They Were Counted (The Writing on the Wall: the Transylvanian Trilogy)
Page 8
Balint, sitting opposite the tutor, noticed his non-committal expression and wondered where he had seen his hard wooden face before. Between jutting cheekbones a smallish pug-shaped nose divided slanting black eyes. Above his rather fleshy face there was a huge dome skull whose shape was emphasized by the closely shaven hair – every division of the cranium was defined by faint grey lines as in an anatomy model.
I know that face, thought Balint, Where? Where? And, as the laughter subsided, he turned to his neighbour, the young Ida Laczok.
‘Who is he, your brothers’ tutor?’
‘Oh! He’s only here for the summer. Papa hired him as those rascals failed their exams. He’s preparing them to take the maths again at the end of the holidays. He’s called Andras Jopal and he’s very good even if he isn’t qualified,’ she said. Then, confidentially; ‘You know he’s quite crazy! Imagine, he thinks he’s going to invent a flying machine!’ She laughed softly.
Then Balint remembered. They had met in Kolozsvar when Balint had attended Professor Martin’s lectures on higher mathematics. It was during his third year when he had no examination. Andras Jopal had been by far the best student and though they had only exchanged a few words, Balint had found him intelligent and full of interesting ideas.
The first course was served. Janos Kadar entered the great hall at the head of three footmen, all carrying huge dishes. The old butler, breathing noisily, carried a tray on which reposed two giant pike whose white eyes gleamed in the candlelight. He looked round at the footmen, nodding his head to show where they should start serving. Behind each of them was a young maid carrying trays with sauce-boats and, behind Kadar, was the little apprentice Ferko.
Countess Laczok watched anxiously to be sure that the service was properly carried out and then turned to her neighbour, the Prefect, and said proudly:
‘Do take some more! Don’t be afraid, there aren’t any bones in my pike!’ She served pike to her guests whenever she could, and she always said this when it was offered. It was one of the treasured secrets of Var-Siklod how this delicious but exceptionally bony fish could be presented apparently completely whole, head, tail, fins and skin in place, and yet without a bone in its body! It was a real mystery, and a great surprise to those to whom it was offered for the first time. Not a bone … not one. It was indeed remarkable, and it was Countess Ida’s special pride.
The Prefect was suitably impressed at this marvel and the hostess smiled with pleasure and gratification when all the older ladies started exclaiming that it simply wasn’t possible!
The plates were changed with much clatter as soon as the first course was finished. Then in came the main dish of the dinner, the classical pièce de résistance at all Transylvanian banquets; cold Richelieu turkey with truffles, huge birds bulging with a variety of delicious stuffings.
The guests fell to heartily, hardly noticing the arrival of the gypsy orchestra, who tiptoed silently into the hall, along the table, edging their way between the guests and the great tiled stove, trying not to trip over the legs of the chairs or crash their instruments against the wall or over the guests’ heads. Even the cymbalist managed it somehow, though he once almost dropped the great brass plates as he stumbled over the chair legs. Gathered behind the hostess and led by the famous Laji Pongracz who had played for the Archduke Rudolf, the band, gently at first and then louder, struck up the old tune ‘Blue Forget-me-not’, which Countess Ida had chosen for her own when she was still very young and when, like so many girls of her generation, she had been half in love with its composer, Gyurka Banffy.
The hostess looked round, as if in surprise – though of course, as nothing escaped her, she had been perfectly aware of the band’s arrival. She smiled a welcome to Laji, who bowed low directly to her, his arms outstretched on either side of him, the violin in one hand, the bow in the other, thus silently offering his homage on her name day. Then he straightened up and went on playing, his bow caressing the strings, the well-known melody that everyone associated with Countess Ida.
When he had finished he looked down the table at Count Jeno and, with a playful smile that said much he started to play the host’s favourite: ‘Long, long ago when I drove the carriage for beautiful ladies …’
Suddenly, as the tune was being played, the Prefect got up. He cleared his throat and tapped his glass with a knife. The music stopped as if cut by scissors.
