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Civil Rights Music Page 41

by Reiland Rabaka


  Scott, Lawrence P., and Womack, William M. (1998). Double-V: The Civil Rights Struggle of the Tuskegee Airmen. East Lansing: Michigan State University Press.

  Scrivani-Tidd, Lisa M., Markowitz, Rhonda, Smith, Chris, Janosik, MaryAnn, and Gulla, Bob. (Eds.). The Greenwood Encyclopedia of Rock History. (6 vols.). Westport, CT: Greenwood.

  Seeger, Pete, and Reiser, Bob. (1989). Everybody Says Freedom: A History of the Civil Rights Movement in Songs and Pictures. New York: W. W. Norton.

  Sernett, Milton C. (1997). Bound For the Promised Land: African American Religion and the Great Migration. Durham: Duke University Press.

  Sernett, Milton C. (Ed). (1999). African American Religious History: A Documentary Witness . Durham: Duke University Press.

  Seroff, Doug. (1985). “On the Battlefield: Gospel Quartets in Jefferson County, Alabama.” In Geoffrey Haydon and Dennis Marks (Eds.), Repercussions: A Celebration of African American Music (30–53). London: Century.

  Shadwick, Keith. (2003). Jimi Hendrix: The Musician. San Francisco: Backbeat Books.

  Shapiro, Harry, and Glebbeek, Caesar. (1991). Jimi Hendrix: Electric Gypsy. New York: St. Martin’s Press.

  Shapiro, Herbert. (1988). White Violence and Black Response: From Reconstruction to Montgomery. Amherst: University of Massachusetts Press.

  Sharpley-Whiting, T. Denean. (2015). Bricktop’s Paris: African American Women in Paris Between the Two World Wars. Albany: State University of New York Press.

  Shaw, Arnold. (1969). The Rock Revolution. New York: Crowell-Collier Press.

  ___. (1970). The World of Soul: Black America’s Contributions to the Pop Music Scene. New York: Cowles Book Co.

  ___. (1977). 52nd Street: The Street of Jazz. New York: Da Capo.

  ___. (1978). Honkers and Shouters: The Golden Years of Rhythm & Blues. New York: Macmillan.

  ___. (1986). Black Popular Music in America: From the Spirituals, Minstrels, and Ragtime to Soul, Disco, and Hip Hop. New York: Schirmer Books.

  ___. (1987a). The Jazz Age: Popular Music in the 1920s. Oxford: Oxford University Press.

  ___. (1987b). The Rockin’ ’50s: The Decade that Transformed the Pop Music Scene. New York: Da Capo Press.

  ___. (1998). Let’s Dance: Popular Music in the 1930s (Bill Willard, Ed.). Oxford: Oxford University Press.

  Shaw, Stephanie J. (1991). “Black Club Women and the Creation of the National Association of Colored Women.” Journal of Women’s History 3 (2), 1–25.

  ___. (2013). W. E. B. Du Bois and The Souls of Black Folk. Chapel Hill: University of North Carolina Press.

  Shumway, David R. (2014). Rock Star: The Making of Musical Icons from Elvis to Springsteen. Baltimore: Johns Hopkins University Press.

  Silverman, Sue William. (2014). The Pat Boone Fan Club: My Life as a White Anglo-Saxon Jew. Lincoln: University of Nebraska Press.

  Simien, Evelyn M. (2011). Gender and Lynching: The Politics of Memory. New York: Palgrave Macmillan.

  Simpson, George E. (1978). Black Religions in the New World. New York: Columbia University Press.

  Singh, Nikhil Pal. (2004). Black Is A Country: Race and the Unfinished Struggle for Democracy. Cambridge: Harvard University Press.

  Sinitiere, Phillip Luke. (2012). “Of Faith and Fiction: Teaching W. E. B. Du Bois and Religion.” History Teacher 45 (3), 421–436.

  Singleton, Raynoma Gordy. (1990). Berry, Me, and Motown: The Untold Story (with Bryan Brown and Mim Eichler). Chicago: Contemporary Books.

  Sitkoff, Harvard. (2008). The Struggle for Black Equality. New York: Hill & Wang.

