She didn't know where the table had come from, but it was now in the center of the concrete room. She was strapped on top of it, her arms and legs tied with ropes to each corner. She tried to rock her body but the table didn't move. It was either very heavy or affixed to the floor.
"Stop that, you cunt," a voice said.
She looked up into the harsh overhead light, and then into view came Bob Shiff. He looked down at her; his ghoulish black-tattooed eyes glistened with a mixture of fear and excitement.
"Help me," Karen said softly.
He shook his head. His expression was grim. "He'd kill me. I'd rather he killed you. That was pretty smart, telling him God would punish him for killing on the Sabbath. Made him all nutty, though. He says he has to punish you. He says he wants to see into your eyes when he cuts your throat. Then this will all be over. Once the Beast is made, there is no more need. You're the final victim."
"You're wrong, Bob. This killing is a compulsion. He won't stop. He'll find another reason. This isn't over."
"Yes, it is."
"What about Tashay? She got away. She'll tell the cops," Karen said. "I won't be here. I'm going to Europe. I'm going to see Satan Wolf before he's executed."
Then Karen heard what sounded like a metal ladder, and in a few seconds Leonard Land came into her limited field of vision. He never looked at her but started unpacking his coroner's tools. He had changed into a silk kimono and his pasty white skin radiated in the harsh light. He had rubbed Vaseline over his entire body; she smelled its medicinal odor. He was selecting his scalpels now and he slowly laid them out on the concrete floor. She couldn't see them being arranged, but she could hear the metal handles ring slightly as they were laid at his feet.
Then he raised his kimono and grabbed his penis and slowly started to rock in silence, attempting to masturbate over his tools. But he did not get an erection. He remained limp and grew angry, yanking at himself with uncontrolled rage.
"I need music! Get fucking music!" he yelled at Bob Shiff, who ran quickly from the room. Karen heard him climb the metal ladder.
The Wind Minstrel moved slowly and picked up the Stryker oscillating bone saw. He plugged it in and turned it on. He held it over Karen, bringing it within inches of her face. The sawtoothed lateral blade growled ominously as it oscillated back and forth, vibrating the flesh on The Wind Minstrel's corpulent forearm.
Bob Shiff saw something on the edge of the porch and for a moment, in the pale moonlight, couldn't make out what it was. As he silently crept closer, he saw it was a man. Then he recognized him. It was the same cop who had come to the Loomis Theater and showed him Leonard's picture, the one who had attacked them this afternoon at the garage in East Miami and chased them. When he crept closer, he thought he could hear the man crying, sobbing softly as he sat on the porch. Bob Shiff moved slowly and deliberately back to the VW van, which was hidden in the middle of the dense underbrush, away from the house. He opened the door silently and retrieved the same bat he had used on Karen Dawson in the Bayfront Park toilet. He then moved back toward the house and looked again at the crying man. He was afraid to tell Leonard, because Leonard was strange. Lately anything could send him into a homicidal rage. Shiff decided it wouldn't be hard to get around behind the man if he went to the back of the house and came up on the far side, so that the man's back was to him. The grass there would muffle the sound of his approach.
It took Shiff almost three minutes before he was standing behind Lockwood. The cop was crying, his head bowed, not paying attention. Shiff silently brought the bat back and, with all of his might, he swung it…
Lockwood didn't know what warned him. Maybe it was his battle training in the Marines or an instinct from all the police work. Maybe it was moon shadows or a change in the sound of the keening insects. Maybe it was the ghost of Wyatt Earp-but he instinctively moved to his right seconds before he felt the stinging blow glance off his right shoulder. Bob Shiff saw him move and chased him with his swing. But it threw off his timing and he missed Lockwood's head by a fraction. Lockwood rolled on the ground to gain distance; he saw Shiff move toward him, bat raised high for a final strike. Lockwood was sprawled on the grass, his right leg under him, his right hand touching his left shoe. He was in a horrible position, unable to push off or gain leverage. He was two heartbeats from getting creamed.
Shiff moved in on him with the bat high over his head; then Lockwood snatched off his black loafer and, grabbing it with both hands in a two-handed shooting position, pointed it at Shiff. The moonlight glinted off the black patent leather and it froze Shiff momentarily.
