Venus and the Seven Sexes

by William Tenn

  “I would be grateful in turn to be given an opportunity to show my gratitude,” I replied. “It will take a little time, however, for me to compose a proper speech. I will start immediately.”

  He reached for my long tentacles and pulled me back into the compartment. “Fine! Now, you don’t want to make up a speech of your own and give out with all kinds of errors that would make humans think you aren’t worth the money we’re spending on you? Of course you don’t! I have a honey of a speech all written—just the thing they’ll want to hear you say back home. Greasejob! You and Dentface get that apparatus ready for recording.”

  Then, while the robots manipulated the stereo-record, I read aloud the speech Shlestertrap had written from a copy he held up just out of camera range. I stumbled a bit over unfamiliar concepts—for example, passages where I extolled The Great Civilizer for teaching us English and explaining our complicated biological functions to us—but generally, the speech was no more than the hymn of praise that the man deserved. When I finished, he yelled: “Cut! Good!”

  Before I had time to ask him the reasons for the seeming inconsistencies in the speech—I knew that, since he was human, they could not be mere errors—he had pushed me into the projection room where the Plookh actors waited. I thought I heard him mumble something about “That should hold the Gogarty crowd till the next election,” but I was so excited over the prospect of the first Plookhian cultural achievement that I did nothing more than scurry to my place as the projectors started. Now, sometimes, I think perhaps—No.

  The first stereo with an all-Plookh cast! Already, it is a commonplace, with all Plookh seeing it for the first time before they are more than six days out of the egg. But that preview, as it was called, was a moment when everything seemed to pause and offer us sanctuary. Our civilization seemed assured.

  I decided that its murky passages were the result of one viewing and would disappear in time as we expanded intellectually.

  You know what I mean. The beginning is interesting and delightful as the various sexes meet in different ways and decide to become a family. The matrimonial convention, although somewhat unusual procedurally, is fairly close to the methods in use at that time. But why does the guur suddenly proclaim she is insulted and bolt the convention?

  Of course, you all know—or should—that our reservation of the pronoun “she” for guur dates from the dialogue in this stereo?

  Again, why, after the guur leaves, do the others pursue her—instead of finding and mating with a more reasonable specimen? And the great spotted snake that notices the guur—we had thought till then that the guur is the one form of Plookh safe from these dread creatures: evidently we were wrong. In her flight, she passes tricephalops and sucking ivy: these ignore her; yet the great spotted snake suddenly develops a perverted fancy for her vines and tendrils.

  And the battle, where the other six Plookhh fall upon and destroy the snake! Even the srob crawls out of the stream and falls gasping into the fray! It continues for a long period—the snake seems to be triumphing, logically enough—suddenly, the snake is dead.

  I am an old nzred. I have seen that stereo hundreds of times, and many the ferocious spotted snake from whose jaws I have leaped. On the basis of my experience, I can only agree with the other oldsters among the Plookhh that the snake seems to have been strangled to death. I know this is not much help and I know what it means taken together with our other difficulties—but as the nzred nzredd announced at the first public showing of the stereo: “What Plookh has done, Plookh can do!”

  The rest of the stereo is comprehensible enough. Which guur, no matter what her reasons for leaving the chain originally, would not joyfully return to a family powerful enough to destroy a great spotted snake? And even now we all laugh (all except mlenbb, that is) at the final sequence where the mlenb-character crawls into his burrow backward and almost breaks a flipper.

  “Terrific, huh?” Shlestertrap inquired, when we had returned to his compartment. “And that process-work—it was out of this system, wasn’t it? Can I mastermind a masterpiece, or can’t I?”

  I considered. “You can,” I told him at last. “This stereo will affect our way of life more than anything else in nine thousand years of Plookh history.”

  He slapped his sides. “This stereo, artistically, has everything. The way I handled that finale was positively reminiscent of Chaplin in his bamboo-cane period with just a touch of the Marx Brothers and De Ska.”

  After a spasm of bottle-conjugating, he suggested: “Guess you want to chase in and get those robots to teach you how to handle projectors. I’ll give you three complete sets and a whole slew of copies; you show some of your friends in the backwoods how to turn them on and off—then you can come back here and write the next stereo.”

  “Write the next stereo? I am overwhelmed, O Shlestertrap, but I don’t quite understand what I could write about. Have you not said all in this one? If there is more, I am afraid my uncivilized person is not capable of conceiving and organizing it.”

  “Not a matter of civilization,” he told me impatiently. “Just a matter of a twist. You saw how this stereo ran—now you simply apply The Old Switcheroo.”

  “The Old Switcheroo?”

  “The new angle—the twist—the tangent. No sense in using a good plot just the once. I’ll make an artist out of you yet! Look—on second thought, maybe you’re too new at this racket to get it after all. Was sort of hoping you’d carry the load while I rested up. But I guess I can knock out another stereo fast to give you the idea. Meanwhile, suppose you get started on that projection course so that your buddies in the jungle can see what the Interplanetary Cultural Mission is doing for them.”

