[Marianne 4] - Marianne and the Rebels

by Juliette Benzoni

  'What!'

  'Don't look so surprised. You understand well enough. You called me a low thing just now, madame, but no insults can wipe out, or even humble such blood as mine. Like it or not, I am the old Prince's son, and uncle to the poor fool you married. And so, Princess, it is I, your steward, who will give you a child.'

  Choked by such effrontery, it was a moment or two before Marianne was able to speak. She had been wrong in her first estimate. This man was nothing but a dangerous lunatic. It was enough to see his fat fingers working, and the way he licked his lips with the tip of his tongue, like a cat. He was a madman, ready to commit any crime to slake his overweening pride and ambition, and to satisfy his baser instincts!

  She was suddenly very conscious that she was alone with this man. He was stronger than she and must no doubt have accomplices hidden somewhere about this too-silent house, if only the loathsome Giuseppe. She was in his power. He could force her. Her one chance might be to frighten him.

  'If you think for a moment, you will see that you could never carry out this insane plan. I have come back to Italy under the Emperor's especial protection for a purpose which I may not disclose to you. But you may be quite sure that there are people looking for me, concerned about me at this very moment. Soon the Emperor will be told. Do you think you can fool him if I vanish for several months and then turn up with an unaccountable baby? It is plain you do not know him, and if I were you I should think twice before making such an enemy.'

  'Far be it from me to underestimate the power of Napoleon. But it will all be very much simpler than you seem to think. In a little while the Emperor will receive a letter from the Prince Sant'Anna thanking him warmly for restoring to him a wife who is now infinitely dear to his heart and announcing their imminent departure together to spend a delightful and long-deferred honeymoon on distant estates of his.'

  'And you expect him to swallow that? He knows all about the strange circumstances attending my marriage. Be sure he will have inquiries made, and, however remote our supposed destination, the Emperor will get at the truth. He had his suspicions about what awaited me here—'

  'Maybe, but he will be obliged to rest content with what he is told, especially as there will be a note, expressed, naturally, in glowing terms, assuring him of your happiness and begging forgiveness. I have paid, among other things, for the services of a very competent forger. Venice is seething with artists, most of them starving. Believe me, the Emperor will understand. You are lovely enough to explain away any folly, even my own at this moment. The simplest thing, of course, would be simply to kill you and then, in a few months' time, produce a new-born infant, claiming that the mother died in childbed. With a little care, that should go off without a hitch. But I have desired you, ever since the day that old dodderer of a cardinal brought you to the villa, desired you as I have never desired anyone before. That night, you may recall, I concealed myself in your closet while you undressed… your body holds no secrets from my eyes, but my hands are still strangers to its curves. Ever since you went away I have lived in expectation of the moment which would bring you here—at my mercy. I shall get the child I want on your fair flesh… It will be worth a little risk, eh? Even the risk of displeasing your Emperor. Before he finds you, if he ever does find you, I shall have known you tens of times and shall see my child growing in you!… Then shall I be happy indeed!'

  Slowly, he had resumed his advance towards her. His bejewelled hands reached out, quivering, towards the girl's slender form. Revolted by the mere thought of their touch, she moved back into the shadows of the room, seeking desperately for some way of escape. But there was none: only the two doors already mentioned.

  All the same, she made an effort to reach the one by which she had entered. It was just possible that it might not be locked, that if she moved fast she might be able to get out, even if she had to throw herself into the black waters of the cut. But her enemy had guessed her thought. He was laughing.

  'The doors? They open only at my command! Do not count on them. You would break your pretty nails for nothing… Come, lovely Marianne, use your common sense! Isn't it wiser to accept what you can't avoid, especially when you have everything to gain? Who is to say that by yielding to my desires you will not make of me your most devoted slave… and Dona Lucinda once did? I know love – know it in all its ways, and it was she who taught me. If you cannot have happiness, you shall have pleasure—'

  'Stay where you are! Don't touch me!'

