Time Travel Omnibus Volume 2

by Anthology

  This suggestion of re-making history to boost its audience appeal was seized upon. Equipped with a lavish supply of gold coinage, agents of the television companies moved across the Belgian and North German plains, hiring thousands of mercenaries (at the standard rate for TV extras of fifty dollars per day on location, regardless of rank, seventy-five dollars for a speaking part). The relief column of the Prussian General Blucher, reputed by historians to be many thousand strong and to have decisively turned the battle against Napoleon, was in fact found to be a puny force of brigade strength. Within a few days thousands of eager recruits flocked to the colours, antibiotics secretly administered to polluted water supplies cured a squadron of cavalry hunters suffering from anthrax, and a complete artillery brigade threatened with typhus was put on its feet by a massive dose of chloromycetin.

  The Battle of Waterloo, when finally transmitted to an audience of over one billion viewers, was a brilliant spectacle more than equal to its advance publicity of the past two hundred years. The thousands of mercenaries fought with savage fury, the air was split by non-stop artillery barrages, waves of cavalry charged and recharged. Napoleon himself was completely bewildered by the way events turned out, spending his last years in baffled exile.

  After the success of Waterloo the Time Vision companies realized the advantages of preparing their ground. From then onwards almost all important historical events were rescripted by the editorial departments.

  Hannibal’s army crossing the Alps was found to contain a mere half-dozen elephants—two hundred more were provided to trample down the dumbfounded Romans. Caesar’s assassins numbered only two—five additional conspirators were hired. Famous historical orations, such as the Gettysburg Address, were cut and edited to make them more stirring. Waterloo, meanwhile, was not forgotten. To recoup the original investment the battle was sublet to smaller TV contractors, some of whom boosted the battle to a scale resembling Armageddon. However, these spectacles in the De Mille manner, in which rival companies appeared on the same battlefield, pouring in extras, weapons and animals, were looked down on by more sophisticated viewers.

  To the annoyance of the television companies, the most fascinating subject in the whole of history remained barred to them. At the stern insistence of the Christian churches the entire events surrounding the life of Christ were kept off the screen. Whatever the spiritual benefits of hearing the Sermon on the Mount transmitted live might be, these were tempered by the prospect of this sublime experience being faded out between beatitudes for the commercial breaks.

  Baulked here, the programmers moved further back in time. To celebrate the fifth anniversary of Time Vision, preparations began for a stupendous joint venture—the flight of the Israelites from Egypt and the crossing of the Red Sea. A hundred camera units and several thousand producers and technicians took up their positions in the Sinai Peninsula. Two months before the transmission it was obvious that there would now be more than two sides in this classic confrontation between the armies of Egypt and the children of the Lord. Not only did the camera crews outnumber the forces of either side, but the hiring of Egyptian extras, additional wave-making equipment and the prefabricated barrage built to support the cameras might well prevent the Israelites from getting across at all. Clearly, the powers of the Almighty would be severely tested in his first important confrontation with the ratings.

  A few forebodings were expressed by the more old-fashioned clerics, printed under ironic headlines such as ‘War against Heaven?’, ‘Sinai Truce Offer rejected by TV Producers Guild’. At bookmakers throughout Europe and the United States the odds lengthened against the Israelites. On the day of transmission, January 1st, 2006, the audience ratings showed that 98% of the Western world’s adult viewers were by their sets.

  The first pictures appeared on the screens. Under a fitful sky the fleeing Israelites plodded into view, advancing towards the invisible cameras mounted over the water. Originally three hundred in number, the Israelites now formed a vast throng that stretched with its baggage train for several miles across the desert. Confused by the great press of camp-followers, the Israelite leaders paused on the shore, uncertain how to cross this shifting mass of unstable water. Along the horizon the sabre-wheeled chariots of Pharaoh’s army raced towards them.

  The viewers watched spellbound, many wondering whether the television companies had at last gone too far.

  Then, without explanation, a thousand million screens went blank.

