Goddess of the Green Room: (Georgian Series)
Page 1
Contents
About the Book
About the Author
Also by Jean Plaidy
Title Page
Family Tree
Dedication
Dorothy Jordan
Comedy in Crow Street
Tragedy in Smock Alley
Tate Wilkinson’s company
Début at Drury Lane
A royal command and a battle
Royal visit
William, Duke of Clarence
The royal nursery
Midshipman Guelph
The return of the sailor
Dorothy and William
Royal courtship
Prince’s mistress
Domestic bliss
A royal marriage
Perdita’s Nobody
The attempted fraud
An important birth
Theatrical conflicts
Mrs Siddons in distress
Danger in Drury Lane
On the road to Canterbury
The brief intrusion of Master Betty
Bliss at Bushy
The Queen’s warning
‘For the last time’
‘The lovely little nice angel’
The choice
Treachery in the family
The order of release
Bibliography
Copyright
About the Book
Like his brothers, William, Duke of Clarence, has had his share of romance and intrigue. And when he falls in love with Dorothy Jordan, the notorious Irish comic of the Drury Lane Theatre, gossipmongers are ecstatic, for William is not the only one with a shady past. Dorothy’s notorious offstage life combined with William’s less than decorous behaviour will make great copy for the scandal sheets, while their affair lasts.
But everyone is surprised when the casual dalliance develops into a twenty-year marriage in all but name. William’s penchant for living beyond his means ensures that Dorothy can never leave the theatre as her income is a necessity for the couple. This becomes a contentious issue as she wants nothing more than to be a full-time mother.
About the Author
Jean Plaidy, one of the preeminent authors of historical fiction for most of the twentieth century, is the pen name of the prolific English author Eleanor Hibbert, also known as Victoria Holt. Jean Plaidy’s novels had sold more than 14 million copies worldwide by the time of her death in 1993.
Also by Jean Plaidy
THE TUDOR SAGA
Uneasy Lies the Head
Katharine, the Virgin Widow
The Shadow of the Pomegranate
The King’s Secret Matter
Murder Most Royal
St Thomas’s Eve
The Sixth Wife
The Thistle and the Rose
Mary, Queen of France
Lord Robert
Royal Road to Fotheringay
The Captive Queen of Scots
The Spanish Bridegroom
THE CATHERINE DE MEDICI TRILOGY
Madame Serpent
The Italian Woman
Queen Jezebel
THE STUART SAGA
The Murder in the Tower
The Wandering Prince
A Health Unto His Majesty
Here Lies Our Sovereign Lord
The Three Crowns
The Haunted Sisters
The Queen’s Favourites
THE FRENCH REVOLUTION SERIES
Louis the Well-Beloved
The Road to Compiègne
Flaunting, Extravagant Queen
THE LUCREZIA BORGIA SERIES
Madonna of the Seven Hills
Light on Lucrezia
ISABELLA AND FERDINAND TRILOGY
Castile for Isabella
Spain for the Sovereigns
Daughters of Spain
THE GEORGIAN SAGA
The Princess of Celle
Queen in Waiting
Caroline, the Queen
The Prince and the Quakeress
The Third George
Perdita’s Prince
Sweet Lass of Richmond Hill
Indiscretions of the Queen
The Regent’s Daughter
Goddess of the Green Room
Victoria in the Wings
THE QUEEN VICTORIA SERIES
The Captive of Kensington
The Queen and Lord M
The Queen’s Husband
The Widow of Windsor
THE NORMAN TRILOGY
The Bastard King
The Lion of Justice
The Passionate Enemies
THE PLANTAGENET SAGA
The Plantagenet Prelude
The Revolt of the Eaglets
The Heart of the Lion
The Prince of Darkness
The Battle of the Queens
The Queen from Provence
The Hammer of the Scots
The Follies of the King
The Vow of the Heron
Passage to Pontefract
The Star of Lancaster
Epitaph for Three Women
Red Rose of Anjou
The Sun in Splendour
QUEEN OF ENGLAND SERIES
Myself, My Enemy
Queen of this Realm: The Story of Elizabeth I
Victoria, Victorious
The Lady in the Tower
The Goldsmith’s Wife
The Queen’s Secret
The Rose without a Thorn
OTHER TITLES
The Queen of Diamonds
Daughter of Satan
The Scarlet Cloak
Goddess of the Green Room
The tenth book in the Georgian Saga
Jean Plaidy
for William’s and Dorothy’s Great-Granddaughter,
Hebe Elsna
with admiration for her work,
gratitude for her friendship
and love for herself
Dorothy Jordan
Comedy in Crow Street
IN A LITTLE room in South Great George Street in the city of Dublin two girls were discussing a matter of great importance to them. The elder, handsome and elegant in spite of the poverty of her clothes, was clearly in a state of tense anxiety; the other with the piquant face and the lively expression, was trying to calm her.
