Circles, Dime Suppers, and W. E. B. Du Bois: A History of the A.M.E. Zion Church. Great Barrington, MA: Berkshire Publishing Group.

  Levy, Peter B. (1992). Let Freedom Ring: A Documentary History of the Modern Civil Rights Movement. New York: Praeger.

  ___. (1998). The Civil Rights Movement. Westport: Greenwood.

  ___. (2003). Civil War on Race Street: The Civil Rights Movement in Cambridge, Maryland. Gainesville: University Press of Florida.

  ___. (Ed.). (2015). The Civil Rights Movement in America: From Black Nationalism to the Women’s Political Council. Santa Barbara, CA: Greenwood.

  Lewis, Andrew B. (2009). The Shadows of Youth: The Remarkable Journey of the Civil Rights Generation. New York: Hill & Wang.

  Lewis, George. (2006). Massive Resistance: The White Response to the Civil Rights Movement. London: Hodder Arnold.

  Lewis, Jerry M., and Looney, John G. (1983). The Long Struggle: Well-Functioning Working-Class Black Families. New York: Brunner/Mazel.

  Lewis-Colman, David M. (2008). Race Against Liberalism: Black Workers and the UAW in Detroit. Urbana: University of Illinois Press.

  Lhamon, W.T. (1998). Raising Cain: Blackface Performance from Jim Crow to Hip Hop. Cambridge, MA: Harvard University Press.

  ___. (Ed.). (2003). Jump Jim Crow: Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture. Cambridge, MA: Harvard University Press.

  Lightfoot, Claude M. (1968). Ghetto Rebellion to Black Liberation. New York: International Publishers.

  Lincoln, C. Eric, and Mamiya, Lawrence H. (1990). The Black Church in the African American Experience. Durham: Duke University Press.

  Ling, Peter J., and Monteith, Sharon. (Eds.). (2004). Gender and the Civil Rights Movement. New Brunswick, NJ: Rutgers University Press.

  Lipsitz, George. (1990a). “Listening to Learn and Learning to Listen: Popular Culture, Cultural Theory, and American Studies.” American Quarterly 42 (4), 615–636.

  ___. (1990b). Time Passages: Collective Memory and American Popular Culture. Minneapolis: University of Minnesota Press.

  ___. (1994). Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics of Place. New York: Verso.

  ___. (1998). The Possessive Investment in Whiteness: How White People Profit from Identity Politics. Philadelphia: Temple University Press.

  ___. (2001). American Studies in a Moment of Danger. Minneapolis: University of Minnesota Press.

  ___. (2007). Footsteps in the Dark: The Hidden Histories of Popular Culture. Minneapolis: University of Minnesota Press.

  ___. (2011). How Racism Takes Place. Philadelphia: Temple University Press.

  Little, Kimberly K. (2009). You Must Be from the North: Southern White Women in
the Memphis Civil Rights Movement. Jackson: University Press of Mississippi.

  Loder-Jackson, Tondra L. (2015). Schoolhouse Activists: African American Educators and the Long Birmingham Civil Rights Movement. Albany: State University of New York Press.

  Logan, Rayford W. (1954). The Negro in American Life and Thought: The Nadir, 1877–1901. New York: Dial Press.

  Logan, Shirley W. (Ed.). (1995). With Pen and Voice: A Critical Anthology of Nineteenth Century African American Women. Carbondale: Southern Illinois University Press.

  ___. (1999). We Are Coming: The Persuasive Discourse of Nineteenth Century Black Women. Carbondale: Southern Illinois University Press.

  London, Samuel G. (2009). Seventh-Day Adventists and the Civil Rights Movement. Jackson: University Press of Mississippi.

  Lordi, Emily J. (2013). Black Resonance: Iconic Women Singers and African American Literature. New Brunswick: Rutgers University Press.

  Lornell, Kip. (1995). Happy in the Service of the Lord: African American Sacred Vocal Harmony Quartets in Memphis. Knoxville: University of Tennessee Press.

  ___. (Ed.). (2010). From Jubilee to Hip Hop: Readings in African American Music. Upper Saddle River, NJ: Prentice Hall.

  Loss, Archie K. (1999). Pop Dreams: Music, Movies, and the Media in the American 1960s. Fort Worth, TX: Harcourt Brace College Publishers.

  Lott, Eric. (1993). Love and Theft: Blackface Minstrelsy and the American Working-Class. New York: Oxford University Press.

  Love, Nancy S. (2006). Musical Democracy. Albany: State University of New York Press.

  Lovell, John. (1972). Black Song: The Forge and the Flame—The Story of How the Afro-American Spiritual was Hammered Out. New York: Macmillan.

  Lovett, Bobby L. (2005). The Civil Rights Movement in Tennessee: A Narrative History. Knoxville: University of Tennessee Press.

  Lucal, Betsy. (1996). “Race, Class, and Gender in the Work of W.E.B. Du Bois: An Exploratory Study.” Research in Race & Ethnic Relations 9, 191–210.

  Lucks, Daniel S. (2014). Selma to Saigon: The Civil Rights Movement and the Vietnam War. Lexington: University Press of Kentucky.

  Luders, Joseph E. (2010). The Civil Rights Movement and the Logic of Social Change. Cambridge: Cambridge University Press.

 

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