Selected Stories

by Alice Munro

  Rose was unable to think appreciatively of the wild swans because she was afraid he was going to lead the conversation from them to Nature in general and then to God, the way a minister would feel obliged to do. But he did not, he stopped with the swans.

  “A very fine sight. You would have enjoyed them.”

  He was between fifty and sixty years old, Rose thought. He was short, and energetic-looking, with a square ruddy face and bright waves of gray hair combed straight up from his forehead. When she realized he was not going to mention God she felt she ought to show her gratitude.

  She said they must have been lovely.

  “It wasn’t even a regular pond, it was only some water lying in a field. It was just luck the water was lying there and they came down and I came driving by at the right time. Just luck. They come in at the east end of Lake Erie, I think. But I never was lucky enough to see them before.”

  She turned by degrees to the window, and he returned to his paper. She remained slightly smiling, so as not to seem rude, not to seem to be rejecting conversation altogether. The morning really was cool, and she had taken down her coat off the hook where she put it when she first got on the train; she had spread it over herself, like a lap robe. She had set her purse on the floor when the minister sat down, to give him room. He took the sections of the paper apart, shaking and rustling them in a leisurely, rather showy way. He seemed to her the sort of person who does everything in a showy way. A ministerial way. He brushed aside the sections he didn’t want at the moment. A corner of newspaper touched her leg, just at the edge of her coat.

  She thought for some time that it was the paper. Then she said to herself, What if it is a hand? That was the kind of thing she could imagine. She would sometimes look at men’s hands, at the fuzz on their forearms, their concentrating profiles. She would think about everything they could do. Even the stupid ones. For instance, the driver-salesman who brought the bread to Flo’s store. The ripeness and confidence of manner, the settled mixture of ease and alertness with which he handled the bread truck. A fold of mature belly over the belt did not displease her. Another time she had her eye on the French teacher at school. Not a Frenchman at all, really, his name was McLaren, but Rose thought teaching French had rubbed off on him, made him look like one. Quick and sallow; sharp shoulders; hooked nose and sad eyes. She saw him lapping and coiling his way through slow pleasures, a perfect autocrat of indulgences. She had a considerable longing to be somebody’s object. Pounded, pleasured, reduced, exhausted.

  But what if it was a hand? What if it really was a hand? She shifted slightly, moved as much as she could toward the window. Her imagination seemed to have created this reality, a reality she was not prepared for at all. She found it alarming. She was concentrating on that leg, that bit of skin with the stocking over it. She could not bring herself to look. Was there a pressure, or was there not? She shifted again. Her legs had been, and remained, tightly closed. It was. It was a hand. It was a hand’s pressure.

  Please don’t. That was what she tried to say. She shaped the words in her mind, tried them out, then couldn’t get them past her lips. Why was that? The embarrassment, was it, the fear that people might hear? People were all around them, the seats were full.

  It was not only that.

  She did manage to look at him, not raising her head but turning it cautiously. He had tilted his seat back and closed his eyes. There was his dark-blue suit sleeve, disappearing under the newspaper. He had arranged the paper so that it overlapped Rose’s coat. His hand was underneath, simply resting, as if flung out in sleep.

  Now, Rose could have shifted the newspaper and removed her coat. If he was not asleep, he would have been obliged to draw back his hand. If he was asleep, if he did not draw it back, she could have whispered Excuse me and set his hand firmly on his own knee. This solution, so obvious and foolproof, did not occur to her. And she would have to wonder, Why not? The minister’s hand was not, or not yet, at all welcome to her. It made her feel uncomfortable, resentful, slightly disgusted, trapped, and wary. But she could not take charge of it, to reject it. She could not insist that it was there, when he seemed to be insisting that it was not. How could she declare him responsible, when he lay there so harmless and trusting, resting himself before his busy day, with such a pleased and healthy face? A man older than her father would be, if he were living, a man used to deference, an appreciator of Nature, delighter in wild swans. If she did say Please don’t she was sure he would ignore her, as if overlooking some silliness or impoliteness on her part. She knew that as soon as she said it she would hope he had not heard.