  Small, Christopher. (1998a). Music of the Common Tongue: Survival and Celebration in African American Music. Hanover, NH: University Press of New England.

  ___. (1998b). Musicking: The Meanings of Performing and Listening. Hanover, NH: Wesleyan University Press.

  Smith, C. Fraser. (2008). Here Lies Jim Crow: Civil Rights in Maryland. Baltimore: Johns Hopkins University Press.

  Smith, Linda Tuhiwai. (1999). Decolonizing Methodologies: Research and Indigenous Peoples. Dunedin: University of Otago Press.

  Smith, R. Drew. (Ed.). (2003). New Day Begun: African American Churches and Civic Culture in Post-Civil Rights America. Durham: Duke University Press.

  ___. (Ed.). (2004). Long March Ahead: African American Churches and Public Policy in Post-Civil Rights America. Durham: Duke University Press.

  ___. (Ed.). (2013). From Every Mountainside: Black Churches and the Broad Terrain of Civil Rights. Albany: State University of New York Press.

  Smith, R. Drew, and Harris, Fredrick C. (Eds.). (2005). Black Churches and Local Politics: Clergy Influence, Organizational Partnerships, and Civic Empowerment. Lanham: Rowman & Littlefield

  Smith, Susan Lynn. “The Black Women's Club Movement: Self-Improvement and Sisterhood, 1890–1915.” Master’s thesis, University of Wisconsin, Madison.

  Smith, Suzanne E. (1999). Dancing in the Street: Motown and the Cultural Politics of Detroit. Cambridge: Harvard University Press.

  Smith, Thérèse. (2004). Let the Church Sing!: Music and Worship in a Black Mississippi Community. Rochester: University of Rochester Press.

  Smith, Wes. (1989). The Pied Pipers of Rock & Roll: Radio Deejays of the 50s and 60s. Marietta, GA: Longstreet Press.

  Snow, David A., Soule, Sarah Anne, and Kriesi, Hanspeter. (Eds.). (2004). The Blackwell Companion to Social Movements. Malden, MA: Blackwell.

  Sokol, Jason. (2006). There Goes My Everything: White Southerners in the Age of Civil Rights, 1945–1975. New York: Knopf.

  Sotiropoulos, Karen. (2006). Staging Race: Black Performance in Turn of the Century America. Cambridge: Harvard University Press.

  Southern, Eileen. (1997). Music of Black Americans: A History. New York: Norton.

  Spaulding, A. Timothy. (2004). “Embracing Chaos in Narrative Form: The Bebop Aesthetic and Ralph Ellison's Invisible Man.” Callaloo 27 (2), 481–501.

  Spear, Allan H. (1967). Black Chicago: The Making of a Negro Ghetto, 1890–1920. Chicago: University of Chicago Press.

  Spencer, Jon Michael. (1988). Sacred Symphony: The Chanted Sermon of the Black Preacher. New York: Greenwood Press.

  ___. (Ed.). (1989). Theology of American Popular Music: Black Sacred Music. Durham: Duke University Press.

  ___. (1990). Protest & Praise: The Sacred Music of Black Religion. Minneapolis: Fortress Press.

  ___. (1993). Blues & Evil. Knoxville: University of Tennessee Press.

  ___. (Ed.). (1994). Theomusicology: A Special Issue of Black Sacred Music: A Journal of Theomusicology. Durham: Duke University Press.

  ___. (1995). The Rhythms of Black Folk: Race, Religion, and Pan-Africanism. Trenton, NJ: Africa World Press.

  ___. (1996). Re-searching Black Music. Knoxville: University of Tennessee Press.

  ___. (1997). The New Negroes and Their Music: The Success of the Harlem Renaissance. Knoxville: University of Tennessee Press.

  Stack, Carol B. (1996). Call To Home: African Americans Reclaim The Rural South. New York: BasicBooks.

  Stamz, Richard. (2010). Give ’Em Soul, Richard!: Race, Radio, and Rhythm & Blues in Chicago (with Patrick A Roberts). Urbana: University of Illinois Press.

  Staton, Sandra Louise. (2001). “They Have Girded Themselves for Work: The Emergence of the Feminist Argument in the Novels of William Edward Burghardt Du Bois.” Ph.D. dissertation, Howard University, Washington, D.C.

