Everybody Behaves Badly
Page 44
R
Rascoe, Burton, 48
Ray, Man, 21
Richardson, Hadley. See Hemingway, Hadley (Richardson)
Romero, Pedro, 160
S
San Fermín festival, xvi, 43, 63–66, 104, 183, 305n
souvenir postcards, 268n
satire, expats object of, 68
Saturday Evening Post, 6, 245n
Saturday Review of Literature, 204
Shakespeare & Company (bookstore), 10, 203
short stories and vignettes. See also in our time (Three Mountains Press); Three Stories and Ten Poems
“Big Two-Hearted River,” 67, 68–69
“Canary for One,” 185
early rejections, x, 6
“iceberg theory,” 40–41
“My Life in The Bull Ring with Donald Ogden Stewart,” 73
“The Strange Country,” 36, 258n
“The True Story of My Break with Gertrude Stein,” 215
Smith, Bill, 6, 35, 82, 102, 128–29, 208
after The Sun Also Rises, 232–33
Smith, Y. K., 7, 8–9
Stearns, Harold, 21
Steffens, Lincoln, 33–34
Stein, Gertrude, 10, 21, 137–38
advice to Hemingway, xiv, 28, 30–31
bullfighting interest, 38–39, 215
burlap dress, 26, 254n
dismay at Hemingway over The Torrents of Spring, 167–69
enmity after The Sun Also Rises, 214–15
experimental and self-published work, xi, 22, 28, 31, 255n, 256n
first meetings, 23, 25–29
and Fitzgerald, 279n
Lost Generation anecdote, xii, xviii, 131, 192, 289n
modern art and, 255n
nicknames, 26, 254n
and Pound, 254n
Stein, Lorin, x
Stewart, Donald Ogden, 61–63, 69, 185
to Burguete, 102
friendship of, 74, 271n
Hemingway’s views of, 80
to Hollywood, 128
on In Our Time, 134
opinion of The Sun Also Rises, 208
to Pamplona, 64–66, 99, 103
Parody Outline of History, 138
after The Sun Also Rises, 229–31
To a Tragic Poetess, 193–94
Stoneback, H. R., 236, 257n
Strater, Mike, 140
The Sun Also Rises, characters of, 201
Bill Smith and Donald Stewart as Bill Gorton, 122–23, 204, 208
Cayetano Ordóñez as Pedro Romero, 160
Fitzgerald mention, 287n
Ford Madox Ford as Braddocks, 119, 204, 287n
friends in and out, xvii–xix, 114–15, 119–20, 130, 181, 197, 203–4
Harold Loeb or Robert Cohn, 116–17, 124, 204–5, 286n, 311n
Jake Barnes and Hemingway, 114–15, 117–18, 127–28, 284n
Jake Barnes’s war injury, 118–19, 166
Kathleen “Kitty” Cannell or Frances Clyne, 117, 207–8
Lady Duff Twysden character or Lady Brett Ashley, 115–16, 124–25, 127–28, 161, 204–5, 285n, 312n
Patrick Guthrie character or Mike Campbell, 116, 125
Tom Buchanan in first draft, 119–20
The Sun Also Rises, Hemingway after, 235–37
The Sun Also Rises, publicity
cover, 198, 308n
errors or misstatements about Hemingway, 195–96
photos, 162, 195, 198–99
scandal in Paris, 203–4
Scribner’s team, 195–98
The Torrents of Spring used to market, 166–67
The Sun Also Rises, reviews, 309n
Boston Evening Transcript, 199–200
New York Herald Tribune, 199
New York Times, 199
New York World, 200
The New Yorker, 200
Paris Tribune, 200
Saturday Review of Literature, 199
suggested reviewers, the Crowd and Algonquins, 162, 200, 298n
The Sun Also Rises, reviews, negative
Dos Passos, 201
The Nation, 200
The New Masses, 201
Springfield Republican, 200
The Sun Also Rises, settings of
Burguete (Basque village), 122, 288n
Hotel Quintana as Hotel Montoya, 123
Pamplona, expat crowd in, 123–24
Paris and expats in, 114
The Sun Also Rises, writing of
backbone in place, 120–21