"Drop it or you're dead, cocksucker!" Lockwood barked out an adrenaline-filled complete sentence and prayed this speedballing dust-bunny would go for the lame trick. In a bluff like this, attitude was everything. Then, miraculously, Shiff dropped the bat. "On stomach," Lockwood commanded. Shiff started to go to his knees but, from this position, he could see more clearly.
"It's a fucking shoe," he said in dismay and he lunged again for the bat.
Lockwood was now untangled and threw himself sideways, also grabbing for the wooden bat. The two of them struggled on the ground. In his weakened condition, Lockwood could not even control this tiny 120-pound heroin addict. He was slow and uncoordinated, and in seconds Shiff had the bat away from him. Lockwood lunged forward and awkwardly hit Shiff in the face with both hands. The blow rocked him back but didn't take him down. Lockwood now dove at him, trying to get his hands on Shift's throat. The two men went down in the wet grass, and then Lockwood rolled over the tire iron he had brought with him but had completely forgotten. Shiff pulled free and jumped up with the bat in his hand. Then, grinning, he moved in on Lockwood, who struggled up on his knees, the tire iron in his right hand hidden behind his back. Shiff swung the bat at Lockwood's head but didn't see the tire iron coming from his left. Lockwood ducked under the Louisville Slugger and followed through with the tire iron, hitting Bob Shiff in the side of the head.
The noise was sickening and Shiff went down like chopped cotton. He lay in the grass motionless. Lockwood leaned over him and took his pulse; it felt thin and uneven, and then it just stopped.
"Fuck 'em," Lockwood said, exhausted. He grabbed the tire iron and stood up, looking around. Where the hell had Shiff come from? he wondered. There was nothing out here. And then he saw a small break in the tall grass at the edge of the yard. It looked like it might be a footpath.
The Wind Minstrel had waited until past midnight to avoid God's wrath. But now, it was Monday morning and he could wait no longer.
Shirley had stopped his glorious erection. This messenger for Shirley, this look-alike, had destroyed his penile glory. He would kill her slowly to complete the Beast. He would take her head in a garbage bag back to his barge deep in the Manatee wetlands. He would assemble the Beast in the moonlight and pray to Satan for his miracle. Then he would wait for the Beast to speak and tell him how to avoid the Journey of Redemption. He looked at her, into her frightened eyes.
"Please don't. Please…" Karen said softly.
"Please don't. Please…" The Wind Minstrel mimicked. And then he put down the oscillating saw that he would eventually use to cut the spinal cord at the sixth cervical vertebra. He picked up the 10006 surgical scalpel and drew it once, seductively, across Karen's neck. Then he began his cut.
She screamed out in pain, as the scalpel sliced into her…
Lockwood was moving down the footpath but he couldn't see anything. It was then that he heard Karen's scream. He looked around but couldn't tell where it was coming from. The screaming continued as he stumbled toward the direction of the sound, until finally he was kneeling over a small vent tube with a metal Chinese rain hat over it at the foot of the garden. The pipe was only two inches in diameter but he could hear Karen's strangled cry for help coming from deep below. It was terrifying and ripped through his soul.
How the fuck I get down there? He started thrashing around looking for a way. Then he remembered Sh
irley's obit. Her father had been a Baptist minister who designed bomb shelters. If this was a bomb shelter, there had to be a trapdoor somewhere right above the vents. He got to his feet and quickly tried to find it. He could now hear the terrible screams coming right up through the ground below. They seemed to be coming right up under his feet! He found a metal hatch that was hinged to a concrete lip, a short distance off the footpath. He threw it back and looked down. Fifteen feet below, he could see light. The screaming was louder. He turned around and started to climb down the metal rungs of the ladder, still clutching the tire iron.
The Wind Minstrel had laid open a flap on Karen's neck but had missed her jugular vein because she had bucked violently on the table. He had hit her, knocking her dizzy, but she continued to fight him. He was just trying to make his second cut when he heard Bob Shiff coming back down the metal ladder.