  Stebbins, Robert A. (1996). The Barbershop Singer: Inside the Social World of a Musical Hobby. Toronto: University of Toronto Press.

  Stewart, Carole L. (2008). “Civil Religion, Civil Society, and the Performative Life and Work of W. E. B. Du Bois.” Journal of Religion 88 (3), 307–330.

  ___. (2010). Strange Jeremiahs: Civil Religion and the Literary Imaginations of Jonathan Edwards, Herman Melville, and W. E. B. Du Bois. Albuquerque: University of New Mexico Press.

  Stewart, Earl L. (1998). African American Music: An Introduction. New York: Schirmer.

  Stewart, James B. (2005).
“Message in the Music: Political Commentary in Black Popular Music from Rhythm and Blues to Early Hip Hop.” Journal of African American History 90 (3), 196–225.

  Stone, Robert L. (2010). Sacred Steel: Inside an African American Steel Guitar Tradition. Urbana: University of Illinois Press.

  Stone, Ruth M. (1982). Let the Inside Be Sweet: The Interpretation of Music Event among the Kpelle of Liberia. Indianapolis: Indiana University Press.

  ___. (2005). Music in West Africa: Experiencing Music, Expressing Culture. Oxford: Oxford University Press.

  ___. (Ed.). (2008). The Garland Handbook of African Music. New York: Garland.

  Stone, Ruth M., and Gillis, Frank J. (Eds.). (1976). African Music—Oral Data: A Catalog of Field Recordings, 1902–1975. Indianapolis: Indiana University Press.

  Stowe, David W. (1994). Swing Changes: Big Band Jazz in New Deal America. Cambridge: Harvard University Press.

  Strain, Christopher. (2016). The Long Sixties: America, 1954–1974. Malden: Blackwell.

  Strausbaugh, John. (2007). Black Like You: Blackface, Whiteface, Insult & Imitation in American Popular Culture. New York: Penguin.

  Street, Joe. (2007). The Culture War in the Civil Rights Movement. Gainesville: University Press of Florida.

  Street, John. (1986). Rebel Rock: The Politics of Popular Music. New York: Blackwell.

  ___. (1997). Politics and Popular Culture. Philadelphia: Temple University Press.

  ___. (2012). Music and Politics. Cambridge: Polity Press.

  Stubbs, David. (2003). Jimi Hendrix: Voodoo Child: The Stories Behind Every Song. New York: Thunder’s Mouth Press.

  Stuckey, Sterling. (1987). Slave Culture: Nationalist Theory and the Foundations of Black America. Oxford: Oxford University Press.

  Stuessy, Joe, and Lipscomb, Scott. (2012). Rock & Roll: Its History and Stylistic Development (7th Edition). Englewood Cliffs, NJ: Prentice Hall.

  Sturkey, William, and Hale, Jon N. (Eds.). (2015). To Write in the Light of Freedom: The Newspapers of the 1964 Mississippi Freedom Schools. Jackson: University Press of Mississippi.

  Sugrue, Thomas J. (2008). Sweet Land of Liberty: The Forgotten Struggle for Civil Rights in the North. New York: Random House.

  Sullivan, Patricia. (2009). Lift Every Voice: The NAACP and the Making of the Civil Rights Movement. New York: New Press.

  Sutton, Philip W. (2000). Explaining Environmentalism: In Search of a New Social Movement. Aldershot, Enlgand: Ashgate.

  Sweeting, Adam W. (2004). Cover Versions: Singing Other People’s Songs. London: Pimlico.

  Swenson, John. (1983). Bill Haley: The Daddy of Rock & Roll. New York: Stein & Day.

  Szatmary, David P. (2010). Rockin’ in Time: A Social History of Rock & Roll (7th Edition). Upper Saddle River, NJ: Prentice Hall.

  ___. (2013). Rockin’ in Time: A Social History of Rock & Roll (8th Edition). Boston: Pearson.

  Tabb, William K. (1970). The Political Economy of the Black Ghetto. New York: Norton.