Bible quote and name change, 133, 192
editing and revision in Schruns, 141, 160–62
finished manuscript and dedication, 160–63, 186–87
Fitzgerald editorial suggestions, 179
Fitzgerald title joke, 179
French school notebooks and early drafts, 113–14, 283n, 284n
Hemingway talking up his first novel, 120–21
Lost Generation, 131–32, 192, 202, 209–10, 289n
Perkins’s edit of The Sun Also Rises, 179–82
profanity, 181–82
publisher negotiations, 144–45
seminal Pamplona events, xvi, 111–13
title change from Fiesta, 121, 130–31
T
The Tabula, 5
Thayer, Scofield, 23, 30
This Side of Paradise
first novel, 6
publication by Scribner’s, 149, 197, 209
Three Mountain Press, 261n. See also in our time (Three Mountains Press)
Three Stories and Ten Poems, 40–41, 43
Toklas, Alice B., 26, 27, 255n
Toronto Star, 5
assignments in Toronto, 44
bullfighting account corrections, 66, 268n
freelance reporting by Hemingway, 13–14, 16–17, 114
Hemingway the story, 19–20
return to Toronto as a reporter, 37, 44
The Torrents of Spring
“cold-blooded contract-breaker,” 140–41
friends’ reaction to, 138–39
Hemingway’s treatment of Fitzgerald, 137
Hemingway’s treatment of Stein, 137–38
Hemingway’s treatment of Willa Cather, 137
letters to and from Anderson, 168–69
and Liveright, 139–40, 143–44
parody of Anderson’s Dark Laughter, 136–37, 139, 167
reviews of, 167
at Scribner’s, 165–67, 300n
Stewart’s reaction to, 138
writing of, 291n
transatlantic review (magazine), 49, 51–52, 61, 67–68, 264n
The Trapeze (high school newspaper), 5
travel, work and play
Burguete (Basque village), 66–67, 102
Greece and Lausanne, foreign correspondence, 33
Gstaad, 214
Hendaye (Basque village), 120, 121
Italy, 4, 6, 7
Juan-les-Pins, Riviera, 173–74
Lyon, 95–96
Madrid, 171
New York, 145–46, 150, 154, 158
Pamplona, 39–40, 43, 63, 99, 182–84
Paris after successes, 220–21
to Pyrenees and Pamplona, 61, 62
Rapello, 36
Schruns, Austria, 73, 140–41, 159–60
Twysden, Duff, xv–xvi, 94–95, 100–110, 111, 206–7, 316n
background, 276n
description of, 85–89, 274n, 274n
and Hemingway, 280n
and Patrick Guthrie, 275n
after The Sun Also Rises, 223–26, 317n
U
Ulysses, xi, 10, 22–24, 180
V
Vanity Fair, satirical editorial, ix, 220
Verlaine, Paul, 23, 29
Vitrac, Roger, 228
Vogue, 13, 83
von Kurowsky, Agnes, 4, 219
W
Walsh, Ernest, 127
Wharton, Edith, The Greater Inclination, 147–48
Wheelock, John Hall, 164
Wilkins, Cleonike Damianakes (“Cleon”), 198, 308n
Wilson, Edmund, 94, 157, 225, 255n
Winesburg, Ohio, 8, 10
Winner Take Nothing, 220
Wolf, Robert, 134, 145
women, relations with. See Pfeiffer, Pauline; Pfeiffer, Pauline and Virginia (Jinny); Twysden, Duff; Wylie, Elinor
Woolf, Virginia
review of Men Without Women, 217
review of The Sun Also Rises, 309n
World War I
Red Cross Ambulance Corps, 6
shrapnel injury in Italy, 4, 6, 118
writing style, 30, 92–93
influence of Cézanne, 28
Wylie, Elinor, 157
About the Author
LESLEY M. M. BLUME is an award-winning journalist, reporter, and cultural historian. She contributes regularly to Vanity Fair and the Wall Street Journal, and her work has appeared in many other publications, including the New York Times, Vogue, Town & Country, and Departures. She is a New Yorker currently based in Los Angeles.