The Watchers Out of Time

by H. P. Lovecraft

  Just before sunset, he climbed the hill by a precipitious cart-path bordering an old wood, and from the dizzy crest obtained an almost stupefying prospect of outspread countryside, gleaming rivulets, faroff forests, and mystical orange sky, with the great solar disc sinking redly amidst bars of stratus clouds. Entering the woods, he saw the actual sunset through the trees, and then turned east to cross the hill to a more familiar cityward slope which he had always sought. Never before had he realized the great extent of Nentaconhaunt’s surface. It was in reality a miniature plateau or table-land, with valleys, ridges, and summits of its own, rather than a simple hill. From some of the hidden interior meadows—remote from every sign of nearby human life—he secured truly marvellous glimpses of the remote urban skyline—a dream of enchanted pinnacles and domes half-floating in air, and with an obscure aura of mystery around them. The upper windows of some of the taller towers held the fire of the sun after he had lost it, affording a spectacle of cryptic and curious glamour. Then he saw the great round disc of the Hunter’s moon floating about the belfries and minarets, while in the orange-glowing west Venus and Jupiter commenced to twinkle. His route across the plateau was varied—sometimes through the interior—sometimes getting toward the wooded edge where dark valleys sloped down to the plain below, and huge balanced boulders on rocky heights imparted a spectral, druidic effect where they stood out against the twilight.

  He came finally to better-known ground, where the grassy ridge of an old buried aqueduct gave the illusion of a vestigial Roman road, and stood once more on the familiar eastward crest which he had known ever since his earliest childhood. Before him, the outspread city was rapidly lighting up, and lay like a constellation in the deepening dusk. The moon poured down increasing floods of pale gold, and the glow of Venus and Jupiter in the fading west had grown intense. The way home lay before him down a steep hillside to the car-line which would take him back to the prosaic haunts of man.

  But throughout all these halcyon hours, Phillips had not once forgotten his experience of the night before, and he could not deny that he looked upon the coming of darkness with an increased anticipation. The vague alarm which had stirred him had subsided in the promise of further nocturnal adventure of a nature hitherto unknown to him.

  He ate his solitary supper that night in haste so that he could go early to his study where the rows of books that reached to the ceiling greeted him with their bland assurance of permanence. This night he did not even glance at the work which awaited him, but lit the lamp of Alhazred at once. Then he sat to wait for whatever might happen.

  The soft glow of the lamp spread yellowly outward to the shelf-girt walls. It did not flicker; the flame burned steadily, and, as before, the first impression Phillips received was one of comforting, lulling warmth. Then, slowly, the books and the shelves seemed to grow dim, to fade, and gave way to the scenes of another world and time.

  For hour upon hour that night Phillips watched. And he named the scenes and places he saw, drawing upon a hitherto unopened vein of his imagination, stimulated by the glow from the lamp of Alhazred. He saw a dwelling of great beauty, wreathed in vapors, on a headland like that near Gloucester, and he called it the strange high house in the mist. He saw an ancient, gambrel-roofed town, with a dark river flowing through it, a town like to Salem, but more eldritch and uncanny, and he called the town Arkham, and the river Miskatonic. He saw the dark brooding sea-coast town of Innsmouth, and Devil Reef beyond it. He saw the watery depths of R’lyeh where dead Cthulhu lay sleeping. He looked upon the windswept Plateau of Leng, and the dark islands of the South Seas—the places of dream, the landscapes of other places, of outer space, the levels of being that existed in other time continua, and were older than earth itself, tracing back through the Ancient Ones to Hali in the start and even beyond.

  But he witnessed these scenes as through a window or a door which seemed to beckon him invitingly to leave his own mundane world and journey into these realms of magic and wonder; and the temptation rose ever stronger within him, he trembled with a longing to obey, to discard that which he had become and chance that which he might be; and, as before, he darkened the lamp and welcomed the book-lined walls of his Grandfather Whipple’s study.