  She was frightened now, really frightened. The man was beside himself, past listening, or even hearing. He was coming for her mindlessly, inexorably, and there was something appalling in the machine-like tread and gleaming eyes.

  Marianne retreated behind the table for shelter and her eye fell on a heavy gold salt-cellar standing near the centre-piece. It was a piece like a single carved gem, representing two nymphs embracing a statue of the god Pan: a genuine work of art and probably from the hand of the matchless Benvenuto Cellini. But to Marianne, at that moment, it had only one quality: it must be extremely heavy. She thrust out her hand and grabbed it and hurled it at her attacker.

  He side-stepped in time and the salt-cellar flew past his ear and crashed on the black marble floor. The shot had missed but, giving her enemy no time to recover, Marianne had already got both hands round one of the heavy candlesticks, regardless of the pain as the hot wax spilled over her fingers.

  'One step nearer and I'll hit you,' she threatened through clenched teeth.

  He stood still as she commanded, but it was not from fear. He was not afraid of her; so much was clear from his salacious smile and quivering nostrils. On the contrary, he appeared to be enjoying the moment of violence as if it were a prelude to some voluptuous satisfaction. But he did not speak.

  Instead, he raised his arms, the long sleeves slipping down to reveal broad golden armlets fit to have adorned a Carolingian prince, and clapped three times clearly, while Marianne stood speechless, still holding the candlestick ready to bring it down on him.

  What followed happened very quickly. The candlestick was wrested from her hands and something black and stifling came down over her head while a hand forced her irresistibly backwards. Then she felt herself lifted by her feet and shoulders and borne away like a parcel.

  It was not far, but to Marianne, carried up and down several times, half-suffocated, it seemed interminable. The cloth in which she was enveloped had a peculiar smell, of incense and jasmine combined with another, more exotic odour. She tried to struggle free of it but whoever was carrying her seemed to be unusually strong and her efforts only made them tighten the grip on her ankles painfully.

  She felt them climb one more flight of steps and walk forward a little way. A door creaked. Finally, came the feel of soft cushions underneath her and almost at the same moment the light returned. Not before time: the stuff in which she had been muffled must have been remarkably thick, since no air had penetrated it.

  She took a few deep breaths before sitting up and looking round to see who had brought her here. The sight that met her eyes was strange enough to make her wonder for a moment if she were dreaming. Three women stood a little way from the bed, eyeing her curiously, but three such women as Marianne had never seen before.

  They were all very tall and dressed identically in dark blue draperies with a silver stripe and a multiplicity of bangles, and they were all three black as ebony and so alike that Marianne thought exhaustion must be making her eyes play tricks.

  Then one woman moved away from the group and gliding like a ghost towards the open door vanished through it. Her bare feet made no sound on the black marble floor and, but for the silvery tinkle that accompanied her movements, Marianne might have believed her an apparition.

  The other two, taking no further notice of her, began lighting a number of tall candles made of yellow wax which were set in large iron candle-holders ranged about the floor. Slowly, the details of the room began to emerge.

  It was a very
large room, and at the same time sumptuous and sinister. The tapestries hung from the stone walls were picked out in gold, yet the scenes they portrayed were of an almost unbearable violence and carnage. The furniture comprised an enormous oak chest, massively locked, and a selection of ebony chairs covered in red velvet, all suggesting a positively medieval degree of discomfort. A heavy lantern made of gilded bronze and red crystals hung from the beamed ceiling, but was unlighted.

  The couch on which Marianne herself was lying was nothing less than an immense four-poster bed, big enough for a whole family and draped all round with heavy curtains of black velvet lined with red taffetas, to match the gold-fringed counterpane. The hems of the curtains were lost in the black bearskin rugs that covered the two steps on which the bed stood raised up, like an altar dedicated to some savage divinity.

  To shake off the dread which was creeping over her, Marianne tried to speak.

  'Who are you?' she asked. 'Why have you brought me here?'

