The Seventh Man

by Brand, Max

  Without a word, Daniels drew his gun.

  "Wait!" commanded Kate. Joan awoke with a start at the sharpness of this voice. "Don't shoot, Buck. See that bit of paper under his throat. He's bringing a message."

  "Bart!" cried Joan, slipping to the floor from her mother's lap, but when she ran toward the wolf-dog, that tremendous snarl of warning stopped her short. Bart slunk toward Kate.

  "Look out, Kate!" cried Haines. "The black devil means murder."

  "Don't move, or he'll go at your throat," she answered. "There's no danger to me. He's been ordered to go to me and he won't let even Joan touch him. See!"

  He had glided past the amazed, outstretched arms of Joan and went straight to Kate and stopped beside her, obviously expectant. She reached for the slip of folded paper, and as her hand approached he crouched a little, growling; but it was only to caution her, apparently, and though he distrusted the hand, he allowed it to unfasten the missive.

  She untwisted the note, she read aloud: "Kate, send Joan back to me or I come for her. Send her with Bart."

  It seemed as though the wolf-dog understood the written words, for now he moved toward Joan and she, with a cry, dropped the squealing puppy and caught the great head of Bart in her arms. The puppy wailed, sitting down on his haunches, and quivering with grief.

  "Daddy Dan wants me," explained Joan with bright eyes. "He's sent for me. Go quick, Bart!"

  The big animal lay down to facilitate her mounting.

  "Joan!" called Kate. The child hesitated and turned toward her. Her mother had taken up that light revolver which Dan had taught her to use so well, and now, as she leveled it at the wolf-dog, Bart laid his fangs bare in silent hate. The weapons of Buck and Lee Haines were ready, and now Bart raised himself a little and commenced to drag gradually forward to leaping distance.

  "Drop your gun, Kate," cautioned Buck. "For God's sake drop your gun. Even if you hit him with a bullet, he'll be at your throat. Unless you kill him with the first shot he'll have you. Drop your gun, and then he'll go at us."

  But Joan knew perfectly well what those gleaming bits of steel meant. She had seen Daddy Dan shoot and kill, and now she ran screaming between Bart and danger.

  "Munner!" she cried. "You bad, bad men. I won't let you hurt Bart."

  "They won't hurt you, Bart," explained Joan, taming much mollified to the great wolf-dog. "They're just playin'. Now we'll go."

  And she started toward the door, with Bart slinking in front and keeping a watchful lookout from a corner of his eye.

  "Are you going to leave the poor little puppy, Joan?" said the mother, keeping her voice steady, for all the force of the two men could not help her now. It rested with her wit.

  "I'll take him with me," answered Joan, and caught up the howling puppy from the floor. His wails died out against her breast.

  "But you mustn't do that, honey. He'd die in this cold night wind long before you got there."

  "Oh!" sighed Joan, and considered her mother with great eyes. Black Bart turned and uneasily tugged at her dress.

  "Will you take good care of him, munner? Till I come back?"

  "But I don't know how to take care of him, dear. If you go he'll cry and cry and cry until he dies."

  Joan sighed.

  "See how quiet he is when you hold him, Joan!"

  "Oh," muttered Joan again. The distress of the problem made her wrinkle her forehead. She turned to Kate for help.

  "Munner, what'll I do?"

  "You'd best stay here until the puppy is strong enough to go with you."

  She kept her voice well under control; it would not do to show the slightest emotion, and now she sat down and half turned away from the child. With her eyes she flashed a signal at the two troubled men and they followed her lead. Their center of vision was now upon the fire. It left Joan, to all appearances, quite out of notice.

  "Oh, that'll be a long, long time, munner."

  "Only a little while, Joan."

  "But Daddy Dan'll be lonesome up there."

  "He has Satan and Bart to keep him company."

  "Don't you think he wants Joan, munner?"

  "Not as much as the poor little puppy wants you, Joan."

  She added, with just the slightest tremor: "You decide for yourself, Joan. Go if you think it is best."