"Hold her," he instructed. Then he turned and saw Lockwood standing in the small bomb shelter clutching the tire iron. He screamed and lunged at Lockwood, who swung the tire iron and missed completely. The tool hit the wall and flew out of his hand. Lockwood threw two slow, awkward punches that barely connected and did no damage; his coordination was way off. Then Leonard Land, with the scalpel still in his hand, grabbed him, threw him down, then landed on top of him, pinning him under his 367-pound frame.
"Fuck you! Fuck you!" The Wind Minstrel shouted as he rose up and stabbed Lockwood with the scalpel.
Lockwood rolled desperately. The scalpel missed his chest and went up to the hilt in his right shoulder. The tip stuck deep in his scapula bone, and then Lockwood rolled further, pulling the scalpel out of The Wind Minstrel's hand. The blade was still embedded in Lockwood's shoulder when the huge killer grabbed for the fallen tire iron and swung it. Lockwood took that blow on the side of the head and it almost put him under.
Suddenly the lights in the bomb shelter went out. At first, Lockwood thought he had gone unconscious, but the pain never left. Then his eyes adjusted and he was looking over the huge man's shoulder, right up the round hatch fifteen feet above, into the moonlit sky… Suddenly, something filled the opening. Then he saw Malavida's face in the center of the hatch.
Malavida threw himself down the opening, free-falling, headfirst.. and landed on Leonard Land's massive back.
Malavida was momentarily dazed, but he managed to snake his arm around Leonard's neck and pulled back, trying to execute a choke hold. They struggled in silence for several seconds. Lockwood's head was not three inches from Malavida's. Their eyes locked, and somehow their stares gave strength to one another. Then, in the circle of moonlight coming from above, he could see Malavida's look of fierce determination turn to desperation. The Chicano had used up all his resources. Leonard started to rise.
"My shoulder," Lockwood hissed. "In my shoulder."
Malavida's eyes went down and saw the scalpel buried in Lock-wood's shoulder. With his left hand he let go of Leonard's neck and grabbed for the scalpel handle, as Leonard rose and got to his feet. Malavida was riding his huge back, but the bloody scalpel had come out of Lockwood's shoulder and was now in Malavida's hand. Leonard spun around and slammed backwards into the wall, knocking Malavida into the concrete.
Malavida fell from the huge man's back and now, in the almost total blackness of the bomb shelter, Lockwood rolled to his feet and charged at the spot where he thought Leonard was. Miraculously, Lockwood caught him in the back with his shoulder and, with spent legs, drove him into the concrete wall as hard as he could. Then he heard Leonard scream out in agony. Leonard came away from the wall and stood in the center of the room, his eyes wide. In the dim moonlight coming down the hatch, Lockwood could not immediately tell what had happened. Then Leonard started grabbing weakly at his kimono.
It was then that Lockwood saw the scalpel buried deep in Leonard's chest. Lockwood had driven him right into Malavida's blade. The huge man shuddered for a minute in the shaft of moonlight. "Mother," he finally whispered, and then he fell forward on his face.
Lockwood crawled to Malavida, who was washed with his own blood from the ripped stomach incision. All of his stitches were now torn.
"Where's Karen?" Malavida said softly.
Lockwood pulled himself up and moved to Karen, whom he could barely see, tied to the table. Her eyes were wide but she was alive. Lockwood looked at the gash on her neck and then, in the almost total darkness, he untied her and helped her off the table.
She knelt beside Malavida. Lockwood didn't think either of them could climb the ladder. Malavida was semi-delinous and bleeding profusely.
"Called cops," Malavida said, weakly.
"You okay?" Lockwood whispered, completely spent.
The Chicano nodded. "Hey, Zanzo."
Lockwood looked over.
"Held your back."
"You sure did," Lockwood admitted.
The three of them sat on the floor, Karen between them. "Thank you," she said to them both. Neither Lockwood nor Malavida had the strength to answer her. Unexpectedly, relief filled Karen's eyes with tears. She took each of their hands and they sat there.
The three of them were still holding hands when the police arrived.