  But her voice seemed to her to come from a long way off, faint and distant as in the worse nightmares. Nor did either of the negresses make the slightest sign to show that they had heard. By now, all the candles were alight, reflecting bunches of flames in the black tiles that shone like a lake beneath the moon. Another candlestick on the chest was also alight.

  In a little while, the third woman returned bearing a heavily laden tray which she set down on the chest. But when she approached the bed, gesturing to the others to follow, Marianne saw that the resemblance between the three came largely from their being all much of a height and size and from their dress, for the third was by far the most beautiful. In her the negroid characteristics so marked in the other two were refined and stylized. Her eyes were cold and steely blue, almond-shaped, and despite the almost animal sensuality of her thick lips, the profile might have belonged to some ancient Egyptian queen. Certainly the girl had all a queen's proud grace and scornful assurance. Seen in the melancholy light of the candles, she and her companions made a strange group, but there was no doubt as to who was mistress: the other two were clearly there only to obey her.

  At a sign from her, they seized hold of Marianne again and pulled her upright. The beautiful negress, ignoring her feeble attempts at resistance, which were quickly overcome, began to unfasten the girl's crumpled dress. When it was off, she also removed the undergarments and stockings.

  Naked, Marianne was borne away by her captors, who seemed possessed of phenomenal strength, to a sunken bath. She was deposited on a stool in the middle and the negress proceeded to wash her with a sponge and scented soap, still without uttering a word. Marianne's attempts to break the silence had no effect whatever.

  Suspecting that the women were as dumb as the handsome Jacopo, Marianne submitted without further protest. The journey had been a tiring one and she felt weary and dirty. The bath was invigorating and when, after energetic towelling, the woman began to massage her body with hands which were suddenly amazingly gentle, rubbing in a strangely pungent oil which soothed all the tiredness out of her muscles, Marianne felt much better. After that her hair was brushed and brushed again until it crackled.

  Finally, washed and brushed, she was carried back to the bed, which had been turned down, revealing purple-red silk sheets. The chief of the women brought the tray and set it down on a small table by the bed, then, ranged in a line at the foot of the bed, the three strange waiting-women bowed slowly in unison, turned and filed out of the door.

  Marianne had been too much astonished to make the slightest move, and it was not until the last one had disappeared that she became aware that they had taken her clothes with them, leaving her alone in the room with no other covering than her own long hair, except, of course, for the covers of the bed on which they had placed her.

  The purpose for which she had been left lying naked on the turned-down bed was self-evident, and all Marianne's sense of physical well-being evaporated swiftly in a single furious gust of anger. She had been made ready, stretched on the sacrificial altar as an offering to the lusts of the man who called himself her master, like the virgins and the white heifers once offered up to the old pagan gods. All she needed now was a crown of flowers on her head!

  The three negresses must be slaves, bought by Damiani from some African trader, but it was not hard to guess what relations the creature enjoyed with the most beautiful one. Gentle her hands might be, but her eyes, as she bestowed her skilled attentions on the person of the newcomer, betrayed her feelings unmistakably: that woman hated her, probably seeing her as a new favourite and a dangerous rival.

  Marianne felt herself colouring with shame and anger at the word. Seizing one of the red sheets, she hauled it off the bed and swathed it round her, like the wrappings of a mummy. She felt better then, and much more confident. How could she retain any dignity before her enemy if she were obliged to face him naked as a slave in a slave market?

  Thus swaddled, she set out to explore the room in search of a way out, a crack through which to slip to freedom. But apart from the door, which was low and forbidding, a real prison door sunk in walls more than a yard thick, there were only two narrow pillared windows giving on to a blind inner courtyard, and these were blocked on the outside by a kind of cage of criss-cross iron bars.

  There was no escape in that direction, short of prising out the bars and risking a nasty fall to the paved bottom of the well, from which there might be no other exit. It smelled unpleasantly damp and mildewy.