  But there was more to it than that. Curiosity. More constant, more imperious, than any lust. A lust in itself, that will make you draw back and wait, wait too long, risk almost anything, just to see what will happen. To see what will happen.

  The hand began, over the next several miles, the most delicate, the most timid, pressures and investigations. Not asleep. Or if he was, his hand wasn’t. She did feel disgust. She felt a faint, wandering nausea. She thought of flesh: lumps of flesh, pink snouts, fat tongues, blunt fingers, all on their way trotting and creeping and lolling and rubbing, looking for their comfort. She thought of cats in heat rubbing themselves along the top of board fences, yowling with their miserable complaint. It was pitiful, infantile, this itching and shoving and squeezing. Spongy tissues, inflamed membranes, tormented nerve-ends, shameful smells; humiliation.

  All that was starting. His hand, that she wouldn’t ever have wanted to hold, that she wouldn’t have squeezed back, his stubborn patient hand was able, after all, to get the ferns to rustle and the streams to flow, to waken a sly luxuriance.

  Nevertheless, she would rather not. She would still rather not. Please remove this, she said out the window. Stop it, please, she said to the stumps and barns. The hand moved up her leg past the top of her stocking to her bare skin, had moved higher, under her suspender, reached her underpants and the lower part of her belly. Her legs were still crossed, pinched together. While her legs stayed crossed she could lay claim to innocence, she had not admitted anything. She could still believe that she would stop this in a minute. Nothing was going to happen, nothing more. Her legs were never going to open.

  But they were. They were. As the train crossed the Niagara Escarpment above Dundas, as they looked down at the preglacial valley, the silver-wooded rubble of little hills, as they came sliding down to the shores of Lake Ontario, she would make this slow, and silent, and definite declaration, perhaps disappointing as much as satisfying the hand’s owner. He would not lift his eyelids, his face would not alter, his fingers would not hesitate, but would go powerfully and discreetly to work. Invasion, and welcome, and sunlight flashing far and wide on the lake water; miles of bare orchards stirring round Burlington.

  This was disgrace, this was beggary. But what harm in that, we say to ourselves at such moments, what harm in anything, the worse the better, as we ride the cold wave of greed, of greedy assent. A stranger’s hand, or root vegetables or humble kitchen tools that people tell jokes about; the world is tumbling with innocent-seeming objects ready to declare themselves, slippery and obliging. She was careful of her breathing. She could not believe this. Victim and accomplice she was borne past Glassco’s Jams and Marmalades, past the big pulsating pipes of oil refineries. They glided into suburbs where bedsheets, and towels used to wipe up intimate stains, flapped leeringly on the clotheslines, where even the children seemed to be frolicking lewdly in the schoolyards, and the very truck drivers stopped at the railway crossings must be thrusting their thumbs gleefully into curled hands. Such cunning antics now, such popular visions. The gates and towers of the Exhibition Grounds came into view, the painted domes and pillars floated marvellously against her eyelids’ rosy sky. Then flew apart in celebration. You could have had such a flock of birds, wild swans, even, wakened under one big dome together, exploding from it, taking to the sky.

  She bit the edge of her tongue. Very soon t
he conductor passed through the train, to stir the travellers, warn them back to life.

  In the darkness under the station the United Church minister, refreshed, opened his eyes and got his paper folded together, then asked if she would like some help with her coat. His gallantry was self-satisfied, dismissive. No, said Rose, with a sore tongue. He hurried out of the train ahead of her. She did not see him in the station. She never saw him again in her life. But he remained on call, so to speak, for years and years, ready to slip into place at a critical moment, without even any regard, later on, for husband or lovers. What recommended him? She could never understand it. His simplicity, his arrogance, his perversely appealing lack of handsomeness, even of ordinary grown-up masculinity? When he stood up she saw that he was shorter even than she had thought, that his face was pink and shiny, that there was something crude and pushy and childish about him.

