A Stranger in a Strange Land

by Robert Anson Heinlein

  Jubal was not disturbed by Digby's disappearance because he did not hear of it even as soon as it was announced, and, when he did hear, while he had a fleeting suspicion as to who had performed the miracle, he dismissed it from his mind; if Mike had had a finger in it, he had gotten away with it - and what happened to supreme bishops worried Jubal not at all as long as he didn't have to be bothered with it.

  More important, his own household had gone through a considerable upset. In this case Jubal knew what had happened but did not care to inquire. That is to say, Jubal guessed what had happened but did not know with whom - and didn't want to know. A slight case of rape. Was "rape" the word? Well, "statutory rape." No, not that, either; Mike was of legal age and presumed to be able to defend himself in the clinches. Anyhow, it was high time the boy was salted, no matter how it had happened.

  Jubal couldn't even reconstruct the crime from the way the girls behaved because their patterns kept shifting - sometimes ABC vs D, then BCD vs A� or AB vs CD, or AD vs CB, through all possible ways that four women can gang up on each other.

  This continued for most of the week following that ill-starred trip to church, during which period Mike stayed in his room in a withdrawal trance so deep that Jubal would have pronounced him dead had he not seen it before. Jubal would not have minded it if the service around the place had not gone to hell in a bucket. The girls seemed to spend half their time tiptoeing in to see if Mike was all right" and they were too preoccupied to cook properly, much less to be decent secretaries. Even rock-steady Anne - hell, Anne was the worst of the lot! Absent-minded and subject to unexplained tears� and Jubal would have bet his life that if Anne were to witness the Second Coming, she would simply have memorized date, time, personae, events, and barometric pressure without batting her calm blue eyes.

  Then late Thursday afternoon Mike woke himself up and suddenly it was ABCD in the service of Mike, "less than the dust beneath his chariot wheels." Inasmuch as the girls now found time to give Jubal perfect service too, Jubal counted his blessings and let it lie - except for a wry and very private thought that, if he had demanded a showdown, Mike could easily quintuple their salaries simply by dropping a post card to Douglas - but that the girls would just as readily have supported Mike.

  Once domestic tranquility was restored Jubal did not mind that his kingdom was now ruled by a mayor of the palace. Meals were on time and (if possible) better than ever; when he shouted "Front!" the girl who appeared was bright-eyed, happy, and efficient - such being the case, Jubal did not give a hoot who rated the most side boys. Or girls.

  Besides, the change in Mike was as interesting to Jubal as the restoration of peace was pleasant. Before that week Mike had been docile in a fashion that Jubal classed as pathological; now he was so self-confident that Jubal would have described it as cocky had it not been that Mike continued to be unfailingly polite and considerate.

  But he accepted homage from the girls as if a natural right, he seemed older than his calendar age rather than younger, his voice had deepened, he spoke with disciplined forcefulness rather than timidly. Jubal decided that Mike had joined the human race; he could, in his mind, discharge this patient as cured.

  Except (Jubal reminded himself) on one point: Mike still did not laugh. He could smile at a joke and sometimes did not ask to have them explained to him. Mike was cheerful, even merry - but he never laughed.

  Jubal decided that it was not important. This patient was sane, healthy� and human. Short weeks earlier Jubal would have given odds against the cure taking place. He was honest and humble enough as a physician not to claim credit; the girls had had more to do with it. Or should he say "girl?"

  From the first week of his stay Jubal had told Mike almost daily that he was welcome to stay� but that he should stir out and see the world as soon as he felt able. In view of this Jubal should not have been surprised when Mike announced one breakfast that he was leaving. But he was both surprised and, to his greater surprise, hurt.

  He covered it by using his napkin unnecessarily before answering, "So? When?"

  "We're leaving today."

  "Um- Plural." Jubal looked around the table. "Are Larry and Duke and I going to have to put up with our own cooking until I can dig up more help?"

  "We've talked that over," Mike answered. "Jill is going with me - nobody else. I do need somebody with me, Jubal; I know quite well that I don't know, as yet, how people do things out in the world. I still make mistakes; I need a guide, for a time. I think it ought to be Jill, because she wants to go on learning Martian - and the others think so, too. But if you want Jill to stay, then it could be someone else. Duke and Larry are each willing to help me, if you can't spare one of the girls."