  And for the rest of that night, by candle-light, abandoning the monotonous revisions he had planned to do, he turned instead to the writing of short tales, in which he called up the scenes and beings he had seen by the light of the lamp of Alhazred.

  All that night he wrote, and all the next day he slept, exhausted.

  And the following night, once again he wrote, though he took time to answer letters from his correspondents, to whom he wrote of his “dreams,” unknowing whether he had seen the visions that had passed before his eyes or whether he had dreamed them, and aware that the worlds of his fiction had been woven inextricably with those which belonged to the lamp, having blended in his mind’s eye the desires and yearnings of his youth with the visions of his creative drive, absorbing alike the places of the lamp and the secret recesses of his heart, which, like the lamp of Alhazred, had coursed the far reaches of the universes.

  For many nights Phillips did not light the lamp.

  The nights lengthened into months, the months into years.

  He grew older, and his fictions found their way into print, and the myths of Cthulhu; of Hastur the Unspeakable! of Yog-Sothoth; and Shub-Niggurath, the Black Goat of the Woods with a Thousand Young; of Hypnos, the god of sleep; of the Great Old Ones and their messenger, who was Nyarlathotep—all became part of the lore of Phillips’ innermost being, and of the shadow-world beyond. He brought Arkham into reality, and delineated the strange high house in the mist; he wrote of the shadow over Innsmouth and the whisperer in darkness and the fungi from Yuggoth and the horror at Dunwich; and in his prose and verse the light from the lamp of Alhazred shone brightly, even though Phillips no longer used the lamp.

  Sixteen years passed in this fashion, and then one night Ward Phillips came upon the lamp where he had put it, behind a row of books on one of the lower-most shelves of his Grandfather Whipple’s library. He took it out, and at once all the old enchantment and wonder were upon him, and he polished it anew and set it once more on his table. In the long years which had passed, Phillips had grown progressively weaker. He was now mortally ill, and knew that his years were numbered; and he wanted to see again the worlds of beauty and terror that lay within the glow of the lamp of Alhazred.

  He lit the lamp once more and looked to the walls.

  But a strange thing came to pass. Where before there had been on the walls the places and beings of Alhazred’s adventures, there now came to be a magical presentation of a country intimately known to Ward Phillips—but not to his time, rather of a time gone by, a dear lost time, when he had romped through his childhood playing his imaginative games of Greek mythology along the banks of the Seekonk. For there, once again, were the glades of childhood; there were the familiar coves and inlets where he had spent his tender years; there was once more the bower he had built in homage to great Pan; and all the irresponsibility, the happy freedoms of that childhood lay upon those walls; for the lamp now gave back his own memory. And he thought eagerly that perhaps it had always given him an ancestral memory, for who could deny that perhaps in the days of his Grandfather Whipple’s youth, or the youth of those who had gone before him, someone in the Ward Phillips’ line had seen the places illuminated by the lamp?

  And once again it was as if he saw as through a door. The scene invited him, and he stumbled weakly to his feet and walked toward the walls.

  He hesitated only for a moment; then he strode toward the books.

  The sunlight burst suddenly all about him. He felt shorn of his shackles, and he began to run lithely along the shore of the Seekonk to where, ahead of him, the scenes of his childhood waited and he could renew himself, beginning again, living once more the halcyon time when all the world was young…

  It was not until a curious admirer of his
tales came to the city to visit him that Ward Phillips’ disappearance was discovered. It was assumed that he had wandered away into the woods, and been taken ill and died there, for his solitary habits were well known in the Angell Street neighborhood, and his steady decline in health was no secret.

  Though desultory searching parties were organized and sent out to scour the vicinity of Nentaconhaunt and the shores of the Seekonk, there was no trace of Ward Phillips. The police were confident that his remains would some day be found, but nothing was discovered, and in time the unsolved mystery was lost in the police and newspaper files.