  "Bart, what'll Joan do?" queried the child, turning in dismay toward the wolf-dog, but as soon as he saw the puppy in her arms, he greeted her with a murderous snarl.

  "You see," suggested her mother, "that Black Bart would eat up the poor little puppy if you went now with him."

  At this alarming thought, Joan shrank away from Bart and when he followed her, anxiously, she cried: "Go away! Bad dog! Bad Bart!"

  He caught the edge of her dress and drew back toward the door, and this threw Joan into a sudden panic. She struck Bart across his wrinkled forehead.

  "Go away!" he slunk back, snarling at the puppy.

  "Go back to Daddy Dan." Then, as he pricked his ears, still growling like distant thunder: "Go tell Daddy Dan that Joan has to stay here a while. Munner, how long?"

  "Maybe a week, dear."

  "A whole week?" she cried, dismayed.

  "Perhaps only one or two or three days," said Kate.

  Some of her tenseness was leaving as she saw victory once more inclining to her standards.

  "One, two, five days," counted Joan, "and then come for me again. Tell Daddy Dan that, Bart."

  His eyes left her and wandered around the room, lingering for a vicious instant on the face of each, then he backed toward the door.

  "He's clear of Joan now, Kate," whispered Buck. "Let me shoot!"

  "No, no! Don't even look at him."

  Then, with a scratching of sudden claws, Bart whirled at the door and was gone like a bolt down the hall. Afterwards for a time there was no sound in the room except the murmurings of Joan to her puppy, and then they heard that most mournful of sounds on the mountain-desert, the long howl of a wolf which has missed its kill, and hunts hungry on a new trail.

  Chapter XL. The Failure

  When Black Bart returned without Joan, without even a note of answer about his neck, the master made ready to take by force. First he went over his new outfit of saddle and guns, looking to every strap of the former, and the latter, revolvers and rifle, he weighed and balanced with a meditative look, as if he were memorizing their qualities against a time of need. With Satan saddled and Bart on guard at the mouth of the cave, he gathered up all the accumulation of odds and ends, provisions, skins, and made a stirring bonfire in the middle of the gravel floor. It was like burning his bridges before starting out to the battle; he turned his back to the cave and started on his journey.

  He had to travel in a loose semicircle, for there were two points which he must reach on the ride, the town of Alder, where lived the seventh man who must die for Grey Molly, and the Cumberland ranch, last of all, where he would take Joan. Very early after his start he reached the plateau where he had lived all those years with Kate, and he found it already sinking back to ruin, with nothing in the corrals, and the front door swinging to and fro idly in the wind, just as Joan had often played with it. Inside, he knew, the rooms were empty; a current of air down the chimney had scattered the ashes from the hearth all about the living room. Here must be a chair overturned, and there the sand had drifted through the open door. All this he saw clearly enough with his mind's eye, and urged Satan forward. For a chill like the falling of sudden night had swept over him, and he shrugged his shoulders with relief when he swept past the house. Yet when he came to the long down-slope which pitched into the valley so far below him, he called Satan to a halt again, and swung to look at the house. He could hear the clatter of the front door as it swung; it seemed to be waving a farewell to him.

  It was all the work of a moment, to ride back, gather a quantity of paper and readily inflammable materials, soak them in oil, and scratch a match. The flames swept up the sides of the logs and caught on the ceiling
first of all, and Dan Barry stood in the center of the room until the terrified whining of Black Bart and the teeth of the wolf-dog at his trousers made him turn and leave the house. Outside, he found Satan trembling between two temptations, the first to run as far and as fast as he could from that most terrible thing—fire; and the second to gallop straight into the blaze. The voice of the master, a touch quieted him, and Black Bart lay down at the feet of the master and looked up into his face.

  By this time the fire had licked away a passage through the roof and through this it sent up a yellow hand that flicked up and down like a signal, or a beckoning, and then shot up a tall, steady, growing, roaring column of red. No man could say what went through the mind of Dan Barry as he stood there watching the house of his building burn, but now he turned and threw his arms over the neck and back of Satan, and dropped his forehead against the withers of the black. It troubled the stallion. He turned his head, and nosed the shoulder of the master gently, and Black Bart, in an agony of anxiety, reared up beside Dan and brought his head almost up to the head of the man; there he whined pleadingly for never before had he seen the master hide his face.