  "You mean I get a vote?"

  "What? Jubal, it has to be your decision. We all know that."

  (Son, you're a gent - and you've probably just told your first lie - I doubt if I could hold even Duke if you set your mind against it.) "I guess it ought to be Jill. But look, kids - This is still your home. The latch string is out."

  "We know that - and we'll be back. Again we will share water."

  "We will, son."

  "Yes, Father."

  "Huh?"

  "Jubal, there is no Martian word for 'father.' But lately I have grokked that you are my father. And Jill's father."

  Jubal glanced at Jill. "Mmm, I grok. Take care of yourselves."

  "Yes. Come, Jill." They were gone before he left the table.

  XXVI

  IT WAS THE USUAL SORT OF CARNIVAL in the usual sort of town. The rides were the same, the cotton candy tasted the same, the flat joints practiced a degree of moderation acceptable to the local law in separating the marks from their half dollars, whether with baseballs thrown at targets, with wheels of fortune, or what - but the separation took place just the same. The sex lecture was trimmed to suit local opinions concerning Charles Darwin's opinions, the girls in the posing show wore that amount of gauze that local mores required, and the Fearless Fentons did their Death-Defying (in sober truth) Double Dive just before the last bally each night.

  The ten-in-one show was equally standard. It did not have a mentalist, it did have a magician; it did not have a bearded lady, it did have a half-man half-woman; it did not have a sword swallower, it did have a fire eater. In place of a tattooed man the show had a tattooed lady who was also a snake charmer - and for the blow-off (at another half dollar per mark) she appeared "absolutely nude!� clothed only in bare living flesh in exotic designs!"-and any mark who could find one square inch below her neckline untattooed would be awarded a twenty dollar bill.

  That twenty dollars had gone unclaimed all season, because the blowoff was honestly ballyhooed. Mrs. Paiwonski stood perfectly still and completely unclothed - other than in "bare, living flesh"� in this case a fourteen-foot boa constrictor known as "Honey Bun." Honey Bun was looped around Mrs. P. so strategically that even the local ministerial alliance could find no real excuse to complain, especially as some of their own daughters wore not nearly as much and covered still less while attending the carnival. To keep the placid, docile Honey Bun from being disturbed, Mrs. P. took the precaution of standing on a small platform in the middle of a canvas tank - on the floor of which were more than a dozen cobras.

  The occasional drunk who was certain that all snake charmer's snakes were defanged and so tried to climb into the tank in pursuit of that undecorated square inch invariably changed his opinion as soon as a cobra noticed him, lifted and spread its hood.

  Besides, the lighting wasn't very good.

  However, the drunk could not have won the twenty dollars in any case. Mrs. P's claim was much sounder than the dollar. She and her late husband had had for many years a tattooing studio in San Pedro; when trade was slack they had decorated each other - and, eventually, at some minor inconvenience to herself, the art work on her was so definitively complete from her neck down that there was no possible room for an encore. She took great pride both in the fact tha
t she was the most completely decorated woman in the world (and by the world's greatest artist, for such was her humbly grateful opinion of her late husband) and also in the certainty that every dollar she earned was honest.

  She associated with grifters and sinners and did not hold herself aloof from them. But her own integrity was untouched. She and her husband had been converted by Foster himself, she kept her membership in San Pedro and attended services at the nearest branch of the Church of the New Revelation no matter where she was.

  Patricia Paiwoush would gladly have dispensed with the protection of Honey Bun in the blow-off not merely to prove that she was honest (that needed no proof, since she knew it was true) but because she was serene in her conviction that she was the canvas for religious art greater than any on the walls or ceilings of the Vatican. When she and George had seen the light. there was still about three square feet of Patricia untouched before he died she carried a complete pictorial life of Foster, from his crib with the angels hovering around to the day of glory when he had taken his appointed place among the archangels.

  Regrettably (since it might have turned many sinners into seekers of the light) much of this sacred history had to be covered up. the amount depending on the local lawmen. But she could show it in closed Happiness meetings of the local churches she attended, if the shepherd wanted her to, which he almost always did. But, while it was always good to add to Happiness, the saved did not need it; Patricia would rather have saved sinners. She couldn't preach, she couldn't sing, and she had never been called to speak in tongues but she was a living witness to the light.