  Shortly thereafter, I was deposited outside the dome with the three sets of projectors. Again, I was fortunate in making my escape from the creatures who swarmed at me. I returned to the spot with forty young Plookhh I gathered from the neighborhood and, with the expenditure of much labor and life, we divided the equipment into small, somewhat portable groups and removed it to another mountain.

  As rapidly as possible, I taught them the intricacies of operation I had learned from the robots. I had tactlessly requested one or two of these creatures from Hogan Shlestertrap, by the way, to aid us in the difficult task of shifting the equipment. “Not on your materialization,” he had roared. “Isn’t it enough that I send them out of the dome to get those orange weeds you guys are so nuts about? Two of my best robots—Greasejob and Dentface—are walking around with cracked bodies because some overgrown cockroach mistook them for an order of. I made a stereo for you people: now you carry the ball for a while.” Naturally, I apologized.

  When my assistants could work the projectors to my satisfaction, I divided them into three groups and sent two of them off with sets and a supply of stereo-film. I kept one group and set with me, and had a tkan carry word to the chief of his sex that all was ready.

  Meanwhile, the nzred nzredd and twelve specially trained helpers had been traveling everywhere, griggoing English to all Plookhh they met and ordering them to go forth and griggo likewise. This was necessary because that had been the language of the stereo: as a result, English has completely replaced our native language.

  One of the groups I sent out was stationed in a relatively sheltered cove to which srobb and mlenbb could come in comparative safety. The other, in a distant valley, exhibited chiefly to guurr, flinn and nzredd; my crew, on a mountain, to blapp and tkann. By showing the stereo to audiences of approximately two hundred Plookhh at a time, we were reaching the maximum number at all compatible with safety. Even so, performances were frequently interrupted by a pack of strinth who paused to feed upon us, by an occasional swarm of gridniks who descended on our engrossed multitudes with delighted drones. We changed our projection spots after every performance; but I was twice forced to train new groups of young Plookhh to replace those projectionists casually annihilated when the stereo-exhibition attracted some carnivore’s attention.

&
nbsp; Not a good system, admittedly; but none better has yet been devised. We all know how dangerous it is to congregate. To translate into inadequate English: “Too many Plookhh make a broth.” Nonetheless, it was imperative that the message of civilization be spread as widely and as rapidly as possible.

  The message was spread, received and acted upon.

  However much it may be to my discredit, I must confess that I felt some small and definite joy at belonging to an already-organized family unit. Whenever thereafter I saw a matrimonial convention breaking up, the guur moving as rapidly as she could through the forest until she came to a great spotted snake, the other six members of her family immediately throwing themselves in a sort of hopeless enthusiasm upon the reptile—whenever I saw that spectacle which now, of course, became so frequent, I could not help but rejoice ingloriously in having my family’s convention cycles behind me. I was too old for civilization.

  Once, I remember, four successive matrimonial conventions involved the same snake. He became so gorged with Plookhh that he could not move from the scene of the feeding. Possibly incidents of this sort gave rise to what is known as the nzred magandu system which is used, when possible, at present. As you know, under this system, six families hold their matrimonial conventions together and the six guur perform the traditional civilized bolt in unison. When they come across a great spotted snake, all the other members of the six families fall upon it and, under the weight of their numbers, the snake is very often smothered to death. There are usually enough survivors to make at least one full family after the battle, the only important difficulty here being that this system creates a surplus of guurr. The so-called blap vintorin system is very similar.

  In any event, despite the great odds, we Plookhh had learned the lesson of the stereo well and were beginning to live (though usually we did the opposite) as civilized beings who are ready for technological knowledge. Then—Yes, then came The Old Switcheroo.

  The Season of Early Floods was in full tide when a flin pushed out of his ground passage and up the mountain where we had recently set our projectors anew.

  “Hail, transmitter of culture,” he wheezed. “I bear a message from the flin flinn who had it from the nzred nzredd who had it from the Shlestertrap himself. He wishes you to come to his dome immediately.”

  I was busy helping to swing the ponderous machinery around, and therefore called over my tentacle-joint: “The area between here and the tenth highest mountain is under water. Find some srobb who will convey me there.”

  “No time,” I heard him say. “There is no time to gather waterporters. You will have to make the circuitous trip by land, and soon! The Shlestertrap is—”

  Then came a horribly familiar gurgle and his speech was cut off. I spun round as my assistants scattered in all directions. A full-grown brinosaur had sneaked up the mountain behind the flin and sucked the burrower into his throat while he was concentrating on giving me important information.

  I suppressed every logical impulse that told me to flee; however frightened, I must act like a representative of the civilized race which we Plookhh were becoming. I stood before the brinosaur’s idiotically gleeful face and inquired: “What about the Shlestertrap? For the sake of all Plookhh, already eaten and as yet unhatched, answer me quickly, O flin!”

  From somewhere within the immense throat, the flin’s voice came painfully indistinct through the saliva which blocked its path. “Shlestertrap is going back to Earth. He says you must—”

  The monster gulped and the bulge that was once a flin slid down the great neck and into the body proper. Only then, when he had burped his enjoyment and the first faint slaver of expectancy began in regard to me—only then, did I use the power of my helical tentacle to leap to one side and into a small grove of trees.