Chapter 42
A HOME WHERE HIPPOS
CAN ROAM
All of them ended up at the hospital in Bradenton. Karen's throat and Lockwood's shoulder were stitched up, but Malavida was rushed into surgery. His fever had climbed to a life-threatening 105 degrees. He had developed peritonitis and they opened him up again, drained out his intestines, bombed him with antibiotics, and prayed. He was back on the critical list. Karen spent five hours getting her broken teeth temporarily capped. Tuesday night her teeth finally settled down enough so she could sleep. On Wednesday afternoon Malavida was upgraded to "serious."
The story unfolded on TV over the next two days, and it was obvious to the entire nation that the three of them had stopped a violent and seriously deranged serial killer. Lockwood had been on the phone to Bob Tilly in Washington. He was determined to keep Malavida from going back to Lompoc and was working with Tilly on an idea. The police had found The Wind Minstrel's barge buried under a tangle of vines in the wetlands. The barge's freezer delivered up a gruesome offering of body parts. It would take almost a month before tissue matches could identify all of them. Besides Candice Wilcox and Leslie Bowers, there were parts of three other women in the freezer. Tashay Roberts had not been heard from.
Lockwood and Karen ate most of their meals in the hospital cafeteria. Lockwood's speech was improving daily, but even so, they had fallen into long lapses of silence, consumed by their own thoughts. Lockwood called Minnesota every evening and talked to Heather. The sound of her voice warmed him like nothing else.
"Daddy, will we still go to a farm?" she asked him each time he called.
"It's a promise, Pumpkin," he answered.
Her voice communicated both hope and disbelief.
Malavida was sitting up by the fourth day. Tubes were hanging like tendrils off the pole by his bed, but his color was back. He looked up at Lockwood and Karen and smiled his beautiful smile.
"I guess I don't get my running start, do I, Zanzo?"
"No running for you at all for a while," Karen said.
"So I'm headed back to Lompoc?"
"I've been working on that," Lockwood said. "I think I got something arranged. But you'll be surrounded by cops."
"Great. What have you got me signed up for this time? Am I a target on the Customs Academy shooting range?"
"I got Bob Tilly, who's now Director of All Operations in D. C., to agree to take you on as a computer specialist. He's arranging for you to be transferred on an early release program from Lompoc. If Karen is crazy enough to want to get into the Pennet computer again, you can do it for her."
"And what about you?" Malavida asked.
"I'm gonna go look for a new home for Heather."
"Where?"
"A farm. I got a lead on a place in Northern California. It's on the coa
st at Drakes Bay. They need somebody to run the acreage… citrus, I think, buncha trees. I'll be like a caretaker or something. But Heather can have horses and we can settle down. You guys are welcome to come and help me watch fruit grow."
And then Lockwood put his hand on Malavida's shoulder. "I didn't think this would happen… but I've come to have great respect for you, Mal. I'd really like to be your friend," Lockwood said.
"You already are," Malavida answered. And they both knew it was true.
Through all this, Karen said nothing.
Later that night Lockwood and Karen decided to have their last dinner together. Lockwood had a plane ticket to Minnesota and was scheduled to pick Heather up the next day. They went to a little beach restaurant in Gulf City just north of Bradenton. In a touch of irony, from the window table they could see the mouth of the Little Manatee River. After they were seated, they sat in silence. Karen fidgeted with her napkin.
"I want you to take care of Malavida," Lockwood finally said. "I got real fond of him. Don't let him fall back in the drink."
"Okay," she said softly.
They ordered dinner, and then Karen reached out and took Lock-wood's hand. "When I first saw you, I thought you were running on your own fumes… but I was wrong. You turned out to be special."
"Karen, this can't go anywhere…"
"Why not?"
"I have to raise Heather."
"I'm good with children."
He sat quietly and didn't answer.
"You know about Mal and me, don't you?" she finally said.
He held her amber eyes with his before answering. "I can live with that," he said. "It's not that…"
"John, I've gone through my adult life looking for things to excite me. I've been jumping off high places, strapped in strange-looking equipment, racing cars, crashing, anything to stay involved with my own life. It's self-destructive. I haven't made the right choices."
Final Victim Page 32