  In the ten-in-one, her act came next to last, just before the magician; this gave her time to put away unsold photographs of herself (a quarter for black amp; white, half a dollar in color, a set of special photographs for five dollars in a sealed envelope sold only to marks who signed a printed form alleging that they were doctors of medicine, psychology, sociology, or other such entitled to professional material not available to the general public - and such was Patricia's integrity that she would not sell these even for ten dollars if the mark did not look the part; she would then ask to see his business card - no dirty dollars were going to put her kids through school - and also gave her time to slip behind the rear canvas and get herself and her snakes ready for the blow-off.

  The magician, Dr. Apollo, performed on the last platform nearest to the canvas fly leading to the blow-off. He started by passing out to his audience a dozen shiny steel rings, each as wide as a plate; he invited them to convince themselves that each ring was solid and smooth. Then he had them hold the rings so that they overlapped. Dr. Apollo walked along the platform, reached out with his wand and tapped each overlap - the solid steel links formed a chain.

  Casually he laid his wand in the air, rolled up his sleeves, accepted a bowl of eggs from his assistant, and started to juggle half a dozen of them. His juggling did not attract too many eyes; his assistant was more worthy of stares. She was a fine example of modern functional design and, while she wore a great deal more than did the young ladies in the posing show, nevertheless there seemed to be a strong probability that she was not tattooed anywhere. The marks hardly noticed it when the six eggs became five, then four three, two - until at last Dr. Apollo was tossing one egg in the air, with his sleeves still rolled up and a puzzled look on his face. At last he said, "Eggs are getting scarcer every year," and tossed the remaining egg over the heads of those nearest the platform to a man in the back of the crowd. "Catch!"

  He turned away and did not seem to notice that the egg never reached its destination.

  Dr. Apollo performed several other tricks, while wearing always the same slightly puzzled expression and with the same indifferent patter. Once he called a young boy close to the platform. "Son, I can tell you what you are thinking. You think I'm not a real magician. And you're right. For that you win a dollar." He handed the kid a dollar bill. It disappeared.

  The magician looked unhappy. "Dropped it? Well, hang on to this one." A second bill disappeared.

  "Oh, dear. Well, we'll have to give you one more chance. Use both hands. Got it? All right, better get out of here fast with it - YOU should be home in bed anyhow." The kid dashed away with the money and the magician turned back and again looked puzzled "Madame Merlin, what should we do now?"

  His pretty assistant came up to him, pulled his head down by one ear, whispered into it. He shook his head. "No, not in front of all these people."

  She whispered again; he looked distressed. "I'm sorry, friends, but Madame Merlin insists that she wants to go to bed. Will any of you gentlemen help her?"

  He blinked at the rush of volunteers - "Oh, just two of you. Were any of you gentlemen in the Army?"

  There were still more than enough volunteers. Dr. Apollo picked two and said, "There's an army cot under the end of the platforms just lift up the canvasflow, will you set it up for her here on the platform? Madame Merlin, face this way, please."

  While the two men set up the cot, Dr. Apollo made passes in the air at his assistant. "Sleep� sleep� you are now asleep. Friends, she is in a deep trance. Will you two gentlemen who so kindly prepared her bed now place her on it? One take her head, one take her feet. Careful, now - " In corpse-like rigidity the girl was transferred to the cot.

  "Thank you, gentlemen. But we ought not to leave her uncovered, should we? There was a sheet here, somewhere. Oh, there it is." The magician reached out, recovered his wand from where he had parked it, pointed to a table laden with props at the far end of his platform; a sheet detached itself from the pile and came to him. "Just spread this over her. Cover her head, too; a lady should not be exposed to public gaze while sleeping. Thank you. Now if you will just step down off the platform. Fine! Madame Merlin� can you hear me?"

  "Yes, Doctor Apollo."

  "You were heavy with sleep. Now you are resting. You feel lighter, much lighter. You are sleeping on a bed of clouds. You are floating away on clouds - " The sheet-covered form raised slowly up about a foot. "Wups! Don't get too light. We don't want to lose you."