‘Ladies and gentlemen! Ladies and gentlemen!’ Then, to Sandor Kendy who went on talking, ‘I beg the Count’s pardon, but I would like to say a few words!’ Crookface scowled and muttered half under his breath, ‘Go fu …’, but the words were almost inaudible through the thick moustache, and no one noticed. The Prefect had already begun his toast.
He started with an elegant reference to Greek mythology, to the Judgement of Paris, slipped from that to Mount Ida and a play on the hostess’s name, drew a far-fetched parallel (which no one understood) between the Trojan Wars and the hospitality of Var-Siklod, returned to the beauty of the three goddesses, and, declaring that Countess Ida outshone them all, ended with calling for three cheers for the hostess. The gypsy band, by now quite ready, played a swift fanfare, a mere flourish on the strings.
When the cheering and clinking of glasses had somewhat abated old Daniel Kendy, from beyond Aunt Lizinka, rose and turned, his big bulbous nose facing the prefect. Everyone noticed and waited, on tenterhooks because they all knew how mischievous Uncle Daniel could be. ‘Wait for it! It’s Uncle Dani!’ They all wondered what would come out. Then he opened his mouth, stuttering more than usual as he was already not a little drunk.
‘M-M-Mister Prefect! You are a m-m-monumental f-f-fraud!’ and he sat down, with a self-satisfied smile on his face, and emptied his champagne glass, his swollen shining face creased into ridges of pleasure.
General laughter followed, though some of it seemed a little artificial and a few people muttered that Uncle Dani had gone a bit far this time. Even the prefect forced a smile. But the situation was saved by the quick wit of Laji Pongracz who raised his violin and after a few loud chords, led the band into such a tearing, rippling csardas that everyone was silenced and all emotions forgotten as the company was swept along by the well-known rhythm which seemed to make even the glasses dance upon the table.
The dinner went on: ices were served and monumental cakes, quince jellies, fruit and fine liqueurs in tiny Bohemian glasses. But like all good things, it had to end. The company rose from the table and left the hall, the older men to the library where they were served with more liqueurs – the family’s pride as they were made at Var-Siklod – the hostess and the matrons to her small sitting-room – while the young people went out onto the large copper-roofed balcony. This was necessary so that the servants could dismantle the great table and prepare the hall for dancing.
In Countess Laczok’s little sitting-room the conversation was sluggish. Everyone had eaten well and occasionally some lady would congratulate the hostess on the excellence of the feast. The room was lit only by one small lamp, for, although there were hundreds of lamps in the castle, they had all been needed to light the many rooms that had had to be brought into use that evening. After the brilliance of the great hall the semi-darkness of the small room brought on a sleepy mood that was occasionally interrupted by the arrival of the guests from the neighbourhood who had been asked to come to the ball after dinner. And, for not a few of the older ladies, the prospect of having to stay awake until dawn was infinitely oppressive.
Only Aunt Lizinka seemed as lively as ever, titillating the ladies, as always, with poisonous stories and gossip which was as often as not left half-told as the wife, husband or daughter of the person about whom she was talking entered the room. Whenever this happened Lizinka, in the sweetest, most sympathetic voice, and as if she were deeply concerned, would ask the latest arrival some simple question relating to the subject of the gossip. And she could not conceal her glee if the answers seemed to confirm what she had just been recounting.
/> Countess Laczok, however, did not remain for long among her guests. As soon as she had greeted the new arrivals she left the room to supervise the preparation of the buffet which was to be served later. Her departure was the signal for Aunt Lizinka to start talking about the Laczoks, for her a subject of perennial interest.
‘My dears!’ she began: ‘I do feel so much for darling Ida and my dear nephew Jeno …’ And she embarked with great relish on the subject of the family black sheep, Jeno’s elder brother, Tamas, the ‘ne’er-do-well’ who, after several years’ absence, had recently returned to Transylvania as, of all things, a railway engineer! This had surprised everybody since, for the first forty-odd years of his life, Tamas had lived entirely for pleasure, never giving a thought to anything more serious than drinking and making love. When he was young he was continually getting into debt, for which his family was always expected to pay up, and he had lived openly with a succession of gypsy girls. Largely as a result of this last offence he had been disowned by the family and one day he had disappeared, apparently abroad. For six or seven years nothing had been heard of him, until quite recently he had suddenly returned, qualified as an engineer. And now here he was, building the new railroad not far from Var-Siklod.