  Pandemonium broke loose. Everywhere switchboards were jammed. Priority calls at inter-governmental level jammed the Comsat relays, the Time Vision studios in Europe and America were besieged.

  Nothing came through. All contacts with the camera crews on location had been broken. Finally, two hours later, a brief picture appeared, of racing waters swilling over the shattered remains of television cameras and switchgear. On the near bank, the Egyptian forces turned for home. Across the waters, the small band of Israelites moved towards the safety of Sinai.

  What most surprised the viewers was the eerie light that illuminated the picture, as if some archaic but extraordinary method of power were being used to transmit it.

  No further attempts to regain contact succeeded. Almost all the world’s Time Vision equipment had been destroyed, its leading producers and technicians lost forever, perhaps wandering the stony rocks of Sinai like a second lost tribe. Shortly after this debacle, these safaris into the past were eliminated from the world’s TV programmes. As one priest with a taste for ironic humour remarked to his chastened television congregation:

  ‘The big channel up in the sky has its ratings too.’

  THE GREY MAN

  H.G. Wells

  “I have already told you of the sickness and confusion that comes with time travelling. And this time I was not seated properly in the saddle, but sideways and in an unstable fashion. For an indefinite time I clung to the machine as it swayed and vibrated, quite unheeding how I went, and when I brought myself to look at the dials again I was amazed to find where I had arrived. One dial records days, another thousands of days, another millions of days, and another thousands of millions. Now, instead of reversing the levers I had pulled them over so as to go forward with them, and when I came to look at these indicators I found that the thousands hand was sweeping round as fast as the seconds hand of a watch—into futurity. Very cautiously, for I remembered my former headlong fall, I began to reverse my motion. Slower and slower went the circling hands until the thousands one seemed motionless and the daily one was no longer a mere mist upon its scale. Still slower, until the grey haze around me became distincter and dim outlines of an undulating waste grew visible.

  “I stopped. I was on a bleak moorland, covered with a sparse vegetation, and grey with a thin hoarfrost. The time was midday, the orange sun, shorn of its effulgence, brooding near the meridian in a sky of drabby grey. Only a few black bushes broke the monotony of the scene. The great buildings of the decadent men among whom, it seemed to me, I had been so recently, had vanished and left no trace, not a mound even marked their position. Hill and valley, sea and river—all, under the wear and work of the rain and frost, had melted into new forms. No doubt, too, the rain and snow had long since washed out the Morlock tunnels. A nipping breeze stung my hands and face. So far as I could see there were neither hills, nor trees, nor rivers: only an uneven stretch of cheerless plateau.

  “Then suddenly a dark bulk rose out of the moor, something that gleamed like a serrated row of iron plates, and vanished almost immediately in a depression. And then I became aware of a number of faint-grey things, coloured to almost the exact tint of the frost-bitten soil, which were browsing here and there upon its scanty grass, and running to and fro. I saw one jump with a sudden start, and then my eye detected perhaps a score of them. At first I thought they were rabbits, or some small breed of kangaroo. Then, as one came hopping near me, I perceived that it belonged to neither of these groups. It was plantigrade, its hind legs rather the longer; i
t was tailless, and covered with a straight greyish hair that thickened about the head into a Skye terrier’s mane. As I had understood that in the Golden Age man had killed out almost all the other animals, sparing only a few of the more ornamental, I was naturally curious about the creatures. They did not seem afraid of me, but browsed on, much as rabbits would do in a place unfrequented by men; and it occurred to me that I might perhaps secure a specimen.

  “I got off the machine, and picked up a big stone. I had scarcely done so when one of the little creatures came within easy range. I was so lucky as to hit it on the head, and it rolled over at once and lay motionless. I ran to it at once. It remained still, almost as if it were killed. I was surprised to see that the things had five feeble digits to both its fore and hind feet—the fore feet, indeed, were almost as human as the fore feet of a frog. It had, moreover, a roundish head, with a projecting forehead and forward-looking eyes, obscured by its lank hair. A disagreeable apprehension flashed across my mind. As I knelt down and seized my capture, intending to examine its teeth and other anatomical points which might show human characteristics, the metallic-looking object, to which I have already alluded, reappeared above a ridge in the moor, coming towards me and making a strange clattering sound as it came. Forthwith the grey animals about me began to answer with a short, weak yelping—as if of terror—and bolted off in a direction opposite to that from which this new creature approached. They must have hidden in burrows or behind bushes and tussocks, for in a moment not one of them was visible.

  “I rose to my feet, and stared at this grotesque monster. I can only describe it by comparing it to a centipede. It stood about three feet high, and had a long segmented body, perhaps thirty feet long, with curiously overlapping greenish-black plates. It seemed to crawl upon a multitude of feet, looping its body as it advanced. Its blunt round head with a polygonal arrangement of black eye spots, carried two flexible, writhing, horn-like antennae. It was coming along, I should judge, at a pace of about eight or ten miles an hour, and it left me little time for thinking. Leaving my grey animal, or grey man, whichever it was, on the ground, I set off for the machine. Halfway I paused, regretting that abandonment, but a glance over my shoulder destroyed any such regret. When I gained the machine the monster was scarce fifty yards away. It was certainly not a vertebrated animal. It had no snout, and its mouth was fringed with jointed dark-coloured plates. But I did not care for a nearer view.

  “I traversed one day and stopped again, hoping to find colossus gone and some vestige of my victim; but, I should judge, the giant centipede did not trouble itself about bones. At any rate both had vanished. The faintly human touch of these little creatures perplexed me greatly. If you come to think, there is no reason why a degenerate humanity should not come at last to differentiate into as many species as the descendants of the mud fish who fathered all the land vertebrates. I saw no more of any insect colossus, as to my thinking the segmented creature must have been. Evidently the physiological difficulty that at present keeps all the insects small had been surmounted at last, and this division of the animal kingdom had arrived at the long awaited supremacy which its enormous energy and vitality deserve. I made several attempts to kill or capture another of the greyish vermin, but none of my missiles were so successful as my first; and, after perhaps a dozen disappointing throws, that left my arm aching, I felt a gust of irritation at my folly in coming so far into futurity without weapons or equipment. I resolved to run on for one glimpse of the still remoter future—one peep into the deeper abysm of time—and then to return to you and my own epoch. Once more I remounted the machine, and once more the world grew hazy and grey.

  “As I drove on, a peculiar change crept over the appearance of things. The unwonted greyness grew lighter; then—though I was travelling with prodigious velocity—the blinking succession of day and night, which was usually indicative of a slower pace, returned, and grew more and more marked. This puzzled me very much at first. The alternations of night and day grew slower and slower, and so did the passage of the sun across the sky, until they seemed to stretch through centuries. At last a steady twilight brooded over the earth, a twilight only broken now and then when a comet glared across the darkling sky. The band of light that had indicated the sun had long since disappeared; for the sun had ceased to set—it simply rose and fell in the west, and grew ever broader and more red. All trace of the moon had vanished. The circling of the stars, growing slower and slower, had given place to creeping points of light. At last, sometime before I stopped, the sun, red and very large, halted motionless upon the horizon, a vast dome glowing with a dull heat, and now and then suffering a momentary extinction. At one time it had for a little while glowed more brilliantly again, but it speedily reverted to its sullen red-heat. I perceived by this slowing down of its rising and setting that the work of the tidal drag was done. The earth had come to rest with one face to the sun, even as in our own time the moon faces the earth.

  “I stopped very gently and sat upon the Time Machine, looking round.”

  THE GULF OF THE YEARS

  George-Olivier Châteaureynaud

  In the train, the passengers spoke in hushed voices about the hard times. A young woman with a yellow star sewn to her breast briefly lifted her gaze from the dressmaker’s pattern she was studying. The boy across from her pulled the latest issue of Signal from a worn satchel and unfolded it right in front of her face. She lowered her eyes.

  Through the window, Manoir watched the few cars, quaint and yet almost new, on the road beside the tracks. He started at the sight of a military convoy. He checked his watch, then settled back. It was still early. The bombing wouldn’t start till later that morning. Far away, young men were waking in their barracks . . . or were they on their feet already, assembled in flight suits before a blackboard with their wing commander? Early rising schoolboys of fire and death. They were twenty, in fur-lined boots and leather helmets, blue wool and sheepskin. They drank tea and smoked gauloises blondes. Manoir’s best wishes went with them. And yet, in a few hours, one of them would kill his mother.

  Manoir got off at S. He walked up the Avenue de la Gare, turned left at the town hall, and passed the post office, then the elementary school. He hesitated, but not over which way to go. As a child, he’d pretended he was blind in these streets. He’d try and make his way to school from home with his eyes closed. Sometimes he walked right into a lamppost, or someone’s legs. He cheated, of course: from time to time he opened his eyelids just a bit, long enough to see where he was. But one night he’d managed to make it only cheating three times.

  He checked his watch again. In five minutes, a little boy would emerge from his house a few streets away. On the front steps, his maman would kiss him as she did every morning. Satchel in hand, he would cross the small yard. With one last wave, he’d head through the gate and be on his unhurried way to school.

  It was seven-fifty. School opened its doors at eight. Would it take him ten minutes to get there, or just five? If he missed him—God, what if he missed him? Manoir spotted a boy in a cape, then two more, an older one leading a younger one by the hand, and two more after that . . . they were coming out of the woodwork now. Still sleepy, eyes unfocused for the most part, pale and huddled against the cold morning, children were converging on the school. Manoir panicked. They were coming toward him down both sides of the street at once, the bigger ones sometimes hiding the littler ones from view. All he could see of some—hooded, wrapped up in scarves or balaclavas—was their eyes and a bit of nose poking out from the wool. He recalled a yellowish coat, maybe even a beret? Yes, he was sure of the coat. But two out of every three boys were wearing berets.

  The crowd of children grew, overflowing the sidewalk for a moment. Manoir almost wept with frustration. None of these children were the one he was looking for! The flood slowed; most of the flock had passed. He’d missed him; he’d let him slip by beneath a brown coat or a black cape. All was lost. His heart broke. The street emptied. He ra
n into a few breathless latecomers . . . and over there, that shape! He dashed forward. An ugly yellow coat. A beret pulled halfway down his forehead. A loose-knit gray scarf. And that odd, moony walk, that dawdling step! He should’ve known. He slowed his pace, trying to still his beating heart. The boy was only fifteen yards away, now. Their paths were about to cross. The boy looked up at the man. Something—a familial air—had awoken his curiosity. Manoir stopped right in front of him.

  “Jean-Jacques?”

  The boy took a step back. “How come y’know my name? I don’t know yours.”

  “You’re Jean-Jacques Manoir, aren’t you? Right? You don’t know me, but I know all about you. You’re eight years old, in third grade, and your teacher’s name is Mr. Crépon. He’s got a tiny mustache and is very strict. See—I know all about you!”

  At once intrigued by the stranger’s omniscience yet worried about being late, Jean-Jacques hopped from foot to foot. “OK, but I’m going to be late. Mr. Crépon’s going to make me do lines!”

  Mr. Crépon didn’t make him do lines as often as he might have. His customarily iron rule softened for the three fatherless boys in his class.

  “C’mon, Mr. Crépon’s not as bad as all that. If he punished you every time you were late or busy daydreaming instead of working—”

  So the stranger knew that, too! The boy gulped. “Wh-who are you?”

  “I’m your cousin. Your father’s cousin. Don’t you think I look like him?”

  “Yes, you do,” the child replied after looking him over. “But I still don’t know you. And my dad’s dead.”