  Was he a minister, really, or was that only what he said? Flo had mentioned people who were not ministers, dressed up as if they were. Not real ministers dressed as if they were not. Or, stranger still, men who were not real ministers pretending to be real but dressed as if they were not. But that she had come as close as she had, to what could happen, was an unwelcome thing. Rose walked through Union Station feeling the little bag with the ten dollars rubbing at her, knew she would feel it all day long, rubbing its reminder against her skin.

  She couldn’t stop getting Flo’s messages, even with that. She remembered, because she was in Union Station, that there was a girl named Mavis working here, in the gift shop, when Flo was working in the coffee shop. Mavis had warts on her eyelids that looked like they were going to turn into sties but they didn’t, they went away. Maybe she had them removed, Flo didn’t ask. She was very good-looking, without them. There was a movie star in those days she looked a lot like. The movie star’s name was Frances Farmer.

  Frances Farmer. Rose had never heard of her.

  That was the name. And Mavis went and bought herself a big hat that dipped over one eye and a dress entirely made of lace. She went off for the weekend to Georgian Bay, to a resort up there. She booked herself in under the name of Florence Farmer. To give everybody the idea she was really the other one, Frances Farmer, but calling herself Florence because she was on holiday and didn’t want to be recognized. She had a little cigarette holder that was black and mother-of-pearl. She could have been arrested, Flo said. For the nerve.

  Rose almost went over to the gift shop to see if Mavis was still there and if she could recognize her. She thought it would be an especially fine thing to manage a transformation like that. To dare it; to get away with it, to enter on preposterous adventures in your own, but newly named, skin.

  The Beggar Maid

  PATRICK BLATCHFORD was in love with Rose. This had become a fixed, even furious, idea with him. For her, a continual surprise. He wanted to marry her. He waited for her after classes, moved in and walked beside her, so that anybody she was talking to would have to reckon with his presence. He would not talk when these friends or classmates of hers were around, but he would try to catch her eye, so that he could indicate by a cold incredulous look what he thought of their conversation. Rose was flattered, but nervous. A girl named Nancy Falls, a friend of hers, mispronounced Metternich in front of him. He said to her later, “How can you be friends with people like that?”

  Nancy and Rose had gone and sold their blood together, at Victoria Hospital. They each got fifteen dollars. They spent most of the money on evening shoes, tarty silver sandals. Then because they were sure the bloodletting had caused them to lose weight, they had hot fudge sundaes at Boomers. Why was Rose unable to defend Nancy to Patrick?

  Patrick was twenty-four years old, a graduate student, planning to be a history professor. He was tall, thin, fair, and good-looking, though he had a long pale-red birthmark, dribbling like a tear down his temple and his cheek. He apologized for it, but said it was fading as he got older. When he was forty, it would have faded away. It was not the birthmark that cancelled out his good looks, Rose thought. (Something did cancel them out, or at least diminish them, for her; she had to keep reminding herself they were there.) There was something edgy, jumpy, disconcerting about him. His voice would break under stress—with her, it seemed he was always under stress—he knocked dishes and cups off tables, spilled drinks and bowls of peanuts, like a comedian. He was not a comedian; nothing could be further from his intentions. He came from British Columbia. His family was rich.

  He arrived early to pick Rose up, when they were going to the movies. He wouldn’t knock, he knew he was early. He sat on the step outside Dr. Henshawe’s door. This was in the winter, it was dark out, but there was a little coach lamp beside the door.

  “Oh, Rose! Come and look!” called Dr. Henshawe, in her soft, amused voice, and they looked down together from the dark window of the study. “The poor young man,” said Dr. Henshawe tenderly. Dr. Henshawe was in her seventies. She was a former English professor, fastidious and lively. She had a lame leg, but a still youthfully, charmingly tilted head, with white braids wound around it.

  She called Patrick poor because he was in love, and perhaps also because he was a male, doomed to push and blunder. Even from up here he looked stubborn and pitiable, determined and dependent, sitting out there in the cold.

  “Guarding the door,” Dr. Henshawe said. “Oh, Rose!”

  Another time she said disturbingly, “Oh, dear, I’m afraid he is after the wrong girl.”