  In the crowd, a boy in his late teens explained in a loud whisper, "She's not under the sheet now. When they put the sheet over her, she went down through a trap door. That's just a light framework, doesn't weigh as much as the sheet. And in a minute he'll flip the sheet away and while he does, the framework will collapse and disappear. It's just a gimmick - anybody could do it,"

  Dr. Apollo ignored him and went on talking. "A little higher, Madame Merlin. Higher. There - " The draped form floated about six feet above the platform.

  The smart youngster whispered to his friends, "There's a slender steel rod but you can't see it too easily. It's probably where one corner of the sheet hangs down there and touches the cot."

  Dr. Apollo turned and requested his volunteers to remove the cot and put it back under the platform. "She doesn't need it now. She sleeps on clouds." He faced the floating form and appeared to be listening. "What? Louder, please. Oh? She says that she doesn't want the sheet - it's too heavy."

  ("Here's where the framework disappears.")

  The magician tugged one corner of the sheet, snatched it away; the audience hardly noticed that the sheet disappeared without his bothering to gather it in; they were looking at Madame Merlin, still floating, still sleeping, six feet above the platform. The platform stood in the middle rear of the tent and the audience surrounded it on all sides. A companion of the boy who knew all about stage magic said, "Okay, Speedy, where's the steel rod?"

  The kid said uncertainly, "You have to look where he doesn't want you to look, it's the way they've got those lights fixed to shine right into your eyes."

  Dr. Apollo said, "That's enough sleep, fairy princess. Give me your hand. Wake up, wake up!" He took her hand, pulled her erect and helped her step down to the platform.

  ("You see? You saw how stiff she got down, you saw where she put her foot? That's where the steel rod went." The kid added with satisfaction, "Just a gimmic
k.")

  The magician went on talking, "And now friends, if you will kindly give your attention to our learned lecturer, Professor Timoshenko-"

  The talker cut in at once. "Don't go 'way! For this one performance only by arrangement with the Council of Colleges and Universities and with the permission of the Department of Safety and Welfare of this wonderful city, we are offering this twenty dollar bill absolutely free to any one of you-"

  Most of the tip was turned into the blow-off. A few wandered around, then started to leave as most of the lights in the main tent were turned off. The freaks and other carnies started packing their props and slum preparatory to tear-down. There was a train jump coming in the morning and living tops would remain up for a few hours sleep, but canvas boys were already loosening stakes on the sideshow top.

  Shortly the talker-owner-manager of the ten-in-one came back into the semi-darkened tent, having rushed the blow-off and spilled the last marks out the rear exit. "Smitty, don't go 'way. Got something for you." He handed the magician an envelope, which Dr. Apollo tucked away without looking at it. The manager added, "Kid, I hate to tell you this - but you and your wife ain't going with us to Paducah."

  "I know."

  "Well� look, don't take it hard, there's nothing personal about it - but I got to think of the show. We're replacing you with a mentalist team. They do a top reading act, then she runs a phrenology and mitt camp while he makes with the mad ball. We need 'em� and you know as well as I do you didn't have no season's guarantee. You were just on trial."

  "I know," agreed the magician. "I knew it was time to leave. No hard feelings, Tim."

  "Well, I'm glad you feel that way about it." The talker hesitated. "Smitty, do you want some advice? Just say no if you don't."

  "I would like very much to have your advice," the magician said simply.

  "Okay, you asked for it. Smitty, your tricks are good. Hell, some of 'em even got me baffled. But clever tricks don't make a magician. The trouble is you're not really with it. You behave like a carney - you mind your own business and you never crab anybody else's act and you're helpful if anybody needs it. But you're not a carney. You know why? You don't have any feeling for what makes a chump a chump; you don't get inside his mind. A real magician can make the marks open their mouths and catch flies just by picking a quarter out of the air. That Thurston's levitation you do - I've never seen it done any more perfectly but the marks don't warm to it. No psychology. Now take me, for example. I can't even pick a quarter out of the air - hell, I can barely use a knife and fork without cutting my mouth. I got no act� except I got the one act that counts. I know marks. I know where that streak of larceny is in his heart, I know just how wide it is. I know what he hungers for, whether he knows it or not. That's showmanship, son, whether you're a politician running for office, a preacher pounding a pulpit� or a magician. You find out what the chumps want and you can leave half your props in your trunk."