Samurai and Ninja: The Real Story Behind the Japanese Warrior Myth That Shatters the Bushido Mystique

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Samurai and Ninja: The Real Story Behind the Japanese Warrior Myth That Shatters the Bushido Mystique Page 5

by Antony Cummins


  An army that is 5,135 men strong was divided thusly:

  ♦ Mounted warriors – 566

  ♦ Samurai on foot – 650

  ♦ Musketeers and archers – 320

  ♦ Pikemen – 3,519

  ♦ Short spears – 80

  To get a better view of the samurai army, the question should be changed and should instead read: “What are the component parts of a samurai army?” Doing this shows the makeup of a military force in Japan. The following detailed list is taken from the Gunpo Jiyoshu military war manual of c.1612.

  The Command Group

  Musha Bugyo (samurai commander) – 1

  Tactician – 1

  Archers and musketeer commanders – 15

  Flag commanders – 2

  Foot soldier commanders – 4

  Monomi scouts – 20

  Secretaries – 3

  Suppliers of weapons – 2

  Drummer – 1

  Bell ringer – 1

  Conch shell blower – 1

  Baton holders – 2

  Spear commander – 1

  Doctors – 4

  Carpenter – 1

  Total: 59

  [Second group]

  Standard bearers – 3

  Flag bearers – 30

  Archers – 100

  Musketeers – 200

  Shinobi [ninja] – 20

  Non-mounted samurai – 60

  Accountants – 5

  Chefs – 2

  Grooms – 30

  Komono servants – 450

  Laborers – 50

  Spearmen – 130

  Blacksmiths – 2

  Arrow smith – 1

  Bowyer – 1

  Cordage maker – 1

  Total: 1,085

  [Third group]

  Mounted samurai – 80

  Ponies – 15

  Total: 95

  Note: Fourteen people attend each mounted warrior and they are as follows.

  Helmet bearer – 1

  Footed soldier – 3

  Spear bearers – 2

  Sandal carrier – 1

  Grooms – 3

  Servants – 2

  Laborers – 2

  The above is the estimate for a warrior of 500 koku.

  Total mounted warriors: 154

  Total retainers: 2,156

  Packhorses of the lord – 50

  Packhorses of the retainers – 350

  Grooms for the above horses – 400

  Grand total for this army is 3,796

  It is extremely interesting to note that in the list, shinobi appear as being twenty in number. This would mean that on average there would be one shinobi for every 180–200 men of the force. These were openly hired as shinobi and were allotted a section of the camp. They would sleep during the day and work the perimeter at night, lead night attack squads and hunt out enemy shinobi.

  An even more detailed list can be found in the Giyoshu manual written in 1690. It clearly describes the people taken on campaign or those who follow military armies:

  軍奉行 Ikusa bugyō – Commanding officer

  旗奉行 Hata bugyō – Commanding officer of the flags

  幕奉行 Maku bugyō – Commanding office for the war curtains

  鉄砲大将 Teppo daisho – Musketeer captain

  弓大将 Yumi daisho – Captain of the archers

  鑓大将 Yari daisho – Captain of the spearmen

  鉄砲奉行 Teppo bugyō – Commanding officer for the musketeers

  弓奉行 Yumi bugyō – Commanding officer of the archers

  鑓奉行 Yari bugyō – Commanding officer of the spearmen

  御旗本衆 On-Hatamoto shu – Direct retainers to the shogun

  近習衆 Kinju shu – Close retainers

  小性衆 Kosho shu – Pages

  歩行衆 Kachi shu – Foot soldiers

  歩行頭 Kachi gashira – Head or captain of the foot soldiers

  近習横目 Kinju yokome – Inspector of the close retainers

  歩行横目 Kachi yokome – Inspector of footed soldiers

  小横目 Ko-yokome – Secondary inspector

  惣横目 So yokome – General inspector

  貝ノ役 Kai no yaku – Conch shell blowers

  鐘ノ役 Kane no yaku – Bell officer

  太鼓ノ役 Taiko no yaku – Drummers

  大物見 O-Monomi – Large scouting groups

  中物見 Chu-Monomi – Medium scouting groups

  小物見 Ko-Monomi – Small scouting groups

  使番 Tsukai ban – The lord’s messenger

  軍者 Gunsha – Military strategist or military personnel*

  御太刀奉行 On-Tachi bugyō – Protector of the lord’s sword

  馬奉行 Uma bugyō – Horse management

  具足奉行 Gusoku bugyō – Armor management

  小荷駄奉行 Konida bugyō – Baggage train management

  金奉行 Kane bugyō – Accountant

  納戸役 Nando yaku – Property keeper

  扶持奉行 Fuchi bugyō – Treasurer

  数鉄砲奉行 Kazu Teppo bugyō – Commanding officer to those who hold the lord’s muskets

  儒師 Ju shi – Master of Confucianism

  目醫師 Meishi – Optician

  外科付 Geka – Surgeon

  金瘡 Kinso – Sword cut healer

  易者Ekisha – Diviner

  能書 Nojo – Scrivener (scribe)

  歌道者 Kadosha – Poet

  伯楽 Hakuraku – Horse veterinarian

  筭勘者 Sankanja – Mathematician

  馬惣横目 Uma so yokome – General inspector of horses

  雨用意役 Ame yoi yaku – Those who prepare for rain

  忍者 shinobi no mono – Ninja

  水奉行 Mizu bugyō – Water management

  井堀 Ido hori – Well diggers

  石切 Ishi kiri – Stone quarrymen

  鉄砲張 Teppo hari – Gunsmiths

  弓師 Yumi sh I – Bowyers

  矢師 Ya shi – Fletchers

  金堀 Kane hori – Miners

  漏刻 Rokoku – Water clock maintainer

  博士 Hakase – Scholar of Onmyodo magic, astrology, calendars, etc.

  兵法使 Heiho tsukai – Master of military skills

  強力 Goriki – Load bearers

  走態 Sotai – Runners

  番匠棟梁 Banjo Toryo – Master builder

  鍛冶 Kaji – Blacksmiths

  惣賄人(マカナイ)So Makanai – Food supply manager

  庖丁人 Hocho nin – Cooks

  桶師 Oke shi – Wooden bucket makers

  檜物師 Himono shi-hinoki – Cypress wood carvers

  壁塗 Kabe nuri – Plasterers

  猟師 Ryo shi – Hunters

  鋳物師 Imoji – Metal casters

  鎚屋 Tsuchiya – Hammer forger

  具足屋 Gusoku ya – Armorer

  瓦焼 Kawara yaki – Tile maker

  屋葺 Yane fuki – Thatcher

  舩奉行 Funa bugyō – Commanding officer of the naval forces

  水主 Kako – Sailors

  梶取 Kaji tori – Helmsmen

  鷹匠 Takajo – Falconers

  革屋 Kawaya – Leatherworkers

  山伏 Yamabushi – Mountain priests

  出家 Shukke – Monks

  座頭 Zato – Musicians

  繪師 E shi – Painters

  白拍子 Shirabyoshi – Dancing girls

  能太夫 Nodayu – Master of the Noh theater

  塗師 Nushi – Lacquerer

  紺屋 Koya – Dyers

  油作 Yusaku – Oil makers

  犬引 Inu hiki – Dog handlers

  猿引 Saru hiki – Monkey trainers

  舞 Maimai – Dancers

  放下師 Hoka shi – Street entertainers

  狂言師 Kyogen shi – Comical stage performers

  磨屋 Togi ya – Craftsmen who sharpen blades
/>   畳屋 Tatami ya – Tatami mat makers

  百姓 Hyakusho – Farmers

  町人 Chonin – Townspeople

  商買人 Shobainin – Merchants

  穢多 Eta – Outcasts

  The preceding lists bring the reality of the battle camp into the mind’s eye. Servants and grooms attend each samurai. Carpenters and blacksmiths are at work; accountants are looking after the army treasure under guard. The command group is in the command tent and the cooks are stoking the fires. The soft grass is turning to mud and on the hill behind the camp, the chi masters are watching the enemy camp for auspicious signs. Dogs raid the perimeter, while prostitutes follow nearby. Merchants try to sell their wares in the daytime. Nighttime brings drinking and gambling, which are sometimes subdued or restricted by the command group. The army is a living, moving machine that is medieval life on the road. When on the road or taking up position, the army must erect a jinsho—a battle camp.