  Rose didn’t like her saying that. She didn’t like her laughing at Patrick. She didn’t like Patrick sitting out on the steps that way, either. He was asking to be laughed at. He was the most vulnerable person Rose had ever known; he made himself so, didn’t know anything about protecting himself. But he was also full of cruel judgments, he was full of conceit.

  “YOU ARE a scholar, Rose,” Dr. Henshawe would say. “This will interest you.” Then she would read aloud something from the paper, or, more likely, something from Canadian Forum or the Atlantic Monthly. Dr. Henshawe had at one time headed the city’s school board, she was a founding member of Canada’s Socialist Party. She still sat on committees, wrote letters to the paper, reviewed books. Her father and mother had been medical missionaries; she had been born in China. Her house was small and perfect. Polished floors, glowing rugs, Chinese vases, bowls, and landscapes, black carved screens. Much that Rose could not appreciate, at the time. She could not really distinguish between the little jade animals on Dr. Henshawe’s mantelpiece and the ornaments displayed in the jewelry store window in Hanratty, though she could now distinguish between either of these and the things Flo bought from the five-and-ten.

  She could not really decide how much she liked being at Dr. Henshawe’s. At times she felt discouraged, sitting in the dining room with a linen napkin on her knee, eating from fine white plates on blue placemats. For one thing, there was never enough to eat, and she had taken to buying doughnuts and chocolate bars and hiding them in her room. The canary swung on its perch in the dining-room window and Dr. Henshawe directed conversation. She talked about politics, about writers. She mentioned Frank Scott and Dorothy Livesay. She said Rose must read them. Rose must read this, she must read that. Rose became sullenly determined not to. She was reading Thomas Mann. She was reading Tolstoy.

  Before she came to Dr. Henshawe’s, Rose had never heard of the working class. She took the designation home.

  “This would have to be the last part of town where they put the sewers,” Flo said.

  “Of course,” Rose said coolly. “This is the working-class part of town.”

  “Working class?” said Flo. “Not if the ones around here can help it.”

  Dr. Henshawe’s house had done one thing. It had destroyed the naturalness, the taken-for-granted background, of home. To go back there was to go quite literally into a crude light. Flo had put fluorescent lights in the store and the kitchen. There was also, in a corner of the kitchen, a floor lamp Flo had won at Bingo; its shade was
permanently wrapped in wide strips of cellophane. What Dr. Henshawe’s house and Flo’s house did best, in Rose’s opinion, was discredit each other. In Dr. Henshawe’s charming rooms there was always for Rose the raw knowledge of home, an indigestible lump, and at home now her sense of order and modulation elsewhere exposed such embarrassing sad poverty in people who never thought themselves poor. Poverty was not just wretchedness, as Dr. Henshawe seemed to think, it was not just deprivation. It meant having those ugly tube lights and being proud of them. It meant continual talk of money and malicious talk about new things people had bought and whether they were paid for. It meant pride and jealousy flaring over something like the new pair of plastic curtains, imitating lace, that Flo had bought for the front window. That as well as hanging your clothes on nails behind the door and being able to hear every sound from the bathroom. It meant decorating your walls with a number of admonitions, pious and cheerful and mildly bawdy.

  THE LORD IS MY SHEPHERD

  BELIEVE IN THE LORD JESUS CHRIST AND THOU SHALL BE SAVED

  Why did Flo have those, when she wasn’t even religious? They were what people had, common as calendars.

  THIS IS MY KITCHEN AND I WILL DO AS I DARNED PLEASE

  MORE THAN TWO PERSONS TO A BED IS DANGEROUS AND UNLAWFUL

  Billy Pope had brought that one. What would Patrick have to say about them? What would someone who was offended by a mispronunciation of Metternich think of Billy Pope’s stories?

  Billy Pope worked in Tyde’s Butcher Shop. What he talked about most frequently now was the D.P., the Belgian, who had come to work there, and got on Billy Pope’s nerves with his impudent singing of French songs and his naive notions of getting on in this country, buying a butcher shop of his own.