The Big Sleep pm-1

by Raymond Chandler

  I went down out of the City Hall and got my car from the parking lot and drove home to the Hobart Arms. I lay down on the bed with my coat off and stared at the ceiling and listened to the traffic sounds on the street outside and watched the sun move slowly across a corner of the ceiling. I tried to go to sleep, but sleep didn't come. I got up and took a drink, although it was the wrong time of day, and lay down again. I still couldn't go to sleep. My brain ticked like a clock. I sat up on the side of the bed and stuffed a pipe and said out loud:

  "That old buzzard knows something."

  The pipe tasted as bitter as lye. I put it aside and lay down again. My mind drifted through waves of false memory, in which I seemed to do the same thing over and over again, go to the same places, meet the same people, say the same words to them, over and and over again, and yet each time it seemed real, like something actually happening, and for the first time. I was driving hard along the highway through the rain, with Silver-Wig in the corner of the car, saying nothing, so that by the time we reached Los Angeles we seemed to be utter strangers again. I was getting out at an all night drugstore and phoning Bernie Ohls that I had killed a man at Realito and was on my way over to Wilde's house with Eddie Mars' wife, who had seen me do it. I was pushing the car along the silent, rain-polished streets to Lafayette Park and up under the porte-cochere of Wilde's big frame house and the porch light was already on, Ohls having telephoned ahead that I was coming. I was in Wilde's study and he was behind his desk in a flowered dressing-gown and a tight hard face and a dappled cigar moved in his fingers and up to the bitter smile on his lips. Ohls was there and a slim gray scholarly man from the Sheriff's office who looked and talked more like a professor of economics than a cop. I was telling the story and they were listening quietly and Silver-Wig sat in a shadow with her hands folded in her lap, looking at nobody. There was a lot of telephoning. There were two men from the Homicide Bureau who looked at me as if I was some kind of strange beast escaped from a traveling circus. I was driving again, with one of them beside me, to the Fulwider Building. We were there in the room where Harry Jones was still in the chair behind the desk, the twisted stiffness of his dead face and the soursweet smell in the room. There was a medical examiner, very young and husky, with red bristles on his neck. There was a fingerprint man fussing around and I was telling him not to forget the latch of the transom. (He found Canino's thumb print on it, the only print the brown man had left to back up my story.)

  I was back again at Wilde's house, signing a typewritten statement his secretary had run off in another room. Then the door opened and Eddie Mars came in and an abrupt smile flashed to his face when he saw Silver-Wig, and he said: "Hello, sugar," and she didn't look at him or answer him. Eddie Mars, fresh and cheerful, in a dark business suit, with a fringed white scarf hanging outside his tweed overcoat. Then they were gone, everybody was gone out of the room but myself and Wilde, and Wilde was saying in a cold, angry voice: "This is the last time, Marlowe. The next fast one you pull I'll throw you to the lions, no matter whose heart it breaks."

  It was like that, over and over again, lying on the bed and watching the patch of sunlight slide down the corner of the wall. Then the phone rang, and it was Norris, the Sternwood butler, with his usual untouchable voice.

  "Mr. Marlowe? I telephoned your office without success, so I took the liberty of trying to reach you at home."

  "I was out most of the night," I said. "I haven't been down."

  "Yes, sir. The General would like to see you this morning, Mr. Marlowe, if it's convenient."

  "Half an hour or so," I said. "How is he?"

  "He's in bed, sir, but not doing badly."

  "Wait till he sees me," I said, and hung up.

  I shaved, changed clothes and started for the door. Then I went back and got Carmen's little pearl-handled revolver and dropped it into my pocket. The sunlight was so bright that it danced. I got to the Sternwood place in twenty minutes and drove up under the arch at the side door. It was eleven-fifteen. The birds in the ornamental trees were crazy with song after the rain, the terraced lawns were as green as the Irish flag, and the whole estate looked as though it had been made about ten minutes before. I rang the bell. It was five days since I had rung it for the first time. It felt like a year.