  Battle Camps

  Often a samurai army is depicted on the open ground, ashigaru to the front with shields in front of them. Banners wave in the wind as the lord-commander sits behind his closest samurai. However, the jinsho is seldom considered. This is a portable camp made up of huts constructed on site with local material. Fences are made from bamboo or wood, and internal divisions made from curtains or treated paper. Outside the camp, watch fires are built, guards are stationed, and shinobi are sent into the wilderness around. Strict guards are kept, identifying marks are needed, and passwords will gain a man entrance. In the center of the camp, the lord’s command group meets to discuss strategy. On a nearby hill or at a relatively short distance away, the enemy are doing the same. Conch shells sound in the air, drums beat the time, gongs give signals. The chatter of men fills the air.

  Aspects of a Battle Camp

  There are basic items that will be familiar to those in these temporary camps and generally military manuals of the Edo Period display similar illustrations, giving us the basic elements that make up a campsite.

  Watch Fires

  In a typical watch fire, the walls are seven feet high, the fire front opens outwards so that light spills into the dark area away from the camp and allows the men behind the fire to remain in the shadows.

  Fences

  Fences are normally constructed of wood or bamboo in the fashions shown below. Sometimes double fences were constructed to stop infiltrators. Sometimes ditches were dug outside of the fences and filled with sand to show if any footprints had been left behind by shinobi.

  Conch Shells

  A common sound in a battle camp would be that of the conch shell. The system of use would change from camp to camp, but a samurai would expect that the camp would be awoken in a “call the hands” fashion, and then it would be “hands to breakfast” and “form divisions,” etc. The conch shell would sound out and gain a response from the men of the camp, depending on the arrangements made.

  Drums

  The times of the day and the beat of the war march would sound out from the drum. Japanese hours are called toki, and the day is divided up into twelve toki. Each is 120* minutes long and has a name, such as hour of the Boar, hour of the Dog, etc.—thus drums are used to measure time in the camp and to keep men in step when marching.

  Watch Towers

  A soldier in a camp may have to spend his watch up a watchtower; these may be placed around the camps to observe the local area. As can be deduced from the illustration below, these towers can be dismantled and moved to a new location.

  War Curtains

  Large sections of cloth reinforced with rope would be pitched vertically and set up to make barriers. Here different groups would be sectioned off and conversations kept private. Shinobi would be looking for small viewing ports in the cloth for when they sneak into camps to try to observe the command group. War curtains also have various esoteric associations.

  Fake Walls and Spiked Traps

  There are various traps around the camp—these can be pitfall traps laden with spikes, stones hung from ropes, fake collapsing walls and tripwires. Consider the external perimeter of the camp to be a maze of bamboo shields, bamboo bundles, walls, wires and traps.

  The Setup of a Fortified Battle Camp

  One important item that can be gleaned from Japanese military manuals is that camps are seldom alike and the way a commander sets his camp is often a telltale indication of the workings of his mind. The following example and translation is one of many—this one taken from the Gunpo Jiyoshi manual—and it highlights the thinking behind troop placement. Things to note in the image on the following page are the bamboo fence around the perimeter, which appears like crosshatching, and the placement of shinobi directly next to the command tent.

  1. Two units of mounted warriors with captains, one mounted scout, twenty messengers, one unit of archers and one unit of musketeers with captains

  2. One unit of mounted warriors, one unit of archers and one unit of musketeers with captains

  3. Two mounted warriors

  4. One unit of archers and one unit of musketeers with captains

  5. Flags and bannermen

  6. One unit of mounted warriors with a captain

  7. Three units of mounted warriors including those with conch shell and drums

  8. Close retainers with captains

  9. Two units of mounted warriors with captains, one mounted warrior scout, ashigaru foot soldiers

  10. Musha bugyo—commander

  11. One unit of archers, one unit of musketeers, two units of mounted warriors with captains

  12. One unit of messengers, two units of spearmen with commanders, one unit of archers and one unit of musketeers with captains, two units of mounted warriors with captains

  13. Headquarters

  14. Doctors

  15. Domestic staff

  16. Two units of mounted warriors with captains, one unit of archers and one unit of musketeers with captains

  17. Shinobi group (ninja)

  18. One unit of archers and one unit of musketeers with captains

  The Yamaga-Ryu Bukyo Zensho of the 1650s goes on to outline the people who should be put in their own quarters, those huts for people who share the same profession. It is here that we see that shinobi no mono get their own billets, due to the fact that they would have to work throughout the night.