  A deep, short report made the master stand away from Satan. The fire had reached a small stock of powder, and the shock of the explosion was followed by a great crashing and rending as an inner wall went down. That fall washed a solid mass of yellow flame across the front door, but the fire fell back, and then Dan saw the doll which he himself had made for Joan; it had been thrown by the smashing of the wall squarely in front of the door, and now the fire reached after it—long arms across the floor. It was an odd contrivance, singularly made of carved wood and with arms and legs fastened on by means of bits of strong sinew, and Joan prized it above all the rosy faced dolls which Kate had bought for her. For an instant Dan stood watching the progress of the fire, then he leaped through the door, swerved back as an arm of fire shot out at him, ran forward again, caught up the doll and was outside rubbing away the singed portions of brows and lashes.

  He did not wait until the house was consumed, but when the flames stood towering above the roof, shaking out to one side with a roar when the wind struck them, he mounted Satan once more, and made for the valley.

  He wanted to reach Alder at dark, and he gauged the time of his ride so accurately that when he pulled out of the mouth of Murphy's Pass, the last light of the day was still on the mountains and in the pass, but it was already dark in the village, and a score of lights twinkled up at him like eyes.

  He left Satan and Bart well outside the town, for even in the dark they might easily be recognized, and then walked straight down the street of Alder. It was a bold thing to do, but he knew that the first thing which is seen and suspected is the skulker who approaches from covert to covert. They knew he had ridden into Alder before in the middle of the night and they might suspect the danger of such another attack, but they surely would not have fear of a solitary pedestrian unless a telltale light were thrown upon his face.

  He passed Captain Lorrimer's saloon. Even in this short interval it had fallen into ill-repute after the killing at Alder. And a shanty farther down the street now did the liquor business of the town; Captain Lorrimer's was closed, and the window nailed across with slats. He went on. Partly by instinct, and partly because it was aflame with lights, he moved straight to the house at which he had learned tidings of three men he sought on his last visit to Alder. Now there were more lights showing from the windows of that place than there were in all the rest of Alder; at the hitching racks in front, horses stood tethered in long double rows, and a noise of voices rolled out and up and down the street. Undoubtedly, there was a festival there, and all Alder would turn out to such an affair. All Alder, including Vic Gregg, the seventh man. A group came down the street for the widow's house; they were laughing and shouting, and they carried lanterns; away from them Barry slipped like a ghost and stood in the shadow of the house.

  There might be other such crowds, and they were dangerous to Barry, so now he hunted for a means of breaking into the house of the widow unseen. The windows, as he went down the side of the building, he noted to be high, but not too high to be reached by a skillful, noiseless climber. In the back of the house he saw the kitchen door, illumined indeed, but the room, as far as he could see, empty.

  Then very suddenly a wave of silence began somewhere in a side of the house and swept across it, dying to a murmur at the edges. Barry waited for no more maneuvers, but walked boldly up the back stairs and entered the house, hat in hand.

  The moment he passed the door he was alert, balanced. He could have swung to either side, or whirled and shot behind him with the precision of a leisurely marksman, and as he walked he smiled, happily with his head held high. He seemed so young, then, that one would have said he had just come in gaily from some game with the other youths of Alder.

  Out of the kitchen he passed into the hall, and there he understood the meaning of the silence, for both the doors to the front room were open, and through the doors he heard a single voice, deep and solemn, and through the doors he saw the crowd standing motionless. Their heads did not stir,—heads on which the hair was plastered smoothly down—and when some one raised a hand to touch an itching ear, or nose, he moved his arm with such caution that it seemed he feared to set a magazine of powder on fire. All their backs were towards Barry, where he stood in the hall, and as he glided toward them, he heard the deep voice stop, and then the trembling voice of a girl speak in reply.