  After swinging his head in a lazy curve, the brinosaur, morosely certain that there were no other unalerted Plookhh in the vicinity, turned and flapped slowly down the mountain. The moment he entered the screaming floods, I was out of concealment and detailing a party of three nzredd to follow me to the dome.

  We picked our way painfully across a string of rocks, in a direction which, while leading away from the tenth highest mountain, would form part of a great arc designed to lead us to the dome across dry land.

  “Can it be,” one of the youngsters asked, “that Shlestertrap, observing our careful obedience to the principles laid down in the stereo, has decided that we have irrevocably joined the chain that must produce civilization and that his work is therefore finished?”

  “I hope not. If that were true,” I replied, “it would mean, from the rate of development I have observed, that our civilization would not make itself felt for several lifetimes beyond mine. Possibly he is returning to Earth to acquire the necessary materials for our next stage, that of technology.”

  “Good! The cultural stage through which we pass, while obviously necessary, is extremely damaging to our population figures. I am continually forced to revise my Book of Sevens in unhappy decrease of Plookhh. Not that the prospect of civilization for our race is not well worth the passing misery I feel at attending my first matrimonial convention two days from now. I only hope that our guur finds a comparatively small great spotted snake!”

  Thus, discoursing pleasantly of hopes almost as delightful as the Hope—of a time when the power of Plookh domination would shake the very soil of Venus—we rolled damply the long distance to the dome. I lost only one assistant before the robot picked us up with his beam, and scurried rapidly to Shlestertrap’s interior compartment.

  The place was almost bare: I deduced that most of the mission’s equipment had already been carried to the flame ship. Our civilizer sat on a single chair surrounded by multitudes of bottles, all of whom had already been conjugated to the point of extinction.

  “Well,” he cried, “if it isn’t little plookhiyaki and his wedded nzred! Didn’t think I could say that, did you? Sit down and take a load off your nzred!” I was glad to observe that while his voice was somewhat thick, his attitude seemed to express a desire to be more communicative than usual.

  “We hear that you return to Hollywood California U.S.A. Earth,” I began.

  “Wish it was that, laddie. Wish it was that little thing. Finest place in the universe—Hollywood Calif etcetera. Nope. I been recalled, that’s what I been. The mission’s closed.”

  “But why?”

  “This thing—Economy. At least that’s what they said in the bulletin they sent me. ‘Due to necessary retrenchment in many government services—’ Don’t you believe it! It’s those big busybodies! Gogarty’s probably laughing his head off down in Sahara University: he’s the guy started all that hullabubballoo about me in first place. And me, I gotta go back and start life all over again.”

  Here he put his head down between his arms and shook his shoulders. After a while, he rolled off the chair and onto the floor. A robot entered, carrying a packing box. He set Shlestertrap back in the chair and left, the heavy box still under his arm.

  I could not help a slight feeling of pride at the sight of the awe with which the two young nzredd regarded my obvious intimacy with the human. They were more than a little confused by his alien communicative pattern; but they were as desperately determined as I to memorize every nuance of this portentous last conversation. This was fortunate: the fact that their versions of this affair agreed with mine helped to strengthen my position in the difficult days that lay ahead.

  “And our civilizing process,” I asked. “Is it to stop?”

  “Huh? What civil—Oh, that! No, sir! Little old Shlesty’s taken care of his friends. Always takes care. Got the new stereo ready. One fine job! Wait—I’ll get it for you.”

  He rose slowly to his feet. “Where’s a robot? Never one of ’em around when you want one of ’em around. Hey, Highsprockets!” he bellowed. “Get me the copies of the stereo in the next room or something. The new stereo.

  “Got it all cut yesterday,” he continued, when
the robot had given him the packages. “Didn’t really finish it the way I wanted to; but when bulletin came, I just sent all your actor friends on home. I don’t work for nothing, I don’t. But I sat up and cut it into right length, and what do you know? It came out fine. Here.”

  I distributed the packages equally among the three of us. “And does it contain that wonderful device you mentioned—The Old Switcheroo?”

  “Contains nothing else but. As neat a switcheroo on an original plot as Hogan Shlestertrap has ever turned. Yop. It’s got all you need. You just notice the way I worked it and pretty soon you’ll be making stereos in competition with Hollywood. Which is more than I’ll be doing.”

  “We do not even faintly aspire to such heights,” I told him humbly. “We will be sufficiently grateful for the gift of civilization.”

  “Thass all right,” he waved a hand at us as he swayed. “Don’t thank me. Thank me. In those two stereos you have two of the finest love stories ever told, and done by the latest Hollywood methods from one of its greatest directors in his grandest—What I mean to say is, they told me to mission you some culture and I missioned you culture and if they don’t like it, they can—”

  At this point, he crumpled suddenly into a huddle upon the chair. We waited patiently for any further disclosures, but, as he seemed preoccupied with a peculiarly human manifestation, we made our departures with no further formality.

  Once safely away from the dome, I instructed my assistants to hurry to our two distant installations and prepare them for immediate projection of our new stereo.

  “Remember,” I called after them. “Any change the First Stereo has made in our way of life will be as nothing to what will be done by The Old Switcheroo.”