  A maid opened the door and led me along a side hall to the main hallway and left me there, saying Mr. Norris would be down in a moment. The main hallway looked just the same. The portrait over the mantel had the same hot black eyes and the knight in the stained-glass window still wasn't getting anywhere untying the naked damsel from the tree.

  In a few minutes Norris appeared, and he hadn't changed either. His acid-blue eyes were as remote as ever, his grayish-pink skin looked healthy and rested, and he moved as if he was twenty years younger than he really was. I was the one who felt the weight of the years.

  We went up the tiled staircase and turned the opposite way from Vivian's room. With each step the house seemed to grow larger and more silent. We reached a massive old door that looked as if it had come out of a church. Norris opened it softly and looked in. Then he stood aside and I went in past him across what seemed to be about a quarter of a mile of carpet to a huge canopied bed like the one Henry the Eighth died in.

  General Sternwood was propped up on pillows. His bloodless hands were clasped on top of the sheet. They looked gray against it. His black eyes were still full of fight and the rest of his face still looked like the face of a corpse.

  "Sit down, Mr. Marlowe." His voice sounded weary and a little stiff.

  I pulled a chair close to him and sat down. All the windows were shut tight. The room was sunless at that hour. Awnings cut off what glare there might be from the sky. The air had the faint sweetish smell of old age.

  He stared at me silently for a long minute. He moved a hand, as if to prove to himself that he could still move it, then folded it back over the other. He said lifelessly:

  "I didn't ask you to look for my son-in-law, Mr. Marlowe."

  "You wanted me to, though."

  "I didn't ask you to. You assume a great deal. I usually ask for what I want." I didn't say anything.

  "You have been paid," he went on coldly. "The money is of no consequence one way or the other. I merely feel that you have, no doubt unintentionally, betrayed a trust."

  He closed his eyes on that. I said: "Is that all you wanted to see me about?"

  He opened his eyes again, very slowly, as though the lids were made of lead. "I suppose you are angry at that remark," he said.

  I shook my head. "You have an advantage over me, General. It's an advantage I wouldn't want to take away from you, not a hair of it. It's not much, considering what you have to put up with. You can say anything you like to me and I wouldn't think of getting angry. I'd like to offer you your money back. It may mean nothing to you. It might mean something to me."

  "What does it mean to you?"

  "It means I have refused payment for an unsatisfactory job. That's all."

  "Do you do many unsatisfactory jobs?"

  "A few. Everyone does."

  "Why did you go to see Captain Gregory?"

  I leaned back and hung an arm over the back of the chair. I studied his face. It told me nothing. I didn't know the answer to his question — no satisfactory answer.

  I said: "I was convinced you put those Geiger notes up to me chiefly as a test, and that you were a little afraid Regan might somehow be involved in an attempt to blackmail you. I didn't know anything about Regan then. It wasn't until I talked to Captain Gregory that I realized Regan wasn't that sort of guy in all probability."

  "That is scarcely answering my question."

  I nodded. "No. That is scarcely answering your question. I guess I just don't like to admit that I played a hunch. The morning I was here, after I left you out in the orchid house, Mrs. Regan sent for me. She seemed to assume I was hired to look for her husband and she didn't seem to like it. She let drop however that 'they' had found his car
in a certain garage. The 'they' could only be the police. Consequently the police must know something about it. If they did, the Missing Persons Bureau would be the department that would have the case. I didn't know whether you had reported it, of course, or somebody else, or whether they had found the car through somebody reporting it abandoned in a garage. But I know cops, and I knew that if they got that much, they would get a little more — especially as your driver happened to have a police record. I didn't know how much more they would get. That started me thinking about the Missing Persons Bureau. What convinced me was something in Mr. Wilde's manner the night we had the conference over at his house about Geiger and so on. We were alone for a minute and he asked me whether you had told me you were looking for Regan. I said you had told me you wished you knew where he was and that he was all right. Wilde pulled his lip in and looked funny. I knew just as plainly as though he had said it that by 'looking for Regan' he meant using the machinery of the law to look for him. Even then I tried to go up against Captain Gregory in such a way that I wouldn't tell him anything he didn't know already."