  At the first entrance he paused, for the whole scene unrolled before him. It was a wedding. Just in front of him, on chairs and even on benches, sat the majority of adult Alder,—facing these stood the wedding pair with the minister just in front of them. He could see the girl to one side of the minister's back, and she was very pretty, very femininely appealing, now, in a dress which was a cloudy effect of white; but Barry gave her only one sharp glance. His attention was for the men of the crowd. And although there were only backs of heads, and side glimpses of faces he hunted swiftly for Vic Gregg.

  But Gregg was not there. He surveyed the assembly twice, incredulous, for surely the tall man should be here, but when he was on the very point of turning on his heel and slinking down the hall to pursue his hunt in other quarters, the voice of the minister stopped, and the deep tone of Vic himself rolled through the room.

  It startled Barry like a voice out of the sky; he stared about, bewildered, and then as the minister shifted his position a little he saw that it was Gregg who stood there beside the girl in white,—it was Gregg being married. And at the same moment, the eyes of Vic lifted, wandered, fell upon the face which stood there framed in the dark of the doorway. Dan saw the flush die out, saw the narrow, single-purposed face of Gregg turn white, saw his eyes widen, and his own hand closed on his gun. Another instant; the minister turned his head, seemed to be waiting, and then Gregg spoke in answer: "I will!"

  A thousand pictures rushed through the mind of Barry, and he remembered first and last the wounded man on the gray horse who he had saved, and the long, hard ride carrying that limp body to the cabin in the mountains. The man would fight. By the motion of Gregg's hand, Dan knew that he had gone even to his wedding armed. He had only to show his own gun to bring on the crisis, and in the meantime the eyes of Vic held steadily upon him past the shoulder of the minister, without fear, desperately. In spite of himself Dan's hand could not move his gun. In spite of himself he looked to the confused happy face of the girl. And he felt as he had felt when he set fire to his house up there in the hills. The wavering lasted only a moment longer; then he turned and slipped noiselessly down the hall, and the seventh man who should have died for Grey Molly was still alive.

  Chapter XLI. The Wild Geese

  Twenty-four hours from Alder to Elkhead, and beyond Elkhead to the Cumberland ranch, is long riding and hard riding, but not far after dark on the following night, Joan lifted her head, where she played with the puppy on the hearth, and listened. There was n
o sound audible to the others in the living room; they did not even mark the manner in which she sat up, and then rose to her feet. But when she whispered "Daddy Dan!" it brought each of the three out of his chair. Still they heard nothing, and Buck and Lee Haines would have retaken their chairs had not Kate gone to the window and thrown it wide. Then they caught it, very far off, very thin and small, a delicate thread of music, an eerie whistling. Without a word, she closed the window, crossed the room and from the table she took up a cartridge belt from which hung the holster with the revolver which Whistling Dan taught her to use so well. She buckled it about her. Lee Haines and Daniels, without a word, imitated her actions. Their guns were already on—every moment since they reached the ranch they had gone armed but now they looked to them, and tried the actions a few times before they thrust them back into the holsters.

  It was odd to watch them. They were like the last remnant of a garrison, outworn with fighting, which prepares in grim quiet for the final stand.

  The whistling rose a little in volume now. It was a happy sound, without a recognizable tune, but a gay, wild improvisation as if a violinist, drunk, was remembering snatches of masterpieces, throwing out lovely fragments here and there and filling the intervals out of his own excited fancy. Joan ran to the window, forgetful of the puppy, and kneeled there in the chair, looking out. The whistling stopped as Kate drew down the curtain to cut out Joan's view. It was far too dark for the child to see out, but she often would sit like this, looking into the dark.

  The whistling began again as Joan turned silently on her mother, uncomplaining, but with a singular glint in her eyes, a sort of flickering, inward light that came out by glances and starts. Now the sound of the rider blew closer and closer. Kate gestured the men to their positions, one for each of the two inner doors while she herself took the outer one. There was not a trace of color in her face, but otherwise she was as calm as a stone, and from her an atmosphere pervaded the room, so that men also stood quietly at their posts, without a word, without a sign to each other. They had their unspoken order from Kate. She would resist to the death and she expected the same from them. They were prepared.