‘But don’t think he’s changed, my dears. Oh, no! It’s the same story all over again. He’s got a little gypsy with him. She can’t be more than fourteen! Oh, yes, I know it for sure! Isn’t it dreadful? My poor niece. Why, he could even go to prison … debauching a minor. There’s a law against it – what a shame for the family! Who would have thought it when he was little?’ and added, pointing at a portrait on the wall depicting a lady in a crinoline with two small boys, ‘What a beautiful child he was! The one on the right is Jeno, and the other is that monster Tamas!’ And so she went on, her little piping voice spreading poison nonstop.
While Aunt Lizinka was at her usual mischief-making upstairs, the smoking-room was ringing with the laughter and loud talk of the men. Count Jeno sat on a green velvet sofa smoking a pipe while most of the others lit cigars. Though the main subject of conversation was politics, it was not the bitter, passionate politics of the discussions under the lime tree. Those discussions had concerned serious matters, Hungarian matters and Hungarian politics. Now they talked about happenings in the great outside world, happenings that were for them only a comedy, subject for fun and mockery, for entertainment and ribaldry, not to be taken seriously nor talked about with passion or real fury. The Russo-Japanese War had just reached a crucial point. So, discussing it, the men split into two groups, dividing those who thought the Russians would win and those who were convinced it would be the Japanese. No one took it too seriously; they would even retract and change sides if there was an opportunity for a good pun or a joke.
To start with, the very names of the admirals and generals sounded funny and so they would twist them, purposely mispronouncing the unfamiliar sounds to give ribald or coarse interpretations: the pro-Russians trying to ridicule the Japanese and the pro-Japanese doing the same with the Russian names.
Anything went if it sounded rude enough. This light-hearted chaff continued for some time until Tihamer Abonyi, Dinora’s husband who always took himself seriously, tried to raise the level of the conversation. Coming from Hungary he felt he was in a position to show these provincial Transylvanians that he had superior knowledge of world politics. Also he had had far too much champagne and several tumblers of brandy, with the result that this normally retiring and modestly-spoken man became unusually bold and talkative.
‘One moment, please! If you don’t mind?’ And everyone fell silent because they all realized they would soon have an opportunity to tease somebody – and teasing was the Transylvanians’ greatest pleasure.
And so the poor man started. Clichés fell, one after another, from his lips: ‘Well-informed circles’, ‘in regard to this’, ‘in regard to that’, ‘all serious students of world affairs know that if the Russians, etc., etc., etc., then the English and the Americans will be obliged’, ‘all this must be reckoned with’, ‘and as for us, the Tripartite Agreement’. The pompous voice droned on and on …
But not for long. As soon as one hackneyed phrase was uttered it would be taken up by someone else, distorted, laughed at, thrown to another, who would take the joke further with a new twist. A third would then turn the meaning inside out and offer it back to the speaker, who, still completely serious, would try to explain what he meant. And while he did so, another of his sayings would be taken up and teased and dissected in the same way until it sounded a ridiculous confirmation that these provincial Transylvanians understood nothing.
Everyone took part in the game. Old Crookface interjected only short obscenities; Jeno Laczok, with a straight face and dry humour, would pose seemingly irrelevant questions; while Uncle Ambrus kept to the subject, but, in his deep rumbling voice, gave every phrase a grossly sexual meaning. Abonyi, his eyes bulging in astonishment as he found himself mocked by the country bumpkins, could not conceive why his superiority was not universally respected. He battled on, and finally tried to explain that the war would never end because neither side had the necessary weapons …
‘Because then comes the great big Kaiser with his great big tool …’ roared Uncle Ambrus.
Abonyi jumped up, furious: ‘And as for you, Ambrus, you know nothing of – politics. All you care about is sex …’ Offended, he ran to the door, fumbled with the handle, and rushed out. He was followed by roars of mocking laughter.