  Yet there must be some means of access down there, a door or a window perhaps, because she could see a leaf fluttering in a draught of some kind. But that was mere guesswork and in any case how could she possibly escape, stark naked, from a house which could only be reached by water? She could hardly swim in a sheet, but neither could she imagine herself rising like Venus from the waves of the Grand Canal to go knocking coolly on someone's front door.

  So the motive in removing her clothes had been twofold: to deliver her, helpless, into Damiani's arms, and at the same time make it impossible for her to escape.

  With a heavy heart, Marianne made her way back to the bed and sat down on it dejectedly, trying to collect her thoughts and overcome her fears. It was no easy task. Then her eye fell on the tray which had been left for her. Without thinking, she lifted the gilded cover from one of the two plates set on the lace cloth alongside a golden-brown roll and wine in a speckled carafe of Murano glass, slender and graceful as a swan's neck.

  A savoury smell rose from the dish which contained a stew of some kind that made Marianne's mouth water. She realized suddenly that she was ravenously hungry and, seizing the golden spoon, plunged it eagerly into the luscious-looking caramel-coloured gravy. Then, with the spoon half-way to her lips, she paused, struck by an unpleasant thought: suppose this delicious-smelling dish contained a drug which would send her to sleep and leave her a defenceless prey to her enemy, like a fly in a spider's web?

  Fear was stronger than hunger. Marianne put down the spoon and turned instead to the other cover. The second dish contained rice but that too was served with such unfamiliar sauce that the prisoner renounced it also. She was already feeling quite sufficiently alarmed about that inevitable moment when, overcome with fatigue, she would be bound to fall asleep at last. There was no need to meet the danger half-way.

  With a sigh, she nibbled at the roll, which alone looked really harmless, but it was not nearly enough to satisfy her hunger. The carafe of wine was rejected also, after a tentative sniff, and, sighing again, Marianne got out of bed, trailing festoons of red sheet, and drank from the big silver ewer which the black woman had used for her bath.

  The water was warm with a disagreeably musty after-taste but it went some way towards quenching a thirst which was growing every moment more intolerable. The heat which had hung over Venice all day had not abated with nightfall. On the contrary, it seemed to have grown still more oppressive and not even the thick walls of the room could keep it out. The dark red silk of the sheet
clung to Marianne's skin, and for a second she was tempted to take it off and lie down naked on the tiles which felt so cool to the soles of her feet. But that sheet was her only protection, her last refuge, and so, reluctantly, she resigned herself to returning to the sumptuous bed, which made her nearly as uneasy as the food on the tray.

  She had scarcely got in before the beautiful negress was back and gliding towards the bed with her lithe tread, like some half-tamed jungle cat.

  Marianne recoiled instinctively, shrinking into her pillows, but the woman ignored the movement, perhaps interpreting it as one of fear or dislike, and raised the covers from the two plates. Her eyes gleamed mockingly under their blue-painted lids and, picking up the spoon, she began to eat as calmly as if she were alone.

  In a few minutes both plates and carafe were empty. A sigh of repletion greeted the end of the meal and Marianne could not help finding this quiet demonstration infinitely more mortifying than any quantity of reproaches, since it carried overtones of both mockery and contempt. The woman seemed positively to enjoy making her caution look like cowardice.

  Stung, and seeing moreover no reason to go on starving herself voluntarily, Marianne said shortly:

  'I do not care for those foreign dishes. Bring me some fruit.'

  Considerably to her surprise, the negress acquiesced with a flicker of her eyelids and clapped her hands at once. When one of her companions appeared, she said something to her in a guttural foreign language. It was the first time Marianne had heard her voice: it was strangely deep and almost without inflexion, and went well with her enigmatic character. One thing, however, was quite certain. The woman might not speak Italian but she understood Marianne's. The fruit duly arrived in a very few minutes. And at least the woman could speak.

  Encouraged by this success, Marianne selected a peach and then, in a perfectly normal tone, asked for her clothes, or at the least for a nightgown. But this time the negress shook her head.