  "And you allowed Captain Gregory to think I had employed you to find Rusty?"

  "Yeah. I guess I did — when I was sure he had the case."

  He closed his eyes. They twitched a little. He spoke with them closed. "And do you consider that ethical?"

  "Yes," I said. "I do."

  The eyes opened again. The piercing blackness of them was startling coming suddenly out of that dead face. "Perhaps I don't understand," he said.

  "Maybe you don't. The head of a Missing Persons Bureau isn't a talker. He wouldn't be in that office if he was. This one is a very smart cagey guy who tries, with a lot of success at first, to give the impression he's a middle-aged hack fed up with his job. The game I play is not spillikins. There's always a large element of bluff connected with it. Whatever I might say to a cop, he would be apt to discount it. And to that cop it wouldn't make much difference what I said. When you hire a boy in my line of work it isn't like hiring a window-washer and showing him eight windows and saying: 'Wash those and you're through.' You don't know what I have to go through or over or under to do your job for you. I do it my way. I do my best to protect you and I may break a few rules, but I break them in your favor. The client comes first, unless he's crooked. Even then all I do is hand the job back to him and keep my mouth shut. After all you didn't tell me not to go to Captain Gregory."

  "That would have been rather difficult," he said with a faint smile.

  "Well, what have I done wrong? Your man Norris seemed to think when Geiger was eliminated the case was over. I don't see it that way. Geiger's method of approach puzzled me and still does. I'm not Sherlock Holmes or Philo Vance. I don't expect to go over ground the police have covered and pick up a broken pen point and build a case from it. If you think there is anybody in the detective business making a living doing that sort of thing, you don't know much about cops. It's not things like that they overlook, if they overlook anything. I'm not saying they often overlook anything when they're really allowed to work. But if they do, it's apt to be something looser and vaguer, like a man of Geiger's type sending you his evidence of debt and asking you to pay like a gentleman — Geiger, a man in a shady racket, in a vulnerable position, protected by a racketeer and having at least some negative protection from some of the police. Why did he do that? Because he wanted to find out if there was anything putting pressure on you. If there was, you would pay him. If not, you would ignore him and wait for his next move. But there was something putting a pressure on you. Regan. You were afraid he was not what he had appeared to be, that he had stayed around and been nice to you just long enough to find out how to play games with your bank account."

  He started to say something but I interrupted him. "Even at that it wasn't your money you cared about. It wasn't even your daughters. You've more or less written them off. It's that you're still too proud to be played for a sucker — and you really liked Regan."

  There was a silence. Then the General said quietly: "You talk too damn much, Marlowe. Am I to understand you are still trying to solve that puzzle?"

  "No. I've quit. I've been warned off. The boys think I play too rough. That's why I thought I should give you back your money — because it isn't a completed job by my standards."

  He smiled. "Quit, nothing," he said. "I'll pay you another thousand dollars to find Rusty. He doesn't have to come back. I don't even have to know where he is. A man has a right to live his own life. I don't blame him for walking out on my daughter, nor even for going so abruptly. It was probably a sudden impulse. I want to know that he is all right wherever he is. I want to know it from him directly, and if he should happen to need money, I should want him to have that also. Am I clear?"

  I said: "Yes, General."

  He rested a little while, lax on the bed, his eyes closed and dark-lidded, his mouth tight and bloodless. He was used up. He was pretty nearly licked. He opened his eyes again and tried to grin at me.

  "I guess I'm a sentimental old goat," he said. "And no soldier at all. I took a fancy to that boy. He seemed pretty clean to me. I must be a little too vain about my judgment of character. Find him for me, Marlowe. Just find him."

  "I'll try," I said. "You'd better rest now. I've talked your arm off."

  I got up quickly and walked across the wide floor and out. He had his eyes shut again before I opened the door. His hands lay limp on the sheet. He looked a lot more like a dead man than most dead men look. I shut the door quietly and went back along the upper hall and down the stairs.

  31

  The butler appeared with my hat. I put it on and said: "What do you think of him?"