On the wide balcony above the porch the young were also enjoying themselves. Some sat on the rococo stone balustrade and some on chairs that the footmen had brought out from the hall.
Gazsi Kadacsay was making a good story of his ride to Var-Siklod, and it seemed even funnier because his slanting eyebrows, raised high, gave his face the expression of someone begging for mercy.
It had started on the rrrace-course, he said, rolling his r’s. Just as he was about to start, Joska Kendy had come up to him and said, cigar-holder in mouth:
‘What can you do with that nag of yours? I’ll get my lumbering old wagon to Siklod before you’ve even got that hay-bellied hack into a canter!’ and he imitated Joska’s grating voice so well that everyone laughed. ‘Well, you know me! I’m such a sucker I bet on it – ten bottles of bubbly. How could I be such a moron? We’d start late, Joska said, shrewd old beast that he is, and the road’d be clear. What happened? I got among all those cursed Szekler carts – they were all over the road – nearly fell into one, nearly snagged my poor beast’s legs on the axle-pins, was blinded with dust; and Joska, crafty old thing, just drove them all off the road! He got through easily, driving like Jehu, and I only caught up with him once … once, I tell you. It was just as we turned off the main road – and when I tried to get past that team-of five of his, he nearly ran me down. After that I had no chance in the narrow drive!’
‘You certainly fooled me that time, you dreadful man,’ went on Gazsi plaintively but grinning at Joska as he spoke. Kendy just looked at him ironically and said, dryly:
‘That piebald isn’t a horse, it’s just a louse with four legs!’
Gazsi cringed in mock horror at the insult, holding his head as if recovering from a blow.
‘Vulgar abuse, on top of it all! I’ll kill this man, you’ll see! One of these days I’ll get him!’
But it was all good-humoured fun. The anger was mock-anger, and the despair mock-despair. To Gazsi, Joska was a hero and he knew he could never get the better of him, let alone surpass him, either riding or driving. He did not mind losing the bet, in fact he was rather pleased because if Joska had not won Gazsi’s whole world would have collapsed. So he rejoiced and was glad, and all his clowning was really just an expression of his happiness.
As with the older men in the library the conversation ended in general laughter interrupted by the music starting again in the great hall. Laji had begun with an old Transylvanian waltz that everyone knew. Everyone went inside.
Farkas Alvinczy grabbed young Ida Laczok and swept her off to start the others dancing. Down the long hall they went, turning and gliding to the beat of the music. Other couples soon joined them.
In a few moments the room was filled with dancers; the girls, in many-coloured gowns that swept the ground, holding their heads high and gazing at their partners as they skimmed swiftly over the polished floor.
Dances … Dances … Dances …
Two French quadrilles, two typical exciting csardases lasting an hour, many waltzes slow and fast and even a polka, though not many cared for this.
At about half-past-one the big double doors of the hall were opened and Countess Laczok, round and smiling, made her appearance just as they were finishing the last figure of ‘The Lancers’, which was still popular in Transylvania though in Vienna it had disappeared at the end of the Biedermeier period half a century before. The countess stood in the doorway until the dance was over and then made a sign to Farkas Alvinczy, who had been leading the dance. He signalled to the band leader, and the music stopped.
The young people flowed out into the great drawing-room of the castle where the supper was laid. The gypsy musicians vanished to their by now third meal of the evening, and Janos Kadar, helped by a maid, started changing the candles in the Venetian chandeliers. As he did so, young Ferko and the footmen rushed to remove spots of candle-grease from the floor and polish the parquet.
In the drawing-room the long dinner-table had been re-erected to form a buffet and on it was displayed a capercaillie, haunches of venison, all from the Laczoks’ mountain estates in Czik; and home-cured hams, hare and guinea-fowl pâtés and other specialities of Var-Siklod, the recipes of which remained Countess Ida’s closely guarded secret (all that she would ever admit, and then only to a few intimate friends, was: ‘My dear, it’s quite impossible without sweet Tokay!’).