‘You will do it, Hester,’ she was saying. ‘Why, it’s in the blood. You inherited it all from Mamma.’
‘I know,’ said Hester, ‘but you can’t imagine what it’s like, Doll, to face an audience for the first time.’
Dorothy was on her feet. ‘Oh yes, I can,’ she said. ‘I’ve seen enough of it, Heaven knows. I remember when Mamma and Papa were playing their parts and we all had to listen to them. I can smell those tallow candles now. I always used to wonder what would happen if they toppled over and set the boards alight or perhaps caught the curtains.’
‘I wish,’ said Hester, ‘that Papa had not died, and that we had more money.’
‘People always wish for more money,’ put in Dorothy quickly. ‘And don’t forget Papa deserted us before he died.’
‘But he was kind. He always sent our allowance.’
‘I’d rather have done without it, when I remind myself that he had to marry a rich woman to provide it. I’d rather earn my own money.’
‘And that won’t be much in your milliner’s shop.’
‘I dare say not to that famous actress, Miss Hester Bland.’
‘Don’t,’ cried Hester. ‘It’s tempting the fates.’
‘Nonsense,’ retorted her sister. ‘Of course you’re going to be a success. Mr Ryder thinks so. Oh, he has great hopes of you. I heard him telling Mamma
so. He thinks you are going to bring business to his Crow Street Theatre. Hester, it’s a wonderful life, playing parts on a stage. And they have benefit nights which can bring in as much as thirty pounds. One day a manager from London may see you. How would you like to play at Drury Lane or Covent Garden?’
‘Stop!’ cried Hester. ‘I can’t bear it. I know I’m going to be a failure.’
‘You are not, Hester Bland. The family fortunes are on the rise. No more skimping and screwing.’
‘What expressions you use, Dolly!’
‘Call me Dorothea, because that is what I am going to call myself when our fortunes are made. When I have a famous sister I shall boast to all the ladies who come into the shop. Try on this confection, Madam. The finest tulle I do assure you and the flowers are made of the best velvet as worn in royal circles. And you are being attended to, Madam, by the sister of the famous actress Miss Hester Bland. You will soon be obliged to travel to London to see her, for Dublin will not be good enough for Miss Hester Bland. Did you know that the King himself has sent for her to play before him in Covent Garden?’
‘Oh, Doll, I’m so… scared.’
‘Everyone is at first. Mamma says you should be if you are going to give a good performance. Do you know, Hester, I don’t think I should be scared. I don’t think I should care.’ She laughed and, rising to her feet, she bowed before an imaginary audience:
‘Dead shepherd; now I find thy saw of might
Who ever loved that loved not at first sight?’
‘You’d make a tolerable Phoebe.’
‘If I were to be a famous actress I’d like a singing part. Well…
“Under the greenwood tree
Who loves to lie with me
And tune his merry note
Until the sweet bird’s throat…” ’
‘I’m in no mood for songs, Dolly, though I must admit you sing them sweetly enough. But your stockings are falling down and there’s a rent in your gown.’
‘I know. But as long as I am neat for the shop what matters it? Allow me to be as untidy as I please at home.’
‘You’ll be in the theatre tonight?’
‘Of course. With the whole family. I expect even little George will be there. You can count on the family’s support, Hester.’
‘Oh, Dolly, suppose I forget my lines.’
‘Let me hear them. Come on.’ Dorothy was beginning to act the part Hester was to play that night when their mother came in. Grace Bland had clearly been a beauty in her youth, but that beauty was much faded by years of struggle. There was a perpetual frown between her eyes which always moved Dorothy deeply; she wished that she could earn a great deal of money so that they need not be always wondering how to feed the family. But Hester was going to make their fortunes; and it did not matter which member of the family did it as long as it was done.
‘I’m hearing Hester’s lines, Mamma,’ said Dorothy.
‘That’s right, dear. She must be word perfect. I remember my first part. Oh, that was years and years ago. But I recall going through agonies.’
‘As I am now,’ said Hester grimly.
‘Never mind. It’s all part of the life. When you’ve played through to the end and the audience applaud… then you forget all your qualms and you’ll say to yourself: “This is the life for me.” ’
‘Did you say that, Mamma?’ asked Dorothy.
‘I did. And I’ve never regretted it.’
Was it true? wondered Dorothy. Did she ever, during the difficult years, think of her father’s parsonage where life must have been very different from this one for which she had forsaken it. Perhaps there would have been poverty in the parsonage though, for country parsons were often poor. Grace often talked of her girlhood and of life in a small Welsh village and the three girls – Grace and her sisters – deciding that it was no life for them and they were going to seek fame and fortune on the stage. ‘Our father was horrified, as you can imagine,’ Grace told her daughters. ‘He called us “strolling players”, but we didn’t care. He said that if we went on the stage we could fend for ourselves… and we did.’ They were courageous, Dorothy decided – three girls from the country coming to London to try their luck on the stage; and they had not done badly. Aunt Blanche, though, had tired of it and gone back to Wales where she had married and settled down in the village of Trelethyn; but the other two had stayed on. Aunt Mary now and then played in London, and their own Mamma had acted while she was raising a family; and now that they were deserted and there was no money coming in, they were looking to the stage again, and this time it was Hester who was to make their fortunes, for the little she and Dorothy had been bringing in from the milliner’s shop would not keep them, and something would have to be done. So now that Mr Ryder had offered Hester her chance – because she was Mamma’s daughter of course – they must look to her.