  Talevski, Nick. (1998). The Unofficial Encyclopedia of the Rock & Roll Hall of Fame. Westport, CT: Greenwood Press.

  Talevski, Nick, and West, Robert D. (2010). The Origins and Early History of Rock & Roll. Green, OH: Guardian Express Media.

  Taraborrelli, J. Randy. (2014). Diana Ross: A Biography. New York: Citadel Press/Kensington Publishing.

  Tasker, Yvonne, and Negra, Diane. (Eds.). (2007). Interrogating Post-Feminism: Gender and the Politics of Popular Culture. Durham: Duke University Press.

  Taylor, Clarence. (2002). Black Religious Intellectuals: The Fight for Equality from Jim Crow to the 21st Century. New York: Routledge.

  ___. (2011). Civil Rights in New York City: From World War II to the Giuliani Era. New York: Fordham University Press.

  Taylor, Cynthia. (2006). A. Philip Randolph: The Religious Journey of an African American Labor Leader. New York: New York University Press.

  Taylor, Jon E. (2013). Freedom to Serve: Truman, Civil Rights, and Executive Order 9981. New York: Routledge.

  Taylor, Robert L. (2013). Thomas A. Dorsey Father of Black Gospel Music an Interview: Genesis of Black Gospel Music. Bloomington, IN: Trafford Publishing.

  Tenaille, Frank. (2002). Music is the Weapon of the Future: Fifty Years of African Popular Music. Chicago: Lawrence Hill.

  Terborg-Penn, Rosalyn. (1998). African American Women in the Struggle for the Vote, 1850–1920. Bloomington: Indiana University Press.

  Theoharis, Jeanne. (2013). The Rebellious Life of Mrs. Rosa Parks. Boston: Beacon.

  Theoharis, Jeanne, and Woodard, Komozi. (Eds.). (2005). Groundwork: Local Black Freedom Movements in America. New York: New York University.

  Thomas, Lorenzo. (2008). Don’t Deny My Name: Words and Music and the Black Intellectual Tradition (Aldon Lynn Nielsen, Ed.). Ann Arbor: University of Michigan Press.

  Thompson, Katrina D. (2014). Ring Shout, Wheel About: The Racial Politics of Music and Dance in North American Slavery. Urbana: University of Illinois Press.

  Thompson, Robert Farris. (1983). Flash of the Spirit: African and Afro-American Art and Philosophy. New York: Random House.

  Thuesen, Sarah C. (2013). Greater than Equal: African American Struggles for Schools and Citizenship in North Carolina, 1919–1965. Chapel Hill: University of North Carolina Press.

  Tilly, Charles. (2004). Social Movements, 1768–2004. Boulder: Paradigm Publishers.

  Tolnay, Stewart E. and Beck, E.M. (1992). “Racial Violence and Black Migration in the American South, 1910 to 1930.” American Sociological Review 57 (1), 103–116.

  Torres, Sasha. (2003). Black, White, and in Color: Television and Black Civil Rights. Princeton: Princeton University Press.

  Tosches, Nick. (1996). Country: The Twisted Roots Of Rock & Roll. New York: Da Capo Press.

  ___. (1999). Unsung Heroes of Rock & Roll: The Birth of Rock in the Wild Years Before Elvis. New York: Da Capo Press.

  Trost, Theodore Louis. (Ed.). (2007). African Diaspora and the Study of Religion. New York: Palgrave-Macmillan.

  Trotter, Joe William, Jr. (Ed.). (1991). The Great Migration in Historical Perspective: New Dimensions of Race, Class, and Gender. Bloomington: Indiana University Press.

  Tsesis, Alexander. (2008). We Shall Overcome: A History of Civil Rights and the Law. New Haven: Yale University Press.

  Tudor, Dean, and Tudor, Nancy. (1979). Black Music. Littleton, CO: Libraries Unlimited.

  Turner, Steve. (1998). Trouble Man: The Life and Death of Marvin Gaye. New York: Ecco Press.

  Turner, Steve. (2010). An Illustrated History of Gospel. Oxford: Lion Hudson.

  Tytell, John. (2006). Naked Angels: The Lives and Literature of the Beat Generation. Landhom: Ivan R. Dee Publishing.