  The years passed. The old house on Angell Street was torn down, the library was bought up by book shops, and the contents of the house were sold for junk—including an old-fashioned antique Arabian lamp, for which no one in the technological world past Phillips’ time could devise any use.

  THE SHUTTERED ROOM

  I

  At dusk, the wild, lonely country guarding the approaches to the village of Dunwich in north central Massachusetts seems more desolate and forbidding than it ever does by day. Twilight lends the barren fields and domed hills a strangeness that sets them apart from the country around that area; it brings to everything a kind of sentient, watchful animosity—to the ancient trees, to the brier-bordered stone walls pressing close upon the dusty road, to the low marshes with their myriads of fireflies and their incessantly calling whippoorwills vying with the muttering of frogs and the shrill songs of toads, to the sinuous windings of the upper reaches of the Miskatonic flowing among the dark hills seaward, all of which seem to close in upon the traveller as if intent upon holding him fast, beyond all escape.

  On his way to Dunwich, Abner Whateley felt all this again, as once in childhood he had felt it and run screaming in terror to beg his mother to take him away from Dunwich and Grandfather Luther Whateley. So many years ago! He had lost count of them. It was curious that the country should affect him so, pushing through all the years he had lived since then—the years at the Sorbonne, in Cairo, in London—pushing through all the learning he had assimilated since those early visits to grim old Grandfather Whateley in his ancient house attached to the mill along the Miskatonic, the country of his childhood, coming back now out of the mists of time as were it but yesterday that he had visited his kinfolk.

  They were all gone now—Mother, Grandfather Whateley, Aunt Sarey, whom he had never seen but only knew to be living somewhere in that old house—the loathsome cousin Wilbur and his terrible twin brother few had ever known before his frightful death on top of Sentinel Hill. But Dunwich, he saw as he drove through the cavernous covered bridge, had not changed; its main street lay under the looming mound of Round Mountain, its gambrel roofs as rotting as ever, its houses deserted, the only store still in the broken-steepled church, over everything the unmistakable aura of decay.

  He turned off the main street and followed a rutted road up along the river, until he came within sight of the great old house with the mill wheel on the riverside. It was his property now, by the will of Grandfather Whateley, who had stipulated that he must settle the estate and “take such steps as may be necessary to bring about that dissolution I myself was not able to take.” A curious proviso, Abner thought. But then, everything about Grandfather Whateley had been strange, as if the decadence of Dunwich had infected him irrevocably.

  And nothing was stranger than that Abner Whateley should come back from his cosmopolitan way of life to heed his grandfather’s adjurations for property which was scarcely worth the time and trouble it would take to dispose of it. He reflected ruefully that such relatives as still lived in or near Dunwich might well resent his return in their curious inward growing and isolated rustication which had kept most of the Whateleys in this immediate region, particularly since the shocking events which had overtaken the country branch of the family on Sentinel Hill.

  The house appeared to be unchanged. The river-side of the house was given over to the mill, which had long ago ceased to function, as more and more of the fields around Dunwich had grown barren; except for one room above the mill-wheel—Aunt Sarey’s room—the entire side of the structure bordering the Miskatonic had been abandoned even in the time of his boyhood, when Abner Whateley had last visited his grandfather, then living alone in the house except for the never seen Aunt Sarey who abode in her shuttered room with her door locked, never to move about the house under prohibition of such movement by her father, from whose domination only death at last had freed her.

  A verandah, fallen in at the corner of the house, circled that part of the structure used as a dwelling; from the lattice-work under the eaves great cobwebs hung, undisturbed by anything save the wind for years. And dust lay over everything, inside as well as out, as Abner discovered when he had found the right key among the lot the lawyer had sent him. He found a lamp and lit it, for Grandfather Whateley had scorned electricity. In the yellow glow of light, the familiarity of the old kitchen with its nineteenth century appointments smote him like a blow. Its spareness, the hand-hewn table and chairs, the century-old clock on the mantel, the worn broom—all were tangible reminders of his fear-haunted childhood visits to the formidable house and its even more formidable occupant, his mother’s aged father.