  "He's not as weak as he looks, sir."

  "If he was, he'd be ready for burial. What did this Regan fellow have that bored into him so?"

  The butler looked at me levelly and yet with a queer lack of expression. "Youth, sir," he said. "And the soldier's eye."

  "Like yours," I said.

  "If I may say so, sir, not unlike yours."

  "Thanks. How are the ladies this morning?"

  He shrugged politely.

  "Just what I thought," I said, and he opened the door for me.

  I stood outside on the step and looked down the vistas of grassed terraces and trimmed trees and flowerbeds to the tall metal railing at the bottom of the gardens. I saw Carmen about halfway down, sitting on a stone bench, with her head between her hands, looking forlorn and alone.

  I went down the red brick steps that led from terrace to terrace. I was quite close before she heard me. She jumped up and whirled like a cat. She wore the light blue slacks she had worn the first time I saw her. Her blond hair was the same loose tawny wave. Her face was white. Red spots flared in her cheeks as she looked at me. Her eyes were slaty.

  "Bored?" I said.

  She smiled slowly, rather shyly, then nodded quickly. Then she whispered: "You're not mad at me?"

  "I thought you were mad at me."

  She put her thumb up and giggled. "I'm not." When she giggled I didn't like her any more. I looked around. A target hung on a tree about thirty feet away, with some darts sticking to it. There were three or four more on the stone bench where she had been sitting.

  "For people with money you and your sister don't seem to have much fun," I said.

  She looked at me under her long lashes. This was the look that was supposed to make me roll over on my back. I said: "You like throwing those darts?"

  "Uh-huh."

  "That reminds me of something." I looked back towards the house. By moving about three feet I made a tree hide me from it. I took her little pearl-handled gun out of my pocket. "I brought you back your artillery. I cleaned it and loaded it up. Take my tip — don't shoot it at people, unless you get to be a better shot. Remember?"

  Her face went paler and her thin thumb dropped. She looked at me, then at the gun I was holding. There was a fascination in her eyes. "Yes," she said, and nodded. Then suddenly:
"Teach me to shoot."

  "Huh?"

  "Teach me how to shoot. I'd like that."

  "Here? It's against the law."

  She came close to me and took the gun out of my hand, cuddled her hand around the butt. Then she tucked it quickly inside her slacks, almost with a furtive movement, and looked around.

  "I know where," she said in a secret voice. "Down by some of the old wells." She pointed off down the hill. "Teach me?"

  I looked into her slaty blue eyes. I might as well have looked at a couple of bottle-tops. "All right. Give me back the gun until I see if the place looks all right."

  She smiled and made a mouth, then handed it back with a secret naughty air, as if she was giving me a key to her room. We walked up the steps and around to my car. The gardens seemed deserted. The sunshine was as empty as a headwaiter's smile. We got into the car and I drove down the sunken driveway and out through the gates.

  "Where's Vivian?" I asked.

  "Not up yet." She giggled.

  I drove on down the hill through the quiet opulent streets with their faces washed by the rain, bore east to La Brea, then south. We reached the place she meant in about ten minutes.

  "In there." She leaned out of the window and pointed.

  It was a narrow dirt road, not much more than a track, like the entrance to some foothill ranch. A wide five-barred gate was folded back against a stump and looked as if it hadn't been shut in years. The road was fringed with tall eucalyptus trees and deeply rutted. Trucks had used it. It was empty and sunny now, but not yet dusty. The rain had been too hard and too recent. I followed the ruts along and the noise of city traffic grew curiously and quickly faint, as if this were not in the city at all, but far away in a daydream land. Then the oil-stained, motionless walkingbeam of a squat wooden derrick stuck up over a branch. I could see the rusty old steel cable that connected this walking-beam with a half a dozen others. The beams didn't move, probably hadn't moved for a year. The wells were no longer pumping. There was a pile of rusted pipe, a loading platform that sagged at one end, half a dozen empty oil drums lying in a ragged pile. There was the stagnant, oil-scummed water of an old sump iridescent in the sunlight.