  Umoja, Akinyele Omowale. (2013). We Will Shoot Back: Armed Resistance in the Mississippi Freedom Movement. New York: New York University Press.

  Uslan, Michael, and Solomon, Bruce. (1981). Dick Clark’s First Twenty-Five Years of Rock & Roll. New York: Dell.

  Valk, Anne M., and Brown, Leslie. (2010). Living with Jim Crow: African American Women and Memories of the Segregated South. New York: Palgrave Macmillan.

  Van Deburg, William L. (1992). New Day in Babylon: The Black Power Movement and American Culture, 1965–1975. Chicago: University of Chicago Press.

  van Rijn, Guido. (1997). Roosevelt’s Blues: African American Blues and Gospel Songs on FDR. Jackson: University Press of Mississippi.

  ___. (2001). “‘Climbing the Mountain Top’: African American Blues and Gospel Songs from the Civil Rights Years.” In Brian Ward (Ed.), Media, Culture, and the Modern African-American Freedom Struggle (122–144). Gainesville: University Press of Florida.

  ___. (2004). The Truman and Eisenhower Blues: African American Blues and Gospel Songs, 1945–1960. New York: Continuum.

  ___. (2007). Kennedy’s Blues: African American Blues and Gospel Songs on JFK. Jackson: University Press of Mississippi.

  ___. (2009). President Johnson’s Blues: African American Blues and Gospel Song
s on LBJ, Martin Luther King, Robert Kennedy and Vietnam, 1963–1968. Overveen, The Netherlands: Agram Blues Books.

  ___. (2011). The Nixon and Ford Blues: African American Blues and Gospel Songs on Vietnam, Watergate, Civil Rights and Inflation, 1969–1976. Overveen, The Netherlands: Agram Blues Books.

  ___. (2012). The Carter, Reagan, Bush Sr., Clinton, Bush Jr. & Obama Blues: African American Blues and Gospel songs, 1976–2012. Overveen, The Netherlands: Agram Blues Books.

  Vazzano, Frank. (2010). From Slavery to the Sixties: The Roots and Cultural Foundation of Rock Music. Dubuque, IA: Kendall/Hunt.

  Venkatesh, Sudhir Alladi. (2000). American Project: The Rise and Fall of a Modern Ghetto. Cambridge: Harvard University Press.

  ___. (2006). Off the Books: The Underground Economy of the Urban Poor. Cambridge: Harvard University Press.

  Vergara, Camilo J. (1995). The New American Ghetto. New Brunswick: Rutgers University Press.

  Vogel, Shane. (2009). The Scene of Harlem Cabaret: Race, Sexuality, Performance. Chicago: University of Chicago Press.

  Wagnleitner, Reinhold, and May, Elaine T. (Eds.). (2000). Here, There, and Everywhere: The Foreign Politics of American Popular Culture. Hanover, NH: University Press of New England.

  Wald, Elijah. (2009). How the Beatles Destroyed Rock & Roll: An Alternative History of American Popular Music. Oxford: Oxford University Press.

  Waldman, Anne. (Ed.). (2007). The Beat Book: Writings from the Beat Generation. Boston: Shambhala.

  Waldman, Tom. (2003). We All Want to Change the World: Rock and Politics from Elvis to Eminem. Lanham, MD: Taylor Trade.

  Waldo, Terry. (1976). This Is Ragtime. New York: Hawthorn Books.

  Waldrep, Christopher. (Ed.). (2001). Racial Violence on Trial: A Handbook with Cases, Laws, and Documents. Santa Barbara, CA: ABC-CLIO.

  ___. (2002). Many Faces of Judge Lynch: Extralegal Violence and Punishment in America. New York: Palgrave-Macmillan.

  ___. (Ed.). (2006). Lynching in America: A History in Documents. New York: New York University Press.

  ___. (2009). African Americans Confront Lynching: Strategies of Resistance from the Civil War to the Civil Rights Era. Lanham, MD: Rowman & Littlefield.

  Waldschmidt-Nelson, Britta. (2012). Dreams and Nightmares: Martin Luther King, Jr., Malcolm X, and the Struggle for Black Equality in America. Gainesville: University Press of Florida.

 

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