  The lamplight disclosed something more. On the kitchen table lay an envelope addressed to him in handwriting so crabbed that it could only be that of a very old or infirm man—his grandfather. Without troubling to bring the rest of his things from the car, Abner sat down to the table, blowing the dust off the chair and sufficiently from the table to allow him a resting place for his elbows, and opened the envelope.

  The spidery script leapt out at him. The words were as severe as he remembered his grandfather to have been. And abrupt, with no term of endearment, not even the prosaic form of greeting.

  Grandson:

  When you read this, I will be some months dead. Perhaps more, unless they find you sooner than I believe they will. I have left you a sum of money—all I have and die possessed of—which is in the bank at Arkham under your name now. I do this not alone because you are my own and only grandson but because among all the Whateleys—we are an accursed clan, my boy—you have gone forth into the world and gathered to yourself learning sufficient to permit you to look upon all things with an inquiring mind ridden neither by the superstition of ignorance nor the superstition of science. You will understand my meaning.

  It is my wish that at least the mill section of this house be destroyed. Let it be taken apart, board by board. If anything in it lives, I adjure you solemnly to kill it. No matter how small it may be. No matter what form it may have, for if it seem to you human it will beguile you and endanger your life and God knows how many others.

  Heed me in this.

  If I seem to have the sound of madness, pray recall that worse than madness has spawned among the Whateleys. I have stood free of it. It has not been so of all that is mine. There is more stubborn madness in those who are unwilling to believe in what they know not of and deny that such exists, than in those of our blood who have been guilty of terrible practises, and blasphemy against God, and worse.

  Your Grandfather, Luther S. Whateley.

  How like Grandfather! thought Abner. He remembered, spurred into memory by this enigmatic, self-righteous communication, how on one occasion when his mother had mentioned her sister Sarah, and clapped her fingers across her mouth in dismay, he had run to his grandfather to ask, “Grandpa, where’s Aunt Sarey?”

  The old man had looked at him out of eyes that were basilisk and answered, “Boy, we do not speak of Sarah here.”

  Aunt Sarey had offended the old man in some dreadful way—dreadful, at least, to that firm disciplinarian—for from that time beyond even Abner Whateley’s memory, his aunt had been only the name of a woman, who was his mother’s older sister, and who was locked in the big room over the mill and kept forever invisible within those walls, behind the shutters nailed to her windows. It had been forbidden both Abner and
his mother even to linger before the door of that shuttered room, though on one occasion Abner had crept up to the door and put his ear against it to listen to the snuffling and whimpering sounds that went on inside, as from some large person, and Aunt Sarey, he had decided, must be as large as a circus fat lady, for she devoured so much, judging by the great platters of food—chiefly meat, which she must have prepared herself, since so much of it was raw—carried to the room twice daily by old Luther Whateley himself, for there were no servants in that house, and had not been since the time Abner’s mother had married, after Aunt Sarey had come back, strange and mazed, from a visit to distant kin in Innsmouth.

  He refolded the letter and put it back into the envelope. He would think of its contents another day. His first need now was to make sure of a place to sleep. He went out and got his two remaining bags from the car and brought them to the kitchen. Then he picked up the lamp and went into the interior of the house. The old-fashioned parlor, which was always kept closed against that day when visitors came—and none save Whateleys called upon Whateleys in Dunwich—he ignored. He made his way instead to his grandfather’s bedroom; it was fitting that he should occupy the old man’s bed now that he, and not Luther Whateley, was master here.

  The large, double bed was covered with faded copies of the Arkham Advertiser, carefully arranged to protect the fine cloth of the spread, which had been embossed with an armigerous design, doubtless a legitimate Whateley heritage. He set down the lamp and cleared away the newspapers. When he turned down the bed, he saw that it was clean and fresh, ready for occupation; some cousin of his grandfather’s had doubtless seen to this, against his arrival, after the obsequies.