  When setting up a military camp, the following people should be billeted in huts:

  1. Catering overseers

  2. The quartermaster

  3. Those who prepare the lord’s meals

  4. Doctors

  5. Secretaries

  6. Advisors

  7. Monks

  8. Carpenters

  9. Craftsmen

  10. Miners

  11. Shinobi no mono (ninja)

  12. Musicians

  13. Swimmers

  14. Cooks

  15. Those who deal with supplies

  According to Jinichi Kawakami, the following statement is found in Yoshitune-Ryu shinobi manuals and shows that shinobi, when they have time on their hands, should consider undertaking the following:

  軍陣不断共謐時は、心を一入れ、強く張り詰め、物人数の上を遠目 に見て、油断透間を勘へ心懸る可き事

  When you are in a battle camp and things are quiet, keep your mind attentive and observe your army from a distant position and consider the gaps and openings within.

  The image of the Japanese battle camp should be one of a working community on the move. The smell of the latrines is thick in the air. The food is cooking, and the fire smoke rises. Huts and shelters would be in neat formations (if the commander is experienced) while the fences would be erected on soil banks. Signals and drums would sound out and orders would be given. Nearby a merchant train with gambling and prostitution would follow. Entry in and out of the camp would only be permitted with strict permission; and with the use of identifying markers/passwords. Fear of night raids would be constant and the sound
of the war cry before a raid would be dreaded. As night falls, fires and braziers would flare up. Guardsmen would change the watch. Shinobi or secret scouts would be sent into the area around them. They would smell the air for fuses and odors that give away ambushes; or listen for sounds of the enemy—as enemy shinobi move through the bush and forests. A samurai may be taking part in a night raid. They may be wetting paper and wrapping it around anything that jangles. They may also be tying up the horses tongue with string soaked in blood, ready to make them silent for the raid. All the while the enemy shinobi are watching; listening to this so that they can report back to their own allies. The military battle camp of Japan was a dirty, odor-filled environment, normally with strict laws and protocols in place. It was a society in its own right. Men within it, be they ashigaru foot soldiers, servants, or samurai could be away for months at a time.

  The Samurai Castle

  In the popular imagination, a European castle is dark and cold. It smells, and is set against the backdrop of a cliff above raging seas; while the rain and lightning crash down upon it. In contrast the Japanese castle is considered clean, quiet, whitewashed and is always set against a hot Japanese summer. Originally, Japanese castles were much smaller and many were set on clifftops and hills. Many were actually black in color. They were similar to their European counterpart in that they were filled with the normalities of castle life. This included horse muck, smoke from cooking fires, and the trappings of medieval life. So to correctly picture the Japanese castle: imagine an even blend between the gothic stone citadel on the hill and the pristine white palace-castle. At the end of the Sengoku Period, and into the start of the Edo Period, castle technology advanced greatly. This means that the castles of the generation before, those that were at the center of the wars, were different from the ones that people picture and visit today. The result is that we often place the wrong castle in the wrong time frame. The rule of thumb is that in the Sengoku Period there existed a greater number of castles, fortified manor houses, and building complexes. This includes temporary fortifications, mountain retreats, and heavily fortified monasteries. As the Sengoku Period was reaching its height in the later 1500s, castle technology made a massive leap. Castles became much bigger and more complex. Then, in the Edo Period, the shogun had the mountain and outlying castles destroyed. He forced all samurai to leave their ancestral fortified manor houses and move into castle towns—most of which were flatland castles. He removed any natural advantage of position, leaving us with the image of the grand castle with whitewashed walls in the center of major cities. This was not the norm in the warring periods. In the Warring States Period, castles would have been smaller than we know them now, and fortified houses and monasteries would have been bigger than the ones visited by tourists today.

 

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