Grace said: ‘Dorothy, do go and tidy yourself. What if Mr Ryder should call. Now, Hester, I’ll take you through your part.’
Grace studied her daughter. She has talent, she thought. This will be the beginning of better things, for she is young and there’s no doubt that audiences like their players young… only great performers are allowed to grow old, and these are rare.
She could hear Dorothy, laughing with the boys. They were jumping on the stairs and Dorothy was shouting that she could jump more stairs than any of them. Grace smiled indulgently. Dorothy was a tomboy, not nearly as serious as Hester. It was amazing how lightly she seemed to take all their troubles. It was not as though she did not love them; she was ready to give up every penny she earned for them; it was simply that she could not accept the fact that all was not going well.
Perhaps it was for the best. It had been a hard life but a happy one until Francis had failed her. Until then everything had been worthwhile. Why had he done it? she wondered. But of course he had always been weak. In a way that had attracted her. She was thinking now of the day she had first seen him. He had sat in the theatre watching her and the next day he was there again and so it went on until she could not but be aware that the young army captain was interested in more than the play. And they had become lovers; Francis, fearing his father’s anger, dared not marry her. He was after all under age, and he came of a family which did not approve of actresses. So they would have to wait until he was older. Like Francis, Grace had no wish to wait until then before they took lodgings together and very soon Hester was about to be born. Grace had not called herself Mrs Bland but Mrs Francis. Poor Francis, he was so much in awe of his father that he was afraid of offending him, which he would most certainly have done if he had given the family’s name to an actress.
But it was impossible always to be known as Francis and sometimes she was called Bland and when Judge Bland, Francis’s irate father, discovered that his son was living with an actress he let him know that any marriage would mean that Francis would be cut off without a penny.
Poor Francis, what could he do! And Dorothy was on the way by that time.
So they had lived happily enough though Francis had had to resign from the Army. He had little money of his own so it was Grace who provided their main source of income because by that time she was a considerable actress. The children came regularly and Dorothy was followed by Nathaniel and Francis and George.
And so they would have gone on. How many children would they have had by now? But there were troubles in Ireland and the theatre had closed. Grace was once more pregnant and Blanche in Wales invited the family to stay with her for a while until everything returned to normal in Dublin. Francis had not been well and his mother, who had kept in touch with him, wished him to take a trip to the South of France with her in the hope that this would restore him to health. Grace, who was also anxious for his health, advised him to take the opportunity offered; she and the children would be well taken care of in Wales. And to think, she mused now, that I was never to see Francis again! It was the biggest blow of her life. But she had known he was always weak. She should ne
ver have consented to his going. She could not believe it when she had received his letter, full of remorse, full of apologies; but that would not keep her and her children – and the new baby had now arrived to swell their numbers.
Francis was penitent, but with him and his mother had travelled a young heiress named Catherine Mahoney; and his mother, with the help of Catherine, had impressed upon him what an excellent match this young heiress would be. Grace knew that he had been disappointed of his inheritance and in view of this he had allowed himself to be persuaded.
Thus was Grace with six children to keep – and there would have been seven but little Lucy had died in Wales – deserted.
Francis was not a callous man – only weak. He had continued to send them an allowance; and what they would have done without it, Grace could not have imagined. They had stayed on in Wales until, with Francis’s death, the allowance had stopped. Grace was informed of this by his wife Catherine who told her at the same time that she had no intention of continuing the allowance.
So they had returned to Dublin and Grace now being well into middle-age and not having won that fame, which would have made audiences regard her as ageless, was seeking to launch her eldest daughter on the stage.
It had been disastrous. Even Dorothy must realize this. They would never – any of them – forget that long-awaited moment when they had sat on the edge of their seats and waited in the old Crow Street Theatre for Hester to appear. Her name had been on the bills: Mr Ryder’s great discovery – the young, beautiful, talented Hester Bland.
Hester came on to the stage; the audience waited, indulgent because she was young and not uncomely; but when she opened her mouth no words came.
‘It can’t be,’ prayed Dorothy. ‘Oh, God, let her speak.’
But Hester’s fear had overcome her talents. She was suffering from acute stage fright and had completely forgotten the words she must say. Dorothy was repeating them under her breath, but how could she shout them to Hester in a crowded theatre. ‘Please, please,’ she prayed. ‘Let her remember.’