Civil Rights Music

Home > Other > Civil Rights Music > Page 39
Civil Rights Music Page 39

by Reiland Rabaka


  Lüthe, Martin. (2010). “Color-line and Crossing-over Motown and Performances of Blackness in 1960s American Culture.” Ph.D. dissertation, Justus Liebig University, Giessen, Germany.

  Lutz, Tom. (1991). “Curing the Blues: W. E. B. Du Bois, Fashionable Diseases, and Degraded Music.” Black Music Research Journal 11 (2), 137–156.

  Lyon, Danny. (1992). Memories of the Southern Civil Rights Movement. Chapel Hill: University of North Carolina Press.

  Maffly-Kipp, Laurie F., and Lofton, Kathryn. (Eds.). (2010). Women’s Work: An Anthology of African American Women’s Historical Writings from Antebellum America to the Harlem Renaissance. Oxford: Oxford University Press.

  Magoun, Alexander B. (2007). Television: The Life Story of a Technology. Westport, CT: Greenwood Press.

  Mahon, Maureen. (2000). “Black Like This: Race, Generation, and Rock in the Post-Civil Rights Era.” American Ethnologist 27 (2), 283–311.

  ___. (2004). Right to Rock: The Black Rock Coalition and the Cultural Politics of Race. Durham: Duke University Press.

  Malcolm X. (1971). The End of White World Supremacy: Four Speeches. Merlin House/

  Seaver Books.

  ___. (1990). Malcolm X Speaks: Selected Speeches and Statements. New York: Grove-Weidendfeld.

  ___. (1991). Malcolm X Speeches at Harvard (Archie Epps, Ed.). New York: Paragon House.

  ___. (1992a). The Autobiography of Malcolm X (with Alex Haley). New York: Ballantine Books.

  ___. (1992b). By Any Means Necessary. New York: Pathfinder.

  ___. (1992c). The Final Speeches, February 1965. New York: Pathfinder.

  Manis, Andrew Michael. (1999). A Fire You Can't Put Out: The Civil Rights Life of Birmingham’s Reverend Fred Shuttlesworth. Tuscaloosa: University of Alabama Press.

  Mann, Robert. (2007). When Freedom Would Triumph: The Civil Rights Struggle in Congress, 1954–1968. Baton Rouge: Louisiana State University Press.

  Mantler, Gordon K. (2013). Power to the Poor: Black-Brown Coalition and the Fight for Economic Justice, 1960–1974. Chapel Hill: University of North Carolina Press.

  Marable, Manning. (1980). “A. Philip Randolph and the Foundations of Black American Socialism.” Radical America 14, 7–29.

  ___. (2011). Malcolm X: A Life of Reinvention. New York: Viking.

  Marable, Manning and Mullings, Leith. (Eds.). (2000). Let Nobody Turn Us Around: Voices of Resistance, Reform, and Renewal—An African American Anthology. Lanham, MD: Rowman and Littlefield.

  Maraniss, David. (2015). Once in a Great City: A Detroit Story. New York: Simon & Schuster.

  Marcus, Greil. (1975). Mystery Train: Images of America in Rock & Roll Music. New York: E.P. Dutton.

  Marcuse, Herbert. (1964). One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society. Boston: Beacon.

  Margolick, David. (2000). Strange Fruit: Billie Holiday, Cafe Society, and an Early Cry for Civil Rights. Philadelphia: Running Press.

  ___. (2001). Strange Fruit: The Biography of a Song. New York: Ecco Press.

  Markovitz, Jonathan. (2004). Legacies of Lynching: Racial Violence and Memory. Minneapolis, MN: University of Minnesota Press.

  Marks, Carole. (1989). Farewell, We’re Good and Gone: The Great Black Migration. Bloomington: Indiana University Press.

  Marovich, Robert M. (2015). A City Called Heaven: Chicago and the Birth of Gospel Music. Urbana: University of Illinois Press.

  Marshall, James P. (2013). Student Activism and Civil Rights in Mississippi: Protest Politics and the Struggle for Racial Justice, 1960–1965. Baton Rouge: Louisiana State University Press.

  Martin, Linda, and Segrave, Kerry. (1993). Anti-Rock: The Opposition To Rock & Roll. New York: Da Capo Press.

  Mason, Mack C. (2004). Saints in the Land of Lincoln: The Urban Development of a Pentecostal Denomination and the Birth of the Gospel Music Industry. Hazel Crest, IL: Faithday Press.

  Mattern, Mark. (1998). Acting in Concert: Music, Community, and Political Action. New Brunswick: Rutgers University Press.

  Maultsby, Portia K. (1981). Afro-American Religious Music: A Study in Musical Diversity. Springfield, Ohio: Hymn Society of America.

  ___. (1983). “Soul Music: Its Sociological and Political Significance in American Popular Culture.” Journal of Popular Culture 17 (2), 51–60.

  ___. (1985). “Beginnings of a Black Music Industry.” In Robert E. Rosenthal and Portia Maultsby (Eds.), Who’s Who in Black Music (i–xxi). New Orleans: Edwards Printing.

  ___. (1992). “The Impact of Gospel Music on the Secular Music Industry.” Bernice Johnson Reagon (Ed.), We’ll Understand It Better By and By: Pioneering African American Gospel Composers (19–33). Washington, D.C.: Smithsonian Institution Press.

  ___. (2001). “Funk Music: An Expression of Black Life in Dayton, Ohio and the American Metropolis.” In Hans Krabbendam, Marja Roholl and Tity De Vries (Eds.), The American Metropolis: Image and Inspiration (197–213). Amsterdam: Vu University Press.

  ___. (2006). “Rhythm & Blues.” In Mellonee V. Burnim and Portia K. Maultsby (Eds.), African American Music: An Introduction (245–270). New York: Routledge.

  ___. (2015). “Rhythm & Blues/R&B.” In Mellonee V. Burnim and Portia K. Maultsby (Eds.), African American Music: An Introduction (2nd Edition) (239–276). New York: Routledge.

  Maultsby, Portia K., and Burnim, Mellonee V. (1987). “From Backwoods to City Streets: The Afro-American Musical Journey.” In Geneva Gay and Willie Baber (Eds.), Expressively Black: The Cultural Basis of Ethnic Identity. (109–136). New York: Praeger Press.

  Maxwell, William J. (2004). “Ralph Ellison and the Constitution of Jazzocracy.” Journal of Popular Music Studies 16 (1), 40–57.

  Maynard, John A. (1991). Venice West: The Beat Generation in Southern California. New Brunswick: Rutgers University Press.

  McAdam, Doug, McCarthy, John D., Zald, Mayer N. (Eds.). (1996). Comparative Perspectives on Social Movements: Political Opportunities, Mobilizing Structures, and Cultural Framings. New York: Cambridge University Press.

  McAllister, Anita Bernadette. (1995). “The Musical Legacy of Dorothy Love Coates: African American Female Gospel Singer with Implications for Education and Theater Education.” Ed.D. dissertation, Kansas State University, Manhattan, KS.

  McCanless, Anne S. (1997). Uniting Voices in Song: The Music of the Civil Rights Movement. M.A. thesis, University of South Florida, Tampa, FL.

  McCluskey, Audrey T. (2014). A Forgotten Sisterhood: Pioneering Black Women Educators and Activists in the Jim Crow South. Lanham: Rowman & Littlefield.

  McCord, William Maxwell. (1969). Life Styles in the Black Ghetto. New York: Norton.

  McCourt, Tom. (1983). “Bright Lights, Big City + A Brief History of Rhythm & Blues, 1945–1957.” Popular Music & Society 9 (2), 1–18.

  McDaniel, Eric L. (2008). Politics in the Pews: The Political Mobilization of Black Churches. Ann Arbor: University of Michigan Press

  McDarrah, Fred W., and McDarrah, Gloria S. (2001). Beat Generation: Glory Days in Greenwich Village. New York: Schirmer.

  McDermott, John. (1992). Hendrix: Setting the Record Straight (with Eddie Kramer). New York: Warner Books.

  McGinley, Paige A. (2014). Staging the Blues: From Tent Shows to Tourism. Durham: Duke University Press.

  McGregory, Jerrilyn. (2010). Downhome Gospel: African American Spiritual Activism in Wiregrass Country. Jackson: University Press of Mississippi.

  McGuire, Phillip. (Ed.). (1983). Taps For A Jim Crow Army: Letters from Black Soldiers in World War II. Santa Barbara, CA: ABC-CLIO.

  McKay, Nellie Y. (1985). “W.E.B. Du Bois: The Black Woman in His Writings—Selected Fictional and Autobiographical Portraits.” In William L. Andrews (Ed.), Critical Essays on W.E.B. Du Bois (230–252). Boston: G.K. Hall.

  ___. (1990). “The Souls of Black Women Folk in the Writings of W.E.B. Du Bois.” In Henry Louis Gates, Jr. (Ed.), Reading Black/Reading Feminist: A Critical Anthology (227–243). New York: Meridian.

  McMickle, Mar
vin A. (2014). Pulpit & Politics: Separation of Church & State in the Black Church. Valley Forge, PA: Judson Press.

  McMillen, Neil R. (1971). The Citizens’ Council: Organized Resistance to the Second Reconstruction, 1954–1964. Urbana: University of Illinois Press.

  McNally, Mark. (2015). Antonio Gramsci. New York: Palgrave Macmillan.

  McWhorter, Diane. (2001). Carry Me Home: Birmingham, Alabama: The Climactic Battle of the Civil Rights Revolution. New York: Simon & Schuster.

  Meister, Richard J. (1972). The Black Ghetto: Promised Land or Colony? Lexington, MA: Heath.

  Mendel-Reyes, Meta. (1995). Reclaiming Democracy: The Sixties in Politics and Memory. New York: Routledge.

  Mertens, Donna M., Cram, Fiona, and Chilisa, Bagele. (Eds.). (2013). Indigenous Pathways into Social Research: Voices of a New Generation. Walnut Creek, CA: Left Coast Press.

  Meyer, David S., and Tarrow, Sidney G. (Eds.). (1998). The Social Movement Society: Contentious Politics for a New Century. Lanham, MD: Rowman & Littlefield.

  Milan, Jon. (2009). Detroit Ragtime And The Jazz Age. Charleston, SC: Arcadia Publishing.

  Miles, Kevin Thomas. (2000). “Haunting Music in The Souls of Black Folk.” boundary 2 27 (3), 199–214.

  Miles, Timothy Lee. (1994). “African American Rhythm & Blues Music as a Cultural Expression of the African American Experience: A Comparative Analysis of Two Number One Hit Songs which Mirror the Civil Rights and Black Power Movements: 1964, Respect by Aretha Franklin; 1968, Say It Loud, I’m Black and I’m Proud by James Brown.” M.A. thesis, University of North Carolina at Chapel Hill, Chapel Hill, NC.

  Miller, Calvin Craig. (2005). A. Philip Randolph and the African American Labor Movement. Greensboro, NC: Morgan Reynolds Publishing.

  Miller, Calvin Craig. (2012). Backlash: Race Riots in the Jim Crow Era. Greensboro, NC: Morgan Reynolds.

  Miller, Doug. (1995). “The Moan within the Tone: African Retentions in Rhythm & Blues Saxophone Style in Afro-American Popular Music.” Popular Music 14 (2), 155–174.

  Miller, Jim. (1999). Flowers in the Dustbin: The Rise of Rock & Roll, 1947–1977. New York: Simon & Schuster.

  Miller, Karl Hagstrom. (2010). Segregating Sound: Inventing Folk and Pop Music in the Age of Jim Crow. Durham: Duke University Press.

  Mills, C. Wright. (1959). The Sociological Imagination. Oxford: Oxford University Press.

  Millward, Steve. (2012). Changing Times : Music and Politics in 1964. Leicester: Troubador.

  Mitchell, Jason. (2010). Television and American Culture. Oxford: Oxford University Press.

  Mjagkij, Nina. (2011). Loyalty in Time of Trial: The African American Experience During World War I. Lanham: Rowman & Littlefield Publishers.

  Moore, Brenda L. (1996). To Serve My Country, To Serve My Race: The Story of the Only African American WACS Stationed Overseas during World War II. New York: New York University Press.

  Moore, Christopher P. (2005). Fighting for America: Black Soldiers—The Unsung Heroes of World War II. New York: One World.

  Moore, Winfred B. and Burton, Orville Vernon. (Eds.). (2008). Toward the Meeting of the Waters: Currents in the Civil Rights Movement of South Carolina during the Twentieth Century. Columbia: University of South Carolina Press.

  Morgan, Bill. (2010). The Typewriter is Holy: The Complete, Uncensored History of the Beat Generation. New York: Free Press.

  Morgan, Iwan W., and Davies, Philip. (Eds.). (2012). From Sit-Ins to SNCC: The Student Civil Rights Movement in the 1960s. Gainesville: University Press of Florida.

  Morris, Aldon. (1981). “Black Southern Student Sit-In Movement: An Analysis of Internal Organization.” American Sociological Review 46 (6), 744–767.

  ___. (1984). The Origins of the Civil Rights Movement: Black Communities Organizing for Change. New York: Free Press.

  Morris, Aldon D., and Mueller, Carol M. (Eds.). (1992). Frontiers in Social Movement Theory. New Haven: Yale University Press.

  Morrow, Bruce (2007). Doo-Wop: The Music, the Times, the Era (with Rich Maloof). New York: Sterling.

  Morse, David. (1971). Motown and the Arrival of Black Music. New York: Macmillan.

  Moten, Fred. (2003). In the Break: The Aesthetics of the Black Radical Tradition. Minneapolis: University of Minnesota Press.

  Mullings, Leith. (Ed.). (2009). New Social Movements in the African Diaspora: Challenging Global Apartheid. New York: Palgrave Macmillan.

  Murphy, Joseph M. (1994). Working the Spirit: Ceremonies of the African Diaspora. Boston: Beacon.

  Murray, Albert. (1976). Stomping the Blues. New York: McGraw-Hill.

  ___. (1996). The Blue Devils of Nada: A Contemporary American Approach to Aesthetic Statement. New York: Pantheon Books.

  ___. (1973). The Hero and the Blues. Columbia: University of Missouri Press.

  ___. (1997). Conversations with Albert Murray (Roberta S. Maguire, Ed.). Jackson: University Press of Mississippi.

  Murray, Charles Shaar. (1989). Crosstown Traffic: Jimi Hendrix and the Post-War Rock & Roll Revolution. New York: St. Martin’s Press.

  Murray, Peter C. (2004). Methodists and the Crucible of Race, 1930–1975. Columbia: University of Missouri Press.

  Muyumba, Walton M. (2009). The Shadow and the Act: Black Intellectual Practice, Jazz Improvisation, and Philosophical Pragmatism. Chicago: University of Chicago Press.

  Myers, Marc. (2013). Why Jazz Happened. Berkeley: University of California Press.

  Myrsiades, Kostas. (Ed.). (2002). The Beat Generation: Critical Essays. New York: Peter Lang.

  Naison, Mark. (2004). “From Doo-Wop to Hip Hop: The Bittersweet Odyssey of African Americans in the South Bronx.” Socialism & Democracy 18 (2), 37–49.

  Neal, Mark Anthony. (1997). “Sold Out on Soul: The Corporate Annexation of Black Popular Music.” Popular Music and Society 21 (3), 117–135.

  ___. (1998). What the Music Said: Black Popular Music and Black Public Culture. New York: Routledge.

  ___. (2002). Soul Babies: Black Popular Culture and the Post-Soul Aesthetic. New York: Routledge.

  ___. (2002). “Soul for Sale: The Marketing of Black Musical Expression.” In Norman Kelley (Ed.), R&B, Rhythm and Business: The Political Economy of Black Music (158–175). New York: Akashic.

  ___. (2003). Songs in the Key of Black Life: A Rhythm and Blues Nation. New York: Routledge.

  ___. (2005a). New Black Man: Rethinking Black Masculinity. New York: Routledge.

  ___. (2005b). “Rhythm and Bullshit: The Slow Decline of R&B (Rhythm & Blues).” ALTERNET.ORG. www.alternet.org/story/23384/rhythm_and_bullshit_the_slow_decline_of_r%26b.

  Nevels, Cynthia S. (2007). Lynching to Belong: Claiming Whiteness Through Racial Violence. College Station: Texas A&M University Press.

  Newman, Mark. (2004a). Divine Agitators: The Delta Ministry and Civil Rights in Mississippi. Athens: University of Georgia Press.

  ___. (2004b). The Civil Rights Movement. Westport: Praeger.

  Newman, Richard. (1998). Go Down, Moses: Celebrating the African American Spiritual. New York: Clarkson Potter.

  Nielsen, Aldon Lynn. (1997). Black Chant: Languages of African American Postmodernism. Cambridge: Cambridge University Press.

  Nketia, J.H. Kwabena. (1974). The Music of Africa. New York: W.W. Norton.

  Norrell, Robert J. (1998). Reaping the Whirlwind: The Civil Rights Movement in Tuskegee. Chapel Hill: University of North Carolina Press.

  O’Brien, Gail Williams. (1999). The Color of the Law: Race, Violence, and Justice in the Post-World War II South. Chapel Hill: University of North Carolina Press.

  O’Foran, Shelly. (2006). Little Zion: A Church Baptized by Fire. Chapel Hill: University of North Carolina Press.

  Ogbar, Jeffrey O.G. (2004). Black Power: Radical Politics and African American Identity. Baltimore: Johns Hopkins University Press.

  ___. (2007). The Hip Hop Revolution: The Culture and Politics of Rap. Lawrence: University of Kansas Press.

  Oliphant, Dave. (2002). The Early Swing Era, 1930 to 194
1. Westport, CT: Greenwood Press.

  Oliver, Paul. (2006). Broadcasting the Blues: Black Blues in the Segregation Era. New York: Routledge.

  Olson, Lynne. (2001). Freedom’s Daughters: The Unsung Heroines of the Civil Rights Movement from 1830 to 1970. New York: Scribner.

  O’Meally, Robert G. (2001). “‘Trying to Blow All Life Through a Brass Trombone’: Ralph Ellison Preaches the Blues.” Journal of Religion and Health 40 (1), 15–40.

  Ongiri, Amy Abugo. (2010). Spectacular Blackness: The Cultural Politics of the Black Power Movement and the Search for a Black Aesthetic. Charlottesville: University of Virginia Press.

  Ortizano, Giacomo L. (1993). “On Your Radio!: A Descriptive History of Rhythm & Blues Radio during the 1950s.” Ph.D. dissertation, Ohio University, Athens, OH.

  Osborne, Jerry, and Hamilton, Bruce. (1980). Blues, Rhythm & Blues, Soul. Phoenix: O’Sullivan Woodside.

  Osofsky, Gilbert. (1996). Harlem, The Making of a Ghetto: Negro New York, 1890–1930. Chicago: Ivan R. Dee.

  Othello, Jeffrey. (2004). The Soul of Rock & Roll: A History of African Americans in Rock Music. Oakland, CA: Regent Press.

  Otis, Johnny. (1993). Upside Your Head!: Rhythm & Blues on Central Avenue. Hanover, NH: University Press of New England.

  Owens, Michael Leo. (2007). God and Government in the Ghetto: The Politics of Church-State Collaboration in Black America. Chicago: University of Chicago Press.

  Ownby, Ted. (Ed.). (2002). The Role of Ideas in the Civil Rights South. Jackson: University Press of Mississippi.

  ___. (Ed.). (2008). The Civil Rights Movement in Mississippi.Jackson: University Press of Mississippi.

  Painter, Nell Irvin. (1976). Exodusters: Black Migration to Kansas After Reconstruction. New York: Knopf.

  Palmer, Robert. (1982). Deep Blues: A Musical and Cultural History of the Mississippi Delta. New York: Penguin.

  ___. (1991). “The Church of the Sonic Guitar.” South Atlantic Quarterly 90 (4), 649–673.

  ___. (1995). Rock & Roll: An Unruly History. New York: Harmony Books.

  ___. (1996). Dancing in the Street: A Rock & Roll History. London: BBC Books.

  Paris, Peter J. (1991). Black Religious Leaders: Conflict in Unity. Louisville, KY: Westminster/John Knox Press.